100 Best Indie Songs of 2024

Photo courtesy of FREEP!K

At the end of each year, I publish a list of my Top 100 Songs, representing my picks for what I think are the best songs – my favorites actually – for the entire year. This year, at the suggestion of John Gilbert, guitarist and lead vocalist of Missouri folk rock band Voodoo Planet, I’ve also compiled a list of my 100 favorite indie songs of 2024 (their song “Adrift” is included in this list). Because I follow, and am followed by, many indie musicians and bands on the various social media platforms, I want to highlight some of the really outstanding music being made by them that’s every bit as good as that from mainstream acts.

These are not “indie” songs in terms of genre (though there are many that fall into that overall category), but songs by independent or unsigned music acts. Some are in fact signed to music labels, but they’re usually small, independently owned labels. There are 89 acts represented in this list, the majority of which are from the U.S., Canada and the U.K., but also from Australia, Malaysia, Norway, Spain, Germany and Ukraine. Of course, I must make note of the fact that this list contains only songs I’m aware of, and that there are likely hundreds or even thousands of other songs that deserve to be here, except that I’ve never heard them.

Though they’re ranked from #1 to 100, it doesn’t mean that a song at #30 is better than one at #70. That said, the ones closer to the top are my very favorites. And though I’d love to write a narrative about each song and artist, given my limited time and energy, not to mention people’s short attention spans, I’ve decided against that. I’ve created playlists on both Spotify and YouTube, which are included after the list itself. Enjoy!

  1. LIKE YOU DO – Talk in Waves
  2. ALL I DIE FOR – SWiiMS
  3. THE FAITHFUL HEART – Wons Phreely + The Horses
  4. WINTER COWBOY – Frank Joshua
  5. A FORETOLD ECSTASY – Mayflower Madame
  6. ATTRACTION – Wild Horse
  7. I’VE GOT LOVING FOR YOU – Bottlecap Mountain
  8. KOOL AID BLUE – The Sylvia Platters
  9. WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH
  10. FOR US ALL – Asgard Raven
  11. DIAMOND AND THE MISSING SON – Unquiet Nights
  12. YOU JUST PLAYED MY MIND – Oli Barton
  13. BLUSH – Vazum
  14. TAKE IT OR LEAVE IT – Dead Slow Hoot
  15. FIND MY WAY – Ships Have Sailed
  16. WAR – HEALER
  17. GOLD – Caitlin Lavagna
  18. HONEY – Mr Bewlay
  19. MIND GAME (3:33) – Collette McLafferty & John Serrano
  20. TOO MUCH OR NOT ENOUGH? – Candid
  21. YOUR WORLD NOW – Marc Schuster
  22. WAKING LIFE – Nicholas a. Milillo, Dee Wolf, Bobby Jasso & Gabrielle Marella & the voice of Tony Milillo
  23. VICES – 5ilas & Shimmer Johnson
  24. ADRIFT – Voodoo Planet & Mikey J
  25. BICYCLE AWAY – Sam Rappaport
  26. PERMANENT RECORD – GG Fearn
  27. AUTUMN LEAVES – Secret Postal Society
  28. HOLOGRAM – Raker
  29. GOOD TIMES GO – The Kid and I
  30. JUST WANNA SLEEP – Halfloves
  31. IT’S OVER NOW – Oli Barton
  32. DYING TO MEET YOU – Gooseberry
  33. OH, WELL – John Serrano
  34. SUBMARINE – Homeless Radio
  35. BRAND NEW DAY – Ben Gorb
  36. DOWNING STREET – Brain Ape
  37. LOOSIE LUNA – Coppa Londra
  38. TEMPTATION – Pylon Poets
  39. WHY DO YOU CARE – The Muldoons
  40. I AM AM I? – NAVE
  41. THIS ALL ENDS HERE – Minus Cube & Natalie Lucie
  42. NEW PONY – The Nanners
  43. KEEPING SCORE – Snap Infraction
  44. WAKE ME UP – HEALER
  45. ODYSSEY – Josephine Pascoe
  46. LIKE THE SUN – A.Wake
  47. SMALL MERCIES – Brian Lambert & Marc Schuster
  48. EASIER AND EASIER – Lyia Meta
  49. VICTIM – Frank Joshua
  50. SMUDGE – Mock Deer
  51. THE LOST – The Ocean Beneath
  52. INVISIBLE INK – Ships Have Sailed
  53. BY DESIGN – Amongst Liars & Felin
  54. LITTLE SELF-INDULGENT – Western Jaguar
  55. PIECE OF CAKE – Bottlecap Mountain
  56. COLLISION – The Zangwills
  57. ROADS – HULLAH
  58. GUYS LIKE YOU – Olivia Miceli
  59. YOUTH – The 23’s
  60. STATELINE – Nathan Ball
  61. CHASING YOUR DREAMS – Asgard Raven
  62. ELEVEN – Minus Cube & P’like
  63. DREAM TONIGHT – The Ocean Beneath & Liz Mann
  64. SELF CONTROL – John Laurant, Ron van den Beuken & Shimmer Johnson
  65. THE BEST – Thunder Fox
  66. NEW MOON – Morning Fuzz
  67. REPOSSESS – Western Jaguar
  68. YOU ARE NOT A SLAVE – Amongst Liars
  69. CREATURE FEATURE – dwi
  70. BAD LUCK – The Macrotones
  71. WITCH TRAIN – The Blackburns
  72. NOCTURNALLY YOURS – Scoopski
  73. TANTALUS – John Serrano
  74. REAL COLORS – The Nanners
  75. DO YOU REALLY WANNA KNOW? – Set the Tone
  76. PRETTY ALRIGHT – Caitlin Lavagna
  77. LET’S RUN AWAY – Solar Eyes
  78. ONE ROOM PAST WAITING – Chief Springs
  79. ARE YOU REALLY FREE? – Alba
  80. FIREBIRD – Josephine Pascoe
  81. CHILDHOOD FRIENDS – naive nature
  82. SPACE TRAVEL – Sandrom
  83. MORE – Andrew Neil and Code Purple
  84. SMALL TIME FISH (BIG TIME POND) – Sorry Ghost
  85. THE VOID – Fuzzle
  86. GREEN EYED MONSTER – Olivia Miceli
  87. ALL I WANT – The Heroic Enthusiasts
  88. WHY DON’T YOU LOVE ME – Tom Burton
  89. COCK OF THE FIFTH YEAR – The Empty Page
  90. NOT READY YET – Sean Magwire
  91. GHOST – Grizzly Madams
  92. ALWAYS DO – Melody Zenith
  93. MISSED YOU – Mal Fantome
  94. WOULD YOU WANT IT (IF YOU HAD IT) – The Barons
  95. THE UNBEARABLE WEIGHT OF WHAT IF – Eleanor Collides & Emily Gray
  96. EVERYTHING FITS – Wons Phreely + The Horses
  97. ANYWAY – The Crushing Violets
  98. PUSH IT BACK – Kiffie
  99. ALL THE SAME TO YOU – Quizboy & Marc Schuster
  100. SHADE – Microfilm

Fresh New Tracks, Vol. 35 – John Serrano, Mayflower Madame, Mock Deer, Quizboy & Marc Schuster

There continues to be lots of great music being released, which means it’s time for another installment of my Fresh New Tracks series. Today I’m featuring four recently-released tracks by acts from four different countries – Spanish singer-songwriter and musician John Serrano, Norwegian psych-noir band Mayflower Madame, English folk artist Mock Deer, and American singer-songwriters and multi-instrumentalists Quizboy and Marc Schuster. I’ve recently written about John Serrano, Mock Deer and Mark Schuster, whereas this is the first time I’m featuring Mayflower Madame and Quizboy.

JOHN SERRANO – “The day I met the sun”

John with an injured arm and his new rescue kitten

Hailing from Málaga, Spain is John Serrano, a prolific singer-songwriter and multi-instrumentalist who I cannot heap enough praise upon. Not only is he a versatile and talented musician with a beautiful singing voice, he’s also thoughtful, kind, handsome and incredibly supportive of other independent artists. Drawing from a wide range of influences, including alternative and progressive rock, blues, electronica, synthwave and jazz, he’s recorded and released an extensive, colorful and eclectic catalog of music over the past 10 years, both as a solo artist and in collaboration with other musicians. In March, I reviewed his poignant singles “Oh, well” and “Better Times”, which he’d released back to back over a two-day period. He quickly followed with two more singles, then on April 24th he dropped his album Alive, dedicated to his grandmother who passed away in March at the age of 92.

A week after that album’s release, John severely injured his left arm, requiring surgery and rendering him unable to play guitar for the time being. Undefeated, he decided to make what he’s calling a “full electronoir experimental retro futuristic jazz-noise album”, recording entirely with synthesizers. Thus far, he’s released two singles for the new album, the latest of which is “The day I met the sun“, a brilliant and haunting track that’s a significant departure from the languid and pleasing songs on Alive. The song starts off with a dreamy ethereal feel, accompanied by John’s angelic falsetto vocals, then abruptly transitions into a much darker, almost frightening song with grinding fuzzy reverb, ominous drumbeats and tortured synths. His vocals also shift into a much more menacing tone, unlike anything I’ve heard from him previously. He said he’s been throat singing for a few years, and to get the desired effect, he “panned the vocals and cut the EQ Filter right when they kick in.” Along with the first track “A wee house upon the hill”, “The day I met the sun” offers a foreboding peek into what we can expect to follow. The tracks are only available on Bandcamp at this time.

John’s socials:  Facebook / X (Twitter) / Instagram

MAYFLOWER MADAME – “A Foretold Ecstasy”

Mayflower Madame (what a great band name!) is a psych-noir/post-punk band from Oslo, Norway, comprised of Trond Fagernes (vocals, guitar, bass) and Ola J. Kyrkjeeide (drums). For studio recordings they are joined by Kenneth Eknes (synth), and for live performances, additional musicians are brought in to form a full band. They’ve released a fair amount of music since 2015, including two albums – Observed in a Dream in 2016 and Prepared for a Nightmare in 2020, as well as an EP Premonition in 2018 and numerous singles. Ironically, Prepared for a Nightmare now seems to have indeed been a “premonition” to the Covid-19 pandemic that followed the album’s release.

I just learned about Mayflower Madame yesterday when their PR rep reached out to me about their new single “A Foretold Ecstasy“, which I loved the moment I heard it. As I do for all artists and bands I write about for the first time, I listened to as much of their music catalog as time permitted so I could get a good feel for their sound. And I can emphatically state that I really like this band’s music, which has been compared to that of Sisters of Mercy, Jesus and Mary Chain and The Cure. Their compelling sound, which they describe as “the perfect soundtrack for the nightly walks of restless city dwellers“, is a masterful blend of post-punk, darkwave, psychedelia and shoegaze, featuring pulsating rhythms, lush atmospheric synths and reverb-drenched guitars.

About “A Foretold Ecstasy”, band songwriter and vocalist Fagernes said the lyrics speak about “constantly chasing some sort of elation or intoxicating sensation to relieve one’s inner turmoil, while still being aware that it’s just a passing state followed by an inevitable downfall”. The song is a gorgeous darkwave gem in the vein of The Cure or Depeche Mode, two of my favorite bands from that genre. Fagernes’ vocals are intoxicating as he breathily croons “Well, I’m just glad you made me feel something. But it won’t last, I still believe it’s all or nothing.

Mayflower Madame’s socials:  FacebookInstagram

MOCK DEER – “Smudge”

Mock Deer is the music project of London-based singer-songwriter and musician Ricky Damiani, whose sound can generally be described as indie folk/singer-songwriter with elements of alternative rock. He’s released a fair amount of music over the past 12 years, including his debut album The Art of Loneliness in 2020, several EPs and numerous singles, as well as composing original music for TV programs and theatre. Last month, I featured his haunting and powerful single “Harbinger” on a Fresh New Tracks post. Now he returns, with “Smudge”, a wonderful song and the second track from his forthcoming EP Pilgrims

As with “Harbinger”, for “Smudge” Damiani sang vocals, Mat Martin played lead guitar, Jayden Pegler played bass, Will Inscoe played keyboards, Aaron Carpenter played drums, Matthew Herd played saxophone, and Lola Hepper sang backing vocals. The track was produced by Scott Fitzgerald and mastered by John Nicholls. Written during the first Covid lockdown, the song touches on themes of mental illness, alcoholism and friendship. The song has a darkly beautiful, meandering melody, with a melancholy feel reminiscent of some of Radiohead’s songs of the 90s, featuring gorgeous shimmery guitars, warm saxophone, spacey synths and soaring choruses. Damiani’s vibrant, emotive vocals run the gamut from quiet introspection to impassioned lamentation as he addresses a troubled friend: “You play that part of tough guy so well, but we all know it’s just a show. So lets be random, let’s be odd. Let’s turn this normal on its head. Let’s go there, for one last jolly. You’re well aware it’s all just folly. Just one more, for the road I swear.”  

Mock Deer’s Socials:  Facebook / X (Twitter) / Instagram

QUIZBOY & MARC SCHUSTER – “All the Same to You”

Quizboy is an enigmatic yet highly sociable artist who, in his own words, creates “dirt-made rock and roll from the Pacific Northwest“. Based in Portland, Oregon, the insanely busy guy also occasionally records music under his dark and sludgy post-hardcore project Never Say Never (NsN), as well as runs an online radio station Audio Mirage Studios, where he hosts Marc Schuster’s Tweetcore Radio Hour. As if all that’s not enough, he also has his own music blog, also titled Audio Mirage Studios.

Marc Schuster is an even busier guy with his hands in so many projects it literally makes my head spin! It’s all I can do to write 2-4 posts per week for this blog, and I’m now mostly retired. At any rate, I’ve written about him and his music many times, most recently when I featured his song “Paul Giamatti (Is Everywhere Tonight)” on a Fresh New Tracks post, but to summarize, he’s a creative and multi-talented Renaissance man from the Philadelphia area who’s an educator, author, singer-songwriter, multi-instrumentalist and visual artist. Over the past decade, he’s recorded quite a bit of music, both as a solo artist and in collaboration with too many other artists and bands to mention here. In addition to hosting the aforementioned weekly Tweetcore Radio Hour program, where he features songs by talented indie artists he’s met through Twitter (now X), he also has a terrific blog called Abominationswhere he writes about music and interviews indie artists. He also broke his right shoulder a few months ago, but still managed to put out his latest album Arguably.

The two recently collaborated on their first song together, “All the Same to You“. Released May 3rd on Bandcamp, (and most other streaming services except Spotify on May 17) the song was co-written, recorded and produced by them both, with Quizboy playing acoustic and electric guitar and singing vocals, and Schuster playing drums, bass, electric piano, synths, acoustic guitar and singing backing vocals. The release also includes a master by fellow musician Brian Lambert. Over a mellow groove, the guys layer crisp, reverb-drenched jangly guitars and sharp, colorful synths to create a jarring, yet somehow pleasing backdrop for Quizboy’s raw, melancholy vocals. Lyrically, the song is a bit of a downer, and seems to speak to the futility of life: “Miss me when I’m gone. Suffer me while I’m here. Pain has led me home. Whatcha say won’t do. They place these chains on me and you to break. Honestly, I can’t wait. If it’s all the same to you, I forsake.” Good job guys!

Quizboy’s Socials: FacebookX (Twitter)InstagramThreads

Marc Schuster’s Socials: X (Twitter)InstagramThreads

Fresh New Tracks, Vol. 34 – Karen Harding, Mock Deer, Popclaw, The Vanities

Musicians and bands continue to reach out to me with their music at an unrelenting pace, which means it’s time for another Fresh New Tracks installment. Today, I’m featuring four songs by artists who are all new to me (in alphabetical order) – Australian singer-songwriter Karen Harding, English folk artist Mock Deer, English rock duo Popclaw, and Welsh electro pop-rock duo The Vanities.

KAREN HARDING – “6 Feet Off The Floor”

Karen Harding is a singer-songwriter based in Melbourne, Australia who’s released an impressive number of excellent singles since 2021, beginning with her lovely piano ballad “I Didn’t Realise”. Her vibrant, emotive vocal styling has been favorably compared to artists like Sarah McLachlan, Eva Cassidy and Ella Henderson, and her songs have earned her numerous accolades, including the 2021 Bendigo Bank-sponsored Radio Eastern Songwriter Talent Show, being nominated as a Top Ten Winner at the World Songwriting Awards in September 2021 and Best International Artist at Crags Radio Independent Artist Awards in February 2022. She considers her music, which she records and produces by herself, “a tool for therapy and personal growth”.

Today, Karen drops her new single “6 Feet Off The Floor“, her 18th overall thus far, and the third from her forthcoming album Behind the Mask, due out later this year. About the track, Karen says it’s “a pop song of positivity and optimism, about moving forward and past our worries, and rising up just a little so we can look down on those things we spend so much time dwelling on in our thinking.” It’s a pleasing, contemplative song with sublime piano keys and delicate synths layered over a gentle percussive beat. Karen’s clear vocals are comforting as she sings “When I was six feet off the floor, all of those problems seemed so small. And in the grand scheme of it all, I found a higher place to explore.”

Karen’s Socials:  FacebookX (Twitter)Instagram

MOCK DEER – “Harbinger”

Mock Deer is the music project of singer-songwriter and musician Ricky Damiani, who’s spent much of his life in North Wales and Manchester, but is now based in London, where he’s become heavily involved in that city’s independent music scene. He’s toured extensively throughout Europe and shared the stage with such artists as Brent Cobb, Sam Brookes, Simon Joyner, The Burning Hell, Nadine Khouri and Curtis Eller. His sound can generally be described as folk/singer-songwriter with elements of alternative rock, and he’s released a fair amount of music over the past 12 years, including his debut album The Art of Loneliness in 2020, several EPs and numerous singles. He’s also composed original music for TV and theatre.

His powerful and haunting latest single “Harbinger“, released on April 4th and the lead track from his forthcoming EP Pilgrims, was a forgotten demo he’d written several years ago that he rediscovered while doing what he referred to as “some digital spring cleaning” during the pandemic lockdown. Re-hearing the song with a fresh and very different perspective than when he’d originally written and recorded it, Ricky liked the rawness of his vocals and decided to keep the original take for the final recording, which also includes Mat Martin on lead guitar, Jayden Pegler on bass, Will Inscoe on keyboards, Aaron Carpenter on drums, Matthew Herd on saxophone, and Lola Hepper on backing vocals. The track was produced by Scott Fitzgerald, who also produced his album, and mastered by John Nicholls. The poignant lyrics touch on his personal struggles, and learning to let go of painful experiences and appreciate the good things in his life: “And what’s to do. What do I have, I have you, I have love. Have so much I’m grateful of…” The striking photo for the single cover art, taken by Andrew Gale, is of female bodybuilder Stubbs Performance.

Mock Deer’s Socials:  FacebookX (Twitter)Instagram

POPCLAW – “Liar”

Popclaw is a rock duo from Southeast England comprised of singer-songwriters and musicians Dan Lawley and Chris Bird. Formed in 2022 through a shared love of Nirvana, Red Hot Chili Peppers and The Ramones, the guys live two hours apart but have never met each other in person, consequently have only worked remotely thus far. Since December 2022, they’ve released seven singles (plus two remixes), their latest of which is “Liar“, which dropped March 17th.

Chris wrote the opening riff in 2011 while at Uni, but sat on it for nearly a decade until resurrecting the track during the pandemic lockdown in 2020, at which time his friend Simon Hunt, of the English rock band Elmo Blatch, wrote lyrics to go with it. Popclaw says “Liar” is a punk inspired song that’s “mainly about people that lie very frequently and badly, [and] could be about an ex partner, friend, someone you work with or even a politician.” The song is a rousing garage rock banger, with roiling, fuzz-coated grungy riffs layered over a thumping bassline fortified with smashing drumbeats. The aggressive vibe nicely complements the biting lyrics calling out duplicitous liars who drive us crazy. The cover artwork for the single shows a man’s pants on fire.

Popclaw’s socials: InstagramThreads

THE VANITIES – “Just Passing Thru” feat. Bob Fitzgerald

The Vanities are an electro-rock duo from Cardiff, Wales comprised of Rhys Bradley (vocals/guitar) and Adam Hill (bass guitar/synths). With a combined love of 80s synth-pop and 90s grunge, they formed in 2001 and released their debut EP Space Tourist a year later. They followed with a few more EPs and singles throughout the 2000s, then nearly ten years would pass until the release of their debut album 2001 in late 2021. In 2023, they released “Private Army”, a hauntingly beautiful song inspired by the Russian invasion of Ukraine that marked a notable departure from their signature 80s sound. Now they return with a new single “Just Passing Thru“, a country and gospel-tinged song that’s another significant departure from their previous sound.

The song is a heartwarming sermon on love, loss and the importance of living life to the fullest, written by Rhys and produced by Al Steele. Rhys has a beautiful singing voice, but for this single he decided to have award-winning country music artist Bob Fitzgerald sing the moving lead vocal, along with stirring backing vocals by The Epoch House Gospel Choir. The musicians playing on the track include Reggie Duncan on the gorgeous pedal steel guitar, Adam Hill and bass, Gareth Jones on piano, Jon Martin Skauge on acoustic guitar, and Chris Barber on drums. The release includes an AA side remix by South Wales producer Jammy of an alternate version of the song sung by Rhys. Those two, as well as the version sung by Rhys, are included in the release available on Bandcamp. The video, featuring vintage early 1960s footage of happy family memories and driving trips, courtesy of Retro Vision Archives, brings the song’s poignant lyrics to life.

Here’s the song with the two alternate versions on Bandcamp:

The Vanities’ Socials:  FacebookX (Twitter)Instagram