My Top 30 Songs for July 12-18, 2026

Not a lot of movement from last week for the majority of my latest chart, although there are five new entries. “Homewrecker” by sombr remains at #1 for a second week, while Dexter and The Moonrocks‘ “Freakin’ Out” inches up a spot to #2. “Repeat Offender” by Scottish band Gloom Is Okay enters the top 10 at #9.

There were at least eight songs I wanted to add to this week’s chart, but I had to cull my list down to only five as there were no other songs I was ready to drop. The first new entry is “Here” by English folk rock band Mumford & Sons, featuring American folk/alt-country singer-songwriter Sierra Ferrell. The song was originally recorded with Chris Stapleton and is included on the Mumford & Sons latest album Prizefighter, released this past February. This new version was recorded with Ferrell for an Apple Music Session on May 28th, and as much as I like Chris Stapleton, I like this version with Ferrell better. The song is currently #1 on the Billboard Adult Alternative chart.

The second new entry is “Heart Stop”, an emotionally powerful tune by alternative roots rock band The Revivalists. Based in New Orleans, the eight-piece collective is comprised of Ed Williams (pedal steel guitar, guitar), David Shaw (lead vocals), Zack Feinberg (guitar), Rob Ingraham (saxophone), George Gekas (bass guitar), Andrew Campanelli (drums and percussion), Michael Girardot (keyboards and trumpet), and Paulet “PJ” Howard (drums and percussion). Their 2023 single “Kid” topped my chart and ranks #9 on my Top 100 for that year. “Heart Stop” is the first in a series of singles they began releasing in April.

Coming in at #28 is “In The Stars” by legendary rockers The Rolling Stones. Formed in London in 1962, the band currently consists of original founders Mick Jagger and Keith Richards, along with Ronnie Wood since 1975 – all of whom seem to have discovered the fountain of youth! – as well as touring members keyboardist Chuck Leavell (since 1982), backing vocalist Bernard Fowler (since 1989), keyboardist Matt Clifford (off and on since 1989), bassist Darryl Jones (since 1994), saxophonists Tim Ries (since 1999) and Karl Denson (since 2014), drummer Steve Jordan (since 2021) and female vocalist Chanel Haynes (since 2022).(Wikipedia) The song is from their 25th and latest studio album Foreign Tongues, which dropped this past Friday, July 10th. The song is surprisingly good, with a guitar riff reminiscent of the one played by Bill Bottrell on Michael Jackson’s hit single “Black or White”.

Debuting at #29 is “no more regrets” by San Diego, California-based indie pop band almost monday, made up of Dawson Daugherty, Luke Fabry and Cole Clisby. I’m a big fan of their breezy dance pop, so “no more regrets” immediately grabbed my attention. Their single “Jupiter” reached #1 on my chart last fall.

The fifth new entry is “Freaking Out” (not to be confused with my #2 song by Dexter and The Moonrocks) by alternative pop-rock band Michigander. Founded in 2014 by singer-songwriter and musician Jason Singer in Michigan and now based in Nashville, the band includes Jake LeMond on guitar, Aaron Senor on drums, and Connor Robertson on bass. (I’ve previously reviewed music by Michigander as well as solo music by LeMond and Senor.)

  1. HOMEWRECKER – sombr (1)
  2. FREAKIN’ OUT – Dexter and The Moonrocks (3)
  3. SELF AWARE – Temper City (5)
  4. GOING SHOPPING – The Strokes (2)
  5. HEADLIGHTS – In Color (4)
  6. GOOD2B – Goose (8)
  7. DROP DEAD – Olivia Rodrigo (7)
  8. EXIT WOUND – Ships Have Sailed (10)
  9. REPEAT OFFENDER – Gloom Is Okay (11)
  10. RIPTIDES – Death Cab for Cutie (6)
  11. UNTIL THE SUN EXPLODES – Sublime (9)
  12. RAGING HALLS – Lyia Meta (13)
  13. IN MY ROOM – Julia Wolf (12)
  14. RIDE LONESOME – Beck (14)
  15. PICKING DRAGONS’ POCKETS – Modest Mouse (15)
  16. BACK IN LOVE – Suki Waterhouse (16)
  17. MARATHONS – Sorry Ghost (17)
  18. ONLINE – Western Jaguar (28)
  19. DOORS – Noah Kahan (19)
  20. PRIVATE – The Neighbourhood (21)
  21. REIN ME IN – Sam Fender & Olivia Dean (22)
  22. WHO WILL YOU FOLLOW – Evanescence (25)
  23. GO FUCK URSELF – Fat Dog (26)
  24. DRAG PATH – Twenty One Pilots (20)
  25. THE ENDLESS BORDER – Velvet Jesus (30)
  26. HERE – Mumford & Sons with Sierra Ferrell (N)
  27. HEART STOP – The Revivalists (N)
  28. IN THE STARS – The Rolling Stones (N)
  29. NO MORE REGRETS – almost monday (N)
  30. FREAKING OUT – Michigander (N)

My Top 30 Songs for July 5-11, 2026

I’m pretty confident that the majority of my fellow bloggers and readers – at least those few who even bother to read my posts – probably shake their heads at my music tastes and that’s okay, as each of us likes what we like at the end of the day. That said, my new #1 song this week is “Homewrecker” by sombr (born Shane Michael Boose), who turns 21 today. Over the past year he’s become one of my favorite artists, and “Homewrecker” is his fourth song to top my chart, following “back to friends” (which was #1 on my chart a year ago today and is my top song for 2025), “undressed” and “12 to 12” (which spent five weeks at #1).

In other charts developments of note, the lovely “Exit Wound” by Ships Have Sailed, a longtime favorite act of mine from Los Angeles, enters the top 10.

And I’m thrilled to add the captivating “The Endless Border”, by Belgian four-piece Velvet Jesus, to my chart this week. I can’t remember how or where I learned about it, but I love the song’s enchanting Middle Eastern sound and beautiful intricate guitar work. Based in Leuven, the band is comprised of Anton Fannes (lead vocals, guitar, synths, samples), Bart Catoor (bass, samples, backing vocals), Christophe Vandewoude (guitar) and Peter De Clercq (drums). They released their debut single “Qatar” in 2023, which they followed a year later with their album of the same name. The band states that their latest single “is about the strange world of today, and in particular how one population imposes a border on another, while a national border is nothing more than a line on a map.”

  1. HOMEWRECKER – sombr (2)
  2. GOING SHOPPING – The Strokes (1)
  3. FREAKIN’ OUT – Dexter and The Moonrocks (4)
  4. HEADLIGHTS – In Color (5)
  5. SELF AWARE – Temper City (6)
  6. RIPTIDES – Death Cab for Cutie (3)
  7. DROP DEAD – Olivia Rodrigo (7)
  8. GOOD2B – Goose (8)
  9. UNTIL THE SUN EXPLODES – Sublime (9)
  10. EXIT WOUND – Ships Have Sailed (11)
  11. REPEAT OFFENDER – Gloom Is Okay (12)
  12. IN MY ROOM – Julia Wolf (10)
  13. RAGING HALLS – Lyia Meta (18)
  14. RIDE LONESOME – Beck (16)
  15. PICKING DRAGONS’ POCKETS – Modest Mouse (17)
  16. BACK IN LOVE – Suki Waterhouse (21)
  17. MARATHONS – Sorry Ghost (22)
  18. ONLINE – Western Jaguar (23)
  19. DOORS – Noah Kahan (25)
  20. DRAG PATH – Twenty One Pilots (15)
  21. PRIVATE – The Neighbourhood (27)
  22. REIN ME IN – Sam Fender & Olivia Dean (28)
  23. SLUMBER PARTY – Brigitte Calls Me Baby (13) 21st week on chart
  24. BEDROOM POSTERS – Yellowcard feat. Good Charlotte (14)
  25. WHO WILL YOU FOLLOW – Evanescence (29)
  26. GO FUCK URSELF – Fat Dog (30)
  27. TO LOVE SOMEBODY – Holly Humberstone (19)
  28. DIFFERENT KIND OF LOVE – Young the Giant (20)
  29. DYING TO LOVE – Bad Omens (24)
  30. THE ENDLESS BORDER – Velvet Jesus (N)

My Top 30 Songs for June 28-July 4, 2026

The Strokes remain on top for a second week with “Going Shopping”, while sombr moves into second place with “Homewrecker”. Three songs enter the top 10: “Good2B” by Goose, “Until The Sun Explodes” by Sublime and “In My Room” by Julia Wolf, at #s 8, 9 and 10, respectively. Scottish band Gloom Is Okay are this week’s biggest upward movers as their darkly beautiful “Repeat Offender” leaps 10 spots to #12.

Four songs make their debut this week, beginning with “Private” by Los Angeles alt-rock band The Neighbourhood, which enters at #27. The song is from their fifth studio album (((((ultraSOUND))))), which also features “Hula Girl” that spent two weeks at #1 on my chart in April. I can’t think of a single song of theirs I haven’t loved, and “Private” is no exception.

Next up is “Rein Me In”, a beautiful song by English singer-songwriter Sam Fender, with added vocals by English singer-songwriter Olivia Dean, who won the Best New Artist Grammy earlier this year (which should have gone to sombr, but I digress). The song is a remix of the original from Fender’s third studio album People Watching. “Rein Me In” was released in June 2025 as the sixth single from the album and eventually became Fender’s first song to reach #1 on the UK Singles Chart in February 2026, as well as winning the Brit Award for Song of the Year. It also topped the charts in Australia and Ireland, reached #2 in New Zealand, and became Fender’s first song to appear on the Billboard Hot 100, peaking at number 64.

Entering at #29 is “Who Will You Follow” by American alternative metal rock band Evanescence. Formed in Little Rock in 1994, the band has undergone some lineup changes over the years and now consists of founding member Amy Lee (lead vocals, piano, keyboards, harp), Troy McLawhorn (guitar), Tim McCord (guitar, bass), Emma Anzai (bass, backing vocals) and Will Hunt (drums). They released their debut album Fallen in 2003 and followed with five more albums at the rate of one every three to six years. “Who Will You Follow” is the second single from their sixth and latest album Sanctuary, which dropped June 5th.

Coming in at #30 is “Go Fuck Urself” by English techno punk band Fat Dog. Formed in 2020 during the COVID-19 lockdowns, the band consists of Joe Love, Chris Hughes, Morgan Wallace, and Ellis D, and is known for their boisterous live performances. The provocative and deliciously catchy song was released as their eighth single on May 11th and I love it!

  1. GOING SHOPPING – The Strokes (1)
  2. HOMEWRECKER – sombr (4)
  3. RIPTIDES – Death Cab for Cutie (2)
  4. FREAKIN’ OUT – Dexter and The Moonrocks (5)
  5. HEADLIGHTS – In Color (3)
  6. SELF AWARE – Temper City (7)
  7. DROP DEAD – Olivia Rodrigo (6)
  8. GOOD2B – Goose (11)
  9. UNTIL THE SUN EXPLODES – Sublime (12)
  10. IN MY ROOM – Julia Wolf (16)
  11. EXIT WOUND – Ships Have Sailed (17)
  12. REPEAT OFFENDER – Gloom Is Okay (22)
  13. SLUMBER PARTY – Brigitte Calls Me Baby (8) 20th week on chart
  14. BEDROOM POSTERS – Yellowcard feat. Good Charlotte (9)
  15. DRAG PATH – Twenty One Pilots (10)
  16. RIDE LONESOME – Beck (18)
  17. PICKING DRAGONS’ POCKETS – Modest Mouse (19)
  18. RAGING HALLS – Lyia Meta (20)
  19. TO LOVE SOMEBODY – Holly Humberstone (13)
  20. DIFFERENT KIND OF LOVE – Young the Giant (14)
  21. BACK IN LOVE – Suki Waterhouse (23)
  22. MARATHONS – Sorry Ghost (24)
  23. ONLINE – Western Jaguar (26)
  24. DYING TO LOVE – Bad Omens (15)
  25. DOORS – Noah Kahan (29)
  26. HEAVY FOOT – Mon Rovîa (21)
  27. PRIVATE – The Neighbourhood (N)
  28. REIN ME IN – Sam Fender & Olivia Dean (N)
  29. WHO WILL YOU FOLLOW – Evanescence (N)
  30. GO FUCK URSELF – Fat Dog (N)

My Top 30 Songs for June 21-27, 2026

Press photo of The Strokes

“Going Shopping” by American rock band The Strokes ascends to #1 on my latest Top 30 chart. Formed in New York City in 1998, The Strokes consist of singer Julian Casablancas, guitarists Nick Valensi and Albert Hammond Jr., bassist Nikolai Fraiture and drummer Fabrizio Moretti. Backed by a lighthearted, bouncy groove, Casablancas muses about materialism, growing older, societal alienation and the never-ending push and pull of city vs. country living. The song is from their forthcoming seventh studio album Reality Awaits, due for release on June 26th.

In other chart developments of note, “Self Aware”, the debut single by Israeli band Temper City, climbs four spots to enter the top 10 at #7. Since its release four months ago, the song has been streamed nearly 217 million times on Spotify alone. I’ve come to love “Good2B” by American rock band Goose, consequently, it’s this week’s biggest upward mover, leaping ten spots to #11. And the lone debut, entering at #29, is “Doors” by Noah Kahan. The song replaces his single “The Great Divide”, which leaves my chart after 18 weeks, three of them at #1.

  1. GOING SHOPPING – The Strokes (2)
  2. RIPTIDES – Death Cab for Cutie (1)
  3. HEADLIGHTS – In Color (5)
  4. HOMEWRECKER – Sombr (6)
  5. FREAKIN’ OUT – Dexter and The Moonrocks (7)
  6. DROP DEAD – Olivia Rodrigo (10)
  7. SELF AWARE – Temper City (11)
  8. SLUMBER PARTY – Brigitte Calls Me Baby (3)
  9. BEDROOM POSTERS – Yellowcard feat. Good Charlotte (4)
  10. DRAG PATH – Twenty One Pilots (8)
  11. GOOD2B – Goose (21)
  12. UNTIL THE SUN EXPLODES – Sublime (15)
  13. TO LOVE SOMEBODY – Holly Humberstone (14)
  14. DIFFERENT KIND OF LOVE – Young the Giant (9)
  15. DYING TO LOVE – Bad Omens (13)
  16. IN MY ROOM – Julia Wolf (18)
  17. EXIT WOUND – Ships Have Sailed (19)
  18. RIDE LONESOME – Beck (20)
  19. PICKING DRAGONS’ POCKETS – Modest Mouse (24)
  20. RAGING HALLS – Lyia Meta (25)
  21. HEAVY FOOT – Mon Rovîa (12)
  22. REPEAT OFFENDER – Gloom Is Okay (29)
  23. BACK IN LOVE – Suki Waterhouse (27)
  24. MARATHONS – Sorry Ghost (28)
  25. STARLIGHT – Cannons (23)
  26. ONLINE – Western Jaguar (30)
  27. BE WITH YOU – Muse (16)
  28. WAITING FOR ME – Talk in Waves (17) 20th week on chart
  29. DOORS – Noah Kahan (N)
  30. KILL ME FAST – Three Days Grace (22)

My Top 30 Songs for June 14-20, 2026

Death Cab for Cutie remain at #1 for a second week with “Riptides”, while The Strokes slide into second place with “Going Shopping”. Olivia Rodrigo finally enters my top 10 with “Drop Dead“.

Four songs enter my chart this week, and each is accompanied by a terrific video. Therefore, instead of embedding the video of my #1 song, I’m sharing the videos for each of my four new entries, the first of which is the wonderfully sultry “Back in Love” by the very beguiling English singer-songwriter, model and actress Suki Waterhouse. The song will be included on her forthcoming third studio album Loveland, scheduled for release on July 10th. It’s her second song to appear on my chart, following “Supersad”, which peaked at #11 in late 2024.

Coming in at #28 is “marathons” by the irrepressibly charming indie pop/rock band Sorry Ghost. Originally formed as a pop punk band in Baton Rouge, Louisiana but now based in Los Angeles since 2021, the band consists of Matt Polito (guitar, vocals) Dan Anton (bass, lead vocals), Tate Silver (drums) and Sean Duong (guitar, vocals). It’s their second song to appear on my chart, following last year’s delightful “polyester (yes sir)”, which ranks #55 on my 100 Best Songs of 2025 list. The guys have a wicked sense of humor, frequently delighting their fans with hilarious and endearing video reels of themselves on Instagram and TikTok. Their music videos are also highly entertaining and creative, as is definitely the case with the one for “marathons”:

Next up is “Repeat Offender” by Scottish alternative metal band Gloom is Okay. It isn’t often I’m blown away the first time I hear a song, but I have to say I was immediately stunned by the dramatic beauty and majestic impact of “Repeat Offender”. Based in Glasgow, Gloom is Okay is comprised of frontman Martin Walker (vocals, guitars, synths, programming) Iain MacLeod (bass) and Mark Norris (drums). It’s their first new music in three years, since their excellent 2023 self-titled EP Gloom is Okay, which I reviewed on this blog. “Repeat Offender” is the lead single from their forthcoming debut album Nothing Human. Walker says the song is essentially about handling narcissistic people.

Coming in at #30 is “Online” by Canadian artist Western Jaguar, the music project of singer-songwriter and multi-instrumentalist Jeffrey Trainor. Based in the beautiful Fraser River Valley east of Vancouver, British Columbia, the earnest, amiable musician makes what he calls joyfully sad music and has been a favorite of mine since learning about him in late 2018. I’ve featured him numerous times on this blog and several of his songs have appeared on my chart, two of which – “Disappear” (2019) and “Darling” (2023) – went all the way to #1. Jeff never fails to write thought-provoking lyrics set to infectious melodies, and “Online” hooked me at first listen. The song was inspired by his fear of the impact of the internet on our lives: “I wanted to capture that shady, seedy feeling the web can have. Who knows who’s real or what’s real nowadays. Hell, can I even prove to you I’m real? But there is this almost superiority complex or confidence that can come from the modern digital age that just seems off.”

  1. RIPTIDES – Death Cab for Cutie (1)
  2. GOING SHOPPING – The Strokes (4)
  3. SLUMBER PARTY – Brigitte Calls Me Baby (2)
  4. BEDROOM POSTERS – Yellowcard feat. Good Charlotte (3)
  5. HEADLIGHTS – In Color (7)
  6. HOMEWRECKER – Sombr (8)
  7. FREAKIN’ OUT – Dexter and The Moonrocks (9)
  8. DRAG PATH – Twenty One Pilots (5)
  9. DIFFERENT KIND OF LOVE – Young the Giant (6)
  10. DROP DEAD – Olivia Rodrigo (12)
  11. SELF AWARE – Temper City (13)
  12. HEAVY FOOT – Mon Rovîa (11)
  13. DYING TO LOVE – Bad Omens (14)
  14. TO LOVE SOMEBODY – Holly Humberstone (15)
  15. UNTIL THE SUN EXPLODES – Sublime (17)
  16. BE WITH YOU – Muse (16)
  17. WAITING FOR ME – Talk in Waves (10)
  18. IN MY ROOM – Julia Wolf (23)
  19. EXIT WOUND – Ships Have Sailed (24)
  20. RIDE LONESOME – Beck (25)
  21. GOOD2B – Goose (26)
  22. KILL ME FAST – Three Days Grace (21)
  23. STARLIGHT – Cannons (22)
  24. PICKING DRAGONS’ POCKETS – Modest Mouse (29)
  25. RAGING HALLS – Lyia Meta (30)
  26. THE GREAT DIVIDE – Noah Kahan (20)
  27. BACK IN LOVE – Suki Waterhouse (N)
  28. MARATHONS – Sorry Ghost (N)
  29. REPEAT OFFENDER – Gloom Is Okay (N)
  30. ONLINE – Western Jaguar (N)

My Top 30 Songs for June 7-13, 2026

Photo of Death Cab for Cutie by Ryan Russell

After a two-week hiatus due to being on vacation in Georgia and western North Carolina, I’m back with my latest top 30 chart. American indie pop-rock band Death Cab for Cutie jumps four spots to take over the #1 spot with their pensive single “Riptides”, displacing last week’s top song “Slumber Party” by Brigitte Calls Me Baby. Formed in 1997, Death Cab for Cutie currently consists of Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Dave Depper (guitar, keyboards, backing vocals), Zac Rae (keyboards, guitar), and Jason McGerr (drums). “Riptides” is the lead single from their 11th studio album I Built You a Tower, which dropped this past Friday, June 5th. The album’s rather melancholic yet upbeat tone was inspired by band frontman and songwriter Ben Gibbard’s experiences dealing with the end of his marriage while also constantly being on tour. I’ve been a longtime fan of Death Cab for Cutie and have always loved Gibbard’s comforting tenor vocals. They previously topped my chart with “Gold Rush” in 2018, though “Here to Forever” reached #2 in 2022.

There are two new debuts this week, however, a total of five songs have entered my charts since my last post so I’ll mention them all. First off is the lovely “Exit Wound” by another longtime favorite act Ships Have Sailed. Based in Los Angeles, the duo is made up of singer-songwriter and multi-instrumentalist Will Carpenter and drummer Art Andranikyan, though more recently they’ve collaborated with a number of other songwriters and musicians. I’ve written about them for this blog more times than I can remember, and several of their songs have appeared on my charts. “Exit Wound” was co-written by Carpenter and Bill O’Hanlon.

Next up is “Ride Lonesome” by singer-songwriter, producer and multi-instrumentalist Beck. Released in April, the song is his first new music in two years and has a laid-back Americana sound. I like how he continually changes up his sound, keeping it fresh by his willingness to venture into new styles and genres.

The third song among the three previous debuts is the very cool-sounding “Good2B” by American rock band Goose (not to be confused with the band Geese), which currently consists of Rick Mitarotonda (guitar, vocals), Trevor Weeks (bass, vocals, poetry), Peter Anspach (keyboards, guitar, vocals) and Cotter Ellis (drums, vocals). Their eclectic jam band sound has been compared to the funk and progressive rock influences of Phish and Umphrey’s McGee and the folk, jazz, and blues influences of the Grateful Dead. The song will be included on their sixth studio album Big Modern, set for release on June 12th.

The first of this week’s two new entries is “Picking Dragons’ Pockets” by the always zany and unorthodox Portland, Oregon-based alt-rock band Modest Mouse. Formed in 1993, the band has undergone numerous personnel changes over the years and presently consists of frontman and founding member Isaac Brock (lead vocals, guitars, banjo), Russell Higbee (bass, guitar, keyboards, backing vocals), Ben Massarella (drums, percussion), Simon O’Connor (guitar, backing vocals), Damon Cox (drums, percussion) and Keith Karman (keyboards, guitar, bass, backing vocals). The song is from their eighth studio album An Eraser and a Maze, which also dropped this past Friday, June 5th.

An interesting tidbit of info I found on their Wikipedia page referenced a 2016 study conducted by Italian music data company Musixmatch which surveyed 43,414 songs spanning multiple genres. It found that Modest Mouse was one of the most profane bands among the subjects categorized as “indie rock,” second only to The Neighborhood (whose song “Hula Girl” recently topped my chart). It was estimated that Modest Mouse used profanity every 310 words, and that the top three swear words uttered by the band were “shit,” “fuck” and “ass,” respectively.

The second new entry this week, and the final of five overall, is the hard-hitting “Raging Halls” by insanely talented Malaysian artist Lyia Meta. A highly accomplished, award-winning and Grammy-nominated Renaissance woman, Lyia is a singer, songwriter, musician and vocal coach, as well as a writer, teacher and visual artist whose work spans multiple media formats. Possessing a rich contralto singing voice, she’s recorded songs across a wide range of genres including blues, jazz, pop, country, rock and metal. She ranks among my favorite female vocalists, and I’ve featured her numerous times on this blog. We’ve been following each other on social media since 2018, and I finally had the pleasure of meeting Lyia and her husband Zack in person in January when they were in Los Angeles.

“Raging Halls” was co-written by Lyia and E.G. Holmes, who co-produced the track with her longtime Nashville-based collaborator Bob McGilpin, who also played lead and rhythm guitar, bass, drums and synths. Additional contributions on the track include rhythm guitar by Christian Wentz, guitar and synths by John Foster, orchestration and keyboards by Gene Rabbai and backing harmonies by Lisa Brokop. Lyia says the song “explores the tension between desire, risk, and the moment where hesitation transforms into action.”

  1. RIPTIDES – Death Cab for Cutie (5)
  2. SLUMBER PARTY – Brigitte Calls Me Baby (1)
  3. BEDROOM POSTERS – Yellowcard feat. Good Charlotte (3)
  4. GOING SHOPPING – The Strokes (6)
  5. DRAG PATH – Twenty One Pilots (2)
  6. DIFFERENT KIND OF LOVE – Young the Giant (4)
  7. HEADLIGHTS – In Color (9)
  8. HOMEWRECKER – Sombr (10)
  9. FREAKIN’ OUT – Dexter and The Moonrocks (11)
  10. WAITING FOR ME – Talk in Waves (7)
  11. HEAVY FOOT – Mon Rovîa (8)
  12. DROP DEAD – Olivia Rodrigo (14)
  13. SELF AWARE – Temper City (18)
  14. DYING TO LOVE – Bad Omens (15)
  15. TO LOVE SOMEBODY – Holly Humberstone (17)
  16. BE WITH YOU – Muse (16)
  17. UNTIL THE SUN EXPLODES – Sublime (19)
  18. YOUR FAVORITE TOY – Foo Fighters (13)
  19. LOOK OUT FOR ME – Turnstile (12)
  20. THE GREAT DIVIDE – Noah Kahan (20)
  21. KILL ME FAST – Three Days Grace (24)
  22. STARLIGHT – Cannons (21)
  23. IN MY ROOM – Julia Wolf (27)
  24. EXIT WOUND – Ships Have Sailed (28)
  25. RIDE LONESOME – Beck (29)
  26. GOOD2B – Goose (30)
  27. I REMEMBER WHEN – MISSIO (22)
  28. YOU GOT TO LOSE – The Black Keys (23)
  29. PICKING DRAGONS’ POCKETS – Modest Mouse (N)
  30. RAGING HALLS – Lyia Meta (N)

My Top 30 Songs for May 17-23, 2026

Twenty One Pilots maintain a firm grip on the top spot for a third week with their beautiful song “Drag Path”, while Brigitte Calls Me Baby‘s delightfully boisterous “Slumber Party” and Talk in Waves‘ plaintive Americana-tinged “Waiting for Me” move up a notch to #s 2 and 3, respectively. “Riptides” by Death Cab for Cutie moves up three to enter the top 10 at #10, and The Strokes are the biggest upward movers again this week, as “Going Shopping” jumps seven spots to #13.

Four terrific songs enter my chart this week, starting with the infectious “Until The Sun Explodes” by Long Beach, California-based ska punk band Sublime, comprised of founding members Eric Wilson (bass) and Bud Gaugh (drums), as well as vocalist Jakob Newell, son of founding member Bradley Nowell who died in 1996. Their previous single “Ensenada” reached #1 on my chart this past November and has spent nearly eight months and counting at #1 on Billboard‘s Rock/Alternative Airplay chart!

Coming in at #28 is “Self Aware”, the debut single by Israeli alternative rock band Temper City, which consists of musicians Chen Kordova, Aviv Barenholz and Eitan Peled. Released in February, the song quickly went viral on TikTok and has already amassed over 109 million streams on Spotify, and 3.7 million views on YouTube. The track’s style and sound have been compared to acts like Steve Lacy, Hozier, Cage the Elephant and The Neighbourhood, all favorites of mine. I only heard it a few days ago and already love it. I was surprised to learn that it’s the first song by an Israeli band to ever appear on the U.S. Billboard Hot 100 chart.

Next up is “Kill Me Fast” by veteran Canadian rock band Three Days Grace. Formed in the 90s and now based in Toronto, they’re comprised of the original line-up of guitarist and lead vocalist Adam Gontier, drummer and backing vocalist Neil Sanderson and bassist Brad Walst, plus Barry Stock who joined as lead guitarist in 2003, and Walst’s younger brother Matt, who was a longtime songwriter for the band and became lead singer in 2013 when Gontier left Three Days Grace (he rejoined in 2024). The song is from their eighth studio album Alienation, released in August 2025.

The fourth new entry is “In My Room” by American singer-songwriter and record producer Julia Wolf (born Julia Capello). The song was originally released in March 2024 as the lead single from her second studio album Pressure, which dropped in May 2025, but was re-released as the title track of a five-song EP in late March, at which point it finally charted in the U.S. Wolf states the rather dark song is about missing an ex-partner who’s moved on.

  1. DRAG PATH – Twenty One Pilots (1)
  2. SLUMBER PARTY – Brigitte Calls Me Baby (3)
  3. WAITING FOR ME – Talk in Waves (4)
  4. BEDROOM POSTERS – Yellowcard feat. Good Charlotte (7)
  5. LOOK OUT FOR ME – Turnstile (6)
  6. DIFFERENT KIND OF LOVE – Young the Giant (9)
  7. I REMEMBER WHEN – MISSIO (2)
  8. YOUR FAVORITE TOY – Foo Fighters (10)
  9. YOU GOT TO LOSE – The Black Keys (5)
  10. RIPTIDES – Death Cab for Cutie (13)
  11. THE GREAT DIVIDE – Noah Kahan (11)
  12. HEAVY FOOT – Mon Rovîa (12)
  13. GOING SHOPPING – The Strokes (20)
  14. BURN FOR YOU RMX – Between Daze (15)
  15. HEADLIGHTS – In Color (18)
  16. HOMEWRECKER – sombr (19)
  17. SITE UNSEEN – Courtney Barnett featuring Waxahatchee (17)
  18. DOUBLETAKE – Edgehill (8)
  19. STARLIGHT – Cannons (14)
  20. FREAKIN’ OUT – Dexter and The Moonrocks (23)
  21. YOU AND FOREVER – Bleachers (21)
  22. DYING TO LOVE – Bad Omens (22)
  23. DROP DEAD – Olivia Rodrigo (25)
  24. BE WITH YOU – Muse (24)
  25. TO LOVE SOMEBODY – Holly Humberstone (27)
  26. HULA GIRL – The Neighbourhood (16) 21st week on chart
  27. UNTIL THE SUN EXPLODES – Sublime (N)
  28. SELF AWARE – Temper City (N)
  29. KILL ME FAST – Three Days Grace (N)
  30. IN MY ROOM – Julia Wolf (N)

100 Best Songs of 2025

Well, I thought 2024 was a trying year, but 2025 turned out to be an even bigger shitshow! Between the death of my cat and the unending nightmare of the odious and spectacularly corrupt Trump regime, it’s a wonder I (and millions of others) survived this year intact. Thankfully, there was lots of great music to help keep us relatively sane.

As I do at the end of each year, I’ve compiled a list of my 100 favorite songs for the past year. I’ve previously posted my list of the 100 Best Indie Songs of 2025 (which you can read here), and now this new list represents a compilation of my favorite songs of 2025 (23 of which also appear on my 100 Best Indie Songs list.) I avoid ranking albums, as there are simply far too many I’ve either not heard or had the time to fully listen to, therefore any list I might compile would be woefully inadequate.

As a music blogger, I’m exposed to a tremendous amount of new music over the course of a year, both from the thousands of artists and bands I follow, as well as all the music I learn about from fellow bloggers. Despite this, I’ve heard only a tiny fraction of all the music released in 2025, which was clearly evident to me when I perused the year-end best song lists of music sites and publications like Consequence, The Fader, Rolling Stone, NPR, etc. Therefore, my list includes only songs I know, and I’m certain there are likely hundreds of great ones that should be included, except that I’ve never heard them. Among the thousands of songs I did hear in 2025, there were many outstanding ones, and it frustrates me to have to cull my list down to only 100, omitting quite a few that I really like. It’s also a challenge ranking them, because a song at #40 isn’t necessarily any better than a song at #70. Perhaps it’s a pointless exercise to even rank them at all, except for the fact that I love making lists!

Music tastes are very subjective, and while I don’t understand how others cannot share my love for a particular song or artist, I fully realize that not one person will agree with all my song choices or rankings. I’m an unapologetic lover of pop, but also love dream rock, folk rock and alternative rock, so a lot of songs on my list reflect those genres. My favorite music artist this year was sombr (the hyper-talented 20-year-old American singer-songwriter and producer born Shane Michael Boose), who’s gorgeous, anthemic torch song “back to friends” is #1, while his equally great “undressed” is #11 and “12 to 12” comes in at #29. Also ranking highly are songs from favorite acts of mine who ranked highly on previous years lists, including Royel Otis, Lord Huron, Twenty One Pilots, Fontaines D.C., The Black Keys, Talk in Waves and Frank Joshua.

Most of the songs on this list were released in 2025, however, several were released in 2024 but didn’t ‘peak’ until 2025. Likewise, several songs released after November 1st are still moving up my weekly charts and won’t peak until early 2026, thus will appear on next year’s list. The few songs in this Top 100 that also appeared on my 100 Best Songs of 2024 list are indicated with an asterisk *. I’ve created both YouTube and Spotify playlists for this Top 100, which are included at the end of the post. Hopefully you’ll find some of your own personal favorites on it. Let me know what songs resonated with you in 2025.

  1. BACK TO FRIENDS – sombr
  2. THE FAITHFUL HEART – Wons Phreely + The Horses (my #1 indie song)
  3. SO COLD – Balu Brigada
  4. MOODY – Royel Otis
  5. NOTHING I NEED – Lord Huron
  6. NO RAIN, NO FLOWERS – The Black Keys
  7. THE LINE (from Arcane League of Legends) – Twenty One Pilots
  8. IT’S AMAZING TO BE YOUNG – Fontaines D.C.
  9. IMPOSTER SYNDROME – Fake Empire
  10. FIVE MORE SECONDS – Seafret & KT Tunstall
  11. UNDRESSED – sombr
  12. SAD IN CAROLINA – Dexter and The Moonrocks *
  13. TIME WAITED – My Morning Jacket
  14. ENSENADA – Sublime
  15. WALLS – Frank Joshua
  16. ANOTHER LIFE – Alabama Shakes
  17. THE CONTRACT – Twenty One Pilots
  18. FEELS RIGHT – Talk in Waves
  19. ARROW – The Head And The Heart
  20. TAKE THIS HEART – Brian Lambert
  21. THE WEATHER – All Time Low
  22. BAD DREAMS – Teddy Swims
  23. CITY WALLS – Twenty One Pilots
  24. METAVERSE – Cage the Elephant
  25. SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL
  26. NEVER ENOUGH – TURNSTILE
  27. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child
  28. JUPITER – almost monday feat. Jordana
  29. 12 TO 12 – sombr
  30. PEOPLE WATCHING – Sam Fender
  31. DRACULA – Tame Impala
  32. THE NIGHT BEFORE – The Black Keys
  33. BOBBY SOX – Green Day *
  34. SUSHI AND COLA COLA – St. Paul & The Broken Bones
  35. RUSHMERE – Mumford & Sons
  36. CONTROLLER – Moody Moody
  37. NEVERENDER – Justice feat. Tame Impala *
  38. A TEAR IN SPACE (AIRLOCK) – Glass Animals *
  39. ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges
  40. BAD LARRY – Cloakroom
  41. LOVE IS A FIRE – Art Block
  42. YOU’RE MY DRUG – Talk in Waves
  43. THE TURNAROUND – DelCobras
  44. BASIC BEING BASIC – Djo
  45. BACKSEAT – Balu Brigada
  46. ARCHBISHOP HAROLD HOLMES – Jack White
  47. SAILOR SONG – Gigi Perez
  48. AUTUMN LEAVES – Secret Postal Society
  49. IN THE LIVING ROOM – Maggie Rogers
  50. MISTAKES – Caamp
  51. DOWNSTAIRS – Matt Maeson
  52. LONDON TOWN – HEALER
  53. MORTAL WOUND – The Veils
  54. DETROIT – Badflower
  55. POLYESTER (YES SIR) – Sorry Ghost
  56. LAREDO – Leon Bridges
  57. CATCH THESE FISTS – Wet Leg
  58. AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails
  59. LUTHER – Kendrick Lamar & SZA
  60. BETTER DAYS – Yellowcard
  61. SAME OLD SONG – The Lumineers
  62. SHE WANTS TO GO DANCING – Mt. Joy
  63. STRAIGHT TO THE GROUND – Unquiet Nights
  64. RIPPLE – Good Neighbours
  65. BETTER OFF EVENTUALLY – Bealby Point
  66. SNAKESKIN – NAVE
  67. THE FATE OF OPHELIA – Taylor Swift
  68. BARBARIAN – AWOLNATION
  69. BONNET OF PINS – Matt Berninger
  70. ORDINARY CREATURE – Of Monsters and Men
  71. POOR SAD INDIE EVERYTHING – Icarus Phoenix
  72. WITHOUT A DOUBT – Charm School
  73. ASSHOLE – The Lumineers
  74. GILD THE LILY – Billy Strings
  75. SPECTER – Bad Omens
  76. LIGHT YEARS APART – Unobliterated
  77. LET THINGS GO – Caamp
  78. RITALIN – Dexter and The Moonrocks
  79. SO FAR SO FAKE – Pierce the Veil
  80. THE FEAR – Future Theory
  81. THE SUBWAY – Chappell Roan
  82. SPIKE ISLAND – Pulp
  83. WRECK – Neko Case
  84. MOTHER – Lyia Meta & Mark Allen Lanoue
  85. BLOOM BABY BLOOM – Wolf Alice
  86. DAY & NIGHT – Oli Barton
  87. LUCY – Mt. Joy
  88. WHO’S A FRAUD? – Still Traffico
  89. HORNETS – Western Jaguar
  90. ANKLES – Lucy Dacus
  91. HESITATE – Meltt
  92. GIVING UP – Michigander
  93. THREE SIX FIVE – Shinedown
  94. RELATIONSHIPS – HAIM
  95. AFTERLIFE – Alex G
  96. GET THE MESSAGE – The Paradox
  97. DANG – Rainbow Kitten Surprise
  98. SUGAR ON MY TONGUE – Tyler, The Creator
  99. WHAT WAS THAT – Lorde
  100. AFTERLIFE – Sharon Van Etten

Honorable Mention (these songs would rank #s 101-115):

EVERYBODY SCREAM – Florence + The Machine

ROUTINES IN THE NIGHT – Twenty One Pilots

SCARS – Secret Postal Society

DARKERSIDE – David Kushner

MY MIND IS A MOUNTAIN – Deftones

REMEMBER US? – Two Feet

EVERYTHING IS PEACEFUL LOVE – Bon Iver

GOLDEN – HUNTR/X: EJAE, Audrey Nuna & REI AMI

TODAY’S SONG – Foo Fighters

WATCH ME GO – Lord Huron

EMERGENCE – Sleep Token

REALITY BUZZ – Future Theory

HERE WE GO AGAIN – Set the Tone

SO LONG – Wavves

ENOUGH – Jeff Tweedy

Here’s the YouTube playlist:

And the Spotify playlist:

My Top 30 Songs for December 21-27, 2025

There aren’t many changes to my chart for the final full week of 2025. Twenty One Pilots remain at #1 with “City Walls”, while Tame Impala‘s “Dracula” moves into second place and sombr‘s “12 to 12” moves up a notch to #3. English psychedelic alt-rock band Future Theory enter the top ten with “The Fear”.

Two songs – both of which have been around a while – finally enter my chart, starting with “Asking For A Friend” by venerable rock band Foo Fighters, coming in at #29. The second new entry is “Caramel” by English alternative metal rock band Sleep Token, who charted earlier in the year with their dramatically beautiful song “Emergence”. Both tracks are from their fourth studio album Even In Arcadia, released this past May.

  1. CITY WALLS – Twenty One Pilots (1)
  2. DRACULA – Tame Impala (3)
  3. 12 TO 12 – sombr (4)
  4. THE WEATHER – All Time Low (2)
  5. DOWNSTAIRS – Matt Maeson (5)
  6. THE FATE OF OPHELIA – Taylor Swift (6)
  7. ORDINARY CREATURE – Of Monsters and Men (7)
  8. SPECTER – Bad Omens (8)
  9. SO FAR SO FAKE – Pierce The Veil (12)
  10. THE FEAR – Future Theory (10)
  11. LUCY – Mt. Joy (11)
  12. GET THE MESSAGE – The Paradox (13)
  13. WATCH ME GO – Lord Huron (14)
  14. ZOMBIE – YUNGBLUD (17)
  15. REMEMBER US? – Two Feet (20)
  16. ANOTHER LIFE – Alabama Shakes (9)
  17. TANANA – Portugal. The Man (18)
  18. BY YOUR SIDE – Meltt (19)
  19. RUBBER BAND MAN – Mumford & Sons w/Hozier (21)
  20. MADALENA – Goose (22)
  21. INFINITE SOURCE – Deftones (23)
  22. WHITE HORSES – Wolf Alice (24)
  23. HUMAN – Brandi Carlile (25)
  24. STAY IN YOUR LANE – Courtney Barnett (26)
  25. ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges (15)
  26. ENSENADA – Sublime (16)
  27. WHO’S YOUR BOYFRIEND – Royel Otis (28)
  28. I’VE GOT A BROKEN HEART – The Lemon Twigs (29)
  29. ASKING FOR A FRIEND – Foo Fighters (N)
  30. CARAMEL – Sleep Token (N)

My Top 30 Songs for December 14-20, 2025

Photo of Twenty One Pilots from their Facebook account

It’s a particularly exciting chart this week as we approach the end of 2025, with a new #1 song and two fantastic new debuts, incidentally all by duo acts. Twenty One Pilots, my favorite music act for the past ten years, takes over the top spot with “City Walls”, marking their 14th song to top my chart, and their third this year alone, following “The Line” this past March and “The Contract” in August. Like “The Contract”, “City Walls” is from their eighth studio album Breach, which was released September 12th and serves as the final installment in their decade-long narrative arc explored by their previous albums Blurryface (2015), Trench (2018), Scaled and Icy (2021), and Clancy (2024).

(For those who’ve been living under a rock, Twenty One Pilots are based in Columbus, Ohio and consist of the dynamic duo of singer-songwriter, multi-instrumentalist and producer Tyler Joseph and power drummer Josh Dun. “City Walls” was written and produced by Joseph and his longtime collaborator Paul Meany, the lead singer and keyboardist for alternative rock project Mutemath, who opened for Twenty One Pilots on their Emotional Roadshow Tour that I saw in 2016.)

According to songsdiscussion.com, “‘City Walls’ delves into powerful themes of betrayal, reluctant leadership, and the immense psychological cost of rebellion, all set within the band’s established Dema and Trench narrative. The song’s core meaning centers on a protagonist who feels utterly abandoned by a trusted guide who was supposed to show him the way past the oppressive “city walls.” Now, he is forced to lead a dangerous and uncertain “breach” on his own, all while battling the severe fragmentation of his own mental state under the crushing weight of his new responsibility.

The accompanying music video for the song, directed by Jensen Noen, runs for nearly ten minutes, making it the longest music video Twenty One Pilots have ever released. (The track itself is 5:22 minutes long.) Band frontman Tyler Joseph stated that the video serves as the proper conclusion to the story surrounding the conceptual city of “Dema”, a fictional location in the world of “Trench”, and its two central characters, Clancy (portrayed by Joseph) and Torchbearer (portrayed by drummer Josh Dun). With a production budget of $1 million, “City Walls” is one of the most expensive music videos of all time, as well as the second most expensive music video of the 2020s. Wikipedia

As I noted earlier, we have two marvelous new debuts, starting with “who’s your boyfriend” by Sydney, Australia-based duo Royel Otis. Comprised of Otis Pavlovic (lead vocals, rhythm guitar, piano) and Royel Maddell (lead guitar, backing vocals, bass, synthesizer), they’ve previously reached #1 twice on my chart, with “Murder on the Dancefloor” in 2024 and “moody” earlier this year. Like “moody”, “who’s your boyfriend” is from their third studio album hickey.

The second debut is “I’ve Got A Broken Heart”, the latest single by hyper-talented jangle pop-rock duo The Lemon Twigs. Based in Long Island, New York, they consist of brothers Brian and Michael D’Addario, both of whom are vocalists, songwriters and multi-instrumentalists. Their wonderful song “My Golden Years” reached #1 on my chart and ranks #5 on my Top 100 Songs of 2024 list (right behind “Murder on the Dancefloor”). “I’ve Got A Broken Heart” was released on November 25th as a double single also featuring “Friday (I’m Gonna Love You)”.

  1. CITY WALLS – Twenty One Pilots (2)
  2. THE WEATHER – All Time Low (1)
  3. DRACULA – Tame Impala (3)
  4. 12 TO 12 – sombr (10)
  5. DOWNSTAIRS – Matt Maeson (5)
  6. THE FATE OF OPHELIA – Taylor Swift (6)
  7. ORDINARY CREATURE – Of Monsters and Men (7)
  8. SPECTER – Bad Omens (9)
  9. ANOTHER LIFE – Alabama Shakes (4)
  10. SO FAR SO FAKE – Pierce The Veil (12)
  11. THE FEAR – Future Theory (13)
  12. LUCY – Mt. Joy (14)
  13. GET THE MESSAGE – The Paradox (15)
  14. WATCH ME GO – Lord Huron (16)
  15. ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges (8)
  16. ENSENADA – Sublime (11)
  17. ZOMBIE – YUNGBLUD (18)
  18. TANANA – Portugal. The Man (19)
  19. BY YOUR SIDE – Meltt (20)
  20. REMEMBER US? – Two Feet (21)
  21. RUBBER BAND MAN – Mumford & Sons w/Hozier (22)
  22. MADALENA – Goose (23)
  23. INFINITE SOURCE – Deftones (24)
  24. WHITE HORSES – Wolf Alice (25)
  25. HUMAN – Brandi Carlile (30)
  26. STAY IN YOUR LANE – Courtney Barnett (29)
  27. SUSHI AND COCA-COLA – St. Paul & The Broken Bones (17)
  28. WHO’S YOUR BOYFRIEND – Royel Otis (N)
  29. I’VE GOT A BROKEN HEART – The Lemon Twigs (N)
  30. DANG – Rainbow Kitten Surprise (28)