Tag: Sorry Ghost

My Top 30 Songs for August 17-23, 2025

On By EclecticMusicLoverIn Weekly Top 30's11 Comments
Photo of Dan Auerbach and Patrick Carney by Larry Niehues

“No Rain, No Flowers”, the title track from Nashville-based blues rock duo The Black Keys‘ 13th and latest album No Rain, No Flowers, is my new #1 song this week. Though the song, along with many of the other tracks on the album, has a decidedly more polished, poppy sound than their usual musical fare, I really like it. I love its smooth head-bopping dance groove, twangy guitars and Dan Auerbach’s always-cool vocals, plus it’s catchy as hell. The song and album have received mostly positive reviews, though some have criticized it for being too pop-oriented, overly produced or simply veering too far away from their blues rock roots. That said, the album’s lead single “The Night Before” spent two weeks at #1 on the Billboard Alternative Airplay chart this past May, whereas “No Rain, No Flowers” peaked at only #28 and is now falling. The song did recently peak at #2 on the Adult Alternative Airplay chart, however.

In other chart news of note, “Sally, When the Wine Runs Out” by Los Angeles-based ROLE MODEL (the music project of singer-songwriter Tucker Harrington Pillsbury), advances six spots to enter the top 10 at #10. And curiously, the songs at numbers 11 and 12 both have three-word titles in all B’s – “Basic Being Basic” and Bloom Baby Bloom”.

There are two new debuts again this week, the first of which is the delightful “Afterlife” by American musician, producer, and singer-songwriter Alex G (born Alexander Giannascoli in Havertown, Pennsylvania). Since 2011, the prolific musician has released ten studio albums, four EPs, three live albums, two soundtrack albums and 30 singles. The lead single from his 10th and latest album Headlights, “Afterlife” has become Alex G’s highest charting single in the U.S., currently sitting at #8 on the Billboard Adult Alternative Airplay chart. That ukelele is utterly charming.

The second new entry is “As Alive As You Need Me To Be” by American industrial rock band Nine Inch Nails, their first new music release in four years since “ISN’T EVERYONE”, a collaborative single with Los Angeles-based industrial/noise rock band Health. Formed in 1988 as a solo act by singer-songwriter, musician, and composer Trent Reznor (who was inspired by Prince to play all instruments himself except drums, which he programmed electronically), Nine Inch Nails for many years consisted of Reznor as the only official member, aided by an ever-changing group of backing musicians for live performances. He finally added English musician and long-time collaborator Atticus Ross as the act’s second permanent member in 2016. Released on July 17th, “As Alive As You Need Me To Be” is from the forthcoming soundtrack album Tron: Ares (Original Motion Picture Soundtrack), to be released September 19th. Nine Inch Nails composed the score for the film Tron: Ares, the third installment in the Tron series scheduled for release October 10th. At the age of 60, Reznor sounds as good as ever.

  1. NO RAIN, NO FLOWERS – The Black Keys (3)
  2. THE CONTRACT – Twenty One Pilots (1)
  3. MOODY – Royel Otis (2)
  4. FEELS RIGHT – Talk in Waves (5)
  5. BACK TO FRIENDS – sombr (4)
  6. RIPPLE – Good Neighbours (7)
  7. BETTER OFF EVENTUALLY – Bealby Point (8)
  8. LOVE IS A FIRE – Art Block (9)
  9. LONDON TOWN – Healer (10)
  10. SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (16)
  11. BASIC BEING BASIC – Djo (6)
  12. BLOOM BABY BLOOM – Wolf Alice (15)
  13. JUPITER – almost monday ft. Jordana (17)
  14. UNDRESSED – sombr (18)
  15. ASSHOLE – The Lumineers (20)
  16. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (11)
  17. NOTHING I NEED – Lord Huron (12)
  18. SCARS – Secret Postal Society (13)
  19. BACKSEAT – Balu Brigada (21)
  20. POLYESTER (YES SIR) – Sorry Ghost (22)
  21. TODAY’S SONG – Foo Fighters (23)
  22. FIVE MORE SECONDS – Seafret & KT Tunstall (24)
  23. WHAT WAS THAT – Lorde (14)
  24. BETTER DAYS – Yellowcard (29)
  25. INCOMPREHENSIBLE – Big Thief (26)
  26. LIGHT YEARS APART – Unobliterated (28)
  27. UNRAVELLING – Muse (30)
  28. BONNET OF PINS – Matt Berninger (19)
  29. AFTERLIFE – Alex G (N)
  30. AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (N)

My Top 30 Songs for August 10-16, 2025

On By EclecticMusicLoverIn Weekly Top 30's6 Comments

It’s a second week on top for “The Contract” by Twenty One Pilots, with “moody” by Royel Otis holding onto second place for a second week after two weeks at #1. The Black Keys move up two to #3 with “No Rain, No Flowers”, the title track to their 13th and latest album No Rain, No Flowers, which dropped this past Friday, while Talk in Waves moves up a spot to #5 with his jubilant ear worm “Feels Right”. Entering the top 10 are “Ripple” by English indie rock duo Good Neighbours, “Better Off Eventually” by Canadian alt-rock band Bealby Point, “Love Is A Fire” by English singer-songwriter Art Block and “London Town” by English rock band Healer.

Making their debut this week are songs by two legendary bands, the first of which is “Better Days” by pop punk band Yellowcard, who formed in 1997, broke up in 2017, then reunited in 2022. Their lineup has changed over the years, and now consists of Ryan Key (lead vocals), Ryan Mendez (lead guitar), Josh Portman (bass) and Sean Mackin (violin). Their music is notable for its distinct and unique sound due to their prominent use of Mackin’s violin. The song is the lead single and title track from their forthcoming eleventh studio album Better Days, due for release on October 10. The album was produced by blink-182 drummer Travis Barker, who played drums on every song.

The second debut, coming in at #30, is “Unravelling” by English alternative space rock band Muse, who since forming in 1994 have consisted of Matt Bellamy (lead vocals, guitar, keyboards), Chris Wolstenholme (bass guitar, backing vocals), and Dominic Howard (drums, percussion). Though I’m a pretty big fan of Muse, I find it always takes several listens for many of their songs to grab me, which was the case with “Unravelling”. But grab me it did, and I now like it a lot.

  1. THE CONTRACT – Twenty One Pilots (1)
  2. MOODY – Royel Otis (2)
  3. NO RAIN, NO FLOWERS – The Black Keys (5)
  4. BACK TO FRIENDS – sombr (3)
  5. FEELS RIGHT – Talk in Waves (6)
  6. BASIC BEING BASIC – Djo (4)
  7. RIPPLE – Good Neighbours (11)
  8. BETTER OFF EVENTUALLY – Bealby Point (13)
  9. LOVE IS A FIRE – Art Block (14)
  10. LONDON TOWN – Healer (15)
  11. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (7)
  12. NOTHING I NEED – Lord Huron (8)
  13. SCARS – Secret Postal Society (9)
  14. WHAT WAS THAT – Lorde (10)
  15. BLOOM BABY BLOOM – Wolf Alice (16)
  16. SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (18)
  17. JUPITER – almost monday ft. Jordana (19)
  18. UNDRESSED – sombr (20)
  19. BONNET OF PINS – Matt Berninger (12)
  20. ASSHOLE – The Lumineers (22)
  21. BACKSEAT – Balu Brigada (23)
  22. POLYESTER (YES SIR) – Sorry Ghost (24)
  23. TODAY’S SONG – Foo Fighters (27)
  24. FIVE MORE SECONDS – Seafret & KT Tunstall (29)
  25. CATCH THESE FISTS – Wet Leg (17)
  26. INCOMPREHENSIBLE – Big Thief (28)
  27. EMERGENCE – Sleep Token (21)
  28. LIGHT YEARS APART – Unobliterated (30)
  29. BETTER DAYS – Yellowcard (N)
  30. UNRAVELLING – Muse (N)

My Top 30 Songs for August 3-9, 2025

On By EclecticMusicLoverIn Weekly Top 30's8 Comments
Photo of Twenty One Pilots from their Facebook account

One of my favorite music acts for the past ten years is Twenty One Pilots, comprised of the dynamic duo of singer-songwriter and multi-instrumentalist Tyler Joseph and power drummer Josh Dun. Their latest single “The Contract” is my new #1 song this week, marking their 13th song to reach the top of my chart, and their third in just the past year, following “The Craving” last September and “The Line” this past March. The lead single from their forthcoming eighth studio album Breach, to be released September 12th, “The Contract” starts the final act of the narrative begun on their 2015 album Blurryface and continued through Trench, Scaled And Icy, and last year’s Clancy.

The song is a frenetic and electrifying mash-up of music styles, something Twenty One Pilots have incorporated into many of their songs over the years. As Kory Grow observed in his article about the single for Rolling Stone, the song “ping-pongs between pop, rap, emo, and drumline practice.” While I love that about the song and their music in general, some do not. Paulo Ragusa, a writer who’s obviously not a Twenty One Pilots fan, trashed the song in his article for Consequence Sound, calling it “a complete mess, a sloppy hodge-podge of genres and styles that directly compete with one another from moment to moment.” Well, to each their own I say, as “The Contract” takes its place among a long line of songs I love by this talented duo.

In other chart news, Lorde enters the top 10 with “What Was That”, and we have two new debuts. The first is “Five More Seconds”, a wonderfully exuberant collaboration by English duo Seafret and Scottish singer-songwriter KT Tunstall, which enters at #29. Seafret, based in Yorkshire and comprised of singer Jack Sedman and guitarist Harry Draper, released three albums and a number of singles from 2015-2023 and saw their debut 2015 single “Atlantis” go viral on TikTok over the past three years, eventually racking up over 1.1 billion streams on Spotify alone. KT Tunstall burst onto the British music scene in 2004 with her debut album Eye to the Telescope, which spawned the hit singles “Black Horse and the Cherry Tree” and “Suddenly I See”, which won the Ivor Novello Award for Best Song in 2006. “Five More Seconds” marks both Seafret and KT Tunstall’s first new music in two years.

The second debut is “light years apart” by Unobliterated, the music project of England-born and now Portugal-based singer-songwriter and musician Gary Taylor. In my review of the song upon its July 11 release, I described it as “majestic”, with a haunting melody driven forward by a strong pulsating groove and layered with swirling atmospheric synths and warm guitar notes to create a mesmerizing backdrop for Taylor’s arresting vocals that masterfully convey a sense of both despair and hopeful optimism.

  1. THE CONTRACT – Twenty One Pilots (3)
  2. MOODY – Royel Otis (1)
  3. BACK TO FRIENDS – sombr (2)
  4. BASIC BEING BASIC – Djo (4)
  5. NO RAIN, NO FLOWERS – The Black Keys (7)
  6. FEELS RIGHT – Talk in Waves (9)
  7. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (5)
  8. NOTHING I NEED – Lord Huron (6)
  9. SCARS – Secret Postal Society (10)
  10. WHAT WAS THAT – Lorde (11)
  11. RIPPLE – Good Neighbours (13)
  12. BONNET OF PINS – Matt Berninger (8)
  13. BETTER OFF EVENTUALLY – Bealby Point (15)
  14. LOVE IS A FIRE – Art Block (17)
  15. LONDON TOWN – HEALER (18)
  16. BLOOM BABY BLOOM – Wolf Alice (19)
  17. CATCH THESE FISTS – Wet Leg (12)
  18. SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (21)
  19. JUPITER – almost monday ft. Jordana (22)
  20. UNDRESSED – sombr (23)
  21. EMERGENCE – Sleep Token (16)
  22. ASSHOLE – The Lumineers (25)
  23. BACKSEAT – Balu Brigada (26)
  24. POLYESTER (YES SIR) – Sorry Ghost (27)
  25. RITALIN – Dexter and The Moonrocks (14)
  26. RELATIONSHIPS – HAIM (20)
  27. TODAY’S SONG – Foo Fighters (29)
  28. INCOMPREHENSIBLE – Big Thief (30)
  29. FIVE MORE SECONDS – Seafret & KT Tunstall (N)
  30. LIGHT YEARS APART – Unobliterated (N)

My Top 30 Songs for July 27-August 2, 2025

On By EclecticMusicLoverIn Weekly Top 30's5 Comments
Photo of Otis Pavlovic and Royel Maddell by Shervin Lainez

I’m still loving “moody” by Royel Otis a lot, thus it remains at #1 for a second week, while sombr‘s “back to friends” holds at #2 for a second week after spending three weeks at #1. Twenty One Pilots and Djo move up one spot each to #s 3 and 4 with “The Contract” and “Basic Being Basic”. Entering the top 10 are “No Rain, No Flowers” by The Black Keys, jumping seven spots to #7, and “Scars” by my favorite Welsh artist Secret Postal Society, moving up a notch to #10.

Two songs make their debut on my chart this week, the first of which is “Today’s Song” by rock legends the Foo Fighters, entering at #29. In a note accompanying the single’s release, band frontman Dave Grohl stated it’s a tribute to former band members including recently fired drummer Josh Freese, founding drummer William Goldsmith, guitarist Franz Stahl and late drummer Taylor Hawkins, who died in 2022. The second debut is the quite lovely “Incomprehensible” by Brooklyn, New York-based indie folk band Big Thief. Formed in 2015, the band now consists of vocalist-guitarist Adrianne Lenker, guitarist Buck Meek and drummer James Krivchenia. (Founding bassist Max Oleartchik left the band in 2024.) The song is the lead single from their forthcoming sixth studio album Double Infinity, set for release on September 5th.

  1. MOODY – Royel Otis (1)
  2. BACK TO FRIENDS – sombr (2)
  3. THE CONTRACT – Twenty One Pilots (4)
  4. BASIC BEING BASIC – Djo (5)
  5. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (3)
  6. NOTHING I NEED – Lord Huron (6)
  7. NO RAIN, NO FLOWERS – The Black Keys (14)
  8. BONNET OF PINS – Matt Berninger (9)
  9. FEELS RIGHT – Talk in Waves (10)
  10. SCARS – Secret Postal Society (11)
  11. WHAT WAS THAT – Lorde (12)
  12. CATCH THESE FISTS – Wet Leg (7)
  13. RIPPLE – Good Neighbours (15)
  14. RITALIN – Dexter and The Moonrocks (8)
  15. BETTER OFF EVENTUALLY – Bealby Point (16)
  16. EMERGENCE – Sleep Token (18)
  17. LOVE IS A FIRE – Art Block (19)
  18. LONDON TOWN – HEALER (20)
  19. BLOOM BABY BLOOM – Wolf Alice (21)
  20. RELATIONSHIPS – HAIM (17)
  21. SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (26)
  22. JUPITER – almost monday ft. Jordana (27)
  23. UNDRESSED – sombr (28)
  24. ARCHBISHOP HAROLD HOLMES – Jack White (13)
  25. ASSHOLE – The Lumineers (25)
  26. BACKSEAT – Balu Brigada (29)
  27. POLYESTER (YES SIR) – Sorry Ghost (30)
  28. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (22) 19th week on chart
  29. TODAY’S SONG – Foo Fighters (N)
  30. INCOMPREHENSIBLE – Big Thief (N)

My Top 30 Songs for July 20-26, 2025

On By EclecticMusicLoverIn Weekly Top 30's9 Comments
Photo of Otis Pavlovic and Royel Maddell by Shervin Lainez for Flood Magazine

We have a new #1 song this week, as well as four new debuts. Over the past year, I’ve become a fan of Australian act Royel Otis on the strength of their infectious guitar-pop sound and charming, laid-back persona. Formed in 2019 by Royel Maddell (who rarely shows his face) and Otis Pavlovic, the Sydney-based duo draw from elements of indie pop, indie rock, new wave, pop rock, post-punk and psychedelic rock in the creation of their music. They released two EPs in 2021 and 2022 to little notice until the song “Oysters in My Pocket”, from the second EP Bar n Grill, gained traction in late 2022. Their third EP Sofa Kings, released in 2023, proved more successful, with the breakthrough title track marking their first appearance on American charts and eventually peaking at #12 on the Billboard Alternative Airplay chart. In late January 2024, they released their electrifying cover of “Murder on the Dancefloor”, the 2001 disco pop hit by British singer-songwriter Sophie Ellis-Bextor which they performed on the Australian radio station Triple J for their Like a Version program. The song went viral and reached #1 on the Billboard Alternative chart, as well as my own Top 30 chart. I couldn’t get enough of it, and it ended up ranking #4 on my 100 Best Songs of 2024 list. The guys quickly followed with their debut album Pratts & Pain in February 2024, which debuted at #1 on the Australian Albums Chart, and went on to win four awards at the 2024 ARIA (Australian Recording Industry Association) Music Awards. They also released a wonderful cover of The Cranberries’ classic “Linger”.

Their charming single “moody“, released on May 9th, is a love song of sorts, detailing a problematic relationship with a woman who drives the singer crazy in both good ways and bad. She’s jealous, bitchy and cranky, yet he’s hopelessly in love with her: “She’s always givin’ it to me. Late nights, she always accusin’. Last time, she said she would kill me. My girl’s a bitch when she’s moody. But she’s my everything. She’s all that I need.” I love the song’s languid laid back groove, highlighted by Royel’s terrific guitar noodling and Otis’ sweet vocals, and it ascends to #1 on my latest chart.

The joyoustly upbeat “Feels Right” by northern Virginia artist Talk in Waves, who’s no stranger to my charts, enters the top 10 at #10. And as I noted above, four songs make their debut this week, three of which are spelled in all lower case letters. Entering at #27 is “jupiter” by San Diego-based indie pop band almost monday, comprised of Dawson Daugherty (vocals), Cole Clisby (guitar), and Luke Fabry (bass), and featuring L.A.-based indie pop singer-songwriter Jordana. The song was originally included on their 2014 album DIVE as a recording by only the band, but a new version with Jordana singing backing vocals was released in January on a deluxe version of DIVE. It’s the third song by almost monday to appear on my chart, following 2020’s “broken people” and last year’s smash hit “can’t slow down”.

The second debut, coming in at #28, is the relentessly catchy “undressed” by sombr, whose single “back to friends” just spent three weeks at #1 and now sits at #2. The song continues the theme exploring the challenges of moving on from a failed relationship that was first introduced in “back to friends”. Next up is “Backseat” by New Zealand-born and now New York City-based duo Balu Brigada, comprised of multi-instrumentalist brothers Henry and Pierre Beasley, whose single “So Cold” spent three weeks at #1 on my chart in March. Though a long one, running nearly six and a half minutes, “Backseat” is a compelling, melodically complex song that’s sure to be another hit for the talented brothers.

Last but certainly not least is the delightful “polyester (yes sir)” by L.A. indie pop-rock band Sorry Ghost, which I featured in a recent Fresh New Tracks post. As I noted in that post, the charismatic band – comprised of Dan Anton (vocals), Matt Polito (guitar and vocals), Tate Silver (drums) and Sean Duong (guitar and vocals) – have a cheeky sense of humor and frequently delight their fans and followers with hilarious and endearing video reels of themselves on Instagram and TikTok. I love the song’s mellow vibe that sits in a sweet spot between sunny and melancholy, as well as the colorful blend of jangly and chiming guitars accompanied by pleasing harmonies.

  1. MOODY – Royel Otis (2)
  2. BACK TO FRIENDS – sombr (1)
  3. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (4)
  4. THE CONTRACT – Twenty One Pilots (8)
  5. BASIC BEING BASIC – Djo (5)
  6. NOTHING I NEED – Lord Huron (3)
  7. CATCH THESE FISTS – Wet Leg (6)
  8. RITALIN – Dexter and The Moonrocks (9)
  9. BONNET OF PINS – Matt Berninger (10)
  10. FEELS RIGHT – Talk in Waves (11)
  11. SCARS – Secret Postal Society (12)
  12. WHAT WAS THAT – Lorde (13)
  13. ARCHBISHOP HAROLD HOLMES – Jack White (7)
  14. NO RAIN, NO FLOWERS – The Black Keys (18)
  15. RIPPLE – Good Neighbours (17)
  16. BETTER OFF EVENTUALLY – Bealby Point (19)
  17. RELATIONSHIPS – HAIM (20)
  18. EMERGENCE – Sleep Token (21)
  19. LOVE IS A FIRE – Art Block (22)
  20. LONDON TOWN – HEALER (23)
  21. BLOOM BABY BLOOM – Wolf Alice (24)
  22. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (14)
  23. BARBARIAN – AWOLNATION (15)
  24. LET THINGS GO – Caamp (16)
  25. ASSHOLE – The Lumineers (26)
  26. SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (30)
  27. JUPITER – almost monday ft. Jordana (N)
  28. UNDRESSED – sombr (N)
  29. BACKSEAT – Balu Brigada (N)
  30. POLYESTER (YES SIR) – Sorry Ghost (N)

I feel guilty including a Spotify playlist anymore, but here it is in case anyone cares to check out any of the songs:

Fresh New Tracks, Vol. 48 – eLxAr, Joe Peacock, Kevin Robertson, Sorry Ghost

On By EclecticMusicLoverIn Reviews7 Comments

Time for another installment of my Fresh New Tracks series. Today I’m featuring new songs by, in alphabetical order, Italian electronic/synthwave duo eLxAr, English singer-songwriter Joe Peacock, Scottish singer-songwriter Kevin Robertson, and Los Angeles-based indie pop/rock band Sorry Ghost. I’ve previously featured the first three on this blog, while this is the first time I’m writing about Sorry Ghost.

eLxAr – “Lights at the Edge of the Road”

eLxAr is a fascinating electronic/synthwave act from Italy consisting of Luca, a pianist, composer, producer and game designer, and Alex (short for Alexandra), a singer-songwriter, digital designer, illustrator and multi-faceted artist. Not only are both of them multi-talented and creative, they’re also passionate about social justice and environmental issues. I first wrote about them in March 2024 when I reviewed their powerful anti-cyberbulling single “Nessuno Vede”. They’ve since released a lot more music, and I thought it was time I featured them again on this blog. Their latest single is the enchanting instrumental track “Lights at the Edge of the Road”. About the song, the band states: “I think there’s something mystical about traveling at night. Look out the window and it’s only darkness. Darkness and the streetlights, passing by the car as if they were divine fires, falling directly from the sky.” The darkly sensuous groove and crystalline synths beautifully capture the aura and mystery of a night drive.

Joe Peacock – “Not Love”

Joe Peacock is a British singer-songwriter and musician born and raised in rural Herefordshire and now based in Birmingham. Describing himself as “a genre-hopping storyteller, whose music has been compared to Bowie, Blur and Costello”, he’s a hard-working, thoughtful and talented musician who continually experiments and pushes himself beyond his comfort zone. And like eLxAr, Joe also cares deeply about the environment, social justice and inequality. The prolific artist has released a tremendous amount of music over the past four years, including three albums – I’m Only Here in 2021, Before the robots told us where to go in 2021, and Mirror Neuron Generator in 2022 – as well as numerous singles and five EPs, two of which, The curse of the mind and Beast Mode, I reviewed. He’s also one half of art-folk duo The Missed Trees, his side project with singer/fiddle player Louisa Davies-Foley.

His latest single is “Not Love“, an alternative rock song exploring the futility of trying to make someone love you when they’re just not interested. Joe elaborates: “The single’s about reversing the traditional lines in songs about unrequited love, as I find that a bit creepy and people should realise that going after someone who doesn’t reciprocate never works and just makes both sides unhappy. All the incels and toxic masculinity stuff comes in there a bit, too.” I love his shimmery and grungy psychedelic guitars as well as clever lyrics like “I tried to woo her with charm and wits, but she was just not having it./ I danced close to her in a club to get the opportunity to rub myself against her body.” 

Kevin Robertson – “Kings Of Most Of Yesterday”

Hailing from Aberdeen, Scotland is Kevin Robertson, a singer-songwriter and guitarist who makes a very agreeable style of jangle and psych pop. Strongly influenced by a range of influences including 60’s pop, classic and psychedelic rock, 80’s jangle music and 90’s Brit pop, he’s been actively recording and releasing music both as a solo artist and as a member of Aberdonian (I love that word) jangle pop five-piece The Vapour Trails since 2019. In a relatively short period of time, Kevin has released an impressive amount of music under his own name, including four albums – Sundown’s End in 2021, Teaspoon of Time in 2022, Magic Spells Abound, an aptly-titled collection of nine exquisite songs I reviewed in 2023, and The Call of the Sea in 2024.

Now’s he’s back with his latest single, “Kings of Most of Yesterday“, which dropped yesterday, June 20th. The song is the second single from his forthcoming fifth album Yellow Painted Moon, to be released July 11th. Written and sung by Kevin, who also played acoustic and electric guitars, the song includes additional eclectric guitar and bass played by his son Scott Robertson, with drums and mellotron by Nick Bertling, who also produced the track. The song features Kevin and Scott’s beguiling twangy guitars that remind me in spots of Dire Straits’ “Sultans of Swing”. It’s a beautiful song with an understated, yet powerful message about the ephemeral nature of each generation’s dominance within a given culture, with each gradually passing the torch to a younger generation who will then lead: “Change it has to come. The generations live and die. The kings of most of yesterday shall fall. Tomorrow goodbye.”

Sorry Ghost – “polyester (yes sir)”

Without question, one of the most irrepressibly charming – and might I add best-looking – bands around today is indie pop/rock four-piece Sorry Ghost. Originally formed as a pop punk band in Baton Rouge, Louisiana by guitarist and vocalist Matt Polito and bassist and vocalist Dan Anton, along with Ryan DeJean and Nick Broyles, they released their debut EP Win By Default in late 2016. Ryan and Nick later left the band and Tyler Hernandez briefly joined the lineup as drummer, at which point they released their debut album The Morning After in April 2020. Tyler departed in 2021, after which Matt and Dan relocated to Los Angeles, where they were eventually joined by Tate Silver on drums and Sean Duong on guitar and vocals to complete their current lineup. The new location and lineup steered their musical direction toward a breezier indie pop/rock sound, and their popularity has continued to grow.

The guys have a wickedly cheeky sense of humor, calling themselves ‘iconic indie idiots’ whose music is “a potent blend of optimism and frustration, loud and soft edges, encouragement and rejection“, and frequently delight their fans and followers with hilarious and endearing video reels of themselves on Instagram and TikTok. I follow then on Instagram, and their posts never fail to put a big smile on my face. Their videos are also highly entertaining and creative, evidenced by the one for their new single “polyester (yes sir)“, which dropped yesterday. Directed by Jeremy Stewart, produced by Katherine Myers and shot by Luis Adrian Lara, the video shows the guys performing the song in a bucolic setting in the Santa Monica Mountains, with Dan playing a decidedly frustrated office executive. My take on the lyrics is that they speak to feeling stuck in a job or lifestyle you hate, acting out a part that doesn’t feel genuine or fulfilling, with ‘polyester’ representing the wardrobe you’re forced to wear: “When I step right into line. Just a little to the left. Step right don’t you lie, There’s so little to me. Left my life ‘low the frame. Now I’ve found me to blame. Polyester that’s a yes sir, I can’t take another gesture.” I love the song’s mellow vibe that sits in a sweet spot between sunny and melancholy, as well as the colorful blend of jangly and chiming guitars accompanied by pleasing harmonies.