THE MAYAN FACTOR – Single Review: “Peace”

mayan factor collage names

Back in January of last year (2019), I was honored to introduce my readers to the extraordinary progressive rock band The Mayan Factor (you can read my article here). Originally formed in 2002, the Baltimore, Maryland-based band quickly built a huge following through the success of two critically acclaimed albums In Lake’ Ch and 44. One of their tracks “Warflower” has been streamed more than two million times on Spotify.

Tragically, their lead singer Ray Schuler died suddenly in 2011, leaving a void that sent the band and their fans reeling. They’d already been recording songs for a third album Yesterday’s Son, which they went ahead and released in 2012. After that album release, the remaining band members went on a hiatus and considered calling it quits, but the love and dedication of their fans persuaded them to soldier on. They eventually found a new lead vocalist in Lenny Cerzosie Jr., and reformed in 2015. Besides Lenny, who also plays rhythm guitar, the band lineup consists of Brian Scott (guitar), Kevin Baker (bass), Dan Angermaier (drums), and Jason Sage (percussion, backing vocals).

Since reforming, they’ve release a number of singles, starting in 2016 with the epic track “Ascension”, followed in 2018 with “Whispers” and “Hope”. Now, after a break of two years, they’re back with a dark new single “Peace“, and it was worth the wait. The song opens tentatively with what sounds like a slowly building fuzz-covered synth accompanied by gently crashing cymbals. Eventually it bursts forth with pulsating riffs of gnarly guitars, becoming a dramatic progressive rock song with elements that call to my mind the music of such greats as Tool and Pink Floyd, among others. The intricate guitar work is spectacular, and I love the interplay between the heavier fuzz-coated riffs and more delicate chiming guitars. Kevin’s deep, throbbing bass line provides the song’s beating heart, while Dan’s insistent drums add powerful strength and depth. Lenny’s haunting vocals are chilling as he snarls the lyrics that seem to speak of a relationship broken beyond repair, and seeking peace by moving on from a toxic situation:

The truth is it was all a suit I never fit into
Please hold on, don’t let go
I, I cannot live inside a lie
Please hold on, don’t let go
I, I cannot live inside your lies

Though nearly six minutes long, “Peace” is so good that it seems over in an instant. The fascinating and dramatic video, filmed in time-lapse and black and white, is a front-seat view from a car as it backs out of a suburban driveway, then drives through a subdivision and beyond. We’re a passenger in the car, watching the view as it speeds through a town and surrounding countryside, as if the driver is trying to run away. The car goes through a car wash at one point, possibly symbolizing a cleansing of not only the car but one’s soul. A small hula girl figure holding a ukelele that’s attached to the dash is in the center of our view as we speed down the road. She’s eventually joined by a witch doctor figure also holding a ukelele as day turns to night and we continue on our journey. After seemingly driving all night, morning returns as we make our way back home and pull into the driveway, having gone full circle. We’re left to ponder whether anything has really changed at all?

Watch the video and decide for yourself.

Connect with The Mayan Factor on Facebook / Twitter / Instagram
Stream their music on Spotify / Apple Music
Purchase on Bandcamp / iTunes / Google Play

STRANGELY ALRIGHT – EP Review: “Stuff”

Strangely Alright Stuff

As all of us who use it know, social media can sometimes be a major source of aggravation, but it also has its rewards, one of which – for me at least – has been to connect with scores of musicians and bands from around the world. With some of them, that connection has run deeper and become more personal for a myriad of reasons, but most often due to the warmth and magnanimity of the artists themselves. One such band is a five-piece from Seattle, Washington with a delightfully quirky name – Strangely Alright. Not only do they play great rock music, they also project a strong message of love and acceptance in their songs, while clearly having a lot of fun in the process.

The band is headed by Regan Lane, who does most of the songwriting and sings lead vocals, Sean Van Dommelen (lead guitar, vocals), Ken Schaff (bass), Raymond Hayden (keyboards, vocals) and Jason Bair (drums). Their wildly-entertaining style of punk-infused rock is inspired by various generations of British iconoclasts such as David Bowie, T.Rex, the Jam, Suede, the Buzzcocks and Supergrass.

They’ve released a number of recordings over the past several years, including their terrific album The Time Machine is Broken in 2013, and a compilation album of singles All of Us Are Strange (The Singles) earlier this year.  On September 20, they dropped a fantastic new EP simply titled Stuff. The band describes the EP as “six songs about love, working together, setting boundaries, the digital age and the change that’s coming.” The tracks were written in the wake of the 2016 presidential election, and speak to “walking the tightrope of acceptance and resistance, of not giving in to the overwhelming forces of hatred and turmoil.” I could sure use some pointers on that subject.

The opening title track “Stuff” speaks out against our materialistic ways, namely, our thinking that acquiring more things will bring us happiness when, at the end of the day, it’s the love and support we extend to others that will bring our lives meaning and a real sense of contentment: “And I have learned through the trials and the times. That I need to look inside if I want to stay alive. All of the things that I gather are things I will leave when I am gone. It’s all just Stuff. It ain’t enough. Without the love in my heart it’s all just Stuff.

I love the silly opening with ukelele and a bit of jibberish, and how it then erupts into an explosion of gnarly and screaming guitars, set to Jason’s infectious hard-driving rock beat that grabs us by the hips and gets our asses moving! The guitar work is so good and, combined with the gritty synths, throbbing bass and Regan’s feisty vocals, “Stuff” is one hell of an awesome rock song!

Building Bridges” is an admonishment for us to work together to build things up rather than fighting to tear things apart. The track starts off with a portion of the famous and moving speech given by Bobby Kennedy at the time of Martin Luther King Jr’s assassination: “What we need in the United States is not division; what we need in the United States is not hatred; what we need in the United States is not violence and lawlessness, but is love and wisdom, and compassion toward one another, and a feeling of justice toward those who still suffer within our country.” It then launches into a thunderous volley of gritty riffs, assertive keyboards and pounding drums that form a lively soundscape for Regan’s fervent, at times distorted, vocals.

The kiss-off song “Wave Goodbye” starts off with Regan saying in an almost smarmy voice-over “Dinner is served,” then organ synths and fuzzy guitars take over as he sneers: “I thought you were my friend but I can see you’ve been pretending from the snide remarks that drip from you tongue.  Walking with a shovel, you’re surprised that you’re in trouble while you’re piling dirt on people you love./  Even when you say you can change. hey, we don’t trust you. Maybe you should just float away./ Wave goodbye.

Strangely Alright takes on misinformation and fake news on “Information Game.” The track has a wonderful T.Rex glam rock vibe, with psychedelic synths and layers of distorted and wailing guitars. Regan’s vocals actually sound a bit Bolan-esque as he snarls: “Liars thieves and pretty faces. TV stars that run the nation. Maybe there’s a quiz at the end. Same old show a different station. Fairy tales and race relations. Cherry pick the good and the bad. The more I see the less I know. The less I know the more I see. It’s clogging up my brain.

Whatcha Gonna Do?” is straight-up rock’n’roll with an irresistible head-boppin’ beat, and one of my favorite tracks on the EP. Keeping with their penchant for quirky intros, the track opens with what sounds like a merry-go-round , symbolizing the circus-like atmosphere we now seem to be living in. Sean’s guitar work is fantastic, as are Raymond’s jazzy keyboards, Ken’s bass and Jason’s drums. And Regan seems to channel early David Bowie on this track as he croons: “Well I vote in the elections and I feel no real connections with the humans that we trust with our lives. Baby baby It just feels like lies lies lies lies. Who hoo hoo hoo. Whatcha gonna do? when it all just breaks in two.

The EP ends on a upbeat note with the psychedelic-rock “Don’t U Know.” The lyrics speak to the optimism of youth, and that change for the better is coming, even though those of us who are older may feel cynical and pessimistic about it: “Well my children tell me that a change is gonna come. Hiding in the sunlight is the truth that we are one. Open doors of freedom. Doors of dialogue. Freight train and I feel it’s coming coming coming.

I have to say that the more I’ve listened to their music, the more I’ve come to love Strangely Alright – not only for their uniquely quirky sound and impressive songwriting and musicianship, but also for their humanity and kindness. Stuff perfectly exemplifies all those admirable qualities that make them a very special band indeed.

To learn more about Strangely Alright, check out their website
Connect with them on Facebook / Twitter / Instagram
Stream their music on Spotify / Apple MusicReverbnationSoundcloud
Purchase on Bandcamp / iTunes