BRYAN HOWELL – Single Review: “An Untamed Heart”

Time sure does fly by with increasing speed the older I get, and I can’t believe I’m nearing the 10 year mark of writing about music for this blog (though I didn’t begin writing reviews in earnest until Spring 2016). One of the artists I wrote about in those early days was Nashville-based singer-songwriter and guitarist Bryan Howell, when I reviewed his excellent debut album Take the Risk, which he recorded with his backup band The Standalones. Released in August 2016, the album featured ten stellar tunes drawing from a variety of influences, including rock and roll, rockabilly, garage rock, power pop, country, surf and indie rock, as well as the timeless soul music of Motown, Sun and Stax records.

In the years since, Bryan has released a handful of singles on a sporadic basis – “Against the Storm” in 2020, followed by “Still Hungry” and “Like Summer Thunder” in 2023 – yet we’ve remained connected on social media, where it’s been gratifying to know he and I are of similar minds with regard to the music industry and our nation’s insane political situation.

Photo by Andrew Hutto

Though rather quiet with regard to releasing new music, Bryan’s remained active in the Nashville music scene, frequently playing gigs and shows with his backup band The Standalones, where he’s garnered a growing fan base through his high-energy performances. Now, Bryan is back and sounding better than ever with his first single in two years, “An Untamed Heart“, and I thought it high time I featured him again. Written by Bryan, who sang vocals and played guitars, the song was co-produced by him and Drew Boals, who engineered and mixed the track. Other musicians who also played on the track include Wes Burkhardt on bass, Tyler Peck on drums & percussion, Eric Robert on piano, organ and synths, and Austin Rothrock on saxophone. Melo Nelson provided additional vocal arrangments, and Bobbi Giel did the mastering. The song will be included on Bryan’s forthcoming second album Shouting Back At The Brink.

“An Untamed Heart” is a rip roaring banger, blasting open with an electrifying barrage of wailing gnarly guitars, hard-driving bass and explosive drums. Throughout the song, we’re treated to marvelous piano keys and exuberant sax, echoing some of the great songs by the likes of Bruce Springsteen and John Cafferty & the Beaver Brown Band. Bryan’s intricate, fiery guitar work is truly spine-tingling and I love it!

In his spirited gravelly vocals, Bryan fervently sings of a “fiery vixen” who just might have what it takes to tame his wild heart and get him to finally settle down: “I’m an outlaw on the road of love. Robbin’ every heart I come across. No use for any knife or a gun, cause there’s no defense when that feeling comes. Cause an untamed heart makes its own rules. It might be time to leave this town. Gotta headstong woman chasing me down. A fiery vixen with eyes that smolder. But when I see her my breath gets shorter. And if that woman catches up to me, I’m afraid of what I may see. I may not be as man as I want to be. Cause an untamed heart makes its own rules. I’ve been mixed-up for a while now, ever since she and I crossed paths. I never thought I’d be tied down. But maybe those days are in the past.”

And here’s the track on Bandcamp:

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Jack Droppers & the Best Intentions – Single Review: “Welcome to the Party”

Michigan seems to be a wellspring of great music, and over the past two months I’ve written about several artists from the Great Lake State, including Dawning, Au Gres and Michigander. I’m now pleased to introduce a fourth, the delightfully-named Jack Droppers & the Best Intentions, who just released their heartwarming new single “Welcome to the Party” on April 9th. The song is the fourth single from their forthcoming third studio album Dad Rock, due for release on June 18. As I always do when reviewing an artist or band’s music for the first time, I listened to their back catalog to get a better feel for their sound, and I have to say that I really like every one of their songs, even their live performances, which sound as good as their studio recordings.

Based in Grand Rapids, the six-piece is fronted by singer-songwriter Jack Droppers, with the Best Intentions consisting of Laura Hobson (tambourine, backing vocals), Devin Sullivan (guitar, backing vocals), James Kessel (keyboards, backing vocals), Garrett Stier (bass, backing vocals), and Josh Holicki (drums). Their wonderfully infectious and lively brand of Heartland rock’n’roll has drawn comparisons to such acts as Dawes, Delta Spirit, Jason Isbell and the 400 Unit, and Bruce Springsteen. And it’s that Springsteen comparison, along with the recent birth of Jack’s first child Naomi, that inspired their new album’s cheeky Dad Rock title. The single and album were produced and mixed by Jake Rye and mastered by Mike Cervantes (both of whom also performed similar duties on the records by Dawning, Au Gres and Michigander).

Jack states that “Welcome to the Party” acts as both thesis and conclusion for the album, “as it invites this child into a world that is sometimes beautiful, sometimes terrible, and often both at the same time. This song is perhaps the most personal song on the record (it’s the only time I’ve ever had to stop recording vocals cause I was crying big old dad tears). It is a song that was written for Naomi before she was born but was also written for you as we eventually step out of this strange season and begin to ask, ‘what does it mean to be alive?’ The song (like the record as a whole) arrives at this question and offers no quick answers but the steady refrain that ‘you are so loved, so you can always sow love‘.”

The song is both inspiring and beautiful, opening with a stirring four-part vocal harmony backing Jack’s lovely, heartfelt vocals that immediately made me think of The Killers’ Brandon Flowers. Like Flowers, Jack has an emotive vocal style with a strong vulnerability that’s quite endearing. The melody and lush instrumentals are gorgeous too, with jangly guitars accompanied by strings, mellotron, vibraphone and trumpet (which was played by Jared March at a separate studio and later added to the track, with the band never actually meeting him in person). It’s a wonderful song, and I love this band.

The sweet cover photo of Jack holding Naomi was taken by band member James Kessel.

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