Photo of Twenty One Pilots from their Facebook account
It’s a particularly exciting chart this week as we approach the end of 2025, with a new #1 song and two fantastic new debuts, incidentally all by duo acts. Twenty One Pilots, my favorite music act for the past ten years, takes over the top spot with “City Walls”, marking their 14th song to top my chart, and their third this year alone, following “The Line” this past March and “The Contract” in August. Like “The Contract”, “City Walls” is from their eighth studio album Breach, which was released September 12th and serves as the final installment in their decade-long narrative arc explored by their previous albums Blurryface (2015), Trench (2018), Scaled and Icy (2021), and Clancy (2024).
(For those who’ve been living under a rock, Twenty One Pilots are based in Columbus, Ohio and consist of the dynamic duo of singer-songwriter, multi-instrumentalist and producer Tyler Joseph and power drummer Josh Dun. “City Walls” was written and produced by Joseph and his longtime collaborator Paul Meany, the lead singer and keyboardist for alternative rock project Mutemath, who opened for Twenty One Pilots on their Emotional Roadshow Tour that I saw in 2016.)
According to songsdiscussion.com, “‘City Walls’ delves into powerful themes of betrayal, reluctant leadership, and the immense psychological cost of rebellion, all set within the band’s established Dema and Trench narrative. The song’s core meaning centers on a protagonist who feels utterly abandoned by a trusted guide who was supposed to show him the way past the oppressive “city walls.” Now, he is forced to lead a dangerous and uncertain “breach” on his own, all while battling the severe fragmentation of his own mental state under the crushing weight of his new responsibility.“
The accompanying music video for the song, directed by Jensen Noen, runs for nearly ten minutes, making it the longest music video Twenty One Pilots have ever released. (The track itself is 5:22 minutes long.) Band frontman Tyler Joseph stated that the video serves as the proper conclusion to the story surrounding the conceptual city of “Dema”, a fictional location in the world of “Trench”, and its two central characters, Clancy (portrayed by Joseph) and Torchbearer (portrayed by drummer Josh Dun). With a production budget of $1 million, “City Walls” is one of the most expensive music videos of all time, as well as the second most expensive music video of the 2020s. Wikipedia
As I noted earlier, we have two marvelous new debuts, starting with “who’s your boyfriend” by Sydney, Australia-based duo Royel Otis. Comprised of Otis Pavlovic (lead vocals, rhythm guitar, piano) and Royel Maddell (lead guitar, backing vocals, bass, synthesizer), they’ve previously reached #1 twice on my chart, with “Murder on the Dancefloor” in 2024 and “moody” earlier this year. Like “moody”, “who’s your boyfriend” is from their third studio album hickey.
The second debut is “I’ve Got A Broken Heart”, the latest single by hyper-talented jangle pop-rock duo The Lemon Twigs. Based in Long Island, New York, they consist of brothers Brian and Michael D’Addario, both of whom are vocalists, songwriters and multi-instrumentalists. Their wonderful song “My Golden Years” reached #1 on my chart and ranks #5 on my Top 100 Songs of 2024 list (right behind “Murder on the Dancefloor”). “I’ve Got A Broken Heart” was released on November 25th as a double single also featuring “Friday (I’m Gonna Love You)”.
CITY WALLS – Twenty One Pilots (2)
THE WEATHER – All Time Low (1)
DRACULA – Tame Impala (3)
12 TO 12 – sombr (10)
DOWNSTAIRS – Matt Maeson (5)
THE FATE OF OPHELIA – Taylor Swift (6)
ORDINARY CREATURE – Of Monsters and Men (7)
SPECTER – Bad Omens (9)
ANOTHER LIFE – Alabama Shakes (4)
SO FAR SO FAKE – Pierce The Veil (12)
THE FEAR – Future Theory (13)
LUCY – Mt. Joy (14)
GET THE MESSAGE – The Paradox (15)
WATCH ME GO – Lord Huron (16)
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges (8)
ENSENADA – Sublime (11)
ZOMBIE – YUNGBLUD (18)
TANANA – Portugal. The Man (19)
BY YOUR SIDE – Meltt (20)
REMEMBER US? – Two Feet (21)
RUBBER BAND MAN – Mumford & Sons w/Hozier (22)
MADALENA – Goose (23)
INFINITE SOURCE – Deftones (24)
WHITE HORSES – Wolf Alice (25)
HUMAN – Brandi Carlile (30)
STAY IN YOUR LANE – Courtney Barnett (29)
SUSHI AND COCA-COLA – St. Paul & The Broken Bones (17)
Pop-punk rockers All Time Low remain at #1 for a second week with “The Weather”, while “City Walls” by my favorite band Twenty One Pilots closes in at #2 and Tame Impala‘s “Dracula” advances to #3. sombr – which my Spotify Wrapped revealed was my top artist of 2025 – enters the top 10 with “12 to 12”.
The lone new entry to this week’s chart is “Human”, a beautiful, uplifting song by the wonderful singer-songwriter and producer Brandi Carlile. Over her 21-year career, she’s released nine studio albums, one live album, one compilation album, three demo albums, 15 EPs, and 31 singles. She’s won 11 Grammy Awards and two Emmy Awards, and was also nominated for an Academy Award for Best Original Song for her collaboration with Elton John on the single “Never Too Late”, the theme to John’s 2024 documentary of the same name. In addition to John, she’s also collaborated with scores of artists, including Amanda Shires, Maren Morris and Natalie Hemby in their country music supergroup the Highwomen, Joni Mitchell, Tanya Tucker, The Secret Sisters, Lucius, Dave Matthews Band, Pat Monahan (of Train) and Noah Kahan.
“Human” is from her latest album Returning to Myself, released on October 24th. Written by Carlile along with her long-time collaborators, twin brothers Phil and Tim Hanseroth, & watt (singer-songwriter, musician and producer Andrew Wotman), the song is about accepting that each of us in only human and on this earth for a short time, and to try and find bits of happiness and joy along the way.
THE WEATHER – All Time Low (1)
CITY WALLS – Twenty One Pilots (3)
DRACULA – Tame Impala (4)
ANOTHER LIFE – Alabama Shakes (2)
DOWNSTAIRS – Matt Maeson (7)
THE FATE OF OPHELIA – Taylor Swift (8)
ORDINARY CREATURE – Of Monsters and Men (9)
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges (5)
SPECTER – Bad Omens (10)
12 TO 12 – sombr (12)
ENSENADA – Sublime (6)
SO FAR SO FAKE – Pierce the Veil (13)
THE FEAR – Future Theory (14)
LUCY – Mt. Joy (15)
GET THE MESSAGE – The Paradox (16)
WATCH ME GO – Lord Huron (17)
SUSHI AND COCA-COLA – St. Paul & The Broken Bones (11)
It’s hard to believe we’re now entering the final month of 2025, and pop-punk band All Time Low take over the top spot this week with their infectious ear worm “The Weather”. Formed in Towson, Maryland, in 2003, the band consists of lead vocalist and rhythm guitarist Alex Gaskarth, lead guitarist Jack Barakat, bassist/backing vocalist Zack Merrick, and drummer Rian Dawson, and they’ve released a total of nine studio albums, six EPs, two live albums and thirty-seven singles. “The Weather” is the second single from their tenth album Everyone’s Talking!, released on October 17th.
“Ordinary Creature” by Icelandic alt-rock band Of Monsters and Men and “Spector” by American alternative metal band Bad Omens enter the top ten. Three songs make their debut this week, starting with “infinite source” by American alternative metal band Deftones, which enters at #28. Formed in Sacramento, California way back in 1988, they currently consist of frontman Chino Moreno (lead vocals), Stephen Carpenter (lead guitar), Abe Cunningham (drums) and Frank Delgado (keyboardist and turntablist). Deftones have released 10 studio albums, four EPs, three compilation albums, five demo albums, 32 music videos and 25 singles. “infinite source” is from their 10th and latest album private music, which dropped August 22nd, and follows their previous single “my mind is a mountain”, which recently spent nine weeks on my chart.
The second debut is “White Horses” by English alt rock band Wolf Alice. Formed in London in 2010, they consist of singer Ellie Rowsell (lead vocals, rhythm guitar, keyboards) Joff Oddie (guitar, vocals), Theo Ellis (bass, vocals) and Joel Amey (drums, percussion, vocals). “White Horses” is from their fourth studio album The Clearing, which was also released August 22nd. Coming in at #30 is “Stay In Your Lane”, a cool song by highly acclaimed and beloved Australian singer-songwriter Courtney Barnett, who never fails to deliver a compelling song.
THE WEATHER – All Time Low (2)
ANOTHER LIFE – Alabama Shakes (1)
CITY WALLS – Twenty One Pilots (4)
DRACULA – Tame Impala (6)
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges (3)
ENSENADA – Sublime (5)
DOWNSTAIRS – Matt Maeson (8)
THE FATE OF OPHELIA – Taylor Swift (10)
ORDINARY CREATURE – Of Monsters and Men (11)
SPECTER – Bad Omens (12)
SUSHI AND COCA COLA – St. Paul & The Broken Bones (7)
12 TO 12 – sombr (14)
SO FAR SO FAKE – Pierce the Veil (15)
THE FEAR – Future Theory (16)
LUCY – Mt. Joy (17)
GET THE MESSAGE – The Paradox (18)
WATCH ME GO – Lord Huron (19)
EVERYBODY SCREAM – Florence + The Machine (9)
MISTAKES – Caamp (13)
ZOMBIE – YUNGBLUD (21)
DANG – Rainbow Kitten Surprise (22)
TANANA – Portugal. The Man (23)
BY YOUR SIDE – Meltt (25)
REMEMBER US? – Two Feet (26)
RUBBER BAND MAN – Mumford & Sons w/Hozier (29)
MADALENA – Goose (30)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (20)
Alabama Shakes remain at #1 for a second week with “Another Life”, while All Time Low moves into second place with their wistful anthem “The Weather”, and “Elegantly Wasted”, the lovely collaboration by Hermanos Gutiérrez and Leon Bridges moves up to #3. Taylor Swift enters the top 10 at last with “The Fate of Ophelia”, from her latest album The Life of a Showgirl.
There are two great new additions to this week’s chart, the first of which is “Rubber Band Man”, a wonderful collaboration by English folk rock band Mumford & Sons and Irish singer-songwriter Hozier. I mean, given the combined talents of those two phenomenal acts, would you expect anything less? Hozier has previously collaborated with a number of artists, including Mavis Staples on “Nina Cried Power” (2018) and Noah Kahan on “Northern Attitude” (2023), both of which reached #1 on my chart.
The second new entry, at #30, is “Madalena” by American indie rock band Goose. Formed in Connecticut in 2014, they’re comprised of Rick Mitarotonda (vocals, guitar), Peter Anspach (vocals, keys, guitar), Trevor Weekz (bass) and Cotter Ellis (drums). “Madalena” is from their fifth studio album Chain Yer Dragon, which was released on August 14th, just four months after their previous album Everything Must Go. With it’s terrific piano work, the song has a bit of an early Elton John sensibility to my ears.
ANOTHER LIFE – Alabama Shakes (1)
THE WEATHER – All Time Low (4)
ELEGANTLY WASTED – Hermanos Gutiérrez feat. Leon Bridges (5)
CITY WALLS – Twenty One Pilots (7)
ENSENADA – Sublime (2)
DRACULA – Tame Impala (8)
SUSHI AND COCA COLA – St. Paul & The Broken Bones (3)
DOWNSTAIRS – Matt Maeson (9)
EVERYBODY SCREAM – Florence + The Machine (10)
THE FATE OF OPHELIA – Taylor Swift (11)
ORDINARY CREATURE – Of Monsters and Men (12)
SPECTER – Bad Omens (13)
MISTAKES – Caamp (6)
12 TO 12 – sombr (16)
SO FAR SO FAKE – Pierce the Veil (17)
THE FEAR – Future Theory (20)
LUCY – Mt. Joy (21)
GET THE MESSAGE – The Paradox (22)
WATCH ME GO – Lord Huron (23)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (15)
As we enter the first week of the return of the despicable corrupt authoritarian that is Trump to the American Presidency, with its guaranteed upheaval, at least we have lots of great music to bring us a bit of comfort and solace.
The lovely and endearing “The Faithful Heart” by L.A.-based Wons Phreely + The Horses maintains its firm grip on the #1 spot for a second week, while “Sad in Carolina” by Texas sad cowboy music band Dexter and The Moonrocks holds at #2 for a second week after previously spending two weeks at #1. English alternative pop-rock band Glass Animals move up to #3 with their enchanting “A Tear in Space (Airlock)”.
Three songs enter my chart this week, starting with the very cool “ROCKMAN” by alternative indie rock singer-songwriter Mk.gee (born Michael Todd Gordon in New Jersey but from what I can tell is now based in L.A.). He began releasing singles in 2017, as well as two EPs in 2018, a mixtape in 2020 and his debut album Two Star & the Dream Police in February 2024. Sadly none of them charted in the U.S. until his latest single “ROCKMAN”, which is currently #26 on the Billboard AAA (Adult Alternative Airplay) and #30 on the Rock/Alternative Airplay charts (Billboard has way too many charts!). That said, Mk.gee’s star has risen exponentially over the past year, with him garnering a coveted spot as musical guest on Saturday Night Live on November 9th. He’s also amassed 2.3 million monthly listeners on Spotify and 288,000 followers on Instagram.
The other two debut songs are by acts I’ve recently learned about, and I loved their music right off the bat. Coming in at #29 is the beautiful “Here We Go Again” by Welsh pop-rock band Set the Tone. The song was released at the end of November, and I reviewed it in late December. One of their previously-released songs, “Do You Really Wanna Know?”, ended up on my 100 Best Indie Songs of 2024 list. And last but certainly not least is the mesmerizing and gorgeous “Imposter Syndrome” by English alt rock/synthwave band Fake Empire. I became a big fan the instant I heard this song, which I also wrote about in a recent Fresh New Trackspost.
THE FAITHFUL HEART – Wons Phreely + The Horses (1)
SAD IN CAROLINA – Dexter and The Moonrocks (2)
A TEAR IN SPACE (AIRLOCK) – Glass Animals (4)
NEVERENDER – Justice & Tame Impala (3)
BOBBY SOX – Green Day (5)
ARROW – The Head and the Heart (6)
IN THE LIVING ROOM – Maggie Rogers (7)
GILD THE LILY – Billy Strings (10)
A FRAGILE THING – The Cure (8)
HARDCORE ROMANCE – Beach Weather (9)
AUTUMN LEAVES – Secret Postal Society (14)
ROUTINES IN THE NIGHT – twenty one pilots (15)
SO COLD – Balu Brigada (16)
GIVING UP – Michigander (11)
DARKERSIDE – David Kushner (17)
YOU’RE MY DRUG – Talk in Waves (18)
DETROIT – Badflower (19)
SAILOR SONG – Gigi Perez (20)
FAVOURITE – Fontaines D.C. (12) 19th week on chart
DIE WITH A SMILE – Lady Gaga & Bruno Mars (13)
DAY & NIGHT – Oli Barton (23)
AFTERLIFE – Sharon Van Etten (24)
SHE WANTS TO GO DANCING – Mt. Joy (25)
PEOPLE WATCHING – Sam Fender (26)
CAN’T SLOW DOWN – almost monday (22) 19th wk on chart
After spending two weeks at #2, “The Faithful Heart” by Australian-born and now L.A.-based singer-songwriter Wons Phreely, backed by his band The Horses, ascends to the #1 spot on my latest Top 30 chart. I loved it at first listen, as well as the charming video they made for the song, and wrote about it in late November, which you can read here. But to summarize, Wons wrote the lyrics for “The Faithful Heart”, with the beautiful music written by singer-songwriter and musician David Skeet (who’s one half of the music duo Winter Swim and also produced and mixed the track). He said he was inspired to write it after thinking of a childhood friend he’d grown up with in Australia who, like himself, had moved on to a bigger city in search of greater opportunities and figuring out how to make their way through life. I love that sweet little piano riff at the beginning, those glorious chiming and jangly guitars, and Wons’ earnest vocals that rise to an endearing falsetto, backed by lovely harmonic choruses. I can listen to this song on endless repeat.
As for the wonderful video they made for the song, Wons drew inspiration from some of the quirky and popular one-shot videos by American alternative pop-rock band OK Go, and challenged himself to dance on film. With the help of choreographer friends, Wons and his band spent months coming up with inventive dance steps for a non-dancer like himself, with two of the guys guiding him through an entertaining routine as if he were a human-sized marionette. Once they mastered the choreography, they turned their attention to finding the right location to shoot the video, which in Los Angeles is always a challenge, especially when you’re on a tight budget. They settled on a laundromat, where they managed to film the sequence in one shot.
In other notable chart developments, “Neverender” by French electronic music duo Justice and Australian band Tame Impala, “A Tear in Space (Airlock)” by English alternative pop-rock band Glass Animals and “Bobby Sox” by legendary punk-pop rock band Green Day, each move up two spots to #s 3, 4 and 5. “Gild the Lily” by Michigan-based singer-songwriter and bluegrass musician Billy Strings advances three spots to enter the top 10 at #10, while “So Cold” by New Zealand alt-pop duo Balu Brigada jumps six spots to #16, making it the biggest upward mover this week.
The lone debut, entering at #30, is “Bad Dreams” by Georgia-based Teddy Swims (born Jaten Collin Dimsdale). The song is the first single from his forthcoming second album I’ve Tried Everything but Therapy (Part 2), due for release on January 28th. “Bad Dreams” is Swims’ third song to appear on my chart; “Lose Control” went to #1 in February of last year, while “The Door” spent two weeks at #4 in November.
THE FAITHFUL HEART – Wons Phreely + The Horses (2)
SAD IN CAROLINA – Dexter and The Moonrocks (1)
NEVERENDER – Justice & Tame Impala (5)
A TEAR IN SPACE (AIRLOCK) – Glass Animals (6)
BOBBY SOX – Green Day (7)
ARROW – The Head and the Heart (8)
IN THE LIVING ROOM – Maggie Rogers (9)
A FRAGILE THING – The Cure (3)
HARDCORE ROMANCE – Beach Weather (4)
GILD THE LILY – Billy Strings (13)
GIVING UP – Michigander (12)
FAVOURITE – Fontaines D.C. (10)
DIE WITH A SMILE – Lady Gaga & Bruno Mars (11)
AUTUMN LEAVES – Secret Postal Society (16)
ROUTINES IN THE NIGHT – twenty one pilots (17)
SO COLD – Balu Brigada (22)
DARKERSIDE – David Kushner (20)
YOU’RE MY DRUG – Talk in Waves (21)
DETROIT – Badflower (23)
SAILOR SONG – Gigi Perez (24)
NOBODY’S SOLDIER – Hozier (14)
CAN’T SLOW DOWN – almost monday (15)
DAY & NIGHT – Oli Barton (25)
AFTERLIFE – Sharon Van Etten (28)
SHE WANTS TO GO DANCING – Mt. Joy (29)
PEOPLE WATCHING – Sam Fender (30)
MIND GAME (3:33) – Collette McLafferty & John Serrano (18)
We’re now into the first full week of 2025, and last week’s top four songs remain in place, with Dexter and The Moonrocks‘ boisterous “Sad In Carolina” holding on to the top spot for a second week. The song is now in its fifth week at #1 on the Billboard Alternative Airplay chart, making it their most successful single yet. “The Faithful Heart” by Wons Phreely + The Horses, “A Fragile Thing” by The Cure and “Hardcore Romance” by Beach Weather remain at #s 2, 3 and 4. Entering the top 10 are “Arrow” by The Head and the Heart, finally breaking loose and jumping seven spots to #8 (the song has spent the past three weeks at #1 on the Billboard AAA chart), and “In The Living Room” by Maggie Rogers, which advances five spots to #9.
Making their debut this week are the enchanting “She Wants To Go Dancing” by Los Angeles-based alternative roots rock band Mt. Joy, entering at #29. The single was released last October, but took a while to appear on my chart, unfortunately. It’s their sixth song to appear on my Top 30. The second debut, at #30, is “People Watching” by English singer-songwriter Sam Fender. Released in November, the song has a pleasing and fast-paced anthemic groove similar to his 2021 hit “Seventeen Going Under”, which went to #1 on my chart.
SAD IN CAROLINA – Dexter and The Moonrocks (1)
THE FAITHFUL HEART – Wons Phreely + The Horses (2)
A FRAGILE THING – The Cure (3)
HARDCORE ROMANCE – Beach Weather (4)
NEVERENDER – Justice & Tame Impala (7)
A TEAR IN SPACE (AIRLOCK) – Glass Animals (8)
BOBBY SOX – Green Day (10)
ARROW – The Head and the Heart (15)
IN THE LIVING ROOM – Maggie Rogers (14)
FAVOURITE – Fontaines D.C. (5)
DIE WITH A SMILE – Lady Gaga & Bruno Mars (6)
GIVING UP – Michigander (16)
GILD THE LILY – Billy Strings (20)
NOBODY’S SOLDIER – Hozier (9)
CAN’T SLOW DOWN – almost monday (11)
AUTUMN LEAVES – Secret Postal Society (18)
ROUTINES IN THE NIGHT – twenty one pilots (19)
MIND GAME (3:33) – Collette McLafferty & John Serrano (12)
Unbelievably, 2024 ended up being an even crazier year than 2023 was! Though things didn’t turn out as I’d hoped from a political standpoint, it was nevertheless a decent year for me personally, plus there was lots of incredible music to enjoy. As I do at the end of each year, I’ve compiled a list of my 100 favorite songs for 2024. This past Monday, I posted my list of the 100 Best Indie Songs of 2024 (which you can read here), and now this new list represents my compilation of favorite songs that I feel are the overall best of 2024. (Eighteen songs from the Best Indie Songs list also appear on this list.)
Music tastes are very subjective, and while I don’t understand how others cannot share my love for a particular song or artist, I fully realize that not one person will agree with all my song choices or rankings. Furthermore, as a music blogger, I’m exposed to a tremendous amount of new music over the course of a year, both from the literally thousands of artists and bands I follow, as well as all the music I learn about from my fellow bloggers. Despite this, I’ve heard only a tiny fraction of all the music released in 2024. Consequently, my list includes only songs I know, and I’m certain there are likely many great ones that should be included, except that I’ve never heard them. Among the thousands of songs I did hear in 2024, there were many outstanding ones, and it frustrates me to have to cull my list down to only 100, omitting quite a few that I really like. It’s also a challenge ranking them, because a song at #40 isn’t necessarily any better than a song at #70. Perhaps it’s a pointless exercise to even rank them at all, except for the fact that I love making lists!
I avoid ranking albums, as there are simply far too many I’ve either not heard, nor had the time to fully listen to, therefore any list I might compile would be woefully inadequate. That said, there are some particularly beautiful records released in 2024 that impressed me, including Romance by Fontaines D.C. (my overall favorite album of 2024), Songs of a Lost World by The Cure, Leon by Leon Bridges, nothing by Louis Cole, Dreamstate by Kelly Lee Owens, Clancy by twenty one pilots, I AM CINCO by MISSIO, Melt by Beach Weather, HIT ME HARD AND SOFT by Billie Eilish, A Dream Is All We Know by The Lemon Twigs, and As It Ever Was, So It Will Be Again by The Decemberists.
Most of the songs on this list were released in 2024, however, several were released in 2023 but didn’t ‘peak’ until 2024. Likewise, several songs released after November 1st are still moving up my weekly charts and won’t peak until early 2025, thus will appear on my 100 Best Songs of 2025 list. The few songs in this Top 100 that also appeared on my Top 100 Songs of 2023 list, such as Green Day’s “The American Dream Is Killing Me”, which spent a week at #1 at the end of 2023 and another three at #1 in early 2024, are indicated with an asterisk *.
I’ve written brief narratives and included videos for the top 10 songs. As always, I’ve created a Spotify playlist for this Top 100, which is included at the end of the post. Hopefully you’ll find some of your own personal favorites on it. Let me know what songs were your favorites of 2024.
1. STARBURSTER – Fontaines D.C.
Irish alt-rock band Fontaines D.C. are one of the most exciting and interesting acts making music today, and while they’d been gaining acclaim and popularity since the release of their debut album Dogrel in 2019, it was their spectacular fourth studio album Romance, released last summer, that really put them over the top. Elton John recently called them “the best band out there at the moment“. I love their always arresting sound, thanks in part to charismatic lead vocalist Grian Chatten’s distinctive baritone Irish brogue, and they’ve become one of my favorite bands. “Starburster”, the bombastic lead single from Romance, is musically complex and brilliant, and one of the most sonically thrilling songs I’ve heard in a while.
The song was inspired by a panic attack that Chatten suffered in a London tube station, and the jarring gasps heard at the end of each line suggest the gasps or quick breaths of someone experiencing a panic attack. To drive home their message, Fontaines D.C. start with a foreboding Mellotron string loop quickly followed by an elegant piano riff before the music explodes into a bombastic soundscape of stomping trip hop beats, sharp percussion and reverb-soaked twangy guitars. Chatten does a fine job with his commanding rapid-fire rapping of the lyrics, which he’d previously done on the collaborative single “Better Way To Live” with Irish hip-hop trio Kneecap. The song transitions to a calm interlude in the bridge with a majestic string arrangement and Chatten’s vocals now a warm and soothing croon, then finishes with a return of the stomping beats and jarring music. I love it, and couldn’t stop listening to it for months on end, making it my favorite song of 2024.
The song’s rather unsettling video, directed by Aube Pierre, features Chatten performing a variety of daily activities in differing personas ranging from angelic to demonic, sometimes wounded and other times wearing a mask or wig. It’s as ambiguous and scattered as the song’s lyrics.
2. HIGH IN LOW PLACES – Beach Weather
Another favorite act of mine is alternative pop-rock trio Beach Weather, whose “Trouble With This Bed” was my #1 song of 2023, and “Sex, Drugs, Etc.” my #3 song of 2022. Their gorgeous “High In Low Places“, released at the end of May 2024 and featured on their subsequently released second album Melt, takes its place as my second-favorite song of 2024. I love the song’s brooding cinematic vibe in the vein of Ennio Morricone, particularly the twangy guitars and lead vocalist Nick Santino’s sensuous vocals. He had this to say about the song: “We like to call ‘High in Low Places’ our apocalyptic love song. There was beauty in the idea of finding peace in one another while the world was slowly melting. We wanted to create something that felt cinematic, the closing credits of a modern end-of-times western. There are hints of those influences in the guitars and strings running through the chorus where we want to pull everyone into a world but stay hopeful that we can all rise above that insanity transpiring around us.” The lyrics speak to remaining positive and optimistic in the face of life’s problems and obstacles.
3. THE CRAVING – twenty one pilots
Ever since learning about them 10 years ago, twenty one pilots have ranked among my all-time favorite music acts, and their 2015 masterpiece Blurryface is one of my favorite albums of all time. Still based in their hometown of Columbus, Ohio, the dynamic duo consists of singer-songwriter and multi-instrumentalist Tyler Joseph and drummer Josh Dun. Joseph is a brilliant and imaginative songwriter, as well as a damn fine rapper, and Dun is one of the best drummers around today. In May 2024, they released their seventh album Clancy, the final installment of their nearly decade-long series of conceptual albums, concluding the storyline of the character Clancy, who resides in the fictional dystopian city of Dema in the metaphysical world of Trench we were introduced to on their 2018 album Trench. One of the album’s tracks, “The Craving”, was released in two different versions, one being the album cut featuring a stripped-down acoustic arrangement subtitled “Jenna’s Version”, and the other the single version featuring a fuller arrangement. Joseph wrote the song as a dedication to his wife Jenna. The beautiful single version was twenty one pilots’ 11th song to reach #1 on my chart, and finishes the year at #3.
4. MURDER ON THE DANCE FLOOR – Royel Otis
Without question, one of my absolute favorite songs of 2024 was “Murder on the Dance Floor”, by Australian guitar-pop duo Royel Otis (comprised of Royel Maddell and Otis Pavlovi). It’s a marvelous cover of the 2001 hit “Murder on the Dancefloor” by British singer-songwriter Sophie Ellis-Bextor, which Royel Otis performed on the Australian radio station Triple J for their Like a Version program. Interestingly, the song does not appear on their excellent debut album PRATTS & PAIN that was released in February 2024. The song was co-written by Ellis-Bextor and Gregg Alexander, former frontman of the band The New Radicals (who had a hit in the late 90s with “You Get What You Give”). Ellis-Bextor’s original version gained renewed popularity earlier this year after appearing in the 2023 black comedy thriller film Saltburn, causing it to re-enter the UK Dance Singles Chart, where it reached #1. It also peaked at #3 on the US Billboard Hot Dance/Electronic Songs chart and #51 on the Hot 100, her first song to ever appear on that chart. Royel Otis’ version peaked at #2 on the Alternative Airplay chart, but spent three weeks at #1 on my chart. I love the video of the exuberant studio performance, in which all the musicians involved are positively first-rate.
5. MY GOLDEN YEARS – The Lemon Twigs
Another one of the more interesting music acts around today is American indie rock duo The Lemon Twigs, consisting of the hyper-talented and charismatic brothers Brian and Michael D’Addario. Raised in a musical household on Long Island, New York (their father Ronnie D’Addario is a musician and songwriter in his own right), the two learned to play instruments and sing at an early age. Both Brian and Michael also had extensive stage, while Michael’s also appeared in a variety of television shows and films. The brothers formed The Lemon Twigs while they were both in high school, with each performing lead vocals, lead guitar, drums and other instruments. They cite as their major music influences bands ranging from The Beatles and Beach Boys to Procol Harum and Queen. They recorded their first album Do Hollywood in 2015, when the two were only 15 and 17 years old. The album, which was released in 2016, was well-received by critics and earned them appearances on TV programs like The Tonight Show Starring Jimmy Fallon, CBS This Morning “Saturday Sessions” and Conan, as well as a coveted spot at the Coachella Valley Music and Arts Festival in Indio, California in April 2017.
Their delightful power pop gem “My Golden Years” was the lead single from their fifth studio album A Dream Is All We Know, co-produced by the band and Sean Ono Lennon and released in May 2024. The song seems to pay homage to some of the great songs from the 60s by acts like The Byrds and Beach Boys, as well as early 70s The Raspberries. I absolutely love those gorgeous jangly Rickenbacker guitars and Beach Boys-esque harmonies. Shockingly, I don’t believe the song appeared on any chart in the U.S. or elsewhere, though YouTuber Anthony Fantano of theneedledrop ranked it #13 for the year, and New York Times TV critic James Poniewozik called the song “the soundtrack of my year“.
6. PEACEFUL PLACE – Leon Bridges
Leon Bridges is an enormously talented singer-songwriter based in Fort Worth, Texas. I love his pleasing style of R&B-influenced neo soul, particularly his smooth and warm vocals that remind me at times of the late, great Marvin Gaye and Sam Cooke. His gorgeous song “Peaceful Place”, from his fourth studio album Leon released this past October, spent two weeks at #1 on the Billboard Adult Alternative Airplay chart and four weeks at #1 on my chart, and finishes the year at #6. In addition to his marvelous, soulful vocals, I also love that slide guitar and cool bass line on the track. His 2018 song “Bad Bad News” was one of my favorite songs of that year, and ranks #29 on my Top 100 Songs of the 2010s list. The wonderful video was shot in Mexico City and Los Angeles.
7. TOO SWEET – Hozier
I just love Irish singer-songwriter Hozier, who’s had quite a resurgence over the past year or so with his critically acclaimed third studio album Unreal Unearth, which featured his two hit singles “Eat Your Young” and “Francesca”, his duet “Northern Attitude” with American singer-songwriter Noah Kahan (which appears later in this Top 100 chart), as well as his singles “Too Sweet” and “Nobody’s Soldier”, (which also appears later in this chart). Released in late March a week after he dropped his fifth EP Unheard, “Too Sweet” has turned out to be his highest charting single both in the UK and the U.S. It quickly went to #1 on the Billboard Hot 100 in April, then went on to spend an astonishing 11 weeks at #1 on the Alternative Airplay chart and 8 weeks on the AAA chart. It spent two weeks at #1 on my chart, and ranks #7 for the year. It was Hozier’s fifth song to top my chart (the previous being “Take Me to Church” in 2014, “Nina Cried Power”, featuring Mavis Staples, in 2018, “Eat Your Young” in 2023 and “Northern Attitude” earlier this year). The song’s lyrics are directed at a romantic partner with totally different lifestyle preferences – the singer enjoys staying up late and drinking alcohol and black coffee, in contrast with his partner who goes to bed early, eats healthy, etc. – in other words, she’s too sweet for him.
8. FAVOURITE – Fontaines D.C.
Fontaines D.C. are back with “Favourite“, the second single from their brilliant album Romance, and the second song to not only appear on this chart, but also in the top 10. The uplifting, gorgeous and heartwarming anthem has become their highest-charting song in the U.S., reaching #3 on the Billboard AAA chart. It spent three weeks at the top of my chart, and comes in at #8 for the year. The delightful video features childhood scenes of the band members, juxtaposed with images of them today.
9. TIME – MISSIO
I’m sounding like a broken record, but Austin, Texas-based duo MISSIO (comprised of multi-instrumentalist and vocalist Matthew Brue and multi-instrumentalist and producer David Butler) are yet another of my favorite acts. I love their uniquely eclectic sound that’s an arresting blend of alternative rock, electronic and hip hop, and have written about them several times on this blog. Four of their songs – “I See You”, “Underground”, “Can You Feel the Sun” and “Time” – have reached #1 on my Top 30. “I See You” was my #1 song of 2019, and ended up at #10 on my Top 100 of the 2010s, while “Can You Feel the Sun” was my #4 song of 2021. The darkly captivating “Time”, from their fifth album I AM CINCO, an epic work released last May which I reviewed, finishes at #9 for 2024. I love Matthew Brue’s distinctive tenor voice, which sounds especially vulnerable and heartfelt on this song, accompanied by a gorgeous instrumental arrangement. The simple but profound lyrics touch on anxieties over some of the issues facing our current world and society, with MISSIO reminding us that “time goes wherever you are, now, in each moment” and to “live like it’s your last because you’re not guaranteed a tomorrow.”
10. WRECKAGE – Pearl Jam
While I’ve always liked the music of Pearl Jam well enough, I’ve never been a huge fan. But I really love their magnificent song “Wreckage”, released in April 2024 as the third single from their 12th studio album Dark Matter. I like how the song gradually builds from a compelling downtempo rock song into a spine-tingling anthem, fueled by explosive jangly guitars, tumultuous percussion and Eddie Vedder’s impassioned vocals. In an April 2024 interview with British newspaper The Sunday Times, Vedder said he wrote the lyrics to “Wreckage” about the “desperation” of former U.S. president Donald Trump, elaborating “There is a guy in the United States who is still saying he didn’t lose an election, and people are reverberating and amplifying that message as if it is true. Trump is desperate. I don’t think there has ever been a candidate more desperate to win, just to keep himself out of prison and to avoid bankruptcy. It is all on the line, and he’s out there playing the victim… So the song is saying, let’s not be driven apart by one person, especially not a person without any worthy causes.” The next day, he told Howard Stern that the song could also be about “a difficult relationship”. Whatever it’s about, I love it, and it’s become my favorite song by Pearl Jam. “Wreckage” was a big hit, reaching #1 on the Billboard Mainstream Rock and Adult Alternative Airplay charts. While it peaked at only #2 on my chart, where it spent two weeks, it ranks as my 10th favorite song of 2024.
BEAUTIFUL PEOPLE (STAY HIGH) – The Black Keys
NEON PILL – Cage the Elephant
THE AMERICAN DREAM IS KILLING ME – Green Day *
CREATURES IN HEAVEN – Glass Animals
DILEMMA – Green Day
PANORAMIC VIEW – AWOLNATION
MESSY – Lola Young
THAT’S HOW I’M FEELING – Jack White
BURIAL GROUND – The Decemberists
A FRAGILE THING – The Cure
WHAT NOW – Brittany Howard
NORTHERN ATTITUDE – Noah Kahan & Hozier
LOSE CONTROL – Teddy Swims
SAD IN CAROLINA – Dexter and The Moonrocks
LIKE YOU DO – Talk in Waves
LOST IN SPACE – Foster the People
OVERCOMPENSATE – twenty one pilots
BIRDS OF A FEATHER – Billie Eilish
DIE WITH A SMILE – Lady Gaga & Bruno Mars
RAINBOW – Cage the Elephant
ALL I DIE FOR – SWiiMS
HARDCORE ROMANCE – Beach Weather
ESPRESSO – Sabrina Carpenter
STARGAZING – Myles Smith
GOOD LUCK, BABE! – Chappell Roan
WINTER COWBOY – Frank Joshua
COOL ABOUT IT – boygenius
THE DOOR – Teddy Swims
THE TOWER – Future Islands
A FORETOLD ECSTASY – Mayflower Madame
OH NO! – The Decemberists
I’VE GOT LOVING FOR YOU – Bottlecap Mountain
END OF BEGINNING – Djo
DON’T FORGET ME – Maggie Rogers
KOOL AID BLUE – The Sylvia Platters
BLAME BRETT – The Beaches
MY LOVE MINE ALL MINE – Mitski *
CAN’T SLOW DOWN – almost monday
LOVIN ON ME – Jack Harlow
ATTRACTION – Wild Horse *
I’M IN LOVE – Jelani Aryeh
UP ALL NIGHT – James Bay, The Lumineers & Noah Kahan
DEATH VALLEY HIGH – Orville Peck & Beck
LUNCH – Billie Eilish
MOTHER NATURE – MGMT
LUNAR ECLIPSE – The Vaccines
NOTHING MATTERS – The Last Dinner Party
FORTNIGHT – Taylor Swift & Post Malone
NOBODY’S SOLDIER – Hozier
WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH
FOR US ALL – Asgard Raven
MODERN GIRL – Bleachers
RUN AWAY WITH ME – Cold War Kids
ICE CREAM (PAY PHONE) – Black Pumas
DIAMOND AND THE MISSING SON – Unquiet Nights
ALIVE! – Bakar
EVERYTHING WE NEED – Mojave Grey
YOU JUST PLAYED MY MIND – Oli Barton
BLUSH – Vazum
NEVERENDER – Justice & Tame Impala
CAPRICORN – Vampire Weekend
MUSTANG – Kings of Leon
ON THE GAME – The Black Keys
GARMONBOZIA – Flying Lotus
INTO GOLD – London Grammar
BOTHERING ME – Sarah Blasko
TAKE IT OR LEAVE IT – Dead Slow Hoot
LONELINESS – Pet Shop Boys
A TEAR IN SPACE (AIRLOCK) – Glass Animals
WANTING AND WAITING – The Black Crowes
FIND MY WAY – Ships Have Sailed
SUPERSAD – Suki Waterhouse
HOW DID YOU GET HERE? – Antony Szmierek
WAR – HEALER
SCARED TO START – Michael Marcagi
THE BREAK – Blame My Youth
GOOD PEOPLE – Mumford & Sons, Pharrell Williams
GOLD – Caitlin Lavagna
I HAD SOME HELP – Post Malone & Morgan Wallen
RUN YOUR MOUTH – The Marías
TOO MUCH – girl in red
THE LIGHTHOUSE – Stevie Nicks
DARK MATTER – Pearl Jam
BROKEN MAN – St. Vincent
HONEY – Mr Bewlay
BOBBY SOX – Green Day
BIG CAT TATTOOS – Hamish Hawk
MIND GAME (3:33) – Collette McLafferty & John Serrano
Photo of Dexter and The Moonrocks from their Facebook account
It’s hard to believe we’re sailing into 2025, and I think it’s highly appropriate to paraphrase Bette Davis (as Margo Channing in the 1950 film classic All About Eve) here by saying “Fasten your seat belts, it’s going to be a bumpy year!”
Hailing from Abilene, Texas, four-piece rock band Dexter and the Moonrocks is comprised of James Tuffs on lead vocals and rhythm guitar, Ryan Anderson on lead guitar and backing vocals, Ty Anderson on bass, and Fox on drums and backing vocals. According to their website bio, they were formed when “a former fry cook, oil field operator, concrete surface decorator and kids’ baseball coach met up in a small town in West Texas and started playing country western music together (as one does in small town West Texas). But something didn’t feel right – so their roots in country began to cross-pollinate with the rock and grunge music they heard their parents playing at home. ‘Grunge and country are honestly so similar,’ says Fox. ‘Look at Johnny Cash’s cover of ‘Hurt’ by Nine Inch Nails. Both speak to the oppressed and the depressed – country with twang and grunge with a bite. A pair of boots can mean cowboy or combat. We are huge fans of artists like Zach Bryan, Tyler Childers and Noah Kahan – and when you take that sound and plug it into amps with electric guitars, you get Dexter and the Moonrocks. We took a bet on ourselves, and it’s paying off immensely,’ he continues. ‘We believed we had something special, and if we could just get people to pay attention they’d fall in love, and we did just that.’ ‘It feels like a fever dream, and it’s definitely helped the health of my knees’, says Ty’s cousin guitarist Ryan Anderson, who never plans to decorate concrete again.”
Describing their sound as “sad cowboy music”, they released their debut single “Couch” (which has been streamed over 17 million times on Spotify alone) in late August 2021, followed by their self-titled EP that November. The rousing ear worm “Sad in Carolina”, one of six songs featured on their latest EP Western Space Grunge, released on Nashville-based label Severance Records this past July, is my new #1 song in a week that straddles the new year. Judging from their prodigious social media posts, the guys appear to have a wicked sense of humor. And on their Spotify account, they wryly state “Our entire lives we dreamed of being pool cleaners, but we guess this will work.” I’m confident it most definitely will!
In other chart developements of note, the endearing “The Faithful Heart” by Wons Phreely + The Horses – which I love with all my heart – moves up two spots to second place, while “Bobby Sox” by Green Day advances two spots to enter the top 10 at #10. Debuting this week are two songs, the first of which, entering at #27, is the delicious “So Cold” by New Zealand alt-pop duo Balu Brigada, the music project of multi-instrumentalist writer/producer brothers, Henry and Pierre Beasley. The song was released last June, but I only learned about it – and them – a few months ago when it appeared on the Billboard Alternative Airplay chart. I honestly liked it when I first heard it, but inexplicably, it’s taken until now for me to add it on my chart. I now love it, along with many of their songs. Balu Brigada opened for twenty one pilots on the North American leg of their Clancy World Tour, which ran from mid-August to mid-October.
The second debut, coming in at #30, is the enchanting “Afterlife” by Sharon Van Etten, along with her backing band The Attachment Theory (consisting of percussionist Jorge Balbi, bassist Devra Hoff, and multi-instrumentalist Teeny Lieberson). The song is the lead single from her forthcoming seventh studio album Sharon Van Etten & The Attachment Theory, due for release February 7, 2025. I love Van Etten’s voice, and it’s her fourth song to appear on my chart, the previous three being “Seventeen” in 2019, “Like I Used To” (with Angel Olsen) in 2021 and “Mistakes” in 2022.
SAD IN CAROLINA – Dexter and The Moonrocks (2)
THE FAITHFUL HEART – Wons Phreely + The Horses (4)
A FRAGILE THING – The Cure (1)
HARDCORE ROMANCE – Beach Weather (3)
FAVOURITE – Fontaines D.C. (5)
DIE WITH A SMILE – Lady Gaga & Bruno Mars (6)
NEVERENDER – Justice & Tame Impala (8)
A TEAR IN SPACE (AIRLOCK) – Glass Animals (10)
NOBODY’S SOLDIER – Hozier (7)
BOBBY SOX – Green Day (12)
CAN’T SLOW DOWN – almost monday (9)
MIND GAME (3:33) – Collette McLafferty & John Serrano (13)
We’ve reached the last full week of 2024, and the Cure‘s “A Fragile Thing” remains at #1 on my Top 30 for a second week. Dexter and The Moonrocks also hold at #2 for a second week with “Sad in Carolina, while Beach Weather moves into third place with “Hardcore Romance”. “The Faithful Heart” by Wons Phreely + The Horses climbs four spots to #4, while “Favourite” by Fontaines D.C. moves down two to #5. “A Tear in Space (Airlock)” by Glass Animals moves up three spots to enter the top 10 at #10.
Three songs make their debut this week, beginning with “Detroit” by Los Angeles-based alternative hard rock band Badflower. Released this past summer, the song took a while to fully grow on me, which is weird since it’s a really good, high-energy anthem. It’s their second song to appear on my chart, the first being their 2018 masterpiece “Ghost”, which peaked at #2 and ranks #21 on my 100 Best Songs of 2018 list. Formed in 2015, the band is still comprised of the four original founding members singer/guitarist Josh Katz, lead guitarist Joey Morrow, bassist Alex Espiritu and drummer Anthony Sonetti.
Entering at #29 is another song that’s been out awhile, “Sailor Song” by American singer-songwriter Gigi Perez. (Coincidentally, it was released on July 26, the same day as Badflower’s “Detroit”.) She’s been putting out music since 2021, but “Sailor Song” is her first song to chart after going viral on TikTok a few months ago. It’s reached #1 in the UK, Ireland and Latvia, and the top five in New Zealand, Norway, Sweden, and the Billboard Hot Rock and Alternative Songs chart. Thus far, it’s reached #22 on the Hot 100. The infectious and endearing song is a love ballad about falling for a woman who looks like the actress Anne Hathaway.
The third debut is “Day & Night”, by London-based singer-songwriter Oli Barton. A supremely talented artist, Barton’s made numerous appearances on my Top 30, most recently this past fall with his previous single “You Just Played My Mind”, which spent 15 weeks on my chart. I’ve loved every single one of his releases, and the ebullient “Day & Night” is no exception!
A FRAGILE THING – The Cure (1)
SAD IN CAROLINA – Dexter and The Moonrocks (2)
HARDCORE ROMANCE – Beach Weather (4)
THE FAITHFUL HEART – Wons Phreely + The Horses (8)
FAVOURITE – Fontaines D.C. (3)
DIE WITH A SMILE – Lady Gaga & Bruno Mars (5)
NOBODY’S SOLDIER – Hozier (6)
NEVERENDER – Justice & Tame Impala (9)
CAN’T SLOW DOWN – almost monday (7)
A TEAR IN SPACE (AIRLOCK) – Glass Animals (13)
SUPERSAD – Suki Waterhouse (11)
BOBBY SOX – Green Day (12)
MIND GAME (3:33) – Collette McLafferty & John Serrano (16)
ECLECTIC MUSIC LOVER 