VEER – Album Review: “Soft Machines”

VEER is a hard rock band based in the historic and charming Maryland capital of Annapolis. Formed in 2016, the band consists of brothers Ronald (vocals and guitar) and Jon (drums) Malfi, Ryan Fowler (lead guitar), and Christian Mathis (bass). They hit their stride in 2018 with the release of their debut album Apocalyptic, Baby, which made the Amazon Top 100 Rock Albums list. That same year, they won a Maryland Music Award for Best Rock Band, then went on to win Best Rock Song for their 2017 debut single, “Come Clean,” by the World Songwriting Awards, an international organization that promotes and recognizes songwriting in various genres throughout 129 countries around the globe. They’ve had the pleasure of opening for such acts as Buckcherry, Sponge, Fuel, Puddle of Mudd, Trapt and 40 Below Summer, and their aggressive and melodic style of rock and riveting live performances have earned them a loyal following throughout the mid-Atlantic region

The band followed Apocalyptic, Baby with a four-track EP Shut Up and Breathe in 2019, then two excellent singles – “Red Tide” in December 2020 and “Science” in November 2021 both of which I reviewed. (Those reviews can be found in the “Related” links at the end of this post.) On July 22nd, they dropped their long-awaited second album Soft Machines, featuring 12 tracks, including “Red Tide” and “Science”. It’s a solid work with no throwaway songs, but to keep this review from running on too long, I’ll touch on my favorites.

Science” kicks off the album in a big way, with super gnarly psychedelic guitar riffs layered over an otherworldly backdrop of spacey undulating synths, throbbing bass and thunderous drums, all of which create a rather unsettling mood appropriate to the title. Band vocalist Ronald says “‘Science’ is about fact versus fiction, hard science versus fantasy.” The beautifully executed and surreal video, created by band drummer Jon, has a futuristic, space-themed feel, in keeping with the song’s subject matter.

Red Tide” has a moody, grunge undercurrent that gives it somewhat of an early Pearl Jam vibe, with a touch of Creed thrown in for good measure. The instrumentals are fantastic, with layers of intense gnarly guitars over a fuzz-coated shimmery riff that serves as the basis for the song’s ominous melody. Christian lays down a throbbing bass line in perfect accompaniment with Ryan’s moody riff, while Jon fervently attacks his drum kit, pounding out the powerful rhythm with impeccable timing. As to the song’s meaning, Ronald said it’s about “the repetitive nature of human beings, continually making the same mistakes over and over—be it in society in general or our personal lives.” The album’s title is taken from a lyric in the song: “Welcome, all you kings and queens, you soft machines!” His raw, impassioned vocals convey a strong sense of exasperation as he wails the refrain “I’ve been here before“.

VEER’s skill for writing catchy and beautiful melodies is showcased on “Photograph“, a poignant song that has Ronald lamenting about a broken relationship and his past mistakes: “When I stop, look back on the pieces, these broken shards seem to light the way. Cause I remember your photograph, you kept it with mine. And I remember how we both looked back, it was a matter of time. I’ll bide my crime.” I love the strong driving rhythms, gritty guitars and Ronald’s wonderful plaintive vocals. And on the superb rock ballad “Carry On“, they inject a healthy dose of Americana into the mix to create an arresting and beautiful song. Ronald nearly breaks our hearts as he pleads “Well I’m on my knees, beggin’ please don’t go. Well I’m on my knees, beggin’ please come home. Still we carry on.”

Overcome” is a dark and stunning grunge song that seems to touch on survival in the face of adversity: “I will lose my mind, I will lose my mind out there. In time, overcome.” Ryan and Ronald’s dual jagged guitar riffs, layered over a deep chugging rhythm, are a thing of wonder. The guys keep the dark, grungy vibes going strong on “A New Place (Pretty Loser)“. I love the haunting and cinematic feel of this song.

Arguably one of the standouts on Soft Machines, “Figure it Out” is a magnificent rock song, with a glorious mix of shimmery guitars and raging riffs over a powerful foundation of throbbing bass and pummeling drums. To my ears, the song has a discernable Shinedown feel, and in fact, Ronald’s vocals even sound like Shinedown front man Brent Smith, especially in the chorus when he yells “Breathe out, when you’ve gotta find a reason to learn“. The guys serve up another generous helping of grungy vibes on the anthemic closing track “Keep it Good“, where they pull out all the stops to showcase their impressive musical talents. Running nearly six minutes, the song is a tour de force of intricate gnarly riffs, buzzing bass and smashing drums, making for a satisfying end to an outstanding album.

Connect with VEER:  Facebook / Twitter / Instagram

Stream their music:  Spotify / Apple Music / YouTube

Purchase on their Website

VEER – Single Review: “Science”

Since forming in 2016, Annapolis, Maryland hard rock band VEER have made a name for themselves in the mid-Atlantic region through their hard-hitting melodic rock and riveting live performances, earning awards and an expanding fan base along the way. Comprised of brothers Ronald (vocals & guitar) and Jon (drums) Malfi, Ryan Fowler (lead guitar), and Christian Mathis (bass), VEER hit their stride in 2018 with the release of their debut album Apocalyptic, Baby, which nabbed a spot on the Amazon Top 100 Rock Albums list. That same year, they won a Maryland Music Award for Best Rock Band, then went on to win Best Rock Song for their 2017 debut single, “Come Clean,” by the World Songwriting Awards.

Last December (of 2020) they released their single “Red Tide“, a dark, grunge-influenced song addressing the repetitive nature of people who continually make the same mistakes over and over (read my review here). Now they’re back with a terrific new single “Science“, which dropped on November 13th. Both songs will be included on their forthcoming second album Soft Machines, due for release in Spring 2022 if all goes according to plan. Engineered and co-produced by Steve Wright (Slipknot, SR-71, Future Islands), the song features VEER’s signature hard-edged, guitar-driven grooves and pummeling rhythms, but presented with greater sheen and a stellar arrangement.

The song starts off with distorted psychedelic guitar notes layered over an otherworldly backdrop of spacey undulating synths, setting a rather unsettling mood appropriate to the title. Around 45 seconds in, the song shifts gears as the music explodes into a dramatic barrage of gnarly riffs, throbbing bass and thunderous drums. Ronald plaintively sings with increasing emotional intensity as the song progresses: “Angelina says it wasn’t right for me to look up at the stars. Far above, the atmosphere is clear, we’re on our way to Mars. Well I find you inside out, kick it over, hear me shout, I’ll shout again. Well you find me upside down, you kick it over, hear me shout.” His vocals soar into a full-blown anthemic chorus as he implores “Science! Return my pride.” It’s a great song that’s easily one of their best.

About “Science”, Ronald says it’s “about fact versus fiction, hard science versus fantasy. Strangely enough, it was written prior to the pandemic, but listening to the lyrics now, it’s eerily prescient. A song about living with your head in the clouds now has a more cynical and poignant meaning.” The beautifully done, surreal video, which was created by band drummer Jon Malfi, has a futuristic, space themed feel, in keeping with the song’s subject matter. He states “It was important for the video to compliment the song, but also for it to stand alone visually, on its own merits. It’s telling its own story against the backdrop of our music.” I think it brings VEER’s lyrics to life perfectly, and more.

Follow VEER:  Facebook / Twitter / Instagram

Stream their music:  Spotify / Apple Music / YouTube

Purchase on their Website

VEER – Single Review: “Red Tide”

VEER is a hard rock band based in the historic and charming Maryland capital of Annapolis, but their dark and aggressive sound would suggest roots in nearby Baltimore instead. Formed in 2016, the band consists of brothers Ronald (vocals and guitar) and Jon (drums) Malfi, Ryan Fowler (lead guitar), and Christian Mathis (bass). They hit their stride in 2018 with the release of their debut album Apocalyptic, Baby, which quickly made the Amazon Top 100 Rock Albums list. That same year, they won a Maryland Music Award for Best Rock Band, then went on to win Best Rock Song for their 2017 debut single, “Come Clean,” by the World Songwriting Awards, an international organization that promotes and recognizes songwriting in various genres throughout 129 countries around the globe. Their riveting live performances have earned them a loyal following in the mid-Atlantic region, where they’ve had the pleasure of opening for such acts as Buckcherry, Sponge, Fuel, Puddle of Mudd, Trapt and 40 Below Summer.

This past December they released their latest single “Red Tide“, which will be included on their forthcoming album Soft Machines, due out later this year. The song has a moody grunge undercurrent that – to my ears at least – gives it somewhat of an early Pearl Jam or Soundgarden vibe. The instrumentals are all fantastic, starting with layers of fairly intense gnarly guitars over a fuzz-coated shimmery riff that serves as the basis for the song’s ominous melody. Christian lays down a throbbing bass line in perfect accompaniment with Ryan’s moody riff, while Jon fervently attacks his drum kit, pounding out the powerful rhythm with impeccable timing. Ryan’s blistering guitar solo in the bridge is quite good too.

Ronald told me that the song is about “the repetitive nature of human beings, continually making the same mistakes over and over—be it in society in general or our personal lives.” His raw, impassioned vocals convey a strong sense of exasperation as he bitterly wails the refrain “I’ve been here before“. I really like “Red Tide”, and think it’s VEER’s best song yet. Have a listen, and let me know what you think.

Follow VEER:  FacebookTwitterInstagram

Stream their music:  SpotifyApple MusicYouTube

IGNITE THE FIRE – Single Review: “Echoes”

Ignite the Fire2

Alternative metal band Ignite the Fire play some of the most electrifying rock I’ve had the pleasure of hearing recently. Based in the state of Maryland northwest of Baltimore, the band was formed in 2011 by guitarist Mark Quinn and drummer Caelan Gregory while they were still both in high school. Their phenomenal vocalist Jack Gurecki joined a short time later after responding to a flyer put out by the band looking for a singer, and was soon joined by a second guitarist Michael Nelson, who serves as the band’s resident “unclean” vocalist for their harder-edge songs. The fifth and newest band member is the amazing bassist Holly Smith, who came on board in 2017.

That same year, Ignite the Fire released their debut EP Trial and Triumph, an outstanding work featuring their hard-hitting single “Criticize”, which was named 2017 Song of the Year by Z98 and iHeartRadio. They followed up in late November 2018 with a second EP Between Shadows and Solace, featuring six mind-blowing tracks. “This whole EP is about what it means to be human,” says band drummer Caelan Gregory. “We don’t want to just connect with listeners on a musical level, but an emotional one as well, and in doing that we hope to connect with people in a real and significant way.” Guitarist Mark Quinn adds “The title ‘Between Shadow and Solace’ speaks for itself. We are writing about battling the darkness but also about the hope that is there. You see that in the world we live in. There’s this feeling of dread and darkness around us but also there’s hope.

In April, they released an outstanding video for “Echoes“, one of the most popular tracks from the EP that strongly resonated with their fans and followers. The video shows scenes of a man returning to an empty house he once occupied with his significant other, and remembering past moments they shared in better times, interspersed with scenes of the band performing the song. At the end of the video, he sees her standing on the beach, and runs toward her, only to disappear just before reaching her. We’re left to determine the scene’s meaning for ourselves, but my take is that it’s too late to salvage the relationship, and he can no longer reach her, literally and figuratively. The video was directed by Tom Flynn and stars Jimmy Donohue and Kris Doscher.

“Echoes” is a stunning rock anthem, starting off with a gentle melodic synth and strummed guitar line. The song then expands in the first verse with jangly guitars, strings, keyboards, and crisp percussion as Jack begins singing in his beautiful, clear vocals. When the first chorus arrives, Holly’s deep bassline melds seamlessly with Mike’s guitar riff into a thunderous mix, accompanied by Caelan’s power drums that send the song into the sonic stratosphere. Jack’s commanding vocals – which have been favorably compared to Shinedown frontman Brent Smith’s –  rise to the occasion, bringing chills as he passionately sings the deeply poignant lyrics:

Cause I fear that I’m right
But I pray that I’m wrong
I’ll echo this silence
And I won’t let go
You left me uncertain
Don’t leave me alone
I’ll search through the darkness
And I won’t let go

The band just released a ‘Behind the Song’ video where they discuss their process and inspiration for the writing of “Echoes”.

Since 2018, Ignite the Fire has performed on numerous stages, supporting the bands Otherwise, Shaman’s Harvest, BadWolves, From Ashes To New and Diamante via Live Nation.  This year they provided direct support to Stone Horses and Another Lost Year, and headlined shows in New Jersey, New York, and Pennsylvania. Those of you in the Middle Atlantic region can catch them at one of these upcoming shows. I would love to see them along with another one of my favorite bands The Mayan Factor, but alas, live 3,000 miles away.

SAT JUNE 8  –  ROCK FOR ROB! 2019 @ KC’s Music Alley, Fredericksburg, VA

FRI JUNE 14  –  With Stone Horses, The Mayan Factor, After the Broken @ Fish Head Cantina, Baltimore, MD

FRI-SAT JUNE 22-23  –  With Defending Cain, Seventh Seal @ Break Away II Sports Lounge, Hagerstown, MD

Connect with Ignite the Fire:  Website / Facebook / TwitterInstagram
Stream their music:  Spotify / Reverbnation
Purchase on iTunes / Amazon