Photo of Twenty One Pilots from their Facebook account
It’s a particularly exciting chart this week as we approach the end of 2025, with a new #1 song and two fantastic new debuts, incidentally all by duo acts. Twenty One Pilots, my favorite music act for the past ten years, takes over the top spot with “City Walls”, marking their 14th song to top my chart, and their third this year alone, following “The Line” this past March and “The Contract” in August. Like “The Contract”, “City Walls” is from their eighth studio album Breach, which was released September 12th and serves as the final installment in their decade-long narrative arc explored by their previous albums Blurryface (2015), Trench (2018), Scaled and Icy (2021), and Clancy (2024).
(For those who’ve been living under a rock, Twenty One Pilots are based in Columbus, Ohio and consist of the dynamic duo of singer-songwriter, multi-instrumentalist and producer Tyler Joseph and power drummer Josh Dun. “City Walls” was written and produced by Joseph and his longtime collaborator Paul Meany, the lead singer and keyboardist for alternative rock project Mutemath, who opened for Twenty One Pilots on their Emotional Roadshow Tour that I saw in 2016.)
According to songsdiscussion.com, “‘City Walls’ delves into powerful themes of betrayal, reluctant leadership, and the immense psychological cost of rebellion, all set within the band’s established Dema and Trench narrative. The song’s core meaning centers on a protagonist who feels utterly abandoned by a trusted guide who was supposed to show him the way past the oppressive “city walls.” Now, he is forced to lead a dangerous and uncertain “breach” on his own, all while battling the severe fragmentation of his own mental state under the crushing weight of his new responsibility.“
The accompanying music video for the song, directed by Jensen Noen, runs for nearly ten minutes, making it the longest music video Twenty One Pilots have ever released. (The track itself is 5:22 minutes long.) Band frontman Tyler Joseph stated that the video serves as the proper conclusion to the story surrounding the conceptual city of “Dema”, a fictional location in the world of “Trench”, and its two central characters, Clancy (portrayed by Joseph) and Torchbearer (portrayed by drummer Josh Dun). With a production budget of $1 million, “City Walls” is one of the most expensive music videos of all time, as well as the second most expensive music video of the 2020s. Wikipedia
As I noted earlier, we have two marvelous new debuts, starting with “who’s your boyfriend” by Sydney, Australia-based duo Royel Otis. Comprised of Otis Pavlovic (lead vocals, rhythm guitar, piano) and Royel Maddell (lead guitar, backing vocals, bass, synthesizer), they’ve previously reached #1 twice on my chart, with “Murder on the Dancefloor” in 2024 and “moody” earlier this year. Like “moody”, “who’s your boyfriend” is from their third studio album hickey.
The second debut is “I’ve Got A Broken Heart”, the latest single by hyper-talented jangle pop-rock duo The Lemon Twigs. Based in Long Island, New York, they consist of brothers Brian and Michael D’Addario, both of whom are vocalists, songwriters and multi-instrumentalists. Their wonderful song “My Golden Years” reached #1 on my chart and ranks #5 on my Top 100 Songs of 2024 list (right behind “Murder on the Dancefloor”). “I’ve Got A Broken Heart” was released on November 25th as a double single also featuring “Friday (I’m Gonna Love You)”.
CITY WALLS – Twenty One Pilots (2)
THE WEATHER – All Time Low (1)
DRACULA – Tame Impala (3)
12 TO 12 – sombr (10)
DOWNSTAIRS – Matt Maeson (5)
THE FATE OF OPHELIA – Taylor Swift (6)
ORDINARY CREATURE – Of Monsters and Men (7)
SPECTER – Bad Omens (9)
ANOTHER LIFE – Alabama Shakes (4)
SO FAR SO FAKE – Pierce The Veil (12)
THE FEAR – Future Theory (13)
LUCY – Mt. Joy (14)
GET THE MESSAGE – The Paradox (15)
WATCH ME GO – Lord Huron (16)
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges (8)
ENSENADA – Sublime (11)
ZOMBIE – YUNGBLUD (18)
TANANA – Portugal. The Man (19)
BY YOUR SIDE – Meltt (20)
REMEMBER US? – Two Feet (21)
RUBBER BAND MAN – Mumford & Sons w/Hozier (22)
MADALENA – Goose (23)
INFINITE SOURCE – Deftones (24)
WHITE HORSES – Wolf Alice (25)
HUMAN – Brandi Carlile (30)
STAY IN YOUR LANE – Courtney Barnett (29)
SUSHI AND COCA-COLA – St. Paul & The Broken Bones (17)
Unbelievably, 2024 ended up being an even crazier year than 2023 was! Though things didn’t turn out as I’d hoped from a political standpoint, it was nevertheless a decent year for me personally, plus there was lots of incredible music to enjoy. As I do at the end of each year, I’ve compiled a list of my 100 favorite songs for 2024. This past Monday, I posted my list of the 100 Best Indie Songs of 2024 (which you can read here), and now this new list represents my compilation of favorite songs that I feel are the overall best of 2024. (Eighteen songs from the Best Indie Songs list also appear on this list.)
Music tastes are very subjective, and while I don’t understand how others cannot share my love for a particular song or artist, I fully realize that not one person will agree with all my song choices or rankings. Furthermore, as a music blogger, I’m exposed to a tremendous amount of new music over the course of a year, both from the literally thousands of artists and bands I follow, as well as all the music I learn about from my fellow bloggers. Despite this, I’ve heard only a tiny fraction of all the music released in 2024. Consequently, my list includes only songs I know, and I’m certain there are likely many great ones that should be included, except that I’ve never heard them. Among the thousands of songs I did hear in 2024, there were many outstanding ones, and it frustrates me to have to cull my list down to only 100, omitting quite a few that I really like. It’s also a challenge ranking them, because a song at #40 isn’t necessarily any better than a song at #70. Perhaps it’s a pointless exercise to even rank them at all, except for the fact that I love making lists!
I avoid ranking albums, as there are simply far too many I’ve either not heard, nor had the time to fully listen to, therefore any list I might compile would be woefully inadequate. That said, there are some particularly beautiful records released in 2024 that impressed me, including Romance by Fontaines D.C. (my overall favorite album of 2024), Songs of a Lost World by The Cure, Leon by Leon Bridges, nothing by Louis Cole, Dreamstate by Kelly Lee Owens, Clancy by twenty one pilots, I AM CINCO by MISSIO, Melt by Beach Weather, HIT ME HARD AND SOFT by Billie Eilish, A Dream Is All We Know by The Lemon Twigs, and As It Ever Was, So It Will Be Again by The Decemberists.
Most of the songs on this list were released in 2024, however, several were released in 2023 but didn’t ‘peak’ until 2024. Likewise, several songs released after November 1st are still moving up my weekly charts and won’t peak until early 2025, thus will appear on my 100 Best Songs of 2025 list. The few songs in this Top 100 that also appeared on my Top 100 Songs of 2023 list, such as Green Day’s “The American Dream Is Killing Me”, which spent a week at #1 at the end of 2023 and another three at #1 in early 2024, are indicated with an asterisk *.
I’ve written brief narratives and included videos for the top 10 songs. As always, I’ve created a Spotify playlist for this Top 100, which is included at the end of the post. Hopefully you’ll find some of your own personal favorites on it. Let me know what songs were your favorites of 2024.
1. STARBURSTER – Fontaines D.C.
Irish alt-rock band Fontaines D.C. are one of the most exciting and interesting acts making music today, and while they’d been gaining acclaim and popularity since the release of their debut album Dogrel in 2019, it was their spectacular fourth studio album Romance, released last summer, that really put them over the top. Elton John recently called them “the best band out there at the moment“. I love their always arresting sound, thanks in part to charismatic lead vocalist Grian Chatten’s distinctive baritone Irish brogue, and they’ve become one of my favorite bands. “Starburster”, the bombastic lead single from Romance, is musically complex and brilliant, and one of the most sonically thrilling songs I’ve heard in a while.
The song was inspired by a panic attack that Chatten suffered in a London tube station, and the jarring gasps heard at the end of each line suggest the gasps or quick breaths of someone experiencing a panic attack. To drive home their message, Fontaines D.C. start with a foreboding Mellotron string loop quickly followed by an elegant piano riff before the music explodes into a bombastic soundscape of stomping trip hop beats, sharp percussion and reverb-soaked twangy guitars. Chatten does a fine job with his commanding rapid-fire rapping of the lyrics, which he’d previously done on the collaborative single “Better Way To Live” with Irish hip-hop trio Kneecap. The song transitions to a calm interlude in the bridge with a majestic string arrangement and Chatten’s vocals now a warm and soothing croon, then finishes with a return of the stomping beats and jarring music. I love it, and couldn’t stop listening to it for months on end, making it my favorite song of 2024.
The song’s rather unsettling video, directed by Aube Pierre, features Chatten performing a variety of daily activities in differing personas ranging from angelic to demonic, sometimes wounded and other times wearing a mask or wig. It’s as ambiguous and scattered as the song’s lyrics.
2. HIGH IN LOW PLACES – Beach Weather
Another favorite act of mine is alternative pop-rock trio Beach Weather, whose “Trouble With This Bed” was my #1 song of 2023, and “Sex, Drugs, Etc.” my #3 song of 2022. Their gorgeous “High In Low Places“, released at the end of May 2024 and featured on their subsequently released second album Melt, takes its place as my second-favorite song of 2024. I love the song’s brooding cinematic vibe in the vein of Ennio Morricone, particularly the twangy guitars and lead vocalist Nick Santino’s sensuous vocals. He had this to say about the song: “We like to call ‘High in Low Places’ our apocalyptic love song. There was beauty in the idea of finding peace in one another while the world was slowly melting. We wanted to create something that felt cinematic, the closing credits of a modern end-of-times western. There are hints of those influences in the guitars and strings running through the chorus where we want to pull everyone into a world but stay hopeful that we can all rise above that insanity transpiring around us.” The lyrics speak to remaining positive and optimistic in the face of life’s problems and obstacles.
3. THE CRAVING – twenty one pilots
Ever since learning about them 10 years ago, twenty one pilots have ranked among my all-time favorite music acts, and their 2015 masterpiece Blurryface is one of my favorite albums of all time. Still based in their hometown of Columbus, Ohio, the dynamic duo consists of singer-songwriter and multi-instrumentalist Tyler Joseph and drummer Josh Dun. Joseph is a brilliant and imaginative songwriter, as well as a damn fine rapper, and Dun is one of the best drummers around today. In May 2024, they released their seventh album Clancy, the final installment of their nearly decade-long series of conceptual albums, concluding the storyline of the character Clancy, who resides in the fictional dystopian city of Dema in the metaphysical world of Trench we were introduced to on their 2018 album Trench. One of the album’s tracks, “The Craving”, was released in two different versions, one being the album cut featuring a stripped-down acoustic arrangement subtitled “Jenna’s Version”, and the other the single version featuring a fuller arrangement. Joseph wrote the song as a dedication to his wife Jenna. The beautiful single version was twenty one pilots’ 11th song to reach #1 on my chart, and finishes the year at #3.
4. MURDER ON THE DANCE FLOOR – Royel Otis
Without question, one of my absolute favorite songs of 2024 was “Murder on the Dance Floor”, by Australian guitar-pop duo Royel Otis (comprised of Royel Maddell and Otis Pavlovi). It’s a marvelous cover of the 2001 hit “Murder on the Dancefloor” by British singer-songwriter Sophie Ellis-Bextor, which Royel Otis performed on the Australian radio station Triple J for their Like a Version program. Interestingly, the song does not appear on their excellent debut album PRATTS & PAIN that was released in February 2024. The song was co-written by Ellis-Bextor and Gregg Alexander, former frontman of the band The New Radicals (who had a hit in the late 90s with “You Get What You Give”). Ellis-Bextor’s original version gained renewed popularity earlier this year after appearing in the 2023 black comedy thriller film Saltburn, causing it to re-enter the UK Dance Singles Chart, where it reached #1. It also peaked at #3 on the US Billboard Hot Dance/Electronic Songs chart and #51 on the Hot 100, her first song to ever appear on that chart. Royel Otis’ version peaked at #2 on the Alternative Airplay chart, but spent three weeks at #1 on my chart. I love the video of the exuberant studio performance, in which all the musicians involved are positively first-rate.
5. MY GOLDEN YEARS – The Lemon Twigs
Another one of the more interesting music acts around today is American indie rock duo The Lemon Twigs, consisting of the hyper-talented and charismatic brothers Brian and Michael D’Addario. Raised in a musical household on Long Island, New York (their father Ronnie D’Addario is a musician and songwriter in his own right), the two learned to play instruments and sing at an early age. Both Brian and Michael also had extensive stage, while Michael’s also appeared in a variety of television shows and films. The brothers formed The Lemon Twigs while they were both in high school, with each performing lead vocals, lead guitar, drums and other instruments. They cite as their major music influences bands ranging from The Beatles and Beach Boys to Procol Harum and Queen. They recorded their first album Do Hollywood in 2015, when the two were only 15 and 17 years old. The album, which was released in 2016, was well-received by critics and earned them appearances on TV programs like The Tonight Show Starring Jimmy Fallon, CBS This Morning “Saturday Sessions” and Conan, as well as a coveted spot at the Coachella Valley Music and Arts Festival in Indio, California in April 2017.
Their delightful power pop gem “My Golden Years” was the lead single from their fifth studio album A Dream Is All We Know, co-produced by the band and Sean Ono Lennon and released in May 2024. The song seems to pay homage to some of the great songs from the 60s by acts like The Byrds and Beach Boys, as well as early 70s The Raspberries. I absolutely love those gorgeous jangly Rickenbacker guitars and Beach Boys-esque harmonies. Shockingly, I don’t believe the song appeared on any chart in the U.S. or elsewhere, though YouTuber Anthony Fantano of theneedledrop ranked it #13 for the year, and New York Times TV critic James Poniewozik called the song “the soundtrack of my year“.
6. PEACEFUL PLACE – Leon Bridges
Leon Bridges is an enormously talented singer-songwriter based in Fort Worth, Texas. I love his pleasing style of R&B-influenced neo soul, particularly his smooth and warm vocals that remind me at times of the late, great Marvin Gaye and Sam Cooke. His gorgeous song “Peaceful Place”, from his fourth studio album Leon released this past October, spent two weeks at #1 on the Billboard Adult Alternative Airplay chart and four weeks at #1 on my chart, and finishes the year at #6. In addition to his marvelous, soulful vocals, I also love that slide guitar and cool bass line on the track. His 2018 song “Bad Bad News” was one of my favorite songs of that year, and ranks #29 on my Top 100 Songs of the 2010s list. The wonderful video was shot in Mexico City and Los Angeles.
7. TOO SWEET – Hozier
I just love Irish singer-songwriter Hozier, who’s had quite a resurgence over the past year or so with his critically acclaimed third studio album Unreal Unearth, which featured his two hit singles “Eat Your Young” and “Francesca”, his duet “Northern Attitude” with American singer-songwriter Noah Kahan (which appears later in this Top 100 chart), as well as his singles “Too Sweet” and “Nobody’s Soldier”, (which also appears later in this chart). Released in late March a week after he dropped his fifth EP Unheard, “Too Sweet” has turned out to be his highest charting single both in the UK and the U.S. It quickly went to #1 on the Billboard Hot 100 in April, then went on to spend an astonishing 11 weeks at #1 on the Alternative Airplay chart and 8 weeks on the AAA chart. It spent two weeks at #1 on my chart, and ranks #7 for the year. It was Hozier’s fifth song to top my chart (the previous being “Take Me to Church” in 2014, “Nina Cried Power”, featuring Mavis Staples, in 2018, “Eat Your Young” in 2023 and “Northern Attitude” earlier this year). The song’s lyrics are directed at a romantic partner with totally different lifestyle preferences – the singer enjoys staying up late and drinking alcohol and black coffee, in contrast with his partner who goes to bed early, eats healthy, etc. – in other words, she’s too sweet for him.
8. FAVOURITE – Fontaines D.C.
Fontaines D.C. are back with “Favourite“, the second single from their brilliant album Romance, and the second song to not only appear on this chart, but also in the top 10. The uplifting, gorgeous and heartwarming anthem has become their highest-charting song in the U.S., reaching #3 on the Billboard AAA chart. It spent three weeks at the top of my chart, and comes in at #8 for the year. The delightful video features childhood scenes of the band members, juxtaposed with images of them today.
9. TIME – MISSIO
I’m sounding like a broken record, but Austin, Texas-based duo MISSIO (comprised of multi-instrumentalist and vocalist Matthew Brue and multi-instrumentalist and producer David Butler) are yet another of my favorite acts. I love their uniquely eclectic sound that’s an arresting blend of alternative rock, electronic and hip hop, and have written about them several times on this blog. Four of their songs – “I See You”, “Underground”, “Can You Feel the Sun” and “Time” – have reached #1 on my Top 30. “I See You” was my #1 song of 2019, and ended up at #10 on my Top 100 of the 2010s, while “Can You Feel the Sun” was my #4 song of 2021. The darkly captivating “Time”, from their fifth album I AM CINCO, an epic work released last May which I reviewed, finishes at #9 for 2024. I love Matthew Brue’s distinctive tenor voice, which sounds especially vulnerable and heartfelt on this song, accompanied by a gorgeous instrumental arrangement. The simple but profound lyrics touch on anxieties over some of the issues facing our current world and society, with MISSIO reminding us that “time goes wherever you are, now, in each moment” and to “live like it’s your last because you’re not guaranteed a tomorrow.”
10. WRECKAGE – Pearl Jam
While I’ve always liked the music of Pearl Jam well enough, I’ve never been a huge fan. But I really love their magnificent song “Wreckage”, released in April 2024 as the third single from their 12th studio album Dark Matter. I like how the song gradually builds from a compelling downtempo rock song into a spine-tingling anthem, fueled by explosive jangly guitars, tumultuous percussion and Eddie Vedder’s impassioned vocals. In an April 2024 interview with British newspaper The Sunday Times, Vedder said he wrote the lyrics to “Wreckage” about the “desperation” of former U.S. president Donald Trump, elaborating “There is a guy in the United States who is still saying he didn’t lose an election, and people are reverberating and amplifying that message as if it is true. Trump is desperate. I don’t think there has ever been a candidate more desperate to win, just to keep himself out of prison and to avoid bankruptcy. It is all on the line, and he’s out there playing the victim… So the song is saying, let’s not be driven apart by one person, especially not a person without any worthy causes.” The next day, he told Howard Stern that the song could also be about “a difficult relationship”. Whatever it’s about, I love it, and it’s become my favorite song by Pearl Jam. “Wreckage” was a big hit, reaching #1 on the Billboard Mainstream Rock and Adult Alternative Airplay charts. While it peaked at only #2 on my chart, where it spent two weeks, it ranks as my 10th favorite song of 2024.
BEAUTIFUL PEOPLE (STAY HIGH) – The Black Keys
NEON PILL – Cage the Elephant
THE AMERICAN DREAM IS KILLING ME – Green Day *
CREATURES IN HEAVEN – Glass Animals
DILEMMA – Green Day
PANORAMIC VIEW – AWOLNATION
MESSY – Lola Young
THAT’S HOW I’M FEELING – Jack White
BURIAL GROUND – The Decemberists
A FRAGILE THING – The Cure
WHAT NOW – Brittany Howard
NORTHERN ATTITUDE – Noah Kahan & Hozier
LOSE CONTROL – Teddy Swims
SAD IN CAROLINA – Dexter and The Moonrocks
LIKE YOU DO – Talk in Waves
LOST IN SPACE – Foster the People
OVERCOMPENSATE – twenty one pilots
BIRDS OF A FEATHER – Billie Eilish
DIE WITH A SMILE – Lady Gaga & Bruno Mars
RAINBOW – Cage the Elephant
ALL I DIE FOR – SWiiMS
HARDCORE ROMANCE – Beach Weather
ESPRESSO – Sabrina Carpenter
STARGAZING – Myles Smith
GOOD LUCK, BABE! – Chappell Roan
WINTER COWBOY – Frank Joshua
COOL ABOUT IT – boygenius
THE DOOR – Teddy Swims
THE TOWER – Future Islands
A FORETOLD ECSTASY – Mayflower Madame
OH NO! – The Decemberists
I’VE GOT LOVING FOR YOU – Bottlecap Mountain
END OF BEGINNING – Djo
DON’T FORGET ME – Maggie Rogers
KOOL AID BLUE – The Sylvia Platters
BLAME BRETT – The Beaches
MY LOVE MINE ALL MINE – Mitski *
CAN’T SLOW DOWN – almost monday
LOVIN ON ME – Jack Harlow
ATTRACTION – Wild Horse *
I’M IN LOVE – Jelani Aryeh
UP ALL NIGHT – James Bay, The Lumineers & Noah Kahan
DEATH VALLEY HIGH – Orville Peck & Beck
LUNCH – Billie Eilish
MOTHER NATURE – MGMT
LUNAR ECLIPSE – The Vaccines
NOTHING MATTERS – The Last Dinner Party
FORTNIGHT – Taylor Swift & Post Malone
NOBODY’S SOLDIER – Hozier
WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH
FOR US ALL – Asgard Raven
MODERN GIRL – Bleachers
RUN AWAY WITH ME – Cold War Kids
ICE CREAM (PAY PHONE) – Black Pumas
DIAMOND AND THE MISSING SON – Unquiet Nights
ALIVE! – Bakar
EVERYTHING WE NEED – Mojave Grey
YOU JUST PLAYED MY MIND – Oli Barton
BLUSH – Vazum
NEVERENDER – Justice & Tame Impala
CAPRICORN – Vampire Weekend
MUSTANG – Kings of Leon
ON THE GAME – The Black Keys
GARMONBOZIA – Flying Lotus
INTO GOLD – London Grammar
BOTHERING ME – Sarah Blasko
TAKE IT OR LEAVE IT – Dead Slow Hoot
LONELINESS – Pet Shop Boys
A TEAR IN SPACE (AIRLOCK) – Glass Animals
WANTING AND WAITING – The Black Crowes
FIND MY WAY – Ships Have Sailed
SUPERSAD – Suki Waterhouse
HOW DID YOU GET HERE? – Antony Szmierek
WAR – HEALER
SCARED TO START – Michael Marcagi
THE BREAK – Blame My Youth
GOOD PEOPLE – Mumford & Sons, Pharrell Williams
GOLD – Caitlin Lavagna
I HAD SOME HELP – Post Malone & Morgan Wallen
RUN YOUR MOUTH – The Marías
TOO MUCH – girl in red
THE LIGHTHOUSE – Stevie Nicks
DARK MATTER – Pearl Jam
BROKEN MAN – St. Vincent
HONEY – Mr Bewlay
BOBBY SOX – Green Day
BIG CAT TATTOOS – Hamish Hawk
MIND GAME (3:33) – Collette McLafferty & John Serrano
I never tire of hearing the buoyant “Murder on the Dancefloor ”, by Australian duo Royel Otis, and it remains my favorite song for a third week. In fact, all the other top five songs – “Too Sweet” by Hozier, “Overcompensate” by twenty one pilots, “Dilemma” by Green Day, and “Don’t Forget Me” by Maggie Rogers – remain in place for a second week. Entering the top 10 are “Burial Ground” by The Decemberists and James Mercer, the biggest upward mover this week, leaping 14 spots to #9, and the melancholy and beautiful “Take It Or Leave It” by British alt-rock band Dead Slow Hoot, at #10.
For the third week in a row, three songs make their debut on my chart. I actually had seven songs I wanted to add but that would have required dropping seven off, which I just couldn’t do. So, I had to settle for just three, leaving some of the others to be added next week. The first debut, at #28, is “Wreckage” by Pearl Jam, a pleasing downtempo track that essentially replaces their hard-hitting previous single “Dark Matter”. Both tracks are from their latest album Dark Matter, which dropped April 19th. Entering at #29 is “End of Beginning”, a lovely and poignant song by American indie rock artist Djo, the musical moniker of Joseph David Keery. He’s also an actor who became well known for his roles in the TV series Stranger Things and Fargo. Bringing up the rear is the exceedingly infectious “The Break” by American alt-rock band Blame My Youth. Fronted by Sean Van Vleet, they formed in 2020 and released their debut EP Dance With My Demons in 2022. They’ve since followed with a number of singles, including “The Break”, which was released last December. Though they’re new to me, I’m really liking their music.
MURDER ON THE DANCEFLOOR – Royel Otis (1)
TOO SWEET – Hozier (2)
OVERCOMPENSATE – twenty one pilots (3)
DILEMMA – Green Day (4)
DON’T FORGET ME – Maggie Rogers (5)
CREATURES IN HEAVEN – Glass Animals (8)
CAPRICORN – Vampire Weekend (9)
MUSTANG – Kings of Leon (10)
BURIAL GROUND – The Decemberists & James Mercer (23)
The delightfully ebullient “Murder on the Dancefloor ”, by Australian guitar-pop duo Royel Otis, remains on top for a second week, while “Too Sweet” by Irish singer-songwriter Hozier slides into second place. Entering the top 10 are “Creatures in Heaven” by English indie rock band Glass Animals, “Capricorn” by New York indie art pop/rock band Vampire Weekend, and “Mustang” by Nashville alt-rock band Kings of Leon, which leaps nine spots to #10, making it the biggest upward mover this week.
There are three debut songs again this week. First up is the lovely and heartwarming “Scared To Start” by Cincinnati, Ohio-based Americana singer-songwriter Michael Marcagi, which frankly should have entered my chart a month ago, but better late than never. He began his music career as a member of the band the Heavy Hours, but released his first single, “The Other Side”, as a solo artist last December. In January, he signed with Warner Records and released “Scared to Start”, which soon gained popularity on TikTok. The song recently peaked at #54 on the Billboard Hot 100, though it’s reached the top 10 in Ireland and the UK, as well as on the Billboard Adult Alternative Airplay chart. Both singles are included on his debut EP American Romance, which was released in February.
The second debut, at #29, is “On The Game” by Nashville duo The Black Keys. The bluesy anthemic song follows their recent #1 hit “Beautiful People (Stay High)”, both of which are from their latest album Ohio Players. Last, but certainly not least, is “Adrift”, by Missouri rock band Voodoo Planet, featuring some lovely cello by Australian singer-songwriter and multi-instrumentalist Mikey J. The bittersweet song, which I reviewed last month, is another long-overdue entry into my Weekly Top 30,
MURDER ON THE DANCEFLOOR – Royel Otis (1)
TOO SWEET – Hozier (4)
OVERCOMPENSATE – twenty one pilots (3)
DILEMMA – Green Day (2)
DON’T FORGET ME – Maggie Rogers (6)
TIME – MISSIO (5)
ICE CREAM (PAY PHONE) – Black Pumas (7)
CREATURES IN HEAVEN – Glass Animals (11)
CAPRICORN – Vampire Weekend (15)
MUSTANG – Kings of Leon (19)
WANTING AND WAITING – The Black Crowes (12)
TAKE IT OR LEAVE IT – Dead Slow Hoot (17)
I’VE GOT LOVING FOR YOU – Bottlecap Mountain (18)
MY GOLDEN YEARS – The Lemon Twigs (8)
NEON PILL – Cage the Elephant (9)
EVERYTHING WE NEED – Mojave Grey (10)
FORTNIGHT – Taylor Swift feat. Post Malone (20)
GOOD TIMES GO – The Kid and I (21)
BROKEN MAN – St. Vincent (22)
LONELINESS – Pet Shop Boys (23)
FOR US ALL – Asgard Raven (24)
KOOL AID BLUE – The Sylvia Platters (13)
BURIAL GROUND – The Decemberists & James Mercer (28)
PANORAMIC VIEW – AWOLNATION (29)
DARK MATTER – Pearl Jam (14)
THOUGHTS I HAVE WHILE LYING IN BED – The Maine, Beach Weather (16)
“Murder on the Dancefloor ”, by Australian guitar-pop duo Royel Otis (comprised of Royel Maddell and Otis Pavlovi), is turning out to be one of my favorite songs of 2024. I can honestly listen to it on repeat, and love it more each time I hear it! It’s a marvelous cover of the 2001 hit “Murder on the Dancefloor” by British singer-songwriter Sophie Ellis-Bextor, which Royel Otis performed on the Australian radio station Triple J for their Like a Version program. Interestingly, the song does not appear on their debut album PRATTS & PAIN that was released in February. The two have been putting out music since 2021, and I really like their sound a lot.
The song was co-written by Ellis-Bextor and Gregg Alexander, former frontman of the band The New Radicals (who had a hit in the late 90s with “You Get What You Give”), and produced by Alexander and Matt Rowe. Ellis-Bextor’s original version gained renewed popularity earlier this year after appearing in the 2023 black comedy thriller film Saltburn, causing it to re-enter the UK Dance Singles Chart, where it reached #1. It also peaked at #3 on the US Billboard Hot Dance/Electronic Songs chart and #51 on the Hot 100, her first song to ever appear on that chart. The delightful version by Royel Otis currently sits at #7 on the Alternative Airplay chart, and this week takes over the top spot on my own Top 30 chart.
In other major chart developments, Maggie Rogers enters the top 10 with her poignant ballad “Don’t Forget Me”, which climbs five spots to #6. The song recently spent two weeks at #1 on the Adult Alternative Airplay chart. “Creatures in Heaven” by Glass Animals jumps eight spots to #11, and “Fortnight” by Taylor Swift, featuring Post Malone, leaps 10 spots to #20, making it this week’s biggest upward mover.
Three songs make their debut this week: Entering at #28 is the infectiously pleasing “Burial Ground” by Portland, Oregon-based indie folk-rock band The Decemberists, featuring James Mercer, who’s also a member of the bands The Shins and Broken Bells. The Decemberists have been putting out music off and on since forming in 2001. “Burial Ground” is the lead single from their forthcoming ninth studio album As It Ever Was, So It Will Be Again, to be released June 14th. I love those jangly guitars and cool horns. Next up is “Panoramic View”, the beautiful new single by L.A.-based alt-rock band AWOLNATION. Fronted by Aaron Bruno, who has a distinctive singing voice I love, the band blasted onto the music scene in 2011 with their monster hit “Sail”, one of the many great songs from their debut album Megalithic Symphony. They’ve released a total of four albums and numerous singles, several of which have appeared on my Top 30 chart. Entering at #30 is the bold and brassy “Gold”, by uber-talented Welsh-Gibraltarian singer-songwriter Caitlin Lavagna, which I reviewed last month. This is Caitlin’s third song to appear on my chart, the previous two being “How Not to Start a Fight” and “Night Bus”.
MURDER ON THE DANCEFLOOR – Royel Otis (3)
DILEMMA – Green Day (2)
OVERCOMPENSATE – twenty one pilots (4)
TOO SWEET – Hozier (7)
TIME – MISSIO (1)
DON’T FORGET ME – Maggie Rogers (11)
ICE CREAM (PAY PHONE) – Black Pumas (10)
MY GOLDEN YEARS – The Lemon Twigs (5)
NEON PILL – Cage the Elephant (6)
EVERYTHING WE NEED – Mojave Grey (9)
CREATURES IN HEAVEN – Glass Animals (19)
WANTING AND WAITING – The Black Crowes (13)
KOOL AID BLUE – The Sylvia Platters (8)
DARK MATTER – Pearl Jam (12)
CAPRICORN – Vampire Weekend (18)
THOUGHTS I HAVE WHILE LYING IN BED – The Maine, Beach Weather (16)
TAKE IT OR LEAVE IT – Dead Slow Hoot (17)
I’VE GOT LOVING FOR YOU – Bottlecap Mountain (21)
MUSTANG – Kings of Leon (23)
FORTNIGHT – Taylor Swift feat. Post Malone (30)
GOOD TIMES GO – The Kid and I (22)
BROKEN MAN – St. Vincent (26)
LONELINESS – Pet Shop Boys (27)
FOR US ALL – Asgard Raven (28)
I’M IN LOVE – Jelani Aryeh (14)
GOOD PEOPLE – Mumford & Sons, Pharrell Williams (15)
THE GLASS – Foo Fighters (20)
BURIAL GROUND – The Decemberists & James Mercer (N)
MISSIO holds on to the top spot on my chart for a third week with “Time”, one of the many outstanding songs from their latest album I AM CINCO, an epic work featuring 26 tracks that dropped this past Friday, May 3rd. (Read my review and interview with the guys here.) Green Day moves into second place with “Dilemma”, while Royel Otis climb two spots to #3 with their delightful cover of “Murder on the Dance Floor”. Hozier‘s “Too Sweet” leaps another eight spots this week, entering the top 10 at #7, while Black Pumas‘ “Ice Cream (Pay Phone)” moves up a notch to enter the top 10 at #10. Also moving up eight spots are “Capricorn” by Vampire Weekend, to #18, and “Creatures in Heaven” by Glass Animals, to #19.
The sole debut this week, at #30, is “Fortnight” by Taylor Swift, featuring Post Malone, who co-wrote the song with Swift and singer-songwriter/producer Jack Antonoff. The downtempo synthpop ballad is from her latest and 15th album The Tortured Poets Department, which has received generally positive reviews and broken numerous sales and streaming records. The album, released April 19th after weeks of advance hype, features 16 tracks. But only two hours later, Swift surprise-released a double album edition, subtitled The Anthology and containing 15 bonus tracks, for a total of 31 in two volumes. While I’m not a huge fan of Swift, I do acknowledge her strong songwriting abilities, and really like some of her songs. As an example of her massive popularity, she currently holds every single one of the top 14 spots on the Billboard Hot 100, with “Fortnight” at #1.
TIME – MISSIO (1)
DILEMMA – Green Day (3)
MURDER ON THE DANCE FLOOR – Royel Otis (5)
OVERCOMPENSATE – twenty one pilots (2)
MY GOLDEN YEARS – The Lemon Twigs (4)
NEON PILL – Cage the Elephant (6)
TOO SWEET – Hozier (15)
KOOL AID BLUE – The Sylvia Platters (7)
EVERYTHING WE NEED – Mojave Grey (9)
ICE CREAM (PAY PHONE) – Black Pumas (11)
DON’T FORGET ME – Maggie Rogers (13)
DARK MATTER – Pearl Jam (12)
WANTING AND WAITING – The Black Crowes (14)
I’M IN LOVE – Jelani Aryeh (8)
GOOD PEOPLE – Mumford & Sons, Pharrell Williams (10)
THOUGHTS I HAVE WHILE LYING IN BED – The Maine, Beach Weather (19)
MISSIO remain on top for a second week with their hauntingly beautiful song “Time”, one of the many great tracks that will be featured on their forthcoming monumental album I AM CINCO, to be released next Friday, May 3rd. “Overcompensate” by twenty one pilots moves up a notch to #2, while “Dilemma” by Green Day reverses course by moving back up to #3. Australian duo Royel Otis climb two spots to #5 with their delightful cover of “Murder on the Dance Floor”, and “Good People”, by Mumford & Sons and Pharrell Williams, finally enters the top 10 at #10. The song recently spent one week at #1 on the Billboard Adult Alternative Airplay chart.
The biggest upward mover is “Too Sweet”, by Irish singer-songwriter Hozier, jumping eight spots to #15. The song has quickly become an unexpected hit that’s even surprised the singer, reaching #1 in many countries including the U.S., where it’s become his highest-charting single and first #1 song on the Billboard Hot 100, besting his monster hit “Take Me to Church”, which peaked at #2.
Three songs make their debut this week, the first of which is “Broken Man” by American artist St. Vincent, the musical project of uniquely talented and innovative singer-songwriter and musician Annie Clark, coming in at #28. The song is from her seventh studio album All Born Screaming, which dropped this past Friday, April 26th. The second new entry, at #29, is “Loneliness” by the legendary British synthpop duo Pet Shop Boys. The song is the lead single from their fifteenth studio album Nonetheless, which also dropped this past Friday. They were one of my favorite acts from 1986-88, and I’m happy they’re still putting out new music all these years later. The third new entry is “For Us All”, a superb song by English singer-songwriter Asgard Raven, which I reviewed last week.
TIME – MISSIO (1)
OVERCOMPENSATE – twenty one pilots (3)
DILEMMA – Green Day (5)
MY GOLDEN YEARS – The Lemon Twigs (2)
MURDER ON THE DANCE FLOOR – Royel Otis (7)
NEON PILL – Cage the Elephant (4)
KOOL AID BLUE – The Sylvia Platters (6)
I’M IN LOVE – Jelani Aryeh (9)
EVERYTHING WE NEED – Mojave Grey (10)
GOOD PEOPLE – Mumford & Sons, Pharrell Williams (12)
ICE CREAM (PAY PHONE) – Black Pumas (14)
DARK MATTER – Pearl Jam (15)
DON’T FORGET ME – Maggie Rogers (17)
WANTING AND WAITING – The Black Crowes (16)
TOO SWEET – Hozier (23)
LUNAR ECLIPSE – The Vaccines (8)
DIAMOND AND THE MISSING SON – Unquiet Nights (11)
THE GLASS – Foo Fighters (19)
THOUGHTS I HAVE WHILE LYING IN BED – The Maine, Beach Weather (20)
TAKE IT OR LEAVE IT – Dead Slow Hoot (22)
FIND MY WAY – Ships Have Sailed (13)
GOOD TIMES GO – The Kid and I (24)
I’VE GOT LOVING FOR YOU – Bottlecap Mountain (25)
MUSTANG – Kings of Leon (26)
BEAUTIFUL PEOPLE (STAY HIGH) – The Black Keys (18)
Austin, Texas-based duo MISSIO have been one of my favorite acts ever since I first learned about them and their music back in 2017. I love their uniquely eclectic sound that’s an arresting blend of alternative rock, electronic and hip hop, and have written about them several times on this blog. Three of their songs – “I See You”, “Underground” and “Can You Feel the Sun” – have reached #1 on my Weekly Top 30, and now their darkly captivating “Time” joins that esteemed group by ascending to the top spot on my latest chart. The gorgeous song will be included on their forthcoming fifth album I AM CINCO, an epic work scheduled for release on May 3rd. I love Matthew Brue’s distinctive tenor voice, which sounds especially vulnerable and heartfelt here. And the complexity of their arrangements, combined with intricate instrumentation, always makes for an exciting listen. The simple but profound lyrics touch on anxieties over some of the issues facing our current world and society, with MISSIO reminding us that “time goes wherever you are, now, in each moment” and to “live like it’s your last because you’re not guaranteed a tomorrow.”
In other chart highlights, “Overcompensate” by twenty one pilots inches up a notch to #3, “Kool Aid Blue” by Canadian band The Sylvia Platters moves up one to #6 and “Murder On the Dance Floor” by Australian duo Royel Otis advances three spots to #7. The dreamy “Everything We Need” by electro-rock duo Mojave Grey enters the top 10 at #10.
Two songs make their debut this week. The first, and long overdue, is “Capricorn” by New York City-based indie rock/art pop band Vampire Weekend, entering at #29. I love frontman Ezra Koenig’s pleasing drawl, that lovely piano riff and the gnarly cinematic chorus. The poignant song, described by Alex Hudson of Canadian music webzine Exclaim! as being about the “aching, unavoidable melancholy of growing old and discovering that adults feel just as powerless as kids do“, is from their fifth studio album Only God Was Above Us, which dropped April 5th.
Entering at #30 is “Creatures in Heaven” by English indie/psychedelic pop/rock band Glass Animals. Like the aforementioned Vampire Weekend, their music is hard to classify, as both bands incorporate a myriad of genres and styles into their sound. The song is the lead single from their forthcoming fourth album I Love You So F***ing Much, scheduled for release on July 19th. In an interview with Consequence Sound, band frontman Dave Bayley – whose singing voice I adore – said the song is about “a moment in time, having the capacity to be enormously formative and life-changing.”
TIME – MISSIO (2)
MY GOLDEN YEARS – The Lemon Twigs (1)
OVERCOMPENSATE – twenty one pilots (4)
NEON PILL – Cage the Elephant (3)
DILEMMA – Green Day (5)
KOOL AID BLUE – The Sylvia Platters (7)
MURDER ON THE DANCE FLOOR – Royel Otis (10)
LUNAR ECLIPSE – The Vaccines (6)
I’M IN LOVE – Jelani Aryeh (9)
EVERYTHING WE NEED – Mojave Grey (12)
DIAMOND AND THE MISSING SON – Unquiet Nights (8)
GOOD PEOPLE – Mumford & Sons, Pharrell Williams (15)
FIND MY WAY – Ships Have Sailed (11)
ICE CREAM (PAY PHONE) – Black Pumas (16)
DARK MATTER – Pearl Jam (17)
WANTING AND WAITING – The Black Crowes (18)
DON’T FORGET ME – Maggie Rogers (19)
BEAUTIFUL PEOPLE (STAY HIGH) – The Black Keys (13)
THE GLASS – Foo Fighters (20)
THOUGHTS I HAVE WHILE LYING IN BED – The Maine, Beach Weather (22)
I think “My Golden Years” by The Lemon Twigs is a perfect power pop tune, and I just can’t get enough of it. Consequently, it remains at #1 on my Top 30 for a third week. Aiming for the top spot, the hauntingly beautiful “Time” by MISSIO slides into second place, while twenty one pilots‘ “Overcompensate” moves up a notch to #4. Entering the top 10 at #9 is the delightful dance-pop song “I’m in Love” by San Diego singer-songwriter Jelani Aryeh, followed by the equally delightful “Murder On the Dance Floor” by Australian guitar-pop duo Royel Otis, jumping six spots to #10.
Two songs make their debut on my chart this week, the first of which is “Mustang” by Kings of Leon. While I’m a pretty big fan of theirs, this song took a while to grow on me, as I initially found Caleb Followill’s screaming vocals a bit off-putting. “Mustang” was the lead single from their forthcoming ninth studio album Can We Please Have Fun, scheduled for release on May 10. Entering at #30 is “Two Sweet” by Irish singer-songwriter Hozier. Shockingly, the song debuted at #5 two weeks ago on the Billboard Hot 100, and currently sits at #4, a major feat for an artist like Hozier in today’s streaming-dominated chart. My guess is that the song must have gone viral on TikTok. In any case, it’s another great song by this talented and beloved artist, so seeing it ranked so highly on the Hot 100 is a welcome sight indeed.
MY GOLDEN YEARS – The Lemon Twigs (1)
TIME – MISSIO (3)
NEON PILL – Cage the Elephant (2)
OVERCOMPENSATE – twenty one pilots (5)
DILEMMA – Green Day (4)
LUNAR ECLIPSE – The Vaccines (9)
KOOL AID BLUE – The Sylvia Platters (10)
DIAMOND AND THE MISSING SON – Unquiet Nights (9)
I’M IN LOVE – Jelani Aryeh (11)
MURDER ON THE DANCE FLOOR – Royel Otis (16)
FIND MY WAY – Ships Have Sailed (12)
EVERYTHING WE NEED – Mojave Grey (13)
BEAUTIFUL PEOPLE (STAY HIGH) – The Black Keys (6)
BLUSH – Vazum (7)
GOOD PEOPLE – Mumford & Sons, Pharrell Williams (15)
ICE CREAM (PAY PHONE) – Black Pumas (17)
DARK MATTER – Pearl Jam (18)
WANTING AND WAITING – The Black Crowes (19)
DON’T FORGET ME – Maggie Rogers (22)
THE GLASS – Foo Fighters (23)
LOVIN ON ME – Jack Harlow (14)
THOUGHTS I HAVE WHILE LYING IN BED – The Maine, Beach Weather (24)
The marvelous jangle-pop masterpiece “My Golden Years” by The Lemon Twigs holds firm at #1 for a second week on my latest Top 30 chart. I love this song, and never tire of hearing it. “Neon Pill” by Cage the Elephant holds at #2 for a second week, after spending two weeks at #1, and the gorgeous “Time” by MISSIO inches up a notch to #3. Another wonderful jangle-pop/rock song, “Kool Aid Blue” by Canadian band The Sylvia Platters, enters the top 10. The biggest upward mover this week is “Murder On the Dance Floor” by Australian guitar-pop duo Royel Otis, jumping seven spots to #16.
For a second consecutive week, there are three new entries to my chart. The first, coming in at #28, is “Take It Or Leave It”, a melancholy but beautiful song by Sheffield, England-based alternative rock band Dead Slow Hoot, who’ve been putting out great indie rock since 2016. Next up is the delightfully boisterous “Good Times Go” by another English alternative indie rock four-piece, London-based The Kid and I, which I reviewed a few weeks ago. Bringing up the rear at #30 is the terrific “I’ve Got Loving For You” by Austin, Texas-based rock & roll band Bottlecap Mountain, which I also recently reviewedin a Fresh New Tracks post.
MY GOLDEN YEARS – The Lemon Twigs (1)
NEON PILL – Cage the Elephant (2)
TIME – MISSIO (4)
DILEMMA – Green Day (3)
OVERCOMPENSATE – twenty one pilots (5)
BEAUTIFUL PEOPLE (STAY HIGH) – The Black Keys (6)
BLUSH – Vazum (8)
LUNAR ECLIPSE – The Vaccines (9)
DIAMOND AND THE MISSING SON – Unquiet Nights (10)
KOOL AID BLUE – The Sylvia Platters (11)
I’M IN LOVE – Jelani Aryeh (12)
FIND MY WAY – Ships Have Sailed (13)
EVERYTHING WE NEED – Mojave Grey (14)
LOVIN ON ME – Jack Harlow (7)
GOOD PEOPLE – Mumford & Sons, Pharrell Williams (17)
MURDER ON THE DANCE FLOOR – Royel Otis (23)
ICE CREAM (PAY PHONE) – Black Pumas (20)
DARK MATTER – Pearl Jam (21)
WANTING AND WAITING – The Black Crowes (22)
WATER UNDERGROUND – Real Estate (18)
LANDMINES – Sum 41 (19)
DON’T FORGET ME – Maggie Rogers (25)
THE GLASS – Foo Fighters (28)
THOUGHTS I HAVE WHILE LYING IN BED – The Maine, Beach Weather (29)
ECLECTIC MUSIC LOVER 