I love synthpop songs with a good dance groove, and the collaborative single “Essence”, by young Danish DJ and electronic house music producer Refeci and Canadian-American singer-songwriter and musician Shimmer Johnson, fits the bill quite nicely. The mesmerizing song holds the #1 spot on my chart for a second week. The Foo Fighters‘ exhilarating “Rescued” remains at #2 for a second week after spending three weeks at #1. Sliding into third place is the beautiful “Leaving” by Michigan singer-songwriter Au Gres (aka Joshua Kemp), and “Why” by supremely talented British alt-rock band Future Theory moves up to #5. Olivia Rodrigo‘s biting “Vampire” (pun fully intended) enters the top 10 at #9.
Two wonderful songs make their debut this week. Entering at #28 is the hauntingly beautiful “Daylight” by American singer-songwriter David Kushner. A relative newcomer to the music business, in just a year and a half, his songs have already racked up more than 725 million streams on Spotify alone, thanks to some of them going viral on TikTok (a platform I rarely look at, but is far and away the most popular for young people). In an interview with webzine Paper, Kushner remarked “TikTok has played the biggest role in my music career. It started as a fun thing. I definitely had not planned to market my music. …after writing “Miserable Man”, I decided to just leak the song on the platform. I didn’t expect that the next day I’d wake up to a couple hundred thousand likes. Not even a few weeks later, “Mr. Forgettable” did the same thing. At that point, I knew that TikTok would be a powerful tool to be able to connect with new people.” Released in April, the gospel-like “Daylight” has already been streamed over 387 million times on Spotify.
The second debut is “I Don’t Believe In You” by Texas-based singer-songwriter Brian Lambert, entering at #30. The powerful song, which I reviewed a month ago today, is a reimagining of the original track written and performed by Jr Moz Collective (aka singer-songwriter Mike Mosley, who played guitar, bass and synths on the track, with drums by Paul Prater).
ESSENCE – Refeci & Shimmer Johnson (1)
RESCUED – Foo Fighters (2)
LEAVING – Au Gres (4)
RESCUE ME – Dirty Heads (3)
WHY – Future Theory (6)
PINEAPPLE SUNRISE – Beach Weather (7)
THE NARCISSIST – Blur (8)
PSYCHOS – Jenny Lewis (10)
VAMPIRE – Olivia Rodrigo (11)
NOT STRONG ENOUGH – boygenius (5)
IN MY HEAD – Mike Shinoda & Kailee Morgue (9)
HELLO – GROUPLOVE (12)
WE’RE ALL GONNA DIE – Joy Oladokun & Noah Kahan (15)
STUCK – 30 Seconds to Mars (16)
PUPPET SHOW – Beck Black (17)
SAY YES TO HEAVEN – Lana Del Rey (21)
KID – The Revivalists (13)
EAT YOUR YOUNG – Hozier (14)
EMPTY NEST – Silversun Pickups (18)
SPELLBINDING – The Smashing Pumpkins (23)
BONES – HEALER (24)
WALK THROUGH THE FIRE – The Frontier (25)
ORBIT – Gooseberry (26)
OVERRATED – dwi (27)
LAST TIME EVERY TIME FOREVER – Grian Chatten (28)
CALL ME WHAT YOU LIKE – Lovejoy (29)
GOOD VIBRATIONS – MISSIO (30)
DAYLIGHT – David Kushner (N)
DUMMY – Portugal. The Man (20)
I DON’T BELIEVE IN YOU – Brian Lambert & Jr Moz Collective (N)
One of the most prolific singer-songwriters around today is Brian Lambert, a thoughtful, engaging and funny guy based in Denton, Texas. He’s been writing and recording music for many years, and says he’s “reinvented himself more times than he can count.” He even tried his hand at country music for a while, but came to the realization that it just wasn’t for him. When Covid put a halt to playing gigs, Brian switched gears and began writing indie rock songs inspired by some of his favorite acts like Spoon, Gang of Youths, Soul Asylum and the Replacements.
In early 2021, he challenged himself to writing, recording and producing a new song every week for a year, an ambitious feat he went on to accomplish! Since then, he’s continued his prodigious output, writing and recording songs both as a solo artist and in collaboration with a host of other musicians he’s met on Twitter, including Marc Schuster, a singer-songwriter, musician and all-around renaissance man from the Philadelphia area, with whom he teamed up with to create a separate music act The Star Crumbles, who released a fantastic debut album The Ghost of Dancing Slow last September. (I previously reviewed that album, as well as two of Brian’s singles, “Kids” and “It’s Good”.)
Another pair of artists he’s worked with are Jr Moz Collective, the music project of singer-songwriter and multi-instrumentalist Mike Mosley, and Paul Prater, another renaissance man who, in addition to being a musician, is also a magician, entertainer, mind reader, attorney and author. Earlier this year, Jr Moz Collective, Paul Prater and Brian collaborated on a song “I Don’t Believe In You“, which was released in April. Mike Mosley wrote the music and lyrics, played guitar, bass and synths and sang lead vocals, Paul played drums, and Brian played lead synths and sang backing vocals.
Brian loved the song so much – which he says brought him to tears – he decided to re-record it with him singing lead vocals, also re-dubbing his lead synth part. The result is a more impactful and dramatic track, in large part due to Brian’s emphatic vocals filled with unbridled passion. He calls it a “fiery garage rock anthem that pairs well with the heat of summer and discontent, perfectly capturing the dissatisfaction with the status quo. Earnest like Isbell, dirty guitars of QOTSA, quirkiness of Beck and swagger of Bowie.” After hearing the song, I have to concede that’s a pretty accurate description!
Opening with a strong thumping drumbeat, the song is soon joined by a gnarly guitar riff, deep bass groove and retro 80s-sounding synths as Brian begins to sing the biting lyrics. The edgy and colorful instrumentals create a powerful, almost cinematic backdrop for his raw, emotionally-charged vocals delivered with a forceful passion that leave me covered in goosebumps. It’s possibly Brian’s most dramatic single yet.
The lyrics call out those who spout religious dogma, lies and hate, urging us to question what we hear or read, and fight back against those wanting to poison and divide us: “Do you believe anything you hear if it comes from the mouth of hate? Do you believe anything they say if it allows you to feel that way? / And I don’t believe in you, you ought to know that I never did / And I’m not gonna sit back and keep my thoughts to my self/ There’s nothing stopping me from stopping you.”
The beautiful lyric video was made with AI-created images, generated from the original watercolor painting by Brian’s father William Edward Lambert that was used for the single cover art.
Those purchasing the track on Bandcamp get a bonus song “Follow Me In”, which was written by fellow musician David Ray Thomas.
It’s been over two and a half months since my last Fresh New Tracks post, as I haven’t felt much enthusiasm for writing about music, but I thought it was time to try and get back into the groove. Accordingly, today I’m featuring three new singles by three very different artists I’ve previously featured on this blog. They are, in alphabetical order, German collective 5ON5, Texas singer-songwriter Brian Lambert, and British indie pop-rock band Wild Horse.
5ON5 – “Balloon”
Based in beautiful, cosmopolitan Berlin, Germany, 5ON5 is a collaborative music project comprised of four distinctly unique artists spanning two generations and coming from completely different music backgrounds. The brainchild of Max Koffler, a singer-songwriter, musician and producer with over 20 years experience in the music industry and two solo albums to his credit, 5ON5 also includes singer-songwriter and producer $INAN (aka Sinan Pakar), rapper and visual artist Maxx B, and singer Yumin. Their unusual name 5ON5 was inspired by Max’s music label sonsounds, and reflects the group’s eclectic blend of music genres and styles, including EDM, synth pop, hip hop and alternative rock. I’ve previously featured Koffler’s music on this blog twice in 2018, as well as two of 5ON5’s singles, “Runaway” in 2021, and most recently last January, “Don’t Dance” (which was one of my most-read reviews of 2022). They followed with four more singles in 2022, and now kick off 2023 with their latest single “Balloon“, accompanied by an animated video, which dropped January 12th.
The song, which was produced by Koffler along with Steve van Velvet, and mixed and mastered by Jeson Huang, seems to be about going on a journey without any particular agenda “I don’t know where we’re meant to fly so purposeless, so purposeless…” One of the things I like most about 5ON5’s music is how well their individual voices harmonize together, and I love the song’s airy dance groove, spacey synths and delicate mix of chiming and twangy guitar notes.
The colorful video, created by Max Klumker, shows animated versions of the four band members singing and dancing against a glorious ever-changing backdrop of figures, ranging from Mary Poppins and Easter Island statues to astronauts and lovable aliens, floating through the skies in hot air balloons, spaceships or by their own accord.
Brian Lambert is an engaging, thoughtful and extremely prolific singer-songwriter and musician based in Denton, Texas. He’s been writing and recording music for many years, and says he’s “reinvented himself more times than he can count.” He even tried his hand at country music for a while, but came to the realization that it just wasn’t for him. More recently, he’s been making indie rock music inspired by some of his favorite acts like Spoon, Gang of Youths, Soul Asylum and the Replacements. He used to play gigs all over the DFW metroplex, but with Covid putting a halt to that, in 2021 he challenged himself to writing, recording and producing a new song every week for a year, an ambitious feat he went on to accomplish! He’s continued to write and record songs both as a solo artist and in collaboration with a host of other musicians he’s met on Twitter. One he’s worked with the most is Marc Schuster, a singer-songwriter and musician from the Philadelphia area who’s also an educator, author, literary critic, blogger and visual artist. Together they’ve collaborated to create a separate music act The Star Crumbles, and last September, they released their fantastic debut album The Ghost of Dancing Slow (which I reviewed). Now Brian returns with his latest single “It’s Good“, which dropped yesterday, January 27th.
The song is a collaboration with Schuster as well as fellow musician Mike Mosely, who performs under his own musical moniker Jr Moz Collective. Brian elaborates: “I had Covid over Christmas, and had some pretty wild dreams. In this particular dream, I got the chords to a song, and whenever that happens, it seems to make sense to get up as soon as you can, and grab your guitar and write it down. Lyrically, I wasn’t exactly sure where to go with it, so I decided to write a letter to my 11-year-old self. I cut a demo, and sent it to my friend Mike Mosely, who said ‘cut the song today’“. Even though Brian’s voice was still gravelly due to the effects of Covid, he went ahead and recorded the song anyway. He also played acoustic guitar and keyboards, with electric guitars and bass played by Mike and drums by Marc.
The result is a really compelling tune with a bit of a roots rock vibe, highlighted by some fine guitar work. The heartfelt lyrics, which Brian’s ravaged vocals make all the more poignant, offer encouragement to a young boy in that awkward transitional period between his childhood and teen years: “And you are, whatever you think you are. As bright as a shining star. Yeah, it’s good.” The video shows Brian driving around town and visiting vintage and resale shops in what I’m guessing are in and around his hometown of Denton.
Hailing from East Sussex, England is the talented and very charismatic young pop-rock band Wild Horse, consisting of brothers Henry and Jack Baldwin and long-time friend Ed Barnes. Now in their early 20s, the guys are seasoned musicians who’ve been writing and recording songs since forming in 2013, when they were barely teenagers. Both Henry and Jack are multi-instrumentalists who play guitar, bass and keyboards, as well as sing vocals, while Ed plays drums and percussion, sings backing vocals and plays guitar on a few tracks. The Baldwin brothers are also prolific songwriters who’ve penned hundreds of songs over the years, with five albums, three EPs and numerous singles to their credit. I’ve been following them for over five years, and love their music. I have reviewed two of their albums, DANCE!! Like An Animal in 2019, and When the Pool Is Occupied in late 2021, as well as one of their singles “Bitter” last September (which you can read here)The song spent two months on my weekly top 30 last fall. They’ve been releasing new singles every few months, and their latest is “Cougar” which also dropped yesterday, January 27th.
Despite their young ages, Wild Horse are not afraid to tackle mature subjects, and “Cougar” is perhaps their most ‘adult’ song yet. The band explains: “‘Cougar’ is a tale of a lonely housewife who starts using psychedelics and visiting younger men to escape the pain of real life and her failing marriage. Told from the point of view of one of her conquests, the funky indie pop track expresses secret desires, bitter regrets and sweet oblivion. The song’s ending refrain of “how sweet the sound” features the soulful gospel vocals of Jalissa Livermore and reminds everyone that even if you know it won’t end well, you can’t turn back. It simply feels too good.”
It’s a terrific song, and I love the sensuous groove, lush synths, sparkling keyboards, snappy drums, and funky guitars. Jack’s plaintive vocals nicely convey the conflicting emotions expressed in the lyrics “Cougar, You tell me that you’re married. You say it’s not a problem. He’s always working out of town. You tell me that you want me. You’re getting yourself ready. And like a deer under the headlights I find myself drawn into your life. This isn’t gonna end well. That man has left you broken. Confined inside these four gold walls.”
ECLECTIC MUSIC LOVER 