On the strength of their infectious melodies, ace musicianship, strong charisma, and lead singer Nick Santino’s beautiful vocals, pop-rock trio Beach Weather have become one of my top favorite bands. In fact, a photo I took of them at a concert last year graces the header of my X (formerly Twitter) page. In addition to Santino, the band includes Reeve Powers on bass and Sean Silverman on guitar. I’ve loved every one of their songs, and their latest single “High In Low Places” becomes their fourth to top my weekly Top 30 chart (the previous three are “Sex, Drugs, Etc.”, “Trouble With This Bed” and “Pineapple Sunrise”.
The song has a brooding cinematic vibe in the vein of Ennio Morricone that would make it a great addition to the soundtrack of a Spaghetti Western film, and I love the twangy guitars and Santino’s sensuous vocals. He had this to say about the song: “We like to call ‘High in Low Places’ our apocalyptic love song. There was beauty in the idea of finding peace in one another while the world was slowly melting. We wanted to create something that felt cinematic, the closing credits of a modern end-of-times western. There are hints of those influences in the guitars and strings running through the chorus where we want to pull everyone into a world but stay hopeful that we can all rise above that insanity transpiring around us.” The lyrics speak to remaining positive and optimistic in the face of life’s problems and obstacles: “You and I got some troubles we’re facing, I know we can make it staying high in low places. Never mind all the tears that we wasted, I know we can make it staying high in low places.”
The video, which was shot in the Arizona desert outside Phoenix, involved the guys getting stuck by cholla cactus and other hazards that come from being in a beautiful but hostile environment – one I’m intimately familiar with living in the Coachella Valley.
In other chart happenings of note, “The Craving” by twenty one pilots moves up five to enter the top 10 at #10, and “Foretold Ecstasy” by the wonderfully-named Norwegian psych-noir band Mayflower Madame advances four spots to #14. Two songs make their debut this week. Entering at #29 is “Rainbow”, by another favorite band of mine, Nashville-based Cage the Elephant, whose previous single “Neon Pill” was a huge #1 hit on all the Alternative charts, as well as my personal Top 30. And coming in at #30 is the rousing garage rock gem “Just Wanna Sleep” by Iowa indie rock band Halfloves, which I reviewed last month.
HIGH IN LOW PLACES – Beach Weather (2)
CREATURES IN HEAVEN – Glass Animals (1)
WRECKAGE – Pearl Jam (3)
TOO SWEET – Hozier (4)
PANORAMIC VIEW – AWOLNATION (6)
STARBURSTER – Fontaines D.C. (9)
END OF BEGINNING – Djo (10)
BURIAL GROUND – The Decemberists & James Mercer (5)
MURDER ON THE DANCEFLOOR – Royel Otis (7)
THE CRAVING – twenty one pilots (15)
FOR US ALL – Asgard Raven (8)
ON THE GAME – The Black Keys (13)
GOLD – Caitlin Lavagna (12)
A FORETOLD ECSTASY – Mayflower Madame (18)
THE BREAK – Blame My Youth (16)
TOO MUCH – girl in red (17)
LUNCH – Billie Eilish (19)
SCARED TO START – Michael Marcagi (11)
I HAD SOME HELP – Post Malone feat. Morgan Wallen (21)
LIKE YOU DO – The Frontier (22)
I’VE GOT LOVING FOR YOU – Bottlecap Mountain (14)
VICES – 5ilas & Shimmer Johnson (25)
LOST IN SPACE – Foster the People (26)
RUN YOUR MOUTH – The Marías (27)
WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH (28)
It makes my blood boil when I hear my contemporaries – or anyone for that matter – opine that there’s no good music being made any longer, because nothing could be further from the truth! While I concede that some of the best non-classical music was created during the years 1965-1973, there are many talented artists and bands putting out great music today, several of whom are represented on my latest Weekly Top 30.
Case in point is English psychedelic art pop band Glass Animals, whose beautiful song “Creatures in Heaven” ascends to the #1 spot. Formed in 2010 when they were all attending college in Oxford, the band consists of Dave Bayley (vocals, guitar, keyboards, drums, songwriting), Drew MacFarlane (guitar, keyboards, backing vocals), Edmund Irwin-Singer (bass, keyboards, backing vocals), and Joe Seaward (drums). Since 2014, they’ve released three albums, with their fourth, I Love You So F***ing Much, slated for release on July 19. “Creatures in Heaven” was the lead single from that album.
I first learned about Glass Animals in 2016, when they released their second album How to Be a Human Being. One of the songs from that album is “Life Itself”, which I loved so much it went to #1 on my Top 30 chart and ended up ranking #60 on my decade-end 100 Best Songs of the 2010s list. I love Dave Bayley’s singing voice, which is so distinctive that it makes their songs immediately identifiable as only theirs. “Creatures in Heaven” becomes their second song to top my chart (“Heat Waves” peaked at #2, but spent four weeks at #1 on the Billboard Hot 100, becoming their biggest hit so far).
About “Creatures in Heaven”, Bayley told Atwood Magazine: “It’s about a moment in time, be it a split second or a year or whatever, having the capacity to be enormously formative and life-changing, even if it is over. Or if it doesn’t go as planned. Or if it dies too soon. It is still fucking beautiful. The love and care and the feeling in that moment lives forever. It never really dies. If that’s how you choose to see it.”
The two biggest upward movers this week are by two more bands I love – “Starburster” by Irish alt-rock band Fontaines D.C., leaping eight spots to enter the top 10 at #10, and “High In Low Places” by American pop-rock band Beach Weather, which jumps seven spots to enter the top 10 at #5. And this week there are four new debuts, starting with “The Craving” by twenty one pilots, entering at #25. The second single from their latest album Clancy, “The Craving” replaces their previous single “Overcompensate”, which just spent 15 weeks on my chart, 13 of them in the top 10.
Entering at #28 is “Lost In Space” by Foster the People, which now consists of founding member and frontman Mark Foster and multi-instrumentalist Isom Innis, who started as a touring member of the band way back in 2010. The exuberant song is the lead single from their upcoming fourth studio album Paradise State of Mind, to be released on August 16. Both twenty one pilots and Foster the People were my top two favorite bands for several years in the mid-to-late 2010s, and I’ve had the pleasure of seeing them both in concert.
Next up is the sensuous “Run Your Mouth” by L.A.-based indie pop band The Marías. Formed in 2016, the band is comprised of lead vocalist María Zardoya and drummer/producer Josh Conway, guitarist Jesse Perlman, and keyboardist Edward James. Known for performing songs in both English and Spanish, they’ve released two albums, Cinema in 2021 and Submarine, which dropped May 31st. Their 2021 single “Hush” reached #1 on the Billboard AAA chart.
The fourth new entry, coming in at #30, is the hauntingly beautiful and moving “What if i feel like this my whole life?” by talented and silky-voiced English singer-songwriter HULLAH (which I recently reviewed). This is his third song to appear on my chart, the previous two being “Chasing Trains”, which reached #1, and “Wild as the Wind”, which reached #7.
CREATURES IN HEAVEN – Glass Animals (3)
BURIAL GROUND – The Decemberists & James Mercer (1)
TOO SWEET – Hozier (2)
WRECKAGE – Pearl Jam (6)
HIGH IN LOW PLACES – Beach Weather (12)
MURDER ON THE DANCEFLOOR – Royel Otis (4)
FOR US ALL – Asgard Raven (9)
PANORAMIC VIEW – AWOLNATION (10)
I’VE GOT LOVING FOR YOU – Bottlecap Mountain (5)
STARBURSTER – Fontaines D.C. (18)
FORTNIGHT – Taylor Swift feat. Post Malone (7)
END OF BEGINNING – Djo (14)
SCARED TO START – Michael Marcagi (13)
GOLD – Caitlin Lavagna (15)
ON THE GAME – The Black Keys (16)
LONELINESS – Pet Shop Boys (8)
ADRIFT – Voodoo Planet feat. Mikey J (17)
THE BREAK – Blame My Youth (19)
TOO MUCH – girl in red (20)
A FORETOLD ECSTASY – Mayflower Madame (22)
DILEMMA – Green Day (11)
LUNCH – Billie Eilish (25)
I HAD SOME HELP – Post Malone feat. Morgan Wallen (29)
LIKE YOU DO – The Frontier (27)
THE CRAVING – twenty one pilots (N)
BROKEN MAN – St. Vincent (21)
VICES – 5ilas & Shimmer Johnson (30)
LOST IN SPACE – Foster the People (N)
RUN YOUR MOUTH – The Marías (N)
WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH (N)
The delightful “Burial Ground” by Portland, Oregon five-piece The Decemberists, featuring James Mercer, remains at #1 for a second week, and in fact, the top six songs on last week’s chart, including Hozier‘s “Too Sweet”, Glass Animals‘ “Creatures in Heaven”, Royel Otis‘ “Murder on the Dancefloor”, Bottlecap Mountain‘s “I’ve Got Loving For You” and Pearl Jam‘s “Wreckage” – all remain in place again this week. The beautiful “Panoramic View” by AWOLNATION moves up a spot to enter the top 10. The biggest upward mover this week is “High In Low Places” by Beach Weather, leaping nine spots to #12.
Two songs make their debut this week. The first is “I Had Some Help” by Post Malone featuring Morgan Wallen. At first I dismissed this song, as I’m not a big fan of Country nor Morgan Wallen, but the song is just too damned catchy to resist. It debuted at #1 on the Billboard Hot 100, and has remained there five weeks and counting. This makes two songs by Post Malone on this chart, the other being “Fortnight”, his collaboration with Taylor Swift. The second new entry is “Vices”, a beautiful and uplifting track by California musician/producer 5ilas (aka Shane Roberts) and Canadian singer-songwriter Shimmer Johnson, who’ve collaborated together on several songs. I reviewed the song when it came out last month. It’s Johnson’s third song to appear on my chart; her previous two – “Starts With You” and “Essence”, a collaboration with Danish producer/composer Refeci, both reached #1.
BURIAL GROUND – The Decemberists& James Mercer (1)
TOO SWEET – Hozier (2)
CREATURES IN HEAVEN – Glass Animals (3)
MURDER ON THE DANCEFLOOR – Royel Otis (4)
I’VE GOT LOVING FOR YOU – Bottlecap Mountain (5)
WRECKAGE – Pearl Jam (6)
FORTNIGHT – Taylor Swift feat. Post Malone (8)
LONELINESS – Pet Shop Boys (9)
FOR US ALL – Asgard Raven (10)
PANORAMIC VIEW – AWOLNATION (11)
DILEMMA – Green Day (7)
HIGH IN LOW PLACES – Beach Weather (21)
SCARED TO START – Michael Marcagi (15)
END OF BEGINNING – Djo (20)
GOLD – Caitlin Lavagna (17)
ON THE GAME – The Black Keys (18)
ADRIFT – Voodoo Planet feat. Mikey J (19)
STARBURSTER – Fontaines D.C. (24)
THE BREAK – Blame My Youth (22)
TOO MUCH – girl in red (23)
BROKEN MAN – St. Vincent (16)
A FORETOLD ECSTASY – Mayflower Madame (25)
OVERCOMPENSATE – twenty one pilots (12)
DON’T FORGET ME – Maggie Rogers (13)
LUNCH – Billie Eilish (28)
MUSTANG – Kings of Leon (14)
LIKE YOU DO – The Frontier (29)
HIGHWAY QUEEN – Mt. Joy (27)
I HAD SOME HELP – Post Malone feat. Morgan Wallen (N)
The Decemberists are an American indie folk-rock band based in Portland, Oregon. Formed in 2000, they consist of founding members Colin Meloy (lead vocals, guitar), Chris Funk (guitar, multi-instrumentalist), Jenny Conlee (piano, keyboards, accordion, backing vocals) and Nate Query (bass), along with drummer John Moen, who joined the lineup in 2005. Their sound is a pleasing mix of alternative rock, folk, baroque pop, and orchestral pop, characterized by lush instrumentation and lovely arrangements and highlighted by Meloy’s beautiful warm vocals. Their interesting name was inspired by the Decembrist revolt, an 1825 insurrection in Imperial Russia, and band frontman Meloy has said that their name is also meant to invoke the “drama and melancholy” of the month of December.
They’ve released a substantial amount of music over the years, especially during their most active period from 2002-2011, including nine studio albums, two live albums, ten EPs and 26 singles. Their songs often touch on historical incidents and folklore, with the band sometimes staging whimsical reenactments of sea battles and other centuries-old events, typically of regional interest, or acting out songs with members of the crowd.(Wikipedia) After their very successful R.E.M.-influenced 6th album The King Is Dead, which reached #1 on the Billboard 200 Album chart and generated a Grammy-nominated song “Down by the Water”, The Decemberists went on a brief hiatus in 2012.
Since regrouping in 2014, they’ve released three albums, one of which, their 2018 album I’ll Be Your Girl, featured the fantastic song “Severed”, a bold electronic track highlighted by spacey synths and twangy Western-style guitars. The single went to #1 on the Billboard AAA chart, and also landed on my chart, ending up at #55 on my 100 Best Songs of 2018 list. Thanks to Covid, the band was essentially forced into another brief hiatus, as their tour had to be postponed, then cancelled. Thankfully, in 2023 they began recording what would become their ninth and latest album, the wonderful As It Ever Was, So It Will Be Again, which dropped this past Friday, June 14th. The lead single from the album, “Burial Ground”, an upbeat, optimistic track about leaving your troubles behind, featuring added vocals by James Mercer, who’s also a member of the bands The Shins and Broken Bells, ascends to the top spot on my latest Top 30 chart. I love those twangy guitars and cool horns, not to mention the gorgeous harmonies.
After five consecutive weeks with three or more debuts, there are no new entries this week. I think 16 new songs in five weeks gives my chart a lot of youth and vigor! Three songs finally enter the top 10 after a long upward climb: “Fortnight” by Taylor Swift featuring Post Malone, “Loneliness” by the Pet Shop Boys, and “For Us All” by English singer-songwriter Asgard Raven. Green Day‘s “Dilemma” spends its 15th week in my top 10; the song has been at #1 for seven weeks on the Billboard Alternative Airplay chart.
Irish singer-songwriter Hozier remains at #1 for a second week with his wonderful “Too Sweet”, while the equally wonderful “Burial Ground” by The Decemberists and James Mercer slides into second place. The relentlessly infectious “I’ve Got Loving For You” by Texas rock & roll band Bottlecap Mountain moves up five spots to #5, and Pearl Jam are the biggest upward movers again this week, as their pleasing introspective single “Wreckage” jumps eight spots to enter the top 10 at #10.
Four excellent songs enter my chart this week, beginning with “Highway Queen” by Los Angeles-based indie folk-rock band Mt. Joy, at #27. It’s their fourth song to appear on my chart. Next up, coming in at #28, is “High In Low Places”, the latest single by Beach Weather, who are very likely my favorite band right now. The gorgeous song has a sultry Western vibe and a hook that’s so damned catchy I keep humming it long after hearing it. It’s their fifth song to appear on my chart, three of which have reached #1, and I can already guarantee that “High In Low Places” will be their fourth. The third entry is the latest single “LUNCH” by Los Angeles-based superstar Billie Eilish. The delightful song is the lead single from her new album HIT ME HARD AND SOFT, which dropped May 17th. Coming in at #30 is the lovely “Like You Do” by Virginia-based singer-songwriter The Frontier, which I reviewed last month. I’ve been a long-time fan of his, and “Like You Do” is his seventh song to appear on my chart (four of which have reached #1).
TOO SWEET – Hozier (1)
BURIAL GROUND – The Decemberists and James Mercer (3)
I just love Irish singer-songwriter Hozier, who’s had quite a resurgence over the past year or so with his critically acclaimed third studio album Unreal Unearth, which featured his two hit singles “Eat Your Young” and “Francesca”, his duet “Northern Attitude” with American singer-songwriter Noah Kahan, as well as his latest single “Too Sweet”. Released in late March a week after he dropped his fifth EP Unheard, the song has turned out to be his highest charting single both in the UK and on the Billboard Hot 100 where it reached #1 in April. Now it ascends to the top of my chart, becoming his fifth song to do so (including “Take Me to Church” in 2014, “Nina Cried Power”, featuring Mavis Staples, in 2018, “Eat Your Young” in 2023 and “Northern Attitude” earlier this year). The song’s lyrics are directed at a romantic partner with totally different lifestyle preferences – the singer enjoys staying up late and drinking alcohol and black coffee, in contrast with his partner who goes to bed early, eats healthy, etc. – in other words, she’s too sweet for him.
In other significant chart developments, the delightful “Burial Ground” by The Decemberists and James Mercer jumps six spots to #3, while “I’ve Got Loving For You” by Texas rock & roll band Bottlecap Mountain enters the top 10 at #10. Pearl Jam are the biggest upward movers this week with their latest single “Wreckage”, leaping 10 spots to #18.
And for the fourth consecutive week, there are three new debut songs, two of which are by Norwegian acts. Entering at #28 is the wonderfully infectious “Too Much” by Norwegian alternative indie pop artist girl in red, the music project of queer singer songwriter and producer Marie Ulven Ringheim, who’s been making music since the age of 16 (she’s now 25. “Too Much” was the lead single from her second album I’m Doing It Again Baby!, released in April. Next up is “Starburster” by Irish post-punk band Fontaines D.C., who’ve become one of my favorite bands over the past few years. I adore band frontman Grian Chatten’s sultry drone vocal style, and his rapping on this track is fantastic. “Starburster”, which I loved at first listen, is the lead single from their forthcoming fourth studio album Romance, due for release in August. Entering at #30 is the gorgeous darkwave gem “A Foretold Ecstasy” by Norwegian psych-noir/post-punk band Mayflower Madame. I featured the song last month in one of my Fresh New Tracks posts.
TOO SWEET – Hozier (2)
MURDER ON THE DANCEFLOOR – Royel Otis (1)
BURIAL GROUND – The Decemberists & James Mercer (9)
There continues to be lots of great music being released, which means it’s time for another installment of my Fresh New Tracks series. Today I’m featuring four recently-released tracks by acts from four different countries – Spanish singer-songwriter and musician John Serrano, Norwegian psych-noir band Mayflower Madame, English folk artist Mock Deer, and American singer-songwriters and multi-instrumentalists Quizboy and Marc Schuster. I’ve recently written about John Serrano, Mock Deer and Mark Schuster, whereas this is the first time I’m featuring Mayflower Madame and Quizboy.
JOHN SERRANO – “The day I met the sun”
John with an injured arm and his new rescue kitten
Hailing from Málaga, Spain is John Serrano, a prolific singer-songwriter and multi-instrumentalist who I cannot heap enough praise upon. Not only is he a versatile and talented musician with a beautiful singing voice, he’s also thoughtful, kind, handsome and incredibly supportive of other independent artists. Drawing from a wide range of influences, including alternative and progressive rock, blues, electronica, synthwave and jazz, he’s recorded and released an extensive, colorful and eclectic catalog of music over the past 10 years, both as a solo artist and in collaboration with other musicians. In March, I reviewed his poignant singles “Oh, well” and “Better Times”, which he’d released back to back over a two-day period. He quickly followed with two more singles, then on April 24th he dropped his album Alive, dedicated to his grandmother who passed away in March at the age of 92.
A week after that album’s release, John severely injured his left arm, requiring surgery and rendering him unable to play guitar for the time being. Undefeated, he decided to make what he’s calling a “full electronoir experimental retro futuristic jazz-noise album”, recording entirely with synthesizers. Thus far, he’s released two singles for the new album, the latest of which is “The day I met the sun“, a brilliant and haunting track that’s a significant departure from the languid and pleasing songs on Alive. The song starts off with a dreamy ethereal feel, accompanied by John’s angelic falsetto vocals, then abruptly transitions into a much darker, almost frightening song with grinding fuzzy reverb, ominous drumbeats and tortured synths. His vocals also shift into a much more menacing tone, unlike anything I’ve heard from him previously. He said he’s been throat singing for a few years, and to get the desired effect, he “panned the vocals and cut the EQ Filter right when they kick in.” Along with the first track “A wee house upon the hill”, “The day I met the sun” offers a foreboding peek into what we can expect to follow. The tracks are only available on Bandcamp at this time.
Mayflower Madame (what a great band name!) is a psych-noir/post-punk band from Oslo, Norway, comprised of Trond Fagernes (vocals, guitar, bass) and Ola J. Kyrkjeeide (drums). For studio recordings they are joined by Kenneth Eknes (synth), and for live performances, additional musicians are brought in to form a full band. They’ve released a fair amount of music since 2015, including two albums – Observed in a Dream in 2016 and Prepared for a Nightmare in 2020, as well as an EP Premonition in 2018 and numerous singles. Ironically, Prepared for a Nightmare now seems to have indeed been a “premonition” to the Covid-19 pandemic that followed the album’s release.
I just learned about Mayflower Madame yesterday when their PR rep reached out to me about their new single “A Foretold Ecstasy“, which I loved the moment I heard it. As I do for all artists and bands I write about for the first time, I listened to as much of their music catalog as time permitted so I could get a good feel for their sound. And I can emphatically state that I really like this band’s music, which has been compared to that of Sisters of Mercy, Jesus and Mary Chain and The Cure. Their compelling sound, which they describe as “the perfect soundtrack for the nightly walks of restless city dwellers“, is a masterful blend of post-punk, darkwave, psychedelia and shoegaze, featuring pulsating rhythms, lush atmospheric synths and reverb-drenched guitars.
About “A Foretold Ecstasy”, band songwriter and vocalist Fagernes said the lyrics speak about “constantly chasing some sort of elation or intoxicating sensation to relieve one’s inner turmoil, while still being aware that it’s just a passing state followed by an inevitable downfall”. The song is a gorgeous darkwave gem in the vein of The Cure or Depeche Mode, two of my favorite bands from that genre. Fagernes’ vocals are intoxicating as he breathily croons “Well, I’m just glad you made me feel something. But it won’t last, I still believe it’s all or nothing.“
Mock Deer is the music project of London-based singer-songwriter and musician Ricky Damiani, whose sound can generally be described as indie folk/singer-songwriter with elements of alternative rock. He’s released a fair amount of music over the past 12 years, including his debut album The Art of Loneliness in 2020, several EPs and numerous singles, as well as composing original music for TV programs and theatre. Last month, I featured his haunting and powerful single “Harbinger” on a Fresh New Tracks post. Now he returns, with “Smudge”, a wonderful song and the second track from his forthcoming EP Pilgrims.
As with “Harbinger”, for “Smudge” Damiani sang vocals, Mat Martin played lead guitar, Jayden Pegler played bass, Will Inscoe played keyboards, Aaron Carpenter played drums, Matthew Herd played saxophone, and Lola Hepper sang backing vocals. The track was produced by Scott Fitzgerald and mastered by John Nicholls. Written during the first Covid lockdown, the song touches on themes of mental illness, alcoholism and friendship. The song has a darkly beautiful, meandering melody, with a melancholy feel reminiscent of some of Radiohead’s songs of the 90s, featuring gorgeous shimmery guitars, warm saxophone, spacey synths and soaring choruses. Damiani’s vibrant, emotive vocals run the gamut from quiet introspection to impassioned lamentation as he addresses a troubled friend: “You play that part of tough guy so well, but we all know it’s just a show. So lets be random, let’s be odd. Let’s turn this normal on its head.Let’s go there, for one last jolly. You’re well aware it’s all just folly. Just one more, for the road I swear.”
Quizboy is an enigmatic yet highly sociable artist who, in his own words, creates “dirt-made rock and roll from the Pacific Northwest“. Based in Portland, Oregon, the insanely busy guy also occasionally records music under his dark and sludgy post-hardcore project Never Say Never (NsN), as well as runs an online radio station Audio Mirage Studios, where he hosts Marc Schuster’s Tweetcore Radio Hour. As if all that’s not enough, he also has his own music blog, also titled Audio Mirage Studios.
Marc Schuster is an even busier guy with his hands in so many projects it literally makes my head spin! It’s all I can do to write 2-4 posts per week for this blog, and I’m now mostly retired. At any rate, I’ve written about him and his music many times, most recently when I featured his song “Paul Giamatti (Is Everywhere Tonight)” on a Fresh New Tracks post, but to summarize, he’s a creative and multi-talented Renaissance man from the Philadelphia area who’s an educator, author, singer-songwriter, multi-instrumentalist and visual artist. Over the past decade, he’s recorded quite a bit of music, both as a solo artist and in collaboration with too many other artists and bands to mention here. In addition to hosting the aforementioned weekly Tweetcore Radio Hour program, where he features songs by talented indie artists he’s met through Twitter (now X), he also has a terrific blog called Abominations, where he writes about music and interviews indie artists. He also broke his right shoulder a few months ago, but still managed to put out his latest album Arguably.
The two recently collaborated on their first song together, “All the Same to You“. Released May 3rd on Bandcamp, (and most other streaming services except Spotify on May 17) the song was co-written, recorded and produced by them both, with Quizboy playing acoustic and electric guitar and singing vocals, and Schuster playing drums, bass, electric piano, synths, acoustic guitar and singing backing vocals. The release also includes a master by fellow musician Brian Lambert. Over a mellow groove, the guys layer crisp, reverb-drenched jangly guitars and sharp, colorful synths to create a jarring, yet somehow pleasing backdrop for Quizboy’s raw, melancholy vocals. Lyrically, the song is a bit of a downer, and seems to speak to the futility of life: “Miss me when I’m gone. Suffer me while I’m here. Pain has led me home. Whatcha say won’t do. They place these chains on me and you to break. Honestly, I can’t wait. If it’s all the same to you, I forsake.” Good job guys!
ECLECTIC MUSIC LOVER 