Noah Kahan remains on top for a second week with “The Great Divide”, while The Neighbourhood moves into second place with their captivating “Hula Girl”. I’ve been a big fan of this Los Angeles-based group since first hearing their song “Sweater Weather” back in the summer of 2013 (it became my 4th favorite song of that entire decade), and am happy they’re still putting out exceptional music. I really love lead singer Jesse Rutherford’s ethereal sensuous vocals. “Waiting for Me” by Northern Virginia-based Talk in Waves (aka singer-songwriter and multi-instrumentalist Jake Mimikos) enters the top 10 after a long, steady climb. He’s another longtime favorite of mine who’s had numerous songs appear on my chart over the past seven years.
Two great songs make their debut this week, starting with the raucous “Your Favorite Toy” by legendary rock band Foo Fighters, entering at #29. To my ears, the song is a bit of a departure from their typical sound, and I honestly didn’t recognize Dave Grohl’s voice the first time I heard it, but I’m really liking it! Entering at #30 is “Sight Unseen” by Australian singer-songwriter Courtney Barnett, featuring American indie folk artist Waxahatchee (aka singer-songwriter Katie Crutchfield). Barnett’s previous single “Stay In Your Lane” recently spent 12 weeks on my chart. Both songs are from her fifth studio album Creature of Habit, which dropped this past Friday, March 27th,
THE GREAT DIVIDE – Noah Kahan (1)
HULA GIRL – The Neighbourhood (3)
WHO’S YOUR BOYFRIEND – Royel Otis (2)
LOST YOUR GHOST – Two Feet (6)
DOUBLETAKE – Edgehill (7)
I REMEMBER WHEN – MISSIO (8)
YOU GOT TO LOSE – The Black Keys (9)
THE WRECKAGE – Silversun Pickups (10)
ZOMBIE – YUNGBLUD (4) 20th week on chart
WAITING FOR ME – Talk in Waves (13)
SWEET LOVE – Stephen Sanchez (14)
SLUMBER PARTY – Brigitte Calls Me Baby (15)
TO SPACE – Kings of Leon (5)
THE OLD LAW – Father John Misty (20)
HEATHER – Secret Postal Society (19)
BEDROOM POSTERS – Yellowcard feat. Good Charlotte (21)
LOOK OUT FOR ME – Turnstile (22)
DIFFERENT KIND OF LOVE – Young the Giant (24)
DRAG PATH – Twenty One Pilots (25)
HUMAN – Brandi Carlile (11)
12 TO 12 – sombr (12) 23rd week on chart
COBRA – Geese (17)
I’VE GOT A BROKEN HEART – The Lemon Twigs (16)
STARLIGHT – Cannons (27)
BURN FOR YOU RMX – Between Daze (28)
FOOL’S GOLD – Buffalo Traffic Jam (29)
HEAVY FOOT – Mon Rovîa (30)
RUBBER BAND MAN – Mumford & Sons w/Hozier (18)
YOUR FAVORITE TOY – Foo Fighters (N)
SITE UNSEEN – Courtney Barnett featuring Waxahatchee (N)
Photo of Noah Kahan taken from his Facebook account
A new week and some exciting changes on my latest Top 30 chart. First off, Vermont-born and now Nashville-based folk pop singer-songwriter Noah Kahan takes over the #1 spot with his heartwarming song “The Great Divide”. The talented 29-year-old began releasing singles in 2017, followed by his debut album Busyhead in 2019, but burst onto the music scene in late 2022 with his breakout single “Stick Season”. Although moderately successful in the U.S. upon release, the song went viral on TikTok after American singer-songwriter Olivia Rodrigo covered it on BBC Radio 1 in the UK, causing it to reach number one in various countries including Australia, Belgium, Ireland, the Netherlands and the UK, as well as reaching the top 10 in Canada, New Zealand, and the U.S. (Wikipedia) “The Great Divide”, which is currently #1 on all Billboard Alternative charts, was the lead and title single from Kahan’s forthcoming fourth album The Great Divide, to be released April 24th.
The poignant lyrics seem to be a letter to an old friend you’ve lost touch with but still care about: “I can’t recall the last time that we talked. About anything but lookin’ out for cops. We got cigarette burns on the same side of our hands. But we ain’t friends, we’re just morons who broke skin in the same spot. You know I think about you all the time. And my deep misunderstanding of your life. And how bad it must have been for you back then. And how hard it was to keep it all inside.I hope you settle down, I hope you marry rich. I hope you’re scared of only ordinary shit. Like murderers and ghosts and cancer on your skin. And not your soul, and what he might do with it. “
One of my longtime favorite acts is MISSIO, a duo from Austin, Texas comprised of singer-songwriter, musician and producer Matthew Brue and songwriter/producer and musician David Butler, who record music with the help of their silent third partner, producer and frequent collaborator Dwight Baker and drummer Jaydon Bean. I’ve written about them numerous times and four of their songs have reached #1 on my weekly Top 30. Their rip-roaring single “I Remember When” enters the top 10, leaping 14 spots to #8.
Debuting way up high at #9 is “You Got to Lose”, the latest single by another longtime favorite act of mine, Nashville-based blues rockers The Black Keys, made up of singer-songwriter, guitarist and producer Dan Auerbach and drummer Patrick Carney, that sees them return to their garage-rock roots. The song was the lead single from their forthcoming 14th album Peaches!, set for release on May 1st, and it’s quite possibly the fiercest, most raw performance I’ve ever heard from the guys. Originally written in 1958 by Ike Turner, Auerbach’s cover takes inspiration from Earl Hooker’s 1969 blues version, and George Thorogood & The Destroyer’s fiery 1977 version. Recorded while Auerbach was caring for his now late father, who was dealing with the effects of a stroke and esophageal cancer, the song and album were a cathartic release for him. He explained “We weren’t making a record. We were just jamming, like this is for us. Really primal, in a moment when all the nerves were raw, just kinda screaming. We were going through a lot, trying to lift our spirits. I think my dad getting sick made me not give a fuck and just wanna scream for a bit.” (Genius)
Also entering the top 10 at #10 is “The Wreckage” by Los Angeles-based alt-rock band Silversun Pickups. The song is from their seventh album Tenterhooks, which dropped last month, and it’s become one of my favorites of theirs. Besides “You Got to Lose”, there are two other new additions to my chart, starting with “Fool’s Gold” by Bozeman, Montana-based folk band Buffalo Traffic Jam, who are new to me. Consisting of Frankie Cassidy and Nathan Ross, who met as students at Montana State University, they released their self-titled debut EP in 2024, and quickly amassed a huge following, with over 4 million monthly listeners on Spotify and more than 142,000 followers on Instagram. They followed up with several singles which culminated in the release of their six-track EP Take Me Home, which dropped last October and on which “Fool’s Gold” is featured. The poignant song is currently #3 on the Billboard AAA chart.
Debuting at #30 is “Heavy Foot” by folk artist Mon Rovîa, another act that’s new to me. Mon Rovîa is the music project of Afro-Appalachian singer-songwriter Janjay Lowe, who was born in Monrovia, Liberia and adopted at the age of seven by an American family with whom he variously lived in Florida, Montana, the Bahamas, and Tennessee, where he’s now based. The prolific musician began releasing music in 2020 and has since dropped six EPs and an album Bloodline, released in January. Like Buffalo Traffic Jam, Mon Rovîa has quickly garnered a huge following, with over 2.5 million monthly listeners on Spotify, 2 million followers on Facebook and nearly a million followers on Instagram. I’m really liking his music and sweet vocals.
THE GREAT DIVIDE – Noah Kahan (2)
WHO’S YOUR BOYFRIEND – Royel Otis (1)
HULA GIRL – The Neighbourhood (4)
ZOMBIE – YUNGBLUD (3)
TO SPACE – Kings of Leon (5)
LOST YOUR GHOST – Two Feet (6)
DOUBLETAKE – Edgehill (10)
I REMEMBER WHEN – MISSIO (22)
YOU GOT TO LOSE – The Black Keys (N)
THE WRECKAGE – Silversun Pickups (12)
HUMAN – Brandi Carlile (7)
12 TO 12 – sombr (8) 22nd week on chart
WAITING FOR ME – Talk in Waves (14)
SWEET LOVE – Stephen Sanchez (16)
SLUMBER PARTY – Brigitte Calls Me Baby (17)
I’VE GOT A BROKEN HEART – The Lemon Twigs (9)
COBRA – Geese (15)
RUBBER BAND MAN – Mumford & Sons w/Hozier (11)
HEATHER – Secret Postal Society (19)
THE OLD LAW – Father John Misty (20)
BEDROOM POSTERS – Yellowcard feat. Good Charlotte (21)
Australian duo Royel Otis remain at #1 for a second week with “who’s your boyfriend”, while singer-songwriter Noah Kahan moves into second place with “The Great Divide”, which currently tops both the Billboard Alternative and Adult Alternative charts. Nashville-based alternative indie rock band Edgehill enters the top 10 with “Doubletake”, which is featured on their debut album Ode to the Greyhouse, released last month.
There are four new entries to my chart this week, starting with “LOOK OUT FOR ME” by Baltimore, Maryland-based melodic hardcore band Turnstile. Formed in 2010, they consist of lead vocalist Brendan Yates, guitarists Pat McCrory and Meg Mills, bassist Franz Lyons, and drummer Daniel Fang. Coming in at #26, the song is from their critically acclaimed fourth album Never Enough, which won a Grammy for Best Rock Album on February 1st.
Entering at #28 is “Drag Path”, the latest single by my longtime favorite music act, Columbus, Ohio-based duo Twenty One Pilots, comprised of singer-songwriter and multi-instrumentalist Tyler Joseph and dummer Josh Dun. Next up is “Starlight” by L.A.-based dream pop band Cannons, made up of vocalist Michelle Joy, lead guitarist Ryan Clapham, and keyboardist/bassist Paul Davis. The song will be included on their forthcoming fifth album Everything Glows, to be released March 27th. These two, along with Two Feet and Young the Giant, are four acts with songs on this chart who I’ve seen live in concert.
Last, but certainly not least, is “Burn For You RMX” by Between Daze, another act from Baltimore, Maryland who debut at #30. A songwriting/recording project comprised of Johnny Burkhead (vocals), Scott Rodenberg (guitar) and Ken Kundratic (guitar), along with Mike Coyne (bass) and Kevin Walsh (drums), they’ve been making alternative pop/rock and roll music together for over 20 years but really began hitting their stride in 2021 with the release of their single “Burn For You”. They’ve now revisited the track with a terrific newly mastered version by Wye Wye Productions. With a sound somewhat reminiscent of 80s U2 and The Cure, the band states the song is “a poignant exploration of true love and how far one is willing to go to have it.”
WHO’S YOUR BOYFRIEND – Royel Otis (1)
THE GREAT DIVIDE – Noah Kahan (3)
ZOMBIE – YUNGBLUD (2)
HULA GIRL – The Neighbourhood (6)
TO SPACE – Kings of Leon (7)
LOST YOUR GHOST – Two Feet (8)
HUMAN – Brandi Carlile (4)
12 TO 12 – sombr (5) 21st week on chart
I’VE GOT A BROKEN HEART – The Lemon Twigs (9)
DOUBLETAKE – Edgehill (12)
RUBBER BAND MAN – Mumford & Sons w/Hozier (11)
THE WRECKAGE – Silversun Pickups (15)
LOST – almost monday (14)
WAITING FOR ME – Talk in Waves (16)
COBRA – Geese (17)
SWEET LOVE – Stephen Sanchez (18)
SLUMBER PARTY – Brigitte Calls Me Baby (19)
INFINITE SOURCE – Deftones (10)
HEATHER – Secret Postal Society (21)
THE OLD LAW – Father John Misty (22)
BEDROOM POSTERS – Yellowcard feat. Good Charlotte (27)
I REMEMBER WHEN – MISSIO (28)
ALL MY FRIENDS ARE SO DEPRESSED – Joyce Manor (13)
With the US of A now embroiled in a war with Iran, needlessly started by our self-described “Peace President” (aka authoritarian dictator, pedophile, grifter and lunatic mob boss Donald Trump), it almost seems pointless to write about music. Nevertheless, for those few who might give a shit, I’m sharing my latest favorite songs list.
Australian duo Royel Otis takes over the top spot with their infectious pop gem “who’s your boyfriend”. With lyrics describing an on again, off again love triangle – “Who’s your boyfriend now? ‘Cause you’re sleepin’ with him, but it’s me you’re thinkin’ about” – an old guy like me probably shouldn’t but fuck, I love it! The song is from their second album hickey, released last August. I’ve become a big fan of this talented young duo, and “who’s your boyfriend” is their third song to top my chart, after “Murder on the Dancefloor” (which ranks #4 on my 100 Best Songs of 2024 list) and “moody” (which ranks #4 on my 100 Best Songs of 2025 list).
In other chart news of note, “Rubber Band Man” by English folk rock band Mumford & Sons, with added vocals by Irish singer-songwriter Hozier, reverses course and moves up six spots to #11. It peaked at #7 in late January, but after seeing them on last weekend’s Saturday Night Live show, I realize how much I still like this song.
The lone new entry this week is “Different Kind Of Love”, by L.A.-based alternative pop rock band Young the Giant. Released February 6th, it’s their first new music since 2023 and the lead single from their forthcoming sixth album Victory Garden, planned for release on May 1st. It’s hard to believe it’s been nearly seven years since I saw them in concert in 2019.
WHO’S YOUR BOYFRIEND – Royel Otis (2)
ZOMBIE – YUNGBLUD (1)
THE GREAT DIVIDE – Noah Kahan (4)
HUMAN – Brandi Carlile (5)
12 TO 12 – sombr (3) 20th week on chart
HULA GIRL – The Neighbourhood (8)
TO SPACE – Kings of Leon (9)
LOST YOUR GHOST – Two Feet (10)
I’VE GOT A BROKEN HEART – The Lemon Twigs (7)
INFINITE SOURCE – Deftones (6)
RUBBER BAND MAN – Mumford & Sons w/Hozier (17)
DOUBLETAKE – Edgehill (15)
ALL MY FRIENDS ARE SO DEPRESSED – Joyce Manor (14)
LOST – almost monday (18)
THE WRECKAGE – Silversun Pickups (19)
WAITING FOR ME – Talk in Waves (21)
COBRA – Geese (22)
SWEET LOVE – Stephen Sanchez (23)
SLUMBER PARTY – Brigitte Calls Me Baby (24)
DRACULA – Tame Impala (16) 20th week on chart
HEATHER – Secret Postal Society (25)
THE OLD LAW – Father John Misty (26)
THE FEAR – Future Theory (11) 20th week on chart
GET THE MESSAGE – The Paradox (12)
WHITE HORSES – Wolf Alice (13)
PARACHUTE – Hayley Williams (28)
BEDROOM POSTERS – Yellowcard feat. Good Charlotte (29)
Hard to believe we’re already into March, as time seems to fly by at an ever-faster speed. YUNGBLUD remains on top for a second week with “Zombie”, while Royel Otis moves into second place with “who’s your boyfriend”. Three songs enter the top 10, beginning with “The Great Divide” by Noah Kahan, leaping seven spots to #4, “To Space” by Kings of Leon, climbing three spots to #9, and “Lost Your Ghost” by Two Feet, moving up four spots to #10.
Entering my chart this week are “Bedroom Posters” by American pop-punk band Yellowcard, along with American rock band Good Charlotte. The song is a new version of the original that’s featured on Yellowcard’s latest album Better Days, released last October. The album’s title track went to #1 last year on the Billboard Alternative Airplay chart and peaked at #6 on my chart. The second new entry, coming in at #30, is “I Remember When”, the hard-charging and boisterous new single by Texas-based duo MISSIO, who’ve been one of my favorite acts since 2017. I’ve written about them numerous times on this blog, and several of their songs have topped my charts.
ZOMBIE – YUNGBLUD (1)
WHO’S YOUR BOYFRIEND – Royel Otis (3)
12 TO 12 – sombr (2)
THE GREAT DIVIDE – Noah Kahan (11)
HUMAN – Brandi Carlile (5)
INFINITE SOURCE – Deftones (4)
I’VE GOT A BROKEN HEART – The Lemon Twigs (9)
HULA GIRL – The Neighbourhood (10)
TO SPACE – Kings of Leon (12)
LOST YOUR GHOST – Two Feet (14)
THE FEAR – Future Theory (6)
GET THE MESSAGE – The Paradox (7)
WHITE HORSES – Wolf Alice (8)
ALL MY FRIENDS ARE SO DEPRESSED – Joyce Manor (15)
DOUBLETAKE – Edgehill (16)
DRACULA – Tame Impala (13)
RUBBER BAND MAN – Mumford & Sons w/Hozier (17)
LOST – almost monday (19)
THE WRECKAGE – Silversun Pickups (20)
HOLY ROLLER – The Format (18)
WAITING FOR ME – Talk in Waves (22)
COBRA – Geese (24)
SWEET LOVE – Stephen Sanchez (25)
SLUMBER PARTY – Brigitte Calls Me Baby (26)
HEATHER – Secret Postal Society (27)
THE OLD LAW – Father John Misty (28)
WORLD APART – Bike Routes (23)
PARACHUTE – Hayley Williams (30)
BEDROOM POSTERS – Yellowcard feat. Good Charlotte (N)
Unbelievably, 2024 ended up being an even crazier year than 2023 was! Though things didn’t turn out as I’d hoped from a political standpoint, it was nevertheless a decent year for me personally, plus there was lots of incredible music to enjoy. As I do at the end of each year, I’ve compiled a list of my 100 favorite songs for 2024. This past Monday, I posted my list of the 100 Best Indie Songs of 2024 (which you can read here), and now this new list represents my compilation of favorite songs that I feel are the overall best of 2024. (Eighteen songs from the Best Indie Songs list also appear on this list.)
Music tastes are very subjective, and while I don’t understand how others cannot share my love for a particular song or artist, I fully realize that not one person will agree with all my song choices or rankings. Furthermore, as a music blogger, I’m exposed to a tremendous amount of new music over the course of a year, both from the literally thousands of artists and bands I follow, as well as all the music I learn about from my fellow bloggers. Despite this, I’ve heard only a tiny fraction of all the music released in 2024. Consequently, my list includes only songs I know, and I’m certain there are likely many great ones that should be included, except that I’ve never heard them. Among the thousands of songs I did hear in 2024, there were many outstanding ones, and it frustrates me to have to cull my list down to only 100, omitting quite a few that I really like. It’s also a challenge ranking them, because a song at #40 isn’t necessarily any better than a song at #70. Perhaps it’s a pointless exercise to even rank them at all, except for the fact that I love making lists!
I avoid ranking albums, as there are simply far too many I’ve either not heard, nor had the time to fully listen to, therefore any list I might compile would be woefully inadequate. That said, there are some particularly beautiful records released in 2024 that impressed me, including Romance by Fontaines D.C. (my overall favorite album of 2024), Songs of a Lost World by The Cure, Leon by Leon Bridges, nothing by Louis Cole, Dreamstate by Kelly Lee Owens, Clancy by twenty one pilots, I AM CINCO by MISSIO, Melt by Beach Weather, HIT ME HARD AND SOFT by Billie Eilish, A Dream Is All We Know by The Lemon Twigs, and As It Ever Was, So It Will Be Again by The Decemberists.
Most of the songs on this list were released in 2024, however, several were released in 2023 but didn’t ‘peak’ until 2024. Likewise, several songs released after November 1st are still moving up my weekly charts and won’t peak until early 2025, thus will appear on my 100 Best Songs of 2025 list. The few songs in this Top 100 that also appeared on my Top 100 Songs of 2023 list, such as Green Day’s “The American Dream Is Killing Me”, which spent a week at #1 at the end of 2023 and another three at #1 in early 2024, are indicated with an asterisk *.
I’ve written brief narratives and included videos for the top 10 songs. As always, I’ve created a Spotify playlist for this Top 100, which is included at the end of the post. Hopefully you’ll find some of your own personal favorites on it. Let me know what songs were your favorites of 2024.
1. STARBURSTER – Fontaines D.C.
Irish alt-rock band Fontaines D.C. are one of the most exciting and interesting acts making music today, and while they’d been gaining acclaim and popularity since the release of their debut album Dogrel in 2019, it was their spectacular fourth studio album Romance, released last summer, that really put them over the top. Elton John recently called them “the best band out there at the moment“. I love their always arresting sound, thanks in part to charismatic lead vocalist Grian Chatten’s distinctive baritone Irish brogue, and they’ve become one of my favorite bands. “Starburster”, the bombastic lead single from Romance, is musically complex and brilliant, and one of the most sonically thrilling songs I’ve heard in a while.
The song was inspired by a panic attack that Chatten suffered in a London tube station, and the jarring gasps heard at the end of each line suggest the gasps or quick breaths of someone experiencing a panic attack. To drive home their message, Fontaines D.C. start with a foreboding Mellotron string loop quickly followed by an elegant piano riff before the music explodes into a bombastic soundscape of stomping trip hop beats, sharp percussion and reverb-soaked twangy guitars. Chatten does a fine job with his commanding rapid-fire rapping of the lyrics, which he’d previously done on the collaborative single “Better Way To Live” with Irish hip-hop trio Kneecap. The song transitions to a calm interlude in the bridge with a majestic string arrangement and Chatten’s vocals now a warm and soothing croon, then finishes with a return of the stomping beats and jarring music. I love it, and couldn’t stop listening to it for months on end, making it my favorite song of 2024.
The song’s rather unsettling video, directed by Aube Pierre, features Chatten performing a variety of daily activities in differing personas ranging from angelic to demonic, sometimes wounded and other times wearing a mask or wig. It’s as ambiguous and scattered as the song’s lyrics.
2. HIGH IN LOW PLACES – Beach Weather
Another favorite act of mine is alternative pop-rock trio Beach Weather, whose “Trouble With This Bed” was my #1 song of 2023, and “Sex, Drugs, Etc.” my #3 song of 2022. Their gorgeous “High In Low Places“, released at the end of May 2024 and featured on their subsequently released second album Melt, takes its place as my second-favorite song of 2024. I love the song’s brooding cinematic vibe in the vein of Ennio Morricone, particularly the twangy guitars and lead vocalist Nick Santino’s sensuous vocals. He had this to say about the song: “We like to call ‘High in Low Places’ our apocalyptic love song. There was beauty in the idea of finding peace in one another while the world was slowly melting. We wanted to create something that felt cinematic, the closing credits of a modern end-of-times western. There are hints of those influences in the guitars and strings running through the chorus where we want to pull everyone into a world but stay hopeful that we can all rise above that insanity transpiring around us.” The lyrics speak to remaining positive and optimistic in the face of life’s problems and obstacles.
3. THE CRAVING – twenty one pilots
Ever since learning about them 10 years ago, twenty one pilots have ranked among my all-time favorite music acts, and their 2015 masterpiece Blurryface is one of my favorite albums of all time. Still based in their hometown of Columbus, Ohio, the dynamic duo consists of singer-songwriter and multi-instrumentalist Tyler Joseph and drummer Josh Dun. Joseph is a brilliant and imaginative songwriter, as well as a damn fine rapper, and Dun is one of the best drummers around today. In May 2024, they released their seventh album Clancy, the final installment of their nearly decade-long series of conceptual albums, concluding the storyline of the character Clancy, who resides in the fictional dystopian city of Dema in the metaphysical world of Trench we were introduced to on their 2018 album Trench. One of the album’s tracks, “The Craving”, was released in two different versions, one being the album cut featuring a stripped-down acoustic arrangement subtitled “Jenna’s Version”, and the other the single version featuring a fuller arrangement. Joseph wrote the song as a dedication to his wife Jenna. The beautiful single version was twenty one pilots’ 11th song to reach #1 on my chart, and finishes the year at #3.
4. MURDER ON THE DANCE FLOOR – Royel Otis
Without question, one of my absolute favorite songs of 2024 was “Murder on the Dance Floor”, by Australian guitar-pop duo Royel Otis (comprised of Royel Maddell and Otis Pavlovi). It’s a marvelous cover of the 2001 hit “Murder on the Dancefloor” by British singer-songwriter Sophie Ellis-Bextor, which Royel Otis performed on the Australian radio station Triple J for their Like a Version program. Interestingly, the song does not appear on their excellent debut album PRATTS & PAIN that was released in February 2024. The song was co-written by Ellis-Bextor and Gregg Alexander, former frontman of the band The New Radicals (who had a hit in the late 90s with “You Get What You Give”). Ellis-Bextor’s original version gained renewed popularity earlier this year after appearing in the 2023 black comedy thriller film Saltburn, causing it to re-enter the UK Dance Singles Chart, where it reached #1. It also peaked at #3 on the US Billboard Hot Dance/Electronic Songs chart and #51 on the Hot 100, her first song to ever appear on that chart. Royel Otis’ version peaked at #2 on the Alternative Airplay chart, but spent three weeks at #1 on my chart. I love the video of the exuberant studio performance, in which all the musicians involved are positively first-rate.
5. MY GOLDEN YEARS – The Lemon Twigs
Another one of the more interesting music acts around today is American indie rock duo The Lemon Twigs, consisting of the hyper-talented and charismatic brothers Brian and Michael D’Addario. Raised in a musical household on Long Island, New York (their father Ronnie D’Addario is a musician and songwriter in his own right), the two learned to play instruments and sing at an early age. Both Brian and Michael also had extensive stage, while Michael’s also appeared in a variety of television shows and films. The brothers formed The Lemon Twigs while they were both in high school, with each performing lead vocals, lead guitar, drums and other instruments. They cite as their major music influences bands ranging from The Beatles and Beach Boys to Procol Harum and Queen. They recorded their first album Do Hollywood in 2015, when the two were only 15 and 17 years old. The album, which was released in 2016, was well-received by critics and earned them appearances on TV programs like The Tonight Show Starring Jimmy Fallon, CBS This Morning “Saturday Sessions” and Conan, as well as a coveted spot at the Coachella Valley Music and Arts Festival in Indio, California in April 2017.
Their delightful power pop gem “My Golden Years” was the lead single from their fifth studio album A Dream Is All We Know, co-produced by the band and Sean Ono Lennon and released in May 2024. The song seems to pay homage to some of the great songs from the 60s by acts like The Byrds and Beach Boys, as well as early 70s The Raspberries. I absolutely love those gorgeous jangly Rickenbacker guitars and Beach Boys-esque harmonies. Shockingly, I don’t believe the song appeared on any chart in the U.S. or elsewhere, though YouTuber Anthony Fantano of theneedledrop ranked it #13 for the year, and New York Times TV critic James Poniewozik called the song “the soundtrack of my year“.
6. PEACEFUL PLACE – Leon Bridges
Leon Bridges is an enormously talented singer-songwriter based in Fort Worth, Texas. I love his pleasing style of R&B-influenced neo soul, particularly his smooth and warm vocals that remind me at times of the late, great Marvin Gaye and Sam Cooke. His gorgeous song “Peaceful Place”, from his fourth studio album Leon released this past October, spent two weeks at #1 on the Billboard Adult Alternative Airplay chart and four weeks at #1 on my chart, and finishes the year at #6. In addition to his marvelous, soulful vocals, I also love that slide guitar and cool bass line on the track. His 2018 song “Bad Bad News” was one of my favorite songs of that year, and ranks #29 on my Top 100 Songs of the 2010s list. The wonderful video was shot in Mexico City and Los Angeles.
7. TOO SWEET – Hozier
I just love Irish singer-songwriter Hozier, who’s had quite a resurgence over the past year or so with his critically acclaimed third studio album Unreal Unearth, which featured his two hit singles “Eat Your Young” and “Francesca”, his duet “Northern Attitude” with American singer-songwriter Noah Kahan (which appears later in this Top 100 chart), as well as his singles “Too Sweet” and “Nobody’s Soldier”, (which also appears later in this chart). Released in late March a week after he dropped his fifth EP Unheard, “Too Sweet” has turned out to be his highest charting single both in the UK and the U.S. It quickly went to #1 on the Billboard Hot 100 in April, then went on to spend an astonishing 11 weeks at #1 on the Alternative Airplay chart and 8 weeks on the AAA chart. It spent two weeks at #1 on my chart, and ranks #7 for the year. It was Hozier’s fifth song to top my chart (the previous being “Take Me to Church” in 2014, “Nina Cried Power”, featuring Mavis Staples, in 2018, “Eat Your Young” in 2023 and “Northern Attitude” earlier this year). The song’s lyrics are directed at a romantic partner with totally different lifestyle preferences – the singer enjoys staying up late and drinking alcohol and black coffee, in contrast with his partner who goes to bed early, eats healthy, etc. – in other words, she’s too sweet for him.
8. FAVOURITE – Fontaines D.C.
Fontaines D.C. are back with “Favourite“, the second single from their brilliant album Romance, and the second song to not only appear on this chart, but also in the top 10. The uplifting, gorgeous and heartwarming anthem has become their highest-charting song in the U.S., reaching #3 on the Billboard AAA chart. It spent three weeks at the top of my chart, and comes in at #8 for the year. The delightful video features childhood scenes of the band members, juxtaposed with images of them today.
9. TIME – MISSIO
I’m sounding like a broken record, but Austin, Texas-based duo MISSIO (comprised of multi-instrumentalist and vocalist Matthew Brue and multi-instrumentalist and producer David Butler) are yet another of my favorite acts. I love their uniquely eclectic sound that’s an arresting blend of alternative rock, electronic and hip hop, and have written about them several times on this blog. Four of their songs – “I See You”, “Underground”, “Can You Feel the Sun” and “Time” – have reached #1 on my Top 30. “I See You” was my #1 song of 2019, and ended up at #10 on my Top 100 of the 2010s, while “Can You Feel the Sun” was my #4 song of 2021. The darkly captivating “Time”, from their fifth album I AM CINCO, an epic work released last May which I reviewed, finishes at #9 for 2024. I love Matthew Brue’s distinctive tenor voice, which sounds especially vulnerable and heartfelt on this song, accompanied by a gorgeous instrumental arrangement. The simple but profound lyrics touch on anxieties over some of the issues facing our current world and society, with MISSIO reminding us that “time goes wherever you are, now, in each moment” and to “live like it’s your last because you’re not guaranteed a tomorrow.”
10. WRECKAGE – Pearl Jam
While I’ve always liked the music of Pearl Jam well enough, I’ve never been a huge fan. But I really love their magnificent song “Wreckage”, released in April 2024 as the third single from their 12th studio album Dark Matter. I like how the song gradually builds from a compelling downtempo rock song into a spine-tingling anthem, fueled by explosive jangly guitars, tumultuous percussion and Eddie Vedder’s impassioned vocals. In an April 2024 interview with British newspaper The Sunday Times, Vedder said he wrote the lyrics to “Wreckage” about the “desperation” of former U.S. president Donald Trump, elaborating “There is a guy in the United States who is still saying he didn’t lose an election, and people are reverberating and amplifying that message as if it is true. Trump is desperate. I don’t think there has ever been a candidate more desperate to win, just to keep himself out of prison and to avoid bankruptcy. It is all on the line, and he’s out there playing the victim… So the song is saying, let’s not be driven apart by one person, especially not a person without any worthy causes.” The next day, he told Howard Stern that the song could also be about “a difficult relationship”. Whatever it’s about, I love it, and it’s become my favorite song by Pearl Jam. “Wreckage” was a big hit, reaching #1 on the Billboard Mainstream Rock and Adult Alternative Airplay charts. While it peaked at only #2 on my chart, where it spent two weeks, it ranks as my 10th favorite song of 2024.
BEAUTIFUL PEOPLE (STAY HIGH) – The Black Keys
NEON PILL – Cage the Elephant
THE AMERICAN DREAM IS KILLING ME – Green Day *
CREATURES IN HEAVEN – Glass Animals
DILEMMA – Green Day
PANORAMIC VIEW – AWOLNATION
MESSY – Lola Young
THAT’S HOW I’M FEELING – Jack White
BURIAL GROUND – The Decemberists
A FRAGILE THING – The Cure
WHAT NOW – Brittany Howard
NORTHERN ATTITUDE – Noah Kahan & Hozier
LOSE CONTROL – Teddy Swims
SAD IN CAROLINA – Dexter and The Moonrocks
LIKE YOU DO – Talk in Waves
LOST IN SPACE – Foster the People
OVERCOMPENSATE – twenty one pilots
BIRDS OF A FEATHER – Billie Eilish
DIE WITH A SMILE – Lady Gaga & Bruno Mars
RAINBOW – Cage the Elephant
ALL I DIE FOR – SWiiMS
HARDCORE ROMANCE – Beach Weather
ESPRESSO – Sabrina Carpenter
STARGAZING – Myles Smith
GOOD LUCK, BABE! – Chappell Roan
WINTER COWBOY – Frank Joshua
COOL ABOUT IT – boygenius
THE DOOR – Teddy Swims
THE TOWER – Future Islands
A FORETOLD ECSTASY – Mayflower Madame
OH NO! – The Decemberists
I’VE GOT LOVING FOR YOU – Bottlecap Mountain
END OF BEGINNING – Djo
DON’T FORGET ME – Maggie Rogers
KOOL AID BLUE – The Sylvia Platters
BLAME BRETT – The Beaches
MY LOVE MINE ALL MINE – Mitski *
CAN’T SLOW DOWN – almost monday
LOVIN ON ME – Jack Harlow
ATTRACTION – Wild Horse *
I’M IN LOVE – Jelani Aryeh
UP ALL NIGHT – James Bay, The Lumineers & Noah Kahan
DEATH VALLEY HIGH – Orville Peck & Beck
LUNCH – Billie Eilish
MOTHER NATURE – MGMT
LUNAR ECLIPSE – The Vaccines
NOTHING MATTERS – The Last Dinner Party
FORTNIGHT – Taylor Swift & Post Malone
NOBODY’S SOLDIER – Hozier
WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH
FOR US ALL – Asgard Raven
MODERN GIRL – Bleachers
RUN AWAY WITH ME – Cold War Kids
ICE CREAM (PAY PHONE) – Black Pumas
DIAMOND AND THE MISSING SON – Unquiet Nights
ALIVE! – Bakar
EVERYTHING WE NEED – Mojave Grey
YOU JUST PLAYED MY MIND – Oli Barton
BLUSH – Vazum
NEVERENDER – Justice & Tame Impala
CAPRICORN – Vampire Weekend
MUSTANG – Kings of Leon
ON THE GAME – The Black Keys
GARMONBOZIA – Flying Lotus
INTO GOLD – London Grammar
BOTHERING ME – Sarah Blasko
TAKE IT OR LEAVE IT – Dead Slow Hoot
LONELINESS – Pet Shop Boys
A TEAR IN SPACE (AIRLOCK) – Glass Animals
WANTING AND WAITING – The Black Crowes
FIND MY WAY – Ships Have Sailed
SUPERSAD – Suki Waterhouse
HOW DID YOU GET HERE? – Antony Szmierek
WAR – HEALER
SCARED TO START – Michael Marcagi
THE BREAK – Blame My Youth
GOOD PEOPLE – Mumford & Sons, Pharrell Williams
GOLD – Caitlin Lavagna
I HAD SOME HELP – Post Malone & Morgan Wallen
RUN YOUR MOUTH – The Marías
TOO MUCH – girl in red
THE LIGHTHOUSE – Stevie Nicks
DARK MATTER – Pearl Jam
BROKEN MAN – St. Vincent
HONEY – Mr Bewlay
BOBBY SOX – Green Day
BIG CAT TATTOOS – Hamish Hawk
MIND GAME (3:33) – Collette McLafferty & John Serrano
I just love Irish singer-songwriter Hozier, who’s had quite a resurgence over the past year or so with his critically acclaimed third studio album Unreal Unearth, which featured his two hit singles “Eat Your Young” and “Francesca”, his duet “Northern Attitude” with American singer-songwriter Noah Kahan, as well as his latest single “Too Sweet”. Released in late March a week after he dropped his fifth EP Unheard, the song has turned out to be his highest charting single both in the UK and on the Billboard Hot 100 where it reached #1 in April. Now it ascends to the top of my chart, becoming his fifth song to do so (including “Take Me to Church” in 2014, “Nina Cried Power”, featuring Mavis Staples, in 2018, “Eat Your Young” in 2023 and “Northern Attitude” earlier this year). The song’s lyrics are directed at a romantic partner with totally different lifestyle preferences – the singer enjoys staying up late and drinking alcohol and black coffee, in contrast with his partner who goes to bed early, eats healthy, etc. – in other words, she’s too sweet for him.
In other significant chart developments, the delightful “Burial Ground” by The Decemberists and James Mercer jumps six spots to #3, while “I’ve Got Loving For You” by Texas rock & roll band Bottlecap Mountain enters the top 10 at #10. Pearl Jam are the biggest upward movers this week with their latest single “Wreckage”, leaping 10 spots to #18.
And for the fourth consecutive week, there are three new debut songs, two of which are by Norwegian acts. Entering at #28 is the wonderfully infectious “Too Much” by Norwegian alternative indie pop artist girl in red, the music project of queer singer songwriter and producer Marie Ulven Ringheim, who’s been making music since the age of 16 (she’s now 25. “Too Much” was the lead single from her second album I’m Doing It Again Baby!, released in April. Next up is “Starburster” by Irish post-punk band Fontaines D.C., who’ve become one of my favorite bands over the past few years. I adore band frontman Grian Chatten’s sultry drone vocal style, and his rapping on this track is fantastic. “Starburster”, which I loved at first listen, is the lead single from their forthcoming fourth studio album Romance, due for release in August. Entering at #30 is the gorgeous darkwave gem “A Foretold Ecstasy” by Norwegian psych-noir/post-punk band Mayflower Madame. I featured the song last month in one of my Fresh New Tracks posts.
TOO SWEET – Hozier (2)
MURDER ON THE DANCEFLOOR – Royel Otis (1)
BURIAL GROUND – The Decemberists & James Mercer (9)
I never tire of hearing the buoyant “Murder on the Dancefloor ”, by Australian duo Royel Otis, and it remains my favorite song for a third week. In fact, all the other top five songs – “Too Sweet” by Hozier, “Overcompensate” by twenty one pilots, “Dilemma” by Green Day, and “Don’t Forget Me” by Maggie Rogers – remain in place for a second week. Entering the top 10 are “Burial Ground” by The Decemberists and James Mercer, the biggest upward mover this week, leaping 14 spots to #9, and the melancholy and beautiful “Take It Or Leave It” by British alt-rock band Dead Slow Hoot, at #10.
For the third week in a row, three songs make their debut on my chart. I actually had seven songs I wanted to add but that would have required dropping seven off, which I just couldn’t do. So, I had to settle for just three, leaving some of the others to be added next week. The first debut, at #28, is “Wreckage” by Pearl Jam, a pleasing downtempo track that essentially replaces their hard-hitting previous single “Dark Matter”. Both tracks are from their latest album Dark Matter, which dropped April 19th. Entering at #29 is “End of Beginning”, a lovely and poignant song by American indie rock artist Djo, the musical moniker of Joseph David Keery. He’s also an actor who became well known for his roles in the TV series Stranger Things and Fargo. Bringing up the rear is the exceedingly infectious “The Break” by American alt-rock band Blame My Youth. Fronted by Sean Van Vleet, they formed in 2020 and released their debut EP Dance With My Demons in 2022. They’ve since followed with a number of singles, including “The Break”, which was released last December. Though they’re new to me, I’m really liking their music.
MURDER ON THE DANCEFLOOR – Royel Otis (1)
TOO SWEET – Hozier (2)
OVERCOMPENSATE – twenty one pilots (3)
DILEMMA – Green Day (4)
DON’T FORGET ME – Maggie Rogers (5)
CREATURES IN HEAVEN – Glass Animals (8)
CAPRICORN – Vampire Weekend (9)
MUSTANG – Kings of Leon (10)
BURIAL GROUND – The Decemberists & James Mercer (23)
The delightfully ebullient “Murder on the Dancefloor ”, by Australian guitar-pop duo Royel Otis, remains on top for a second week, while “Too Sweet” by Irish singer-songwriter Hozier slides into second place. Entering the top 10 are “Creatures in Heaven” by English indie rock band Glass Animals, “Capricorn” by New York indie art pop/rock band Vampire Weekend, and “Mustang” by Nashville alt-rock band Kings of Leon, which leaps nine spots to #10, making it the biggest upward mover this week.
There are three debut songs again this week. First up is the lovely and heartwarming “Scared To Start” by Cincinnati, Ohio-based Americana singer-songwriter Michael Marcagi, which frankly should have entered my chart a month ago, but better late than never. He began his music career as a member of the band the Heavy Hours, but released his first single, “The Other Side”, as a solo artist last December. In January, he signed with Warner Records and released “Scared to Start”, which soon gained popularity on TikTok. The song recently peaked at #54 on the Billboard Hot 100, though it’s reached the top 10 in Ireland and the UK, as well as on the Billboard Adult Alternative Airplay chart. Both singles are included on his debut EP American Romance, which was released in February.
The second debut, at #29, is “On The Game” by Nashville duo The Black Keys. The bluesy anthemic song follows their recent #1 hit “Beautiful People (Stay High)”, both of which are from their latest album Ohio Players. Last, but certainly not least, is “Adrift”, by Missouri rock band Voodoo Planet, featuring some lovely cello by Australian singer-songwriter and multi-instrumentalist Mikey J. The bittersweet song, which I reviewed last month, is another long-overdue entry into my Weekly Top 30,
MURDER ON THE DANCEFLOOR – Royel Otis (1)
TOO SWEET – Hozier (4)
OVERCOMPENSATE – twenty one pilots (3)
DILEMMA – Green Day (2)
DON’T FORGET ME – Maggie Rogers (6)
TIME – MISSIO (5)
ICE CREAM (PAY PHONE) – Black Pumas (7)
CREATURES IN HEAVEN – Glass Animals (11)
CAPRICORN – Vampire Weekend (15)
MUSTANG – Kings of Leon (19)
WANTING AND WAITING – The Black Crowes (12)
TAKE IT OR LEAVE IT – Dead Slow Hoot (17)
I’VE GOT LOVING FOR YOU – Bottlecap Mountain (18)
MY GOLDEN YEARS – The Lemon Twigs (8)
NEON PILL – Cage the Elephant (9)
EVERYTHING WE NEED – Mojave Grey (10)
FORTNIGHT – Taylor Swift feat. Post Malone (20)
GOOD TIMES GO – The Kid and I (21)
BROKEN MAN – St. Vincent (22)
LONELINESS – Pet Shop Boys (23)
FOR US ALL – Asgard Raven (24)
KOOL AID BLUE – The Sylvia Platters (13)
BURIAL GROUND – The Decemberists & James Mercer (28)
PANORAMIC VIEW – AWOLNATION (29)
DARK MATTER – Pearl Jam (14)
THOUGHTS I HAVE WHILE LYING IN BED – The Maine, Beach Weather (16)
“Murder on the Dancefloor ”, by Australian guitar-pop duo Royel Otis (comprised of Royel Maddell and Otis Pavlovi), is turning out to be one of my favorite songs of 2024. I can honestly listen to it on repeat, and love it more each time I hear it! It’s a marvelous cover of the 2001 hit “Murder on the Dancefloor” by British singer-songwriter Sophie Ellis-Bextor, which Royel Otis performed on the Australian radio station Triple J for their Like a Version program. Interestingly, the song does not appear on their debut album PRATTS & PAIN that was released in February. The two have been putting out music since 2021, and I really like their sound a lot.
The song was co-written by Ellis-Bextor and Gregg Alexander, former frontman of the band The New Radicals (who had a hit in the late 90s with “You Get What You Give”), and produced by Alexander and Matt Rowe. Ellis-Bextor’s original version gained renewed popularity earlier this year after appearing in the 2023 black comedy thriller film Saltburn, causing it to re-enter the UK Dance Singles Chart, where it reached #1. It also peaked at #3 on the US Billboard Hot Dance/Electronic Songs chart and #51 on the Hot 100, her first song to ever appear on that chart. The delightful version by Royel Otis currently sits at #7 on the Alternative Airplay chart, and this week takes over the top spot on my own Top 30 chart.
In other major chart developments, Maggie Rogers enters the top 10 with her poignant ballad “Don’t Forget Me”, which climbs five spots to #6. The song recently spent two weeks at #1 on the Adult Alternative Airplay chart. “Creatures in Heaven” by Glass Animals jumps eight spots to #11, and “Fortnight” by Taylor Swift, featuring Post Malone, leaps 10 spots to #20, making it this week’s biggest upward mover.
Three songs make their debut this week: Entering at #28 is the infectiously pleasing “Burial Ground” by Portland, Oregon-based indie folk-rock band The Decemberists, featuring James Mercer, who’s also a member of the bands The Shins and Broken Bells. The Decemberists have been putting out music off and on since forming in 2001. “Burial Ground” is the lead single from their forthcoming ninth studio album As It Ever Was, So It Will Be Again, to be released June 14th. I love those jangly guitars and cool horns. Next up is “Panoramic View”, the beautiful new single by L.A.-based alt-rock band AWOLNATION. Fronted by Aaron Bruno, who has a distinctive singing voice I love, the band blasted onto the music scene in 2011 with their monster hit “Sail”, one of the many great songs from their debut album Megalithic Symphony. They’ve released a total of four albums and numerous singles, several of which have appeared on my Top 30 chart. Entering at #30 is the bold and brassy “Gold”, by uber-talented Welsh-Gibraltarian singer-songwriter Caitlin Lavagna, which I reviewed last month. This is Caitlin’s third song to appear on my chart, the previous two being “How Not to Start a Fight” and “Night Bus”.
MURDER ON THE DANCEFLOOR – Royel Otis (3)
DILEMMA – Green Day (2)
OVERCOMPENSATE – twenty one pilots (4)
TOO SWEET – Hozier (7)
TIME – MISSIO (1)
DON’T FORGET ME – Maggie Rogers (11)
ICE CREAM (PAY PHONE) – Black Pumas (10)
MY GOLDEN YEARS – The Lemon Twigs (5)
NEON PILL – Cage the Elephant (6)
EVERYTHING WE NEED – Mojave Grey (9)
CREATURES IN HEAVEN – Glass Animals (19)
WANTING AND WAITING – The Black Crowes (13)
KOOL AID BLUE – The Sylvia Platters (8)
DARK MATTER – Pearl Jam (12)
CAPRICORN – Vampire Weekend (18)
THOUGHTS I HAVE WHILE LYING IN BED – The Maine, Beach Weather (16)
TAKE IT OR LEAVE IT – Dead Slow Hoot (17)
I’VE GOT LOVING FOR YOU – Bottlecap Mountain (21)
MUSTANG – Kings of Leon (23)
FORTNIGHT – Taylor Swift feat. Post Malone (30)
GOOD TIMES GO – The Kid and I (22)
BROKEN MAN – St. Vincent (26)
LONELINESS – Pet Shop Boys (27)
FOR US ALL – Asgard Raven (28)
I’M IN LOVE – Jelani Aryeh (14)
GOOD PEOPLE – Mumford & Sons, Pharrell Williams (15)
THE GLASS – Foo Fighters (20)
BURIAL GROUND – The Decemberists & James Mercer (N)
ECLECTIC MUSIC LOVER 