Julian Shah-Tayler – Single Review: “Malicious Intent (The Untalented Mister Ripley)”

Julian Shah-Tayler is a singer-songwriter, producer and remixer born and raised in Leeds, England, and now based in South Pasadena, a bucolic city situated between Pasadena and Los Angeles. Influenced by 80s and 90s New Wave, Britpop and Electronic Rock, he creates music that some of his fans have described as “if David Bowie and Depeche Mode had a baby”. In fact, he’s in a Depeche Mode tribute band called Strangelove, and also a Bowie tribute act The Band That Fell To Earth. He’s had an illustrious and successful music career spanning over 20 years, both as a solo artist under the music moniker The Singularity, and as a collaborator with numerous musicians and producers. He won a “Golden Trailer” award for his work with Lana Del Ray on the trailer for the Disney film Maleficent, and had one of his songs performed by “Tellavision” during the “Unite for Humanity” charity event at the Oscars. Three of his songs were used for the music movie Plush directed by Catherine Hardwicke (who also directed Twilight). Shah-Tayler also cofounded a charity called “Art Angeles”, which provides music instruction for underprivileged kids in Watts.

Photo of Julian by Alex Tovar

In May of 2023, I reviewed his album Forget That I’m 50, an ambitious collaboration with friend and mentor David Chatfield, in which they – along with a host of other musicians and vocalists – reimagined the ten songs of David Bowie’s classic 1973 album Aladdin Sane. (You can read that review here.) Since then, the prolific artist has kept himself busy by releasing Diamond Dogs (Golden Anniversary Edition), a cover tribute to the 50th anniversary of another classic Bowie album, as well as numerous singles, including covers of such songs as Prince’s “Sign O The Times” and Bryan Ferry’s “Slave to Love”. His latest single, released today, December 20th, is “Malicious Intent (The Untalented Mister Ripley)“, a powerful and scathing rebuke to someone he thought was a long-time friend, but who ended up betraying him. The track will be included on his forthcoming album Honne/Tatemae, scheduled for release on March 7th.

About the song, Julian elaborates: “There is never a good time to realize that one’s good intentions are being taken advantage of, one’s trust is being betrayed, one’s loyalty is rejected, and one’s help is ridiculed. I had a friend – an Untalented Mister Ripley – who followed my every move and rode my coat tails in careers, work, music for over 20 years. He slept with too many of my Exes. He used my contacts and friends in the industries AND in real life. He shadowed me, contacting me only when he needed my help. This pattern, I realized too late (through conversations with his “friends” and exes), persisted throughout his relationships and he treats ALL as a means to HIS ends. It was only when he chose to move in close to my daughter that I realized what a disgusting piece of filth this man was and that his intent towards me had always been malicious. This song is about dealing with the emotions surrounding his mediocrity and releasing the anger I feel without taking it into a physical space.

The song features harsh, discordant synths, menacing strings and tumultuous drums, fortified by a torrent of violently crashing cymbals, all of which beautifully create an unsettling, almost diabolical soundscape for Julian’s angry, emotionally wrought vocals. He practically spits the bitter lyrics denouncing his former friend who’s hurt and betrayed him:

I can’t believe you are so weak, 
You fairground clown
Bewilder me in mediocrity
You started war, I’ll burn it all down

Malicious Intent
You got, I got.


You coward, user, my enemy,
Untalented Mister Ripley
My shadow’s always been your guide
So I’ll come round and knock out all your lights

Turn it off, make it stop.
Make it stop.
Make it stop


The "Truth that Hurts" is you’re wasted space
You "Crash" and burn, "Three Second" RATE
You use what’s mine to plant your seed
This “winning spin” is the FAIL you need


Malicious Intent
You got, now I got it too, you got, now I’ve got it for you.

Turn it off, make it stop.
Make it stop.
Make it stop
Make it stop

The video shows repeated imagery of a photo of Julian and his former friend, with the friend’s side of the photo being set aflame:

In addition to the song, Julian’s also released two terrific remixes by Danny Saber and FLIPX. Here are all three tracks on Bandcamp:

Julian’s socials:  Facebook / Twitter/X / InstagramTikTok

Find his music on SpotifyApple MusicAmazon Music / Bandcamp / YouTube

WINACHI – Single Review: “FOR YOU I’D KILL” feat. Natalie Wilde

Another favorite act of mine, who I’ve written about numerous times over the past five years, is British electro-funk/soul collective WINACHI. Based in and around Manchester, they originally formed in 2015 as The Winachi Tribe, and now consist of founding members Liam Croker (lyrics and vocals), Antony Egerton (keyboards, programming) and Inder Goldfinger (percussion), along with Andy McKay (lead guitar), Richard Ritchie (bass) and Paul Lawrence (drums), all accomplished musicians with diverse musical backgrounds. With their love of funky beats and for having a good time, their infectious sexy grooves – which they describe as “swaggering Mancunian tenacity spliced with smooth Californian G Funk soul” – are guaranteed to have you shaking your ass with a smile on your face.

Three years ago, in March 2020, WINACHI teamed up with iconic Italian fashion brand Pantofola d’Oro for a marketing collaboration involving the company’s handsome and sporty Pantofola d’Oro Winachi Collection Trainers, which were released alongside WINACHI’s single and video “Funky But Chic” (which I featured). Now, they’ve once again collaborated with Pantofola d’Oro for the exclusive release of a new Winachi Collection Trainer shoe, along with their latest single “FOR YOU I’D KILL“, featuring additonal vocals by L.A.-based singer-songwriter Natalie Wilde. Co-produced by the band’s frequent collaborator, the legendary John X (David Bowie, U2, The Rollings Stones) at Earthstar Creation Centre in Venice, California, the song is the second single from WINACHI’s upcoming album Sympathy For The Future, as well as the lead single from the FOR YOU I’D KILL EP, which also features three outstanding remixes.

Like many of WINACHI’s songs, “FOR YOU I’D KILL” is a deliciously-upbeat dance track with a message of positivity, love and support. Starting with an infectious thumping bass groove, they add an exuberant kaleidoscope of soulful swirling synths and snappy percussion, and top it off with a glorious blend of funky and gnarly guitars. Liam’s always distinctive vocals, which occupy a sweet spot between sultry and raspy, are perfectly complemented by Natalie’s backing harmonies as he croons his words of love and encouragement “Remember I love you, I always will. For you I’d take a bullet, shit, for you I’d kill. I believe in you.” The song is flawlessly crafted and produced, and I love it!

All three remixes are superb too. The first is by Atari Safari (British DJ/producers and brothers Keef and Ben Booker), who speed up the tempo and inject a sensuous Latin flavor to the track, dialing up the energy with a force that compels us to get up and dance!

Next up is the remix by Warriors Of The Dystotheque (DJ/Producers/Engineers/Musicians Jonny Mac-Sean Graham [France] and Mike & Nick Rufolo [Ireland & NYC] who make electronic downtempo house music). The longest track of the four, running 6:13 minutes, it’s a terrific electro-funk song featuring a dominant bass groove that sounds a bit like the one used in No Doubt’s “Hella Good”. The guys incorporate lots of trippy sounds and musical effects, and Natalie’s vocals are much more prominent here.

The final remix, by Julian Shah-Tayler (England-born and now L.A.-based electro-pop artist who recently released his album Elysium), has a more sophisticated, cinematic and soulful feel. While not a true ‘disco’ song, it nevertheless features some of the beautiful orchestral touches I loved in many of the great disco hits of the 70s.

While they were in Los Angeles last year to record music with John X and film a video, WINACHI also played a gig at the landmark club The Mint, which, other than for a couple of brief closures, has been in almost continuous operation since 1937. I had the pleasure of finally meeting Liam, Antony and Inder, and seeing them perform some of their songs that I love.

Connect with WINACHI: Facebook / Twitter / Instagram
Find their music on  Spotify / Apple Music / SoundcloudBandcamp / Amazon