SERPERUS – EP Review: “Infernal Seasons”

I can’t seem to pull myself away from the UK, as here I am featuring yet another band from that island nation. There’s such a tremendous amount of musical talent based there, I could devote my blog entirely to UK artists. This time I shine my spotlight on Serperus, a Liverpool five-piece that plays aggressive and melodic heavy metal. Formed in 2014, the band consists of Joey Farrell (Vocals), Mark Coogan (Lead Guitar), Jono Walters (Rhythm Guitar), Mikey Smith (Bass) and Aaron May (Drums).

Serperus performing

They released their debut EP …with Pestilence in December 2016 to wide acclaim, and followed up with their sophomore EP Infernal Seasons this past May. Offering up six tracks of brutal, unrelenting thrash metal that address themes of authoritarian oppression, Infernal Seasons serves to further cement the solid reputation Serperus has established for themselves, and demonstrates the progression of their songwriting skills and technical experimentation.

Infernal Seasons

The title track “Infernal Seasons” sets the tone with an onslaught of wailing guitars and Smith’s buzz-saw bass lines, propelled by thunderous percussion, courtesy of May’s relentless attack on his drum kit. Coogan delivers blistering riffs while Farrell snarls the searing and topically relevant lyrics that speak of the destruction and cruelty perpetrated upon society by ruthless leaders: “A charade, a means to construct the plague. The infernal seasons, the results of tyranny. Mother nature, down to her last legs. Deliverance, for us as the non-believers. Twisting tongues of the prophet, forcing catastrophic opinions.”

Serperus dials up the speed setting on the frenetic “Divulge,” the first single released from the EP.  As the band explained to online magazine Pure Grain Audio, “‘Divulge’ is one of the fastest and most intricate songs, featuring lots of twists and turns throughout. It is our personal favourite to play live and it is perfect to showcase what [we’re] all about.” And they’re not exaggerating about the song being fast and intricate – this beast kicks ass! The scorching, rapid-fire riffs blast through the speakers from start to finish with no letup, calling to mind the epic Metallica song “Hardwired.”

Into Ruin” opens with a mysterious intro of violin, xylophone, and piano before an assault of shredded guitars, hammering drums and crushing bass rain down like thunderbolts. This track’s a real head-banger, and once again our ears are treated to killer guitar solos, which continue unabated with “Deliverance Has Come.”  The song’s lyrics assert that mankind’s suffering will only be relieved by death. “Our fate is sealed. So choke on your last breath, as you sit and wait for the sweet release of death. Light begins to fade, humanity has failed, blinded by deceit, history repeats.

Perhaps the most melodically complex track on the EP is “No Vindication,” a six and a half minute-long tour-de-force. The song starts off slowly, with strummed electric guitar and heavy bass, then a hypnotic drum beat enters the scene, accompanied by Farrell’s calm, echoed vocals. The intensity ramps up with aggressive, shredded guitars and pounding drums,  Farrell’s vocals rising in ferocity to match the brutal instrumentals. We’re then thrust headlong into the hard-hitting closing track “Spirit in Black.” Unrelenting riffs of distorted & shredded guitars are driven by jack-hammer percussion, making this track an adrenaline rush on steroids. When the guitars fade out with a final crash of the cymbal, all you can do is catch your breath.

Even though it contains only six tracks, Infernal Seasons runs over 30 minutes, as they’re all fairly long. That fact, combined with the high level of intensity throughout its entirety, make it feel more like an album than an EP. A minor criticism I have is that some of the tracks sound quite similar to one another, however, the quality of the instrumentals and compelling lyrics more than make up for it. Overall, it’s a great EP that delivers the thrash metal goods.

Connect with Serperus:  Facebook / Twitter / Instagram

Stream their music on Spotify and download for free on Bandcamp 

UNDER AEGIS – EP Review: “[Extinct]”

Under Aegis is a Progressive Djent Metalcore band with a lot to say. Their brutal in-your-face sound, born from generous amounts of crushing bass, explosive guitars, speaker-blowing drums and ferocious vocals, bulldozes a path of sonic destruction. At the same time, they launch a frontal assault on societal evil, hypocrisy and bullshit with their violent but compelling lyrics.

The Milwaukee, Wisconsin based foursome includes Nik Dennee on vocals, Bao Vo on guitar, and brothers Avery Gaitens on bass and Parker Gaitens on drums. In December 2016, they released their hard-hitting EP [Extinct] (two years after their debut EP The Narcissist). We’ve followed each other on Twitter for more than a year, and I’m finally getting around to featuring them on this blog.

Under Aegis 2

[Extinct] confronts a dystopian world where violence, corruption and despair reign. The opening track “Apex Predator” sets the tone with a full-blown attack on every one of our senses. Avery lays down a bass line so intense you can feel it pounding against your chest, while Bao shreds and distorts his guitar nearly to the breaking point. With his jackhammer drums working in tandem with the crushing bass, Parker seems intent on blowing out the speakers – or our eardrums! Nik growls and screams the lyrics like a rampaging T-Rex: “I am a savage fucking beast at the prime of my killing spree. Brutal. Savage. Controlled by instinct. I always wondered what fed this thirst. Pull yourself together. You won’t feel a god damn thing.”

Unbelievably, the band somehow manages to dial up the intensity on “Born Sick.” The drums and bass are even heavier, and by now I’m certain my head’s gonna explode. The lyrics seem to be about the belief that man is born cursed with original sin, and in a continuous struggle to make it through life in one piece. Nik unleashes his fury as he screams “It’s never safe to say that tomorrow is another day. Live and learn and love and respect, because every breath you take is just another fucking side effect. I’m lost, an empty shell, living in fear.” 

Invective” speaks to someone contemplating taking their own life as a way out from dealing with their problems. “You said you’d give anything for a good night’s sleep. Now you have found a solution not so temporary. You’re a fucking coward taking the easy road to eternity. Listen close, no need to be nervous. Just relax it’s only self disposal. Every tragedy begins with a simple idea. You fucking coward. You worthless waste of fucking flesh. Why don’t you close the door. Roll up your fucking window. And just fucking give up.” The track has some seriously good guitar work, and Nik comes close to tearing his vocals chords to shreds as he whips himself into a vocal frenzy.

There’s no letup to the sonic onslaught on “Total Void,” a depressing song about the futility of life in a dystopian society: “We’re all born with broken bones. Suspended, hanging from a rope. So just lose all fucking hope! The ground is breaking beneath us. Sanity controls us. The ground is breaking behind us. Be free and follow me into nothing. Losing your mind could be the end of your struggle.

Nomad” is the most melodic and, at nearly five minutes, longest of the tracks on the EP.  It starts off with a mysterious guitar riff, then heavy percussion and bass ensue, accompanied by layers of shredded and distorted guitars. Nik passionately screams the lyrics that speak to man’s eternal search for meaning and purpose on an earth that’s increasingly being degraded by his own selfish actions:  “All the lines that we used to know they have all been crossed. In this world nothing is fair. No one belongs anywhere, We are all thieves. Searching for our piece of this rotten world long that has been long deceased. Overgrown cities, self absorbed drones. I’m not a miracle, I’m a walking crime scene. Outline me in chalk. Write my obituary.

Under Aegis demonstrate with [Extinct] that they are not only amazing musicians, they’re also adept at writing deeply powerful, relevant lyrics that speak to social and personal upheaval. Bao told me they’re now working on new songs that will address political and governmental issues, and I can’t wait to hear them.

Follow Under Aegis:  Facebook /  Twitter /  Instagram

Stream their music:  YouTube /  Spotify

Purchase:  Bandcamp /  iTunes