HOUNDWOLF – EP Review: “Tempted to Abuse”

Houndwolf

HOUNDWOLF is an outstanding hard rock/metal band based in Witten, Germany. Influenced by some of their favorite rock and metal bands like Metallica, Motörhead, Pantera, Slayer, Black Stone Cherry, Trivium and Black Label Society, they play melodic and aggressive metal-infused rock’n’roll, with some of the best guitar work I’ve heard from any band. Comprising HOUNDWOLF are four gracious, cool and funny guys: Milan Schloßmacher (Lead Vocals & Guitars), Tobias Maienschein (Guitar & Backings), Daniel Teuchert (Bass & Backings) and Thomas Neuhaus (Drums).

In early 2016 they released a debut 3-track EP Fast and Loose, then dropped their first studio album Beware of the Dog that November, which I reviewed in December 2017. This past April, they followed up with a new four-track EP Tempted to Abuse, serving up more of their signature aggressive, high-energy rock’n’roll. They kick things off with “Roll,” a simple but effective ode to what they do, and Milan makes sure we don’t forget it as he shouts “We are determined to rock, so you better roll!” Milan and Tobias crank out red hot riffs while Daniel lays down a solid bass line and Thomas pounds out the beat on his drum kit. They perform a studio playthrough of the song on this video, and it’s fun to get a close-up look at them playing their respective instruments.

The guys seem to channel Metallica on the hard-driving title track “Tempted to Abuse,” tearing up the airwaves with extended riffs of blistering guitar work. Milan’s raw vocals even remind me a bit of James Hetfield on this track. Dial up the volume on this banger! Next up is “The Second,” a great bluesy rock song that’s probably my favorite of the four tracks. As always, their guitar work is terrific, but what really stands out for me are Milan’s great vocals. They have just the right amount of raw power when he sings the aggressive verses, then he injects a little humor into his more spoken vocals, when we can also hear a bit of his German accent. It’s clear from his body language and facial expressions that he really gets into playing and singing, which is a joy to watch.

Pursuit of Ambiguity” is straight-up metal rock’n’roll, with rapid-tempo heavy riffs, pounding drums and tons of crashing cymbals. The guitar work in the bridge is absolute fire, and Thomas seems to beat the living hell out of his drums! These guys are amazing musicians and it’s always a pleasure listening to their dynamic rock’n’roll music. I love HOUNDWOLF!

They’ve produced several entertaining videos of themselves playing their songs, as well as some behind the scenes footage of the recording of this EP, which you can check out on their YouTube channel.

Connect with HOUNDWOLF:  Website / Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music
Purchase on Bandcamp / iTunes

CEREBRAL DESECRATION – Single Review: “Peel of the Rotten”

Cerebral Desecration is an amazing death/thrash metal band based in San Marcos, Texas.  Founded in 2010 by guitarists David Machado and Javier Zamora, the band also includes Kobey Lange on vocals, Joe Muniz on bass, and Collyn Rios on drums. Their brutal sound is heavily influenced by bands such as Testament, Obituary, Hatebreed, Sepultura, Pantera, Whitechapel and Lamb of God, to name a few. They released a debut EP Immortals in 2013, and now return with a face-melting new single “Peel of the Rotten.”

The guys waste no time getting right down to business, unleashing from the get-go a juggernaut of raging buzz-saw guitars, crushing basslines and gut-punching drums. Having two lead guitarists gives their sound extra heft, and Machado and Zamora nicely deliver an unrelenting barrage of furious jackhammer riffs that will satisfy any metal head. Zamora plays a beautiful little melodic riff in the bridge that momentarily draws our attention from the relentless onslaught. Muniz nearly blows the speakers with his supermassive bass, while Rios pummels his drums with awe-inspiring fury.

My ears are bleeding, and I haven’t even gotten to the vocals yet! Lange is quite honestly one of the best death metal vocalists I’ve heard in a long while. He sings with a ferocity that boggles the mind, like a rampaging beast stomping through the streets, laying waste to everything in its path. He seems to effortlessly transition from guttural growls to savage screams and back again without skipping a beat.

It’s a fairly long track, clocking in at 5:16 minutes, but there’s not a single throwaway moment or note. It’s a magnificent death metal song from a totally badass band! Take a listen and see for yourself:

Fun fact: I love that the track was recorded at the Dead Room Recording Studio.

Connect with Cerebral Desecration: Facebook / TwitterInstagram / Reverbnation

SERPERUS – EP Review: “Infernal Seasons”

I can’t seem to pull myself away from the UK, as here I am featuring yet another band from that island nation. There’s such a tremendous amount of musical talent based there, I could devote my blog entirely to UK artists. This time I shine my spotlight on Serperus, a Liverpool five-piece that plays aggressive and melodic heavy metal. Formed in 2014, the band consists of Joey Farrell (Vocals), Mark Coogan (Lead Guitar), Jono Walters (Rhythm Guitar), Mikey Smith (Bass) and Aaron May (Drums).

Serperus performing

They released their debut EP …with Pestilence in December 2016 to wide acclaim, and followed up with their sophomore EP Infernal Seasons this past May. Offering up six tracks of brutal, unrelenting thrash metal that address themes of authoritarian oppression, Infernal Seasons serves to further cement the solid reputation Serperus has established for themselves, and demonstrates the progression of their songwriting skills and technical experimentation.

Infernal Seasons

The title track “Infernal Seasons” sets the tone with an onslaught of wailing guitars and Smith’s buzz-saw bass lines, propelled by thunderous percussion, courtesy of May’s relentless attack on his drum kit. Coogan delivers blistering riffs while Farrell snarls the searing and topically relevant lyrics that speak of the destruction and cruelty perpetrated upon society by ruthless leaders: “A charade, a means to construct the plague. The infernal seasons, the results of tyranny. Mother nature, down to her last legs. Deliverance, for us as the non-believers. Twisting tongues of the prophet, forcing catastrophic opinions.”

Serperus dials up the speed setting on the frenetic “Divulge,” the first single released from the EP.  As the band explained to online magazine Pure Grain Audio, “‘Divulge’ is one of the fastest and most intricate songs, featuring lots of twists and turns throughout. It is our personal favourite to play live and it is perfect to showcase what [we’re] all about.” And they’re not exaggerating about the song being fast and intricate – this beast kicks ass! The scorching, rapid-fire riffs blast through the speakers from start to finish with no letup, calling to mind the epic Metallica song “Hardwired.”

Into Ruin” opens with a mysterious intro of violin, xylophone, and piano before an assault of shredded guitars, hammering drums and crushing bass rain down like thunderbolts. This track’s a real head-banger, and once again our ears are treated to killer guitar solos, which continue unabated with “Deliverance Has Come.”  The song’s lyrics assert that mankind’s suffering will only be relieved by death. “Our fate is sealed. So choke on your last breath, as you sit and wait for the sweet release of death. Light begins to fade, humanity has failed, blinded by deceit, history repeats.

Perhaps the most melodically complex track on the EP is “No Vindication,” a six and a half minute-long tour-de-force. The song starts off slowly, with strummed electric guitar and heavy bass, then a hypnotic drum beat enters the scene, accompanied by Farrell’s calm, echoed vocals. The intensity ramps up with aggressive, shredded guitars and pounding drums,  Farrell’s vocals rising in ferocity to match the brutal instrumentals. We’re then thrust headlong into the hard-hitting closing track “Spirit in Black.” Unrelenting riffs of distorted & shredded guitars are driven by jack-hammer percussion, making this track an adrenaline rush on steroids. When the guitars fade out with a final crash of the cymbal, all you can do is catch your breath.

Even though it contains only six tracks, Infernal Seasons runs over 30 minutes, as they’re all fairly long. That fact, combined with the high level of intensity throughout its entirety, make it feel more like an album than an EP. A minor criticism I have is that some of the tracks sound quite similar to one another, however, the quality of the instrumentals and compelling lyrics more than make up for it. Overall, it’s a great EP that delivers the thrash metal goods.

Connect with Serperus:  Facebook / Twitter / Instagram

Stream their music on Spotify and download for free on Bandcamp 

Album Review: TRAVERSE THE ABYSS – “The Gamble of Life”

If you like music that melts your face off, then Traverse the Abyss is the band for you! These guys from Scranton, Pennsylvania play metal so heavy, it’ll knock you on your ass. The first time I listened to their debut album The Gamble of Life I was blown away by the sustained, unrelenting fury of their instrumentals and vocals from beginning to end. The thing is, despite the crushing intensity of their music, it’s still accessible and highly melodic. As an added bonus, their lyrics are heavily peppered with “fuck” – my favorite word in the English language.

The band formed only a year ago, in early 2016, and spent much of the year writing and recording songs for their debut album, which was released in November. For the recording of the album, the band line-up included Eric Ross on lead vocals, “Iron” Mike White on lead guitar, Mike “Bnoc” Bieniecki on bass/backing vocals, and Phil Luongo on drums. Luongo left the band in January 2017 and they welcomed new drummer Nelson Negron and second guitarist Seth Cardona.

traverse-the-abyss

The music style of Traverse the Abyss draws from classic heavy metal, thrash metal, death metal, groove metal, metalcore, hard rock, rock’n’roll and punk. In a conversation with band front man Eric via Twitter messaging, he stated “we are all fans of metal and all the different sub genres within it. We like to blend all our influences together to get a more unique sound compared to the monotony of most modern music. Instead of going towards an album with intentions of writing to appeal to only one crowd like some deathcore & death metal bands do, we write more based on the vibe presented.

Regarding the gambling/card theme of the album and song titles, Eric explained “The gambling theme came into play when we first started writing songs. The first two songs we wrote were ‘Royal Flush’ and ‘One of a Kind,’ and our guitarist said ‘what are we going with, a gambling theme?’ Gambling themed titles with a life reference in the song: ‘One of a Kind’ – be yourself; ‘Snake Eyes’ – death/bullets/hatred;  ‘Joker’ – being used/revenge.

The album storms out of the gate with the first track “One of a Kind.” No song lead-in here, but rather an instantaneous onslaught of pummeling bass, machine-gun riffs, hammering drums and Eric’s furious vocals. He screams “Am I the only one who follows his own path? Am I the only one that doesn’t live by a fad?” Halfway through, the song tempo changes a bit, guitars and heavy bass ablaze as Eric shrieks  “I would like to know, who the fuck you think you are? You act like you’re some sort of god.

Not skipping a beat, the second track “All In” explodes with a full-on assault of blistering guitars, powerful bass and fierce vocals. The song is a thrash metal/rock’n’roll gem, even containing a ‘sex, drugs, rock’n’roll‘ lyric. There’s no let up as the album segues to the brutally hard-hitting “Royal Flush.” Unbelievably, the ferocity of Eric’s hardcore, growling vocals reach new heights, and remain there in the intensely dark “21 or Bust.” He screams “Who do I ask these questions? Who’s got a fucking answer? I just want to know what’s the meaning of life.” Shredded guitars and more savage vocals are the highlights of the menacing “Snake Eyes.” By this point, I’m wondering if Eric has any vocal cords left!

I like every song on the album, but a favorite is the frenetic, punk-infused “Aces High.” Awesome, rapid-fire guitar riffs, buzzing bass and staccato drums keep the energy at full speed. Eric’s vocals alternate between clear and hardcore, and I love when he sings “woo” at 2:44, providing a bit of levity in an otherwise intense song. Speaking of which, the intensity dial is turned all the way to ‘High’ on “Diamonds.” The machine-gun-fire bass and hardcore vocals are positively brutal, yet we’re treated to some melodic guitar solos too. Eric growls “Fuck your Disrespect. Its funny now I see the people who support me. Just look over my shoulder and you’ll see the people who matter to me.”

Joker” is the perfect kiss-off – or should I say ‘fuck-off’ song – with furious instrumentals and vocals to match the searing lyrics: “Reap what you sow, don’t go crying to me./ To be honest, I think you should go fuck yourself!” The fury continues unabated in “Bullets“, with staccato riffs and hammering drums that literally sound like machine gun fire. The album closes with the superb title track “Gamble of Life.” The nearly six and a half minute song begins with a haunting distorted guitar solo accompanied by mysterious vocals, then abruptly changes to a rapid heavy metal beat. Bnoc’s staccato bass is at full throttle, with pummeling drums and shredded guitars keeping pace. Eric’s screaming hardcore vocals intensify in the last two minutes, and by song’s end I’m completely spent.

The Gamble of Life is an impressive debut album from this highly talented group of musicians. I’m confident we’ll be hearing more great music from them in the future. Support Traverse the Abyss by following them on Twitter, Facebook and Instagram. Subscribe to their YouTube channel and stream their music on Spotify. Gamble of Life may be purchased on iTunes and other music sites offering music for download.