Leon Bridges holds onto the top spot for a second week with his bucolic and soulful “Peaceful Place”, while “That’s How I’m Feeling” by Jack White and “BIRDS OF A FEATHER” by Billie Eilish remain at #’s 2 and 3 for a second week. Lady Gaga and Bruno Mars enter the top 10 with their duet “Die With A Smile”.
Perhaps the biggest music event of this past week was the release of Songs of a Lost World, the long-awaited fourteenth album by The Cure. The legendary English alternative goth rock band has undeniably had a massive influence on too many artists and bands to name over the past 40 years, so for them to release an album of all new material – their first new album in 16 years – is a momentous occasion. And more importantly, Songs of a Lost World does not disappoint, as Robert Smith (who’s now 65) and The Cure sound every bit as great and relevant as they ever have. The band teased the new album with the release of “Alone” in late September, a sprawling cinematic masterpiece running nearly seven minutes. They followed two weeks later with “A Fragile Thing”, an equally gorgeous song that enters my chart at #26.
The second, long-overdue debut this week is “Mind Game”, a lovely collaboration by Chicago-based singer-songwriter and author Collette Mclafferty and Spanish singer-songwriter, multi-instrumentalist and producer John Serrano, a hyper-talented artist whose music I’ve previously featured a couple times on this blog. Mclafferty wrote the lyrics and sang lead vocals, while Serrano composed the music, played all instrumentation, sang backing harmonies and produced the track.
PEACEFUL PLACE – Leon Bridges (1)
THAT’S HOW I’M FEELING – Jack White (2)
BIRDS OF A FEATHER – Billie Eilish (3)
THE DOOR – Teddy Swims (6)
STARGAZING – Myles Smith (4)
DEATH VALLEY HIGH – Orville Peck & Beck (8)
FAVOURITE – Fontaines D.C. (9)
GOOD LUCK, BABE! – Chappell Roan (5)
UP ALL NIGHT – James Bay, The Lumineers & Noah Kahan (10)
DIE WITH A SMILE – Lady Gaga & Bruno Mars (11)
THE LIGHTHOUSE – Stevie Nicks (14)
MESSY – Lola Young (7)
GARMONBOZIA – Flying Lotus (16)
CAN’T SLOW DOWN – almost monday (17)
HARDCORE ROMANCE – Beach Weather (19)
NOBODY’S SOLDIER – Hozier (23)
BOTHERING ME – Sarah Blasko (20)
RAINBOW – Cage the Elephant (12)
INTO GOLD – London Grammar (13)
THE EMPTINESS MACHINE – Linkin Park (22)
NEVERENDER – Justice & Tame Impala (24)
SAD IN CAROLINA – Dexter and the Moonrocks (27)
ESPRESSO – Sabrina Carpenter (15)
SUPERSAD – Suki Waterhouse (28)
BOBBY SOX – Green Day (29)
A FRAGILE THING – The Cure (N)
BIG CAT TATTOOS – Hamish Hawk (18)
KINKY – bby (30)
YOU JUST PLAYED MY MIND – Oli Barton (21)
MIND GAME – Collette Mclafferty & John Serrano (N)
There continues to be lots of great music being released, which means it’s time for another installment of my Fresh New Tracks series. Today I’m featuring four recently-released tracks by acts from four different countries – Spanish singer-songwriter and musician John Serrano, Norwegian psych-noir band Mayflower Madame, English folk artist Mock Deer, and American singer-songwriters and multi-instrumentalists Quizboy and Marc Schuster. I’ve recently written about John Serrano, Mock Deer and Mark Schuster, whereas this is the first time I’m featuring Mayflower Madame and Quizboy.
JOHN SERRANO – “The day I met the sun”
John with an injured arm and his new rescue kitten
Hailing from Málaga, Spain is John Serrano, a prolific singer-songwriter and multi-instrumentalist who I cannot heap enough praise upon. Not only is he a versatile and talented musician with a beautiful singing voice, he’s also thoughtful, kind, handsome and incredibly supportive of other independent artists. Drawing from a wide range of influences, including alternative and progressive rock, blues, electronica, synthwave and jazz, he’s recorded and released an extensive, colorful and eclectic catalog of music over the past 10 years, both as a solo artist and in collaboration with other musicians. In March, I reviewed his poignant singles “Oh, well” and “Better Times”, which he’d released back to back over a two-day period. He quickly followed with two more singles, then on April 24th he dropped his album Alive, dedicated to his grandmother who passed away in March at the age of 92.
A week after that album’s release, John severely injured his left arm, requiring surgery and rendering him unable to play guitar for the time being. Undefeated, he decided to make what he’s calling a “full electronoir experimental retro futuristic jazz-noise album”, recording entirely with synthesizers. Thus far, he’s released two singles for the new album, the latest of which is “The day I met the sun“, a brilliant and haunting track that’s a significant departure from the languid and pleasing songs on Alive. The song starts off with a dreamy ethereal feel, accompanied by John’s angelic falsetto vocals, then abruptly transitions into a much darker, almost frightening song with grinding fuzzy reverb, ominous drumbeats and tortured synths. His vocals also shift into a much more menacing tone, unlike anything I’ve heard from him previously. He said he’s been throat singing for a few years, and to get the desired effect, he “panned the vocals and cut the EQ Filter right when they kick in.” Along with the first track “A wee house upon the hill”, “The day I met the sun” offers a foreboding peek into what we can expect to follow. The tracks are only available on Bandcamp at this time.
Mayflower Madame (what a great band name!) is a psych-noir/post-punk band from Oslo, Norway, comprised of Trond Fagernes (vocals, guitar, bass) and Ola J. Kyrkjeeide (drums). For studio recordings they are joined by Kenneth Eknes (synth), and for live performances, additional musicians are brought in to form a full band. They’ve released a fair amount of music since 2015, including two albums – Observed in a Dream in 2016 and Prepared for a Nightmare in 2020, as well as an EP Premonition in 2018 and numerous singles. Ironically, Prepared for a Nightmare now seems to have indeed been a “premonition” to the Covid-19 pandemic that followed the album’s release.
I just learned about Mayflower Madame yesterday when their PR rep reached out to me about their new single “A Foretold Ecstasy“, which I loved the moment I heard it. As I do for all artists and bands I write about for the first time, I listened to as much of their music catalog as time permitted so I could get a good feel for their sound. And I can emphatically state that I really like this band’s music, which has been compared to that of Sisters of Mercy, Jesus and Mary Chain and The Cure. Their compelling sound, which they describe as “the perfect soundtrack for the nightly walks of restless city dwellers“, is a masterful blend of post-punk, darkwave, psychedelia and shoegaze, featuring pulsating rhythms, lush atmospheric synths and reverb-drenched guitars.
About “A Foretold Ecstasy”, band songwriter and vocalist Fagernes said the lyrics speak about “constantly chasing some sort of elation or intoxicating sensation to relieve one’s inner turmoil, while still being aware that it’s just a passing state followed by an inevitable downfall”. The song is a gorgeous darkwave gem in the vein of The Cure or Depeche Mode, two of my favorite bands from that genre. Fagernes’ vocals are intoxicating as he breathily croons “Well, I’m just glad you made me feel something. But it won’t last, I still believe it’s all or nothing.“
Mock Deer is the music project of London-based singer-songwriter and musician Ricky Damiani, whose sound can generally be described as indie folk/singer-songwriter with elements of alternative rock. He’s released a fair amount of music over the past 12 years, including his debut album The Art of Loneliness in 2020, several EPs and numerous singles, as well as composing original music for TV programs and theatre. Last month, I featured his haunting and powerful single “Harbinger” on a Fresh New Tracks post. Now he returns, with “Smudge”, a wonderful song and the second track from his forthcoming EP Pilgrims.
As with “Harbinger”, for “Smudge” Damiani sang vocals, Mat Martin played lead guitar, Jayden Pegler played bass, Will Inscoe played keyboards, Aaron Carpenter played drums, Matthew Herd played saxophone, and Lola Hepper sang backing vocals. The track was produced by Scott Fitzgerald and mastered by John Nicholls. Written during the first Covid lockdown, the song touches on themes of mental illness, alcoholism and friendship. The song has a darkly beautiful, meandering melody, with a melancholy feel reminiscent of some of Radiohead’s songs of the 90s, featuring gorgeous shimmery guitars, warm saxophone, spacey synths and soaring choruses. Damiani’s vibrant, emotive vocals run the gamut from quiet introspection to impassioned lamentation as he addresses a troubled friend: “You play that part of tough guy so well, but we all know it’s just a show. So lets be random, let’s be odd. Let’s turn this normal on its head.Let’s go there, for one last jolly. You’re well aware it’s all just folly. Just one more, for the road I swear.”
Quizboy is an enigmatic yet highly sociable artist who, in his own words, creates “dirt-made rock and roll from the Pacific Northwest“. Based in Portland, Oregon, the insanely busy guy also occasionally records music under his dark and sludgy post-hardcore project Never Say Never (NsN), as well as runs an online radio station Audio Mirage Studios, where he hosts Marc Schuster’s Tweetcore Radio Hour. As if all that’s not enough, he also has his own music blog, also titled Audio Mirage Studios.
Marc Schuster is an even busier guy with his hands in so many projects it literally makes my head spin! It’s all I can do to write 2-4 posts per week for this blog, and I’m now mostly retired. At any rate, I’ve written about him and his music many times, most recently when I featured his song “Paul Giamatti (Is Everywhere Tonight)” on a Fresh New Tracks post, but to summarize, he’s a creative and multi-talented Renaissance man from the Philadelphia area who’s an educator, author, singer-songwriter, multi-instrumentalist and visual artist. Over the past decade, he’s recorded quite a bit of music, both as a solo artist and in collaboration with too many other artists and bands to mention here. In addition to hosting the aforementioned weekly Tweetcore Radio Hour program, where he features songs by talented indie artists he’s met through Twitter (now X), he also has a terrific blog called Abominations, where he writes about music and interviews indie artists. He also broke his right shoulder a few months ago, but still managed to put out his latest album Arguably.
The two recently collaborated on their first song together, “All the Same to You“. Released May 3rd on Bandcamp, (and most other streaming services except Spotify on May 17) the song was co-written, recorded and produced by them both, with Quizboy playing acoustic and electric guitar and singing vocals, and Schuster playing drums, bass, electric piano, synths, acoustic guitar and singing backing vocals. The release also includes a master by fellow musician Brian Lambert. Over a mellow groove, the guys layer crisp, reverb-drenched jangly guitars and sharp, colorful synths to create a jarring, yet somehow pleasing backdrop for Quizboy’s raw, melancholy vocals. Lyrically, the song is a bit of a downer, and seems to speak to the futility of life: “Miss me when I’m gone. Suffer me while I’m here. Pain has led me home. Whatcha say won’t do. They place these chains on me and you to break. Honestly, I can’t wait. If it’s all the same to you, I forsake.” Good job guys!
John Serrano is a talented and versatile singer-songwriter and multi-instrumentalist from Málaga, in the autonomous community of Andalucía in southern Spain. Drawing from alternative and progressive rock, blues, electronica, synthwave and jazz influences, the genre-bending artist has created an extensive, colorful and eclectic catalog of music. From what I can tell, he’s been writing and recording songs for nearly 10 years but became more serious about his music in 2021, and in the years since, has produced and released an impressive amount of it, both as a solo artist and in collaboration with other musicians. On the strength of his outstanding music, wholehearted support for other artists, and active networking with others on social media, he’s earned quite a loyal following over the past year or so.
Proof of Serrano’s prodigious music output was on display this week, as he released two beautiful new singles back-to-back. Shortly after I’d decided to write about his song “Oh, well“, which he released on March 13th, he went and dropped another new single “Better Times” the next day, along with the following explanation: “Y’all made me feel so good about ‘Oh, well’ yesterday, I felt like locking myself up in the studio for ten hours again. This is what came up. Thanks for listening, and thank you for your support, YOU make this possible.” Naturally, I have no choice but to write about them both!
“Oh, well” is a loving tribute to his grandmother María Dolores Pozo Gerónimo, who passed away on March 10th at the age of 92. Serrano called her his angel, now gone but not forgotten. In his contemplative lyrics, he ponders his life without her warm and reassuring presence: “Oh, well, what am I supposed to do without you? Oh, well, what am I supposed to do now you’re gone? I can’t help but wonder. Oh, well. We’re all bones in the end, but you left so much love here. Oh, well.”
The song is a departure from his more typical dynamic synth-fueled sound, with a languid, singer-songwriter vibe more akin to songs by the likes of Chris Isaak. The spare music, all of which was played by Serrano, features layered strummed guitars, accompanied by sparkling piano keys and a haunting harmonica, all of which create a melancholy but lovely backdrop for his warm, heartfelt vocals.
Serrano stays in his more introspective mood with “Better Times”, a darkly beautiful song of apology and regret he dedicates to ‘Isabel’. The song has a jazzy adult-contemporary feel, highlighted by a melancholy piano accompanied by strummed guitar notes and gentle bass. He has a gorgeous emotive singing voice, which sounds better than ever here. He effortlessly transitions from moments of gentle, almost whispery croons to impassioned, soaring wails and back again as he laments of his sorrow and pain: “How can I say how I sorry I am for leaving you alone? For being myself./ And it’s been a minute. It’s been a while since the last time, and I feel like drinking to better times. Yes I feel like drinking to better times. But those better times are gone.”
In addition to making great music, Serrano is also an accomplished writer and visual artist who’s created marvelous cover art for many of his releases. Seems like a kind of Renaissance man to me!
ECLECTIC MUSIC LOVER 