My Top 30 Songs for June 14-20, 2026

Death Cab for Cutie remain at #1 for a second week with “Riptides”, while The Strokes slide into second place with “Going Shopping”. Olivia Rodrigo finally enters my top 10 with “Drop Dead“.

Four songs enter my chart this week, and each is accompanied by a terrific video. Therefore, instead of embedding the video of my #1 song, I’m sharing the videos for each of my four new entries, the first of which is the wonderfully sultry “Back in Love” by the very beguiling English singer-songwriter, model and actress Suki Waterhouse. The song will be included on her forthcoming third studio album Loveland, scheduled for release on July 10th. It’s her second song to appear on my chart, following “Supersad”, which peaked at #11 in late 2024.

Coming in at #28 is “marathons” by the irrepressibly charming indie pop/rock band Sorry Ghost. Originally formed as a pop punk band in Baton Rouge, Louisiana but now based in Los Angeles since 2021, the band consists of Matt Polito (guitar, vocals) Dan Anton (bass, lead vocals), Tate Silver (drums) and Sean Duong (guitar, vocals). It’s their second song to appear on my chart, following last year’s delightful “polyester (yes sir)”, which ranks #55 on my 100 Best Songs of 2025 list. The guys have a wicked sense of humor, frequently delighting their fans with hilarious and endearing video reels of themselves on Instagram and TikTok. Their music videos are also highly entertaining and creative, as is definitely the case with the one for “marathons”:

Next up is “Repeat Offender” by Scottish alternative metal band Gloom is Okay. It isn’t often I’m blown away the first time I hear a song, but I have to say I was immediately stunned by the dramatic beauty and majestic impact of “Repeat Offender”. Based in Glasgow, Gloom is Okay is comprised of frontman Martin Walker (vocals, guitars, synths, programming) Iain MacLeod (bass) and Mark Norris (drums). It’s their first new music in three years, since their excellent 2023 self-titled EP Gloom is Okay, which I reviewed on this blog. “Repeat Offender” is the lead single from their forthcoming debut album Nothing Human. Walker says the song is essentially about handling narcissistic people.

Coming in at #30 is “Online” by Canadian artist Western Jaguar, the music project of singer-songwriter and multi-instrumentalist Jeffrey Trainor. Based in the beautiful Fraser River Valley east of Vancouver, British Columbia, the earnest, amiable musician makes what he calls joyfully sad music and has been a favorite of mine since learning about him in late 2018. I’ve featured him numerous times on this blog and several of his songs have appeared on my chart, two of which – “Disappear” (2019) and “Darling” (2023) – went all the way to #1. Jeff never fails to write thought-provoking lyrics set to infectious melodies, and “Online” hooked me at first listen. The song was inspired by his fear of the impact of the internet on our lives: “I wanted to capture that shady, seedy feeling the web can have. Who knows who’s real or what’s real nowadays. Hell, can I even prove to you I’m real? But there is this almost superiority complex or confidence that can come from the modern digital age that just seems off.”

  1. RIPTIDES – Death Cab for Cutie (1)
  2. GOING SHOPPING – The Strokes (4)
  3. SLUMBER PARTY – Brigitte Calls Me Baby (2)
  4. BEDROOM POSTERS – Yellowcard feat. Good Charlotte (3)
  5. HEADLIGHTS – In Color (7)
  6. HOMEWRECKER – Sombr (8)
  7. FREAKIN’ OUT – Dexter and The Moonrocks (9)
  8. DRAG PATH – Twenty One Pilots (5)
  9. DIFFERENT KIND OF LOVE – Young the Giant (6)
  10. DROP DEAD – Olivia Rodrigo (12)
  11. SELF AWARE – Temper City (13)
  12. HEAVY FOOT – Mon Rovîa (11)
  13. DYING TO LOVE – Bad Omens (14)
  14. TO LOVE SOMEBODY – Holly Humberstone (15)
  15. UNTIL THE SUN EXPLODES – Sublime (17)
  16. BE WITH YOU – Muse (16)
  17. WAITING FOR ME – Talk in Waves (10)
  18. IN MY ROOM – Julia Wolf (23)
  19. EXIT WOUND – Ships Have Sailed (24)
  20. RIDE LONESOME – Beck (25)
  21. GOOD2B – Goose (26)
  22. KILL ME FAST – Three Days Grace (21)
  23. STARLIGHT – Cannons (22)
  24. PICKING DRAGONS’ POCKETS – Modest Mouse (29)
  25. RAGING HALLS – Lyia Meta (30)
  26. THE GREAT DIVIDE – Noah Kahan (20)
  27. BACK IN LOVE – Suki Waterhouse (N)
  28. MARATHONS – Sorry Ghost (N)
  29. REPEAT OFFENDER – Gloom Is Okay (N)
  30. ONLINE – Western Jaguar (N)

My Top 30 Songs for June 7-13, 2026

Photo of Death Cab for Cutie by Ryan Russell

After a two-week hiatus due to being on vacation in Georgia and western North Carolina, I’m back with my latest top 30 chart. American indie pop-rock band Death Cab for Cutie jumps four spots to take over the #1 spot with their pensive single “Riptides”, displacing last week’s top song “Slumber Party” by Brigitte Calls Me Baby. Formed in 1997, Death Cab for Cutie currently consists of Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Dave Depper (guitar, keyboards, backing vocals), Zac Rae (keyboards, guitar), and Jason McGerr (drums). “Riptides” is the lead single from their 11th studio album I Built You a Tower, which dropped this past Friday, June 5th. The album’s rather melancholic yet upbeat tone was inspired by band frontman and songwriter Ben Gibbard’s experiences dealing with the end of his marriage while also constantly being on tour. I’ve been a longtime fan of Death Cab for Cutie and have always loved Gibbard’s comforting tenor vocals. They previously topped my chart with “Gold Rush” in 2018, though “Here to Forever” reached #2 in 2022.

There are two new debuts this week, however, a total of five songs have entered my charts since my last post so I’ll mention them all. First off is the lovely “Exit Wound” by another longtime favorite act Ships Have Sailed. Based in Los Angeles, the duo is made up of singer-songwriter and multi-instrumentalist Will Carpenter and drummer Art Andranikyan, though more recently they’ve collaborated with a number of other songwriters and musicians. I’ve written about them for this blog more times than I can remember, and several of their songs have appeared on my charts. “Exit Wound” was co-written by Carpenter and Bill O’Hanlon.

Next up is “Ride Lonesome” by singer-songwriter, producer and multi-instrumentalist Beck. Released in April, the song is his first new music in two years and has a laid-back Americana sound. I like how he continually changes up his sound, keeping it fresh by his willingness to venture into new styles and genres.

The third song among the three previous debuts is the very cool-sounding “Good2B” by American rock band Goose (not to be confused with the band Geese), which currently consists of Rick Mitarotonda (guitar, vocals), Trevor Weeks (bass, vocals, poetry), Peter Anspach (keyboards, guitar, vocals) and Cotter Ellis (drums, vocals). Their eclectic jam band sound has been compared to the funk and progressive rock influences of Phish and Umphrey’s McGee and the folk, jazz, and blues influences of the Grateful Dead. The song will be included on their sixth studio album Big Modern, set for release on June 12th.

The first of this week’s two new entries is “Picking Dragons’ Pockets” by the always zany and unorthodox Portland, Oregon-based alt-rock band Modest Mouse. Formed in 1993, the band has undergone numerous personnel changes over the years and presently consists of frontman and founding member Isaac Brock (lead vocals, guitars, banjo), Russell Higbee (bass, guitar, keyboards, backing vocals), Ben Massarella (drums, percussion), Simon O’Connor (guitar, backing vocals), Damon Cox (drums, percussion) and Keith Karman (keyboards, guitar, bass, backing vocals). The song is from their eighth studio album An Eraser and a Maze, which also dropped this past Friday, June 5th.

An interesting tidbit of info I found on their Wikipedia page referenced a 2016 study conducted by Italian music data company Musixmatch which surveyed 43,414 songs spanning multiple genres. It found that Modest Mouse was one of the most profane bands among the subjects categorized as “indie rock,” second only to The Neighborhood (whose song “Hula Girl” recently topped my chart). It was estimated that Modest Mouse used profanity every 310 words, and that the top three swear words uttered by the band were “shit,” “fuck” and “ass,” respectively.

The second new entry this week, and the final of five overall, is the hard-hitting “Raging Halls” by insanely talented Malaysian artist Lyia Meta. A highly accomplished, award-winning and Grammy-nominated Renaissance woman, Lyia is a singer, songwriter, musician and vocal coach, as well as a writer, teacher and visual artist whose work spans multiple media formats. Possessing a rich contralto singing voice, she’s recorded songs across a wide range of genres including blues, jazz, pop, country, rock and metal. She ranks among my favorite female vocalists, and I’ve featured her numerous times on this blog. We’ve been following each other on social media since 2018, and I finally had the pleasure of meeting Lyia and her husband Zack in person in January when they were in Los Angeles.

“Raging Halls” was co-written by Lyia and E.G. Holmes, who co-produced the track with her longtime Nashville-based collaborator Bob McGilpin, who also played lead and rhythm guitar, bass, drums and synths. Additional contributions on the track include rhythm guitar by Christian Wentz, guitar and synths by John Foster, orchestration and keyboards by Gene Rabbai and backing harmonies by Lisa Brokop. Lyia says the song “explores the tension between desire, risk, and the moment where hesitation transforms into action.”

  1. RIPTIDES – Death Cab for Cutie (5)
  2. SLUMBER PARTY – Brigitte Calls Me Baby (1)
  3. BEDROOM POSTERS – Yellowcard feat. Good Charlotte (3)
  4. GOING SHOPPING – The Strokes (6)
  5. DRAG PATH – Twenty One Pilots (2)
  6. DIFFERENT KIND OF LOVE – Young the Giant (4)
  7. HEADLIGHTS – In Color (9)
  8. HOMEWRECKER – Sombr (10)
  9. FREAKIN’ OUT – Dexter and The Moonrocks (11)
  10. WAITING FOR ME – Talk in Waves (7)
  11. HEAVY FOOT – Mon Rovîa (8)
  12. DROP DEAD – Olivia Rodrigo (14)
  13. SELF AWARE – Temper City (18)
  14. DYING TO LOVE – Bad Omens (15)
  15. TO LOVE SOMEBODY – Holly Humberstone (17)
  16. BE WITH YOU – Muse (16)
  17. UNTIL THE SUN EXPLODES – Sublime (19)
  18. YOUR FAVORITE TOY – Foo Fighters (13)
  19. LOOK OUT FOR ME – Turnstile (12)
  20. THE GREAT DIVIDE – Noah Kahan (20)
  21. KILL ME FAST – Three Days Grace (24)
  22. STARLIGHT – Cannons (21)
  23. IN MY ROOM – Julia Wolf (27)
  24. EXIT WOUND – Ships Have Sailed (28)
  25. RIDE LONESOME – Beck (29)
  26. GOOD2B – Goose (30)
  27. I REMEMBER WHEN – MISSIO (22)
  28. YOU GOT TO LOSE – The Black Keys (23)
  29. PICKING DRAGONS’ POCKETS – Modest Mouse (N)
  30. RAGING HALLS – Lyia Meta (N)

100 Best Indie Songs of 2025

Photo courtesy of FREEP!K

At the end of each year, I publish a list of my Top 100 Songs, representing my picks for what I think are the best songs – my favorites actually – for the entire year. Last year, at the suggestion of a member of Missouri folk rock band Voodoo Planet, I also compiled a list of my 100 favorite indie songs of 2024. That blog post nearly went viral, and over the past year has amassed over 7,000 views to become my 10th most popular post ever. (In sharp contrast, my 100 Best Songs of 2024 post has garnered only around 1,100 views.)

Because I follow, and am followed by, many indie musicians and bands on social media, I enjoy showcasing some of the exceptional music being made by them that’s every bit as good as, or even better than, that from mainstream acts, so compiling a separate list of what I think are the best indie songs makes perfect sense.

These are not necessarily “indie” songs in terms of genre (though there are many that fall into that overall category), rather songs by independent or DIY music acts. While some are in fact signed to music labels, they’re usually small or independently owned. There are 82 acts represented in this list, the majority of which are from the U.S., Canada and the U.K., but also from Australia, New Zealand, Malaysia, Spain, Portugal, Italy, France, Ireland, Norway, Sweden, Belgium, Germany and Ukraine. A number of acts have two songs, while English psychedelic alt-rock band Future Theory have three.

Of course, I must make note of the fact that this list contains only songs I’m aware of, and that there are likely hundreds of other great songs that deserve to be here, except that I’ve never heard them. The songs on this list – all of which are outstanding if I do say so myself – were generally released between November 2024 and October 2025.

Though they’re ranked from #1 to 100, it doesn’t necessarily mean that a song at #30 is better than one at #60. That said, the ones closer to the top are my very favorites. And though I’d love to write a narrative about each song and artist, given my limited time and energy, not to mention people’s short attention spans, I’ve decided against that again this year. I will, however, include the marvelous video for my #1 pick, “The Faithful Heart” by immensely talented and creative L.A.-based artist Wons Phreely, as it’s so delightful that everyone should watch it! I’ve also created playlists on both YouTube and Spotify, which are included after the list itself. Enjoy!

  1. THE FAITHFUL HEART – Wons Phreely + The Horses
  2. IMPOSTER SYNDROME – Fake Empire
  3. WALLS – Frank Joshua
  4. FEELS RIGHT – Talk in Waves
  5. TAKE THIS HEART – Brian Lambert
  6. CONTROLLER – Moody Moody
  7. BAD LARRY – Cloakroom
  8. LOVE IS A FIRE – Art Block
  9. YOU’RE MY DRUG – Talk in Waves
  10. THE TURNAROUND – DelCobras
  11. LONDON TOWN – HEALER
  12. POLYESTER (YES SIR) – Sorry Ghost
  13. STRAIGHT TO THE GROUND – Unquiet Nights
  14. SNAKESKIN – NAVE
  15. BETTER OFF EVENTUALLY – Bealby Point
  16. LIGHT YEARS APART – Unobliterated
  17. THE FEAR – Future Theory
  18. POOR SAD INDIE EVERYTHING – Icarus Phoenix
  19. WITHOUT A DOUBT – Charm School
  20. MOTHER – Lyia Meta & Mark Allen Lanoue
  21. DAY & NIGHT – Oli Barton
  22. WHO’S A FRAUD? – Still Traffico
  23. HORNETS – Western Jaguar
  24. SCARS – Secret Postal Society
  25. REALITY BUZZ – Future Theory
  26. AFTER ALL – Darksoft
  27. TAKE IT OR LEAVE IT – overpass
  28. FEEL – NAVE
  29. HERE WE GO AGAIN – Set the Tone
  30. BAD PATTERNS – HEALER
  31. ALWAYS WITH YOU – Ewan Patrick
  32. THE HAZE – Future Theory
  33. ECHOES – Antipole, Ja’kob & Pedro Code
  34. TREPHINE – Big Orange
  35. WHAT IT TAKES – The Radio Field
  36. SLOW DEATH – Western Jaguar
  37. SUPERSPREADER YEAR – Roadkeeper
  38. BLEAK COMPANION – The Brigadier
  39. MARK & KYLE – Icarus Phoenix
  40. LLUMINE – Josephine Pascoe
  41. DAYS LIKE THESE – Frank Joshua
  42. ESPIONAGE – Rusty Shipp
  43. CONSPIRACY OF SNAKES – Blake Rascals
  44. CALIFORNIA – Art Block
  45. NATIONAL TREASURE – Faint Halos
  46. ANTICIPATE THE FALL – Pilod
  47. FALLING DOWN – Holy Coves
  48. CALLING OUT – Black Bear Kiss
  49. BEERS WITH THE BEEKEEPER – The Zangwills
  50. IT’S GETTING LATE – Sorry Ghost
  51. IT’S ALRIGHT – The Radio Field & The Baumhoff Explosives
  52. OH NO – John Serrano
  53. MEDICATED – Shape of the Sun
  54. MY DOG BRUCE – Jack Droppers & the Best Intentions
  55. INSIDE – Skar de Line
  56. DARLING, HE DOESN’T CARE – Olivia Miceli
  57. ALL FOR NOTHING – Set the Tone
  58. NOTHING REALLY MATTERS – Snap Infraction
  59. ALONE – The Sylvia Platters
  60. LOOK WHAT YOU DID – Jeen
  61. WHERE IS SHE NOW – Mecuzine
  62. SHUT UP – Esse. feat. Shimmer Johnson
  63. PACK IT UP – Diet Lite
  64. LOVE LIES – Caleb Nichols
  65. WHITEBOARD (YOU CALL HOME) – FRVR
  66. LIFESPAN – Cormac O Caoimh
  67. I, PHONE – INNERSPEAR
  68. EVERYTHING SEDUCTIVE – Unquiet Nights
  69. DOUBLE DISCO – Bealby Point
  70. ALRIGHT – naive nature
  71. BUNK BEDS – Lost in the City
  72. SEVENTH ROCK FROM THE SUN – Only on Weekends
  73. SOMEDAY SOON – DelCobras
  74. DON’T GO TO BED WITH A BAD MIND – The Brigadier
  75. BROKEN ANIMAL – Matt Jaffe
  76. ALL I NEED TO KNOW – PluX feat. Shimmer Johnson
  77. I WANNA FIGHT MY CLONE – Bear Ghost & Playboy Manbaby
  78. CANDY HEARTS – Risley
  79. APRIL FOOLS – The Goods
  80. GRANADA – John Serrano
  81. AIN’T THAT SOMETHING – Modern Neutrals
  82. BLUE TONIC – Defined By
  83. TIBER CREEK – Lillian King
  84. NEVER GOT THAT FAR – Thunder Fox
  85. MET YOU SOMEWHERE – Early Nites & Eunith
  86. I BET YOU HATE ME – Shallowdrown
  87. MIRRORS – Loveproof
  88. READ MY MIND (VIBES SONG) – Wild Horse
  89. FED TO THE TEETH – Homeless Radio
  90. GLIMMER – Petrov, the Hero
  91. A RECURRING THOUGHT – Terry Gomes
  92. ON THE EDGE – Drawing on Scars
  93. SOUNDS LIKE A DEAL – Alex Little
  94. CREATURE COMFORT – The Rat Utopia Experiment
  95. THE BLOOD MOON – Caged Animals
  96. POLLY AND ANDY – Rec Centre
  97. GROWING UP IS SCARY – Taylor DeRousse
  98. MARIA – Matt Csiszar
  99. LUNACY – Collette McLafferty
  100. GAMBLING WITH THE RAIN – David Gergen

The YouTube playlist:

The Spotify playlist:

LYIA META – Single Review: “I Fall in Love Too Fast”

One of my favorite female vocalists – and music artists in general – is Lyia Meta, an immensely talented, gracious and lovely recording artist with a vibrant singing voice. Based in Kuala Lumpur, Malaysia and of Creole Portuguese ancestry, Lyia’s a multi-faceted artist in every sense of the word. With her smoky contralto vocal style, she can literally sing just about anything and in fact, has recorded songs in a wide range of genres including blues, jazz, pop, country, rock and even metal, bringing her international recognition and acclaim. 

She’s been nominated for, and won, numerous music awards around the globe over the years. Besides Malaysia, she’s also performed in India, Los Angeles and Texas, and has been featured in Rolling Stone, Billboard Magazine, FAULT Magazine and Reader’s Digest, to name just a few. As if all that weren’t enough, she’s also a highly-accomplished visual artist with several exhibits to her credit. (You can see some of her work here.) She even surprised me with a wonderful pencil drawing of myself in 2019.

A prolific artist, Lyia’s released an impressive amount of music over the past nine years, beginning with her debut EP This is Lyia in 2016. Since then, she’s put out two more EPs, two albums Always You in 2023 and Next in 2024, and scores of singles. I’ve written about her and her music many times, most recently last July when I featured her single “Easier and Easier“ in a Fresh New Tracks post. (The song ended up on my 100 Best Indie Songs of 2024 list.

Now she’s back with a new single “I Fall in Love Too Fast“, a sophisticated and jazzy pop number in the style of songs by the late great Ella Fitzgerald or contemporary artists like Diane Schuur and Diana Krall. The song was written by Los Angeles-based songwriter David Sanchez and co-produced by Lyia and her frequent collaborators, Nashville-based musician and recording engineer Bob McGilpin and musician and producer Gene Rabbai. For the recording of the track, McGilpin played guitar, drum and bass, as well handling the arrangement and sound mixing, while Rabbai played piano and orchestration.

I love the song’s lush orchestral arrangement and uptempo melody, highlighted by gently soaring strings, jazzy piano keys and a bewitching flute. As always, Lyia’s pleasing and warm vocals are sublime, flawlessly executed while matching the rich orchestration note for note.

The lyrics speak of letting your heart overrule your common sense, allowing yourself to fall head over heels with someone quickly after meeting them, mistaking intense physical attraction and infatuation for love. As a hopeless romantic in my younger days, it’s something I experienced far too many times myself.

Why do I lead with my heart?
Why can't I learn from the past?
My head says 'Go slow, when it's too soon to start'
Oh I fall in love too fast


Promises made in the night
Are just illusions that love will last
It's the music and moonlight that I can't deny
Oh I fall in love too fast


That voice inside may scold me
'Let love come in it's own time'
But the room starts to spin each time he holds me
And my resistance unwinds


Did he come here tonight to bewitch me?
Should I run from the spell that he casts?
And maybe I'll just let him kiss me
Oh I fall in love too fast


Follow Lyia: Website / Facebook / X / InstagramTikTok

Find her music on Spotify / Soundcloud / Apple Music / Amazon / deezer / YouTube

100 Best Indie Songs of 2024

Photo courtesy of FREEP!K

At the end of each year, I publish a list of my Top 100 Songs, representing my picks for what I think are the best songs – my favorites actually – for the entire year. This year, at the suggestion of John Gilbert, guitarist and lead vocalist of Missouri folk rock band Voodoo Planet, I’ve also compiled a list of my 100 favorite indie songs of 2024 (their song “Adrift” is included in this list). Because I follow, and am followed by, many indie musicians and bands on the various social media platforms, I want to highlight some of the really outstanding music being made by them that’s every bit as good as that from mainstream acts.

These are not “indie” songs in terms of genre (though there are many that fall into that overall category), but songs by independent or unsigned music acts. Some are in fact signed to music labels, but they’re usually small, independently owned labels. There are 89 acts represented in this list, the majority of which are from the U.S., Canada and the U.K., but also from Australia, Malaysia, Norway, Spain, Germany and Ukraine. Of course, I must make note of the fact that this list contains only songs I’m aware of, and that there are likely hundreds or even thousands of other songs that deserve to be here, except that I’ve never heard them.

Though they’re ranked from #1 to 100, it doesn’t mean that a song at #30 is better than one at #70. That said, the ones closer to the top are my very favorites. And though I’d love to write a narrative about each song and artist, given my limited time and energy, not to mention people’s short attention spans, I’ve decided against that. I’ve created playlists on both Spotify and YouTube, which are included after the list itself. Enjoy!

  1. LIKE YOU DO – Talk in Waves
  2. ALL I DIE FOR – SWiiMS
  3. THE FAITHFUL HEART – Wons Phreely + The Horses
  4. WINTER COWBOY – Frank Joshua
  5. A FORETOLD ECSTASY – Mayflower Madame
  6. ATTRACTION – Wild Horse
  7. I’VE GOT LOVING FOR YOU – Bottlecap Mountain
  8. KOOL AID BLUE – The Sylvia Platters
  9. WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH
  10. FOR US ALL – Asgard Raven
  11. DIAMOND AND THE MISSING SON – Unquiet Nights
  12. YOU JUST PLAYED MY MIND – Oli Barton
  13. BLUSH – Vazum
  14. TAKE IT OR LEAVE IT – Dead Slow Hoot
  15. FIND MY WAY – Ships Have Sailed
  16. WAR – HEALER
  17. GOLD – Caitlin Lavagna
  18. HONEY – Mr Bewlay
  19. MIND GAME (3:33) – Collette McLafferty & John Serrano
  20. TOO MUCH OR NOT ENOUGH? – Candid
  21. YOUR WORLD NOW – Marc Schuster
  22. WAKING LIFE – Nicholas a. Milillo, Dee Wolf, Bobby Jasso & Gabrielle Marella & the voice of Tony Milillo
  23. VICES – 5ilas & Shimmer Johnson
  24. ADRIFT – Voodoo Planet & Mikey J
  25. BICYCLE AWAY – Sam Rappaport
  26. PERMANENT RECORD – GG Fearn
  27. AUTUMN LEAVES – Secret Postal Society
  28. HOLOGRAM – Raker
  29. GOOD TIMES GO – The Kid and I
  30. JUST WANNA SLEEP – Halfloves
  31. IT’S OVER NOW – Oli Barton
  32. DYING TO MEET YOU – Gooseberry
  33. OH, WELL – John Serrano
  34. SUBMARINE – Homeless Radio
  35. BRAND NEW DAY – Ben Gorb
  36. DOWNING STREET – Brain Ape
  37. LOOSIE LUNA – Coppa Londra
  38. TEMPTATION – Pylon Poets
  39. WHY DO YOU CARE – The Muldoons
  40. I AM AM I? – NAVE
  41. THIS ALL ENDS HERE – Minus Cube & Natalie Lucie
  42. NEW PONY – The Nanners
  43. KEEPING SCORE – Snap Infraction
  44. WAKE ME UP – HEALER
  45. ODYSSEY – Josephine Pascoe
  46. LIKE THE SUN – A.Wake
  47. SMALL MERCIES – Brian Lambert & Marc Schuster
  48. EASIER AND EASIER – Lyia Meta
  49. VICTIM – Frank Joshua
  50. SMUDGE – Mock Deer
  51. THE LOST – The Ocean Beneath
  52. INVISIBLE INK – Ships Have Sailed
  53. BY DESIGN – Amongst Liars & Felin
  54. LITTLE SELF-INDULGENT – Western Jaguar
  55. PIECE OF CAKE – Bottlecap Mountain
  56. COLLISION – The Zangwills
  57. ROADS – HULLAH
  58. GUYS LIKE YOU – Olivia Miceli
  59. YOUTH – The 23’s
  60. STATELINE – Nathan Ball
  61. CHASING YOUR DREAMS – Asgard Raven
  62. ELEVEN – Minus Cube & P’like
  63. DREAM TONIGHT – The Ocean Beneath & Liz Mann
  64. SELF CONTROL – John Laurant, Ron van den Beuken & Shimmer Johnson
  65. THE BEST – Thunder Fox
  66. NEW MOON – Morning Fuzz
  67. REPOSSESS – Western Jaguar
  68. YOU ARE NOT A SLAVE – Amongst Liars
  69. CREATURE FEATURE – dwi
  70. BAD LUCK – The Macrotones
  71. WITCH TRAIN – The Blackburns
  72. NOCTURNALLY YOURS – Scoopski
  73. TANTALUS – John Serrano
  74. REAL COLORS – The Nanners
  75. DO YOU REALLY WANNA KNOW? – Set the Tone
  76. PRETTY ALRIGHT – Caitlin Lavagna
  77. LET’S RUN AWAY – Solar Eyes
  78. ONE ROOM PAST WAITING – Chief Springs
  79. ARE YOU REALLY FREE? – Alba
  80. FIREBIRD – Josephine Pascoe
  81. CHILDHOOD FRIENDS – naive nature
  82. SPACE TRAVEL – Sandrom
  83. MORE – Andrew Neil and Code Purple
  84. SMALL TIME FISH (BIG TIME POND) – Sorry Ghost
  85. THE VOID – Fuzzle
  86. GREEN EYED MONSTER – Olivia Miceli
  87. ALL I WANT – The Heroic Enthusiasts
  88. WHY DON’T YOU LOVE ME – Tom Burton
  89. COCK OF THE FIFTH YEAR – The Empty Page
  90. NOT READY YET – Sean Magwire
  91. GHOST – Grizzly Madams
  92. ALWAYS DO – Melody Zenith
  93. MISSED YOU – Mal Fantome
  94. WOULD YOU WANT IT (IF YOU HAD IT) – The Barons
  95. THE UNBEARABLE WEIGHT OF WHAT IF – Eleanor Collides & Emily Gray
  96. EVERYTHING FITS – Wons Phreely + The Horses
  97. ANYWAY – The Crushing Violets
  98. PUSH IT BACK – Kiffie
  99. ALL THE SAME TO YOU – Quizboy & Marc Schuster
  100. SHADE – Microfilm

Fresh New Tracks, Vol. 36 – ALBA, A. WAKE, CAITLIN LAVAGNA, LYIA META

For my latest edition of Fresh New Tracks, I’m thrilled to feature new songs by four confident, talented and lovely ladies with exquisite singing voices – Spanish and now England-based singer-songwriter and guitarist Alba, English singer-songwriter and musician A. Wake, Welsh singer-songwriter, musician and actress Caitlin Lavagna, and Malaysian singer-songwriter and visual artist Lyia Meta. I’ve previously written about A. Wake, Caitlin Lavagna and Lyia Meta, whereas Alba is new to me.

ALBA – “Are you really free?”

Alba is a singer-songwriter and guitarist who was born and raised in Spain, and began her musical career in her teens as front woman for Spanish band Sons of Rock. After relocating to London in 2016, she began recording and performing as a solo artist. She released her debut single “Lucky” in 2018, and has since followed with a number of singles. She also cares deeply about the environment and uses her music to make a difference and shed light on social and climate issues important to her.

On June 14, Alba released her debut EP Questions Unanswered, a concept work featuring four tracks, each of which poses a question on themes such as identity, purpose, relationships and social issues. In an interview with Marc Schuster for his blog Abominations, she explained “The idea was not necessarily to provide answers, but to invite the listener to reflect and engage with these questions on a deeper level to find their own answers. At the same time, this EP contains a little bit of everything in my musical palette. I’ve included undertones of R&B, pop, soul, rock, funk, latin, reggae and jazz, which I think should appeal to a wide audience.” Here’s my favorite track, the soulful “Are you really free?“, which features lyrics in both English and Spanish. Alba will be performing the EP at a release party in London on July 13 at the Old Blue Last, and a subsequent release party at Ateneo Cafe Universal in Burgos, Spain, on August 13.

Alba’s Socials:  FacebookXInstagramTikTok

A WAKE – “Like The Sun”

A.Wake (short for Anita Wake) is a fascinating and innovative singer-songwriter and musician based in Sheffield, England who’s been actively making music for several years, both as a member of several bands (in which she played bass and sang backing vocals) and, more recently, as a solo artist. With a passionate interest in sound therapy, mysticism and the healing properties of music, she seeks to incorporate healing frequencies and modern music elements into her beautiful songs. Beginning with the release of her enchanting debut single “Lemuria” in July 2022, she’s since followed with several more singles, as well as her The Seed – Root Chakra Remix EP in April 2023, which I reviewed.

Today she returns with a mesmerizing new single “Like The Sun“, in which she’s embedded Crown chakra and Binaural frequencies to enhance creativity, serotonin boost and focus. A. Wake wrote the lyrics and co-wrote the music with fellow Sheffield musician Rob Cohen, and the track was mixed by Dave Sanderson. I love the mysterious and cinematic Eastern feel of the music and A. Wake’s beguiling atmospheric vocals. The beautiful video was created by Cohen using stock imagery and footage.

A.Wake Socials: FacebookXInstagramTikTok

CAITLIN LAVAGNA – “Pretty Alright”

My favorite Welsh songstress is Caitlin Lavagna, who since the release of her marvelous debut single “How Not To Start A Fight” in 2021, has consistently put out an unbroken stream of outstanding singles. I adore Caitlin’s vibrant and sophisticated vocal style and honest, relatable lyrics drawn from personal experiences and heartache, and have liked every one of her songs. I’ve written about nearly all of them, most recently this past April when I reviewed her previous single “Gold”, which has spent the past nine weeks and counting on my personal Top 30 chart. “How Not To Start A Fight” and her next single “Night Bus” also appeared on my Top 30, the latter spending 20 weeks and peaking at #2, finishing at #28 on my 100 Best Songs of 2023 list. 

Now she’s back with a terrific new single “Pretty Alright“, an uplifting song Caitlin says is “about breaking the cycle of negative thoughts that many of us feel about ourselves. It’s about overcoming self-doubt and body image issues, and understanding your bad habits and emotional trauma.” The song was co-written by Caitlin and Mark Liam Owens, produced by Alex McArthur, mixed by Joe Rodwell and mastered by Nick Lewis at Old Cottage Audio. The song has a bit of a retro 60s vibe, but with a fresh and exciting arrangement. I especially love the powerful driving rhythms, lush instrumentation, as well as Caitlin’s always commanding vocals and exuberant choruses.

Caitlin’s Socials:  Facebook / X (Twitter) / InstagramTikTok

LYIA META – “Easier and Easier”

One of my favorite female vocalists and all-around artists is Malaysian singer-songwriter Lyia Meta, an immensely talented and gracious recording artist with a marvelous singing voice. Based in Kuala Lumpur and of Creole Portuguese ancestry, Lyia’s a multi-faceted artist in every sense of the word. With her smoky contralto vocal style, she can literally sing just about anything and in fact, has recorded songs in a wide range of genres including blues, jazz, pop, country, rock and even metal, bringing her international recognition and acclaim. A prolific artist, she’s released an impressive amount of music over the past eight years, beginning with her debut EP This is Lyia in 2016. Since then, she’s put out two more EPs an album Always You in 2023, and scores of singles, many of which I’ve featured on this blog, most recently last March when I reviewed her wonderful cover of the Beatles classic “All My Loving”.

On July 5th, Lyia released her latest single “Easier and Easier“, a lovely but bittersweet adult contemporary song addressing the end of a relationship. The song was written by her frequent collaborator, Los Angeles-based songwriter Denise Dimin, and co-produced by Lyia and her frequent collaborators, Nashville-based musician and recording engineer Bob McGilpin, who played guitar, bass and drums and Gene Rabbai, who played the soothing orchestral arrangement of piano and strings. As with most of Lyia’s songs, “Easier and Easier” was recorded remotely, with music recorded at both McMusicSound in Nashville and Studio A in Rio de Janiero, Brazil, and her vocals recorded at Big A Productions in Kuala Lumpur. I love the song’s warm piano, lilting strings and jazzy horns, along with Lyia’s signature rich vocals that express a sense of sad resignation as she sings “Each time you leave, it gets easier and easier to let you go.” The song will be included on her upcoming second album NEXT, to be released July 26th.

Lyia’s Socials: Website / Facebook / X / InstagramTikTok

LYIA META – Single Review: “All My Loving”

One of my favorite female vocalists and all-around artists is Malaysian singer-songwriter Lyia Meta, an immensely talented, gracious and lovely recording artist with a powerhouse singing voice. I generally prefer female voices in the deeper ranges, and her soulful and vibrant contralto style resonates strongly with me. Based in Kuala Lumpur and of local Creole Portuguese ancestry, Lyia’s a multi-faceted artist in every sense of the word. She can literally sing just about anything and in fact, has recorded songs in a wide range of genres including blues, jazz, pop, country, rock and even metal, bringing her international recognition and acclaim. 

A prolific artist, she’s released an impressive amount of music over the past eight years, beginning with her debut EP This is Lyia in 2016. Since then, she’s dropped numerous singles, two more EPs and an album, Always You, last June. She’s been nominated for, and won, numerous music awards around the globe over the years. Besides Malaysia, she’s also performed in India, Los Angeles and Texas, and has been featured in Rolling Stone, Billboard Magazine, FAULT Magazine, Reader’s Digest and many more. As if all that weren’t enough, she’s also a highly-accomplished visual artist with several exhibits to her credit. She even surprised me in 2019 with a wonderful pencil drawing of my portrait, which I proudly hang in my bedroom!

I’ve featured her many times on this blog since 2018, most recently last May (of 2023), when I wrote about her stunning single “Always You” in a Fresh New Tracks post. For her latest musical project, Lyia pays homage to one of the most legendary acts who’ve shaped our musical heritage by reimagining The Beatles’ classic “All My Loving”. Acknowledging the enduring charm of this classic song that’s captivated listeners for generations, she’s teamed up once again with her frequent collaborators – Nashville-based producer Bob McGilpin and co-producer Gene Rabbai. Together, they’ve reinterpreted the song in a jazz pop style, allowing Lyia to imbue a fresh perspective in her own unique way, while still honoring its timeless appeal.

Lyia elaborates: “Reimagining ‘All My Loving’ was approached with great respect for the timeless music of The Beatles. Collaborating with my producer Bob McGilpin and co-producer Gene Rabbai, our rendition of this iconic song is a heartfelt expression and a sincere appreciation for their enduring legacy.”

For the recording of the track, McGilpin played guitar, drum and bass, as well handling the arrangement and sound mixing, while Rabbai played piano and orchestration. The result is a lovely, easy-listening interpretation of the song, featuring smooth piano keys, delicate guitar notes, gentle percussion and breezy orchestration. But the highlights for me are the wonderful saxophone and subtle trumpet that lend a warm, jazzy vibe to the proceedings, as well as Lyia’s marvelous vocals that have a somewhat sensual quality that further enhances the song’s jazzy allure. It’s a superb tribute to The Beatles’ classic indeed!

Follow Lyia: Website / Facebook / Twitter / Instagram

Find her music on Spotify / Soundcloud / Apple Music / AmazondeezerYouTube

Fresh New Tracks, Vol. 27 – Lyia Meta, Rachel Modest

Regular readers of my blog have probably noticed that I don’t write about female artists as often as I should, (partly because they’re much less aggressive than men about asking me to review their music). To remedy this sorry situation, for my latest Fresh New Tracks installment I’m featuring new songs by two very talented women, both of whom have amazing singing voices – Malaysian singer-songwriter Lyia Meta and British singer-songwriter Rachel Modest. Each of their songs approach the subject of love from opposite ends of the spectrum. I’ve written about Lyia numerous times over the past five years, whereas Rachel is new to me.

LYIA META – “Always You”

One of my favorite female vocalists and all-around artists is Malaysian singer-songwriter Lyia Meta, an immensely talented, gracious and lovely recording artist with a powerhouse singing voice. I generally prefer female voices in the deeper ranges, and her vibrant, soulful and smoky vocal style resonates strongly with me. Based in Kuala Lumpur, Lyia’s a multi-faceted artist in every sense of the word. She can sing just about anything, and in fact, has recorded songs in a wide range of genres including blues, jazz, pop, country, rock and even metal, bringing her international recognition and acclaim. A prolific artist, she’s been nominated for, and won, numerous awards around the globe over the years. As if all that weren’t enough, she’s also a highly-accomplished visual artist with several exhibits to her credit. As I mentioned above, I’ve featured her many times on this blog, most recently in February 2022, when I reviewed her EP You Think About Me, featuring five wonderful tracks with a retro R&B feel, fortified with elements of soul, funk and jazz. 

Lyia has just dropped her latest single “Always You“, the title track from her forthcoming album Always You, scheduled for release on June 16th. The song was written by Los Angeles-based songwriter Denise Dimin, and co-produced by Lyia and her frequent collaborator, Nashville-based musician and recording engineer Bob McGilpin, who played guitar, bass and drums and also mixed and mastered the track. The luxuriant piano and orchestration were handled by Gene Rabbai. The song was recorded at both McMusicSound in Nashville and Studio A in Rio de Janiero, Brazil, with Lyia’s vocals recorded at Big A Productions in Kuala Lumpur.

It’s a beautiful love song in a style of what would generally be considered “adult contemporary”, with a soothing orchestral arrangement of piano and strings, accompanied by gentle percussion and guitar. Lyia’s smooth, clear vocals sound better than ever here, every bit as comforting as the music as she assures a lover of her undying devotion: “We step as one as we climb the ladder. Yesterday and today, and forever after. We’re always me, and we’re always you. Eternally, that’s what we do. It’s always you.”

Connect with Lyia: Website / Facebook / Twitter / Instagram

Find her music on Spotify / Soundcloud / Apple Music / Amazon

RACHEL MODEST – “Questions”

Rachel Modest is a singer-songwriter who’s been performing music for as long as she can remember. Born and raised in Sheffield, where she grew up singing in her church choir, then studied classical piano in her teens, she’s now based in London. She’s worked with an array of musicians and labels, including serving as lead vocalist for The Bluefoot Project, who released a highly-acclaimed album Brave in 2003. She currently serves as Choir Director for the Wakefield Community Gospel Choir, which she founded, and last year, was a finalist on The Voice UK. She released her first solo singles “I Try” and “Forbidden Love” in 2016, but four years would pass before her next release, “I (Who Have Nothing)”, a terrific cover of the classic song originally recorded by Ben E. King, then later by Shirley Bassey, Tom Jones and Status Quo. She followed in 2022 with “Never Did I Stop Loving You”, and on May 5th, she dropped her latest single “Questions“.

Released via the Numen Records label, “Questions” was co-written and produced by Hamlet Luton. About the song, Rachel explains “So this was all about the acknowledgement of the end of a relationship, but not really knowing how I would cope on my own. But also, whether my ex partner was at all affected by these questions…he wasn’t. So I wrote a song about it. At the end of the song, it’s kind of a resignation to the fact that we needed to separate.”

The song is masterfully arranged, with a wonderful retro vibe that calls to mind some of the great R&B ballads of the 60s and 70s. The orchestration is lush and cinematic, but never overpowers Rachel’s soulful emotive vocals that remind me of equal parts Roberta Flack and Lauryn Hill. With a strong sense of sadness and loss, she passionately laments “We used to quarrel over simple things. But the love I felt for you, no sadness could ever bring. Now it’s over, and we’ll say goodbye. I will never fall in love, it’ll make me cry. So many answers to so many questions. Will we ever know, or should we go?

And here’s the song on Bandcamp:

Connect with Rachel:  FacebookTwitterInstagram

Find her music on SpotifyApple MusicBandcamp

LYIA META – EP Review: “You Think About Me”

As I stated in my previous review, so many artists and bands I follow and have previously written about are releasing new music at a dizzying pace, and I’m doing my best to keep up with as much of it as I possibly can. One of my favorites who I always try to make time for is Malaysian singer-songwriter Lyia Meta, an immensely talented, gracious and lovely recording artist with a powerhouse singing voice. I generally prefer female voices in the deeper ranges, and Lyia’s rich, soulful and smoky vocal style fits the bill quite nicely.

Based in Kuala Lumpur, Lyia’s a multi-faceted artist in a literal sense. She can sing just about anything, and in fact, has recorded songs in a wide range of genres including blues, jazz, pop, country, rock and even metal, bringing her international recognition and acclaim. She’s been nominated for, and won, numerous awards, including Best Overall Female Act at the Voice Independent Music Awards (VIMA) in May 2016, the 2018 Josie World Music Artist Award and 2019 Artist of the Year (multi Genre), Best Music Video for her song “Daylight” at the ACCORD CINE FEST in August 2021, and most recently this past October, 2021 Texas Sound International Country Music Awards for Vocalist of the Year and Virtual Entertainer Of The Year. On top of all that, she’s also a highly accomplished visual artist with several exhibits to her credit. You can check out some of her phenomenal work on her WordPress blog. (She even did a wonderful pencil drawing of me in 2019 as a thank you for my support of her and other indie artists’ music, which was a both a tremendous surprise and an honor.)

A prolific artist, Lyia has released three EPs and more than a dozen singles over the past six years, beginning with her debut EP This is Lyia in 2016. I first learned about her in early 2018 when she reached out to me about her fantastic single “Without Walls”, which I instantly loved and wrote a review of. I’ve written about her numerous times since, most recently last April when I reviewed her soulful track “This One’s For You”. (You can also find some of my other reviews under “Related” at the end of this post.)

Photo by Khahin Meta

Her latest release and third EP, You Think About Me, which dropped January 31st, sees Lyia revealing a sassier, more playful side, with five delicious tracks exploring various aspects of romantic love. While she’s written many of her own songs, Lyia also collaborates with other songwriters and musicians from time to time, not only to broaden her own musical horizons, but also to support other songwriters. The songs for You Think About Me were co-written and co-produced by Lyia and Nashville-based musician and producer Bob McGilpin, who also produced and played several instruments on “This One’s For You”. Like a lot of long-distance collaborations these days, the two recorded the EP remotely, with Bob recording the music, as well as engineering, mixing and mastering the tracks, at his studio in Nashville, while Lyia recorded her vocals in Kuala Lumpur. 

You Think About Me has a retro R&B feel, with generous helpings of soul, funk and jazz to spice things up. Kicking things off is “Uptown Tonight“, a delightfully upbeat song with an infectious R&B groove, bolstered by a lively blend of exuberant trumpets and jazzy sax. Lyia sings her praises of going out for a night on the town with her man, dressed in their finest clothes and livin’ large, while also expressing gratitude for their good fortune: “I never thought I’d live a life like this. If it’s a dream, don’t wake me up, cause I don’t want to miss going uptown.

On the soulful “Black High Heels“, Lyia croons of her sexy moves and the spell she casts on her man when she presents in her black high heels: “You can tell by the way I walk, I’m a woman of class and style. I got a swing in my step and a sway in my hip that just drives you wild. You can try but you can’t conceal. Cause I know how to make you feel. Knock you out when I walk out in my black high heels.” I love the song’s sultry groove, with McGilpin’s smooth Wurlitzer, cool sax and funky bass accentuating the torrid vibes. Then there’s Lyia’s sensuous smoky vocals, nicely punctuated by a well-placed sassy little yelp in the final chorus.

You Think About Me the Way I Think About You” is a sweet, uptempo love song with a bit of an Americana/pop feel, thanks to it’s toe-tapping melody and McGilpin’s pleasing organ riffs. To my ears, it sounds like a song Cher could have sung back in the 70s. The endearing video, filmed in sepia tones, shows Lyia singing to her husband Zack, nicely capturing the lighthearted feel of the song.

Lyia’s powerful vocals really shine on the soulful “A Real Man Can“, where she fervently sings of the things that are most important in a romantic partner, which is a true and meaningful love she can depend upon: “I’ve been told ‘I love you’ more times than just a few. But it doesn’t mean a thing if their heart’s not in it too. I need more than just the words to keep it real. It’s got to come from a deeper place, a place only they can feel. I want the kind of man that puts his woman first. I want the kind of man who holds her when she hurts.” McGilpin’s warm piano and strings, gentle guitar notes and smooth sax create a captivating backdrop for Lyia’s beautiful, emotive vocals.

The EP closes on a high note with the rousing “You Always Come Home to Me“, featuring a catchy head-bopping groove and more of McGilpin’s wonderfully exuberant brass section of trumpet and jazzy sax. Lyia joyfully sings of how badly she misses her man when he’s away, but confident he’ll always be true to her because she keeps him happy in the love department: “But I don’t worry about where you are, or where you might be. Yeah, you always come home to me. Cause I’m not the jealous kind, but I keep my man satisfied.

You Think About Me is a great little EP that showcases Lyia’s amazing and versatile vocal gifts, as well as Bob McGilpin’s masterful musicianship, arrangement and production skills. Together, they’ve crafted a wonderful collection of songs that make for a fun and enjoyable listen.

Lyia was originally scheduled to attend the Texas Sound International Country Music Awards 2021 event in Jefferson, Texas last October, both to accept her awards and also to promote Malaysia as an ‘attractive destination’ for Americans at two seminars to be given by her and Zack during the music festival. Unfortunately, she was unable to obtain financial support from the Malaysian government to make the trip. The good people of Jefferson raised $5,000 in cash and in-kind contributions, but it wasn’t enough. So, Preston Taylor, Vice President of East Texas Performing Arts Inc, insisted Lyia do a pre-recorded show in Malaysia that would be aired at the event. Here’s a video of their performance:

Connect with Lyia: Website / Facebook / Twitter / Instagram
Stream her music on Spotify / Soundcloud / Apple Music / Reverbnation
Purchase on iTunes / Amazon

LYIA META – Single Review: “This One’s For You”

One of my favorite female vocalists is Malaysian singer-songwriter Lyia Meta, who I’ve featured numerous times on this blog over the past three years. (You can read some of my previous reviews listed under “Related” at the end of this post.) Based in Kuala Lumpur, Lyia is an exceptionally talented, gracious and strikingly beautiful woman, with a dazzling powerhouse voice to match. I honestly believe she could sing just about anything! She’s also a highly accomplished visual artist, and you can check out some of her phenomenal work on her WordPress blog

With her deep, soulful and smoky vocal style, combined with a masterful ability to cover multiple genres ranging from blues, rock and metal to pop and country with ease, she’s become an international music star, winning numerous awards over the past several years, including the 2018 Josie World Music Artist Award, and 2019 Artist of the Year (multi Genre), both of which were presented to her in Nashville, Tennessee. More recently, she’s been nominated for a Texas Sounds International Country Music Award 2021, and her hard rock song “We Are Lords” has been nominated for a Munich Music Video Award, is a finalist for Best Original Song in the UK International Music Video Awards, and made the first ballot for consideration of a Grammy for Metal Performance by The Recording Academy. And on April 18th, Lyia participated in the Ladies Who Rock For A Cause Virtual Music Festival, whose goal was to raise awareness and funds for ataxia, an incurable and rare neurological disease.

Photo by Khahin Meta

A prolific artist, Lyia released six singles in 2020, and has already dropped two this year, the latest of which is “This One’s For You“. While she often writes her own songs, she also collaborates with other songwriters and musicians from time to time, not only to broaden her own musical horizons, but also to support other songwriters. “This One’s For You” was written by Los Angeles-based songwriter Denise Dimin, and produced by Nashville-based Bob McGilpin, who also played guitar, bass, piano and drums.

The song is sublime, with a retro adult contemporary feel similar to some of the great torch songs of the 50s and early 60s by such artists as Ella Fitzgerald, Julie London, Nat “King” Cole and Frank Sinatra. Bob McGilpin’s musical arrangement is brilliant, and I love his tinkling piano keys and guitar notes that give the track a cool jazzy vibe. Lyia’s smoky vocals are smooth and lovely, perfectly complementing the track’s mellow arrangement. But they’re emotive and heartfelt too, conveying a sad resignation as she sings the bittersweet lyrics addressed to the woman who’s now with the man she once claimed.

This one's for you
You're the one who has taken my place
You won, guess I should bow out with grace
Be happy with my pride

My hat is off to you
You did what I just never could
Though you know I always thought that I would
God knows I've tried

If you think you'll make him happy
Go on, you got the best
Give him good times
Give him love
And for me, there's nothing left

I raise my glass to you
You succeeded where I always failed
Guess things are good, but oh what the hell
I guess you're satisfied

Thanks to you, I'm free
I do what I please
Right now, I'm just not sure what that means
Sometimes it hurts so much inside

I didn't think this could happen
It's all a big mistake
You've got him now
You've got his love
And who is to blame

Cause if you think you'll make him happy
Go on, you've got the best
Give him good times
Give him love
And for me, there is nothing left

The official video shows Lyia in her element at a recording session at Big A Productions in Kuala Lumpur.

Connect with Lyia: Website / Facebook / Twitter / Instagram
Stream her music on Spotify / Soundcloud / Apple Music / Reverbnation
Purchase on iTunes / Amazon