DYING HABIT – Single Review: “Into Colour”

Dying Habit is an alternative rock band from northern Wales, whose electrifying, dynamic sound is influenced by such bands as Dead Letter Circus, Katatonia, Biffy Clyro, Therapy?, The Wildhearts and Karnivool. Hailing from Anglesey Island, they started off as a group of friends who bonded over a shared love of music and began jamming together around 2011. They finally became an official band in 2016 when they realized they had a special musical chemistry between them. Previously a four-piece, Dying Habit now consists of Nathan Jones (vocals), Alan Hart (guitar) and Mark Jones (drums).

In August 2018, they released their first official single “Unrealities”, a magnificent and powerful song that I featured on this blog, which you can read here. I liked it so much that it ended up on my Top 100 Songs of 2018. They followed up with a second single “Into Colour” this past July, which I’m now getting around to reviewing. It’s another hard-hitting banger, with a heavier, more modern rock vibe than “Unrealities”. It’s not quite as melodic, but still an impressive track, with a thunderous barrage of blistering riffs, pummeling bass and smashing drums. The guys play as a tight unit, their layered gnarly and distorted guitars nicely enhanced by powerful driving rhythms. Nathan isn’t the strongest vocalist, but he handles the more dramatic parts of the song quite well, and his wails at the end are spine-tingling.

About the song, the band states “It is when we are at our lowest point that we find an inner strength we never knew was possible.” The hopeful, poetic lyrics urge us to turn toward the light – ‘into colour’ – to find a reason and the strength to continue and fight for our survival in this difficult and challenging thing called life:

Float above the surface
Think about tomorrow
Digging up the past it’s becoming real
We are getting somewhere
No more living in shadows
You got to show your face just get it done
On the edge of a dotted line, about to end it all
Wandering why I’d leave it all behind

Sink below the bottom
There’s not much to uncover
Behind the walls we’re finding all the clues
I’m on the edge for a second time, about to end it all
Wandering why should I turn away
But I’m melting into you
Into colour we flow, Into colour we flow
Screaming the words at you, all because of you
Gripping onto the edge, about to end it all
Wandering why should I turn away

Connect with Dying Habit:  Website / Facebook / Twitter / Instagram
Purchase on Bandcamp

WE ROYALS – Single Review: “Ready For It”

We Royals is a new electro/psych rock duo from the mountains of Colorado, consisting of Andy Crosby on guitar and vocals, and Shelton Summerville on drums. Crosby is also the super-talented and wildly-creative brainchild behind electro/psych music project Vox Eagle, who I’ve previously featured on this blog a number of times. We Royals have just released their debut single “Ready For It” and it fucking rocks! The song is the first single from their forthcoming EP, due out soon.

We Royals

The song erupts like a rampaging T-Rex, laying waste to the airwaves as he slashes and smashes everything in his path. It’s as if Aerosmith and Nine Inch Nails combine forces to do battle with Godzilla for sonic supremacy. Crosby shreds and distorts his guitar to the breaking point, making it wail and scream over an intense humming bass line, while Summerville blows out the speakers with his relentless, explosive drumbeats. All of this is backed by harsh industrial synths, creating an incendiary soundscape for Crosby’s feral vocals. His raw, impassioned screams would do Steven Tyler proud.

The song has a raw, high-energy sound like one would hear in a live concert where a band really lets loose. Crosby told me that was essentially what he and Summerville were after: “It was such a super fast process of meeting and tracking and mixing the EP. We only had about 48 hours in studio to get it all done, and didn’t really get too much time to retrack anything so was a bit of a jammy rush. But for the first EP we were just kinda excited to quickly catch the energy and vibe from the rehearsal room the previous week, so it’s definitely more of a raw, live sounding record.”

“Ready For It” most definitely kicks major ass, and I can’t wait to hear the rest of the EP.

Connect with WeRoyals: Twitter / Instagram

Stream/purchase “Ready For It” on Spotify / Google Play / Apple Music

EMPTY FRIEND – Single Review: “Falter”

Empty Friend Falter

Many of the artists and bands I’ve written about recently seem to be from the UK, but there’s just so damn much great talent there that I can’t help but showcase some of it! My latest find is London-based rock band Empty Friend. Formed in 2015, their name was inspired by a song from one their favorite bands, L.A. alt-rock group Failure. Influenced by acts like the aforementioned Failure, as well as Queens of the Stone Age, Soundgarden, Alice in Chains and Incubus, Empty Friend fuses elements of hard rock, grunge, stoner and even a touch of metal to create music that’s heavy and loud, yet melodic and riveting. The current lineup consists of songwriter/vocalist David Kirk, guitarist Ryan O’Hare, drummer Karl Morgan, and bassist Daverage Norman.

They released their debut EP Saltwater in 2018, a fine work featuring five tracks steeped in grunge/stoner grooves. Two of the tracks, “Hanging On” and the title track “Saltwater” are especially good, and I encourage my readers to check them out on one of the music platforms listed below. Now Empty Friend return with a fantastic new single “Falter“, which dropped October 26th. The song is a hard-hitting protest song of sorts, with dramatic instrumentals and vocals that match the fiery intensity of the powerful lyrics.

The song opens with chugging riffs of fuzzy guitars, as Kirk’s fervent vocals command the proceedings. O’Hare’s gnarly guitars grow more intense as the song progresses, with flourishes of wailing distortion accompanied by Norman’s throbbing bass and Morgan’s tumultuous drumbeats. Now Kirk’s powerful vocals reach a crescendo as he emphatically screams the scathing lyrics calling out the ruthless, cynical leaders who prey on societal fears and divisiveness to gain and hold on to their power. Eventually, the masses will turn on these demagogues and drive them out (something I hope happens soon with assholes like Trump, Johnson, et.al.):

You rode the wave and made them love you
Stoking discontent
Whipping up the people into
Choices they regret

Now they hate you all the more
And they watch your every step
It’s one thing to forgive
And another to forget

Next you weaponised your lies
And you cracked down on dissent
You grew weaker with your pride
While the people gained their strength

Well enjoy your last sunrise
While the knives
Are being sharpened
In the shadows

Well the day’s gonna come
When you falter and run
All the people as one
Baying for blood

I’m glad that more artists are writing songs that speak to our current socio-political upheaval, and “Falter” is one of the best I’ve heard yet. It’s a brilliant track both musically and lyrically, and Empty Friend are surely a band to keep an eye on.

Catch Empty Friend at one of these upcoming shows:

Nov 23 – The Constitution, London, UK
Dec 07 – The Monarch Pub Camden, London, UK

Connect with Empty Friend:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music
Purchase:  Google Play / Bandcamp

HOLLOW INTENT – EP Review: “Monster”

Hollow Intent Monster

Hailing from Wilmington, North Carolina, hard rock band Hollow Intent has been making quite a name for themselves on the local music scene with their aggressive style of melodic metal rock. In May, the band was nominated for the 2019 Carolina Music Award’s Best Rock Group, with front man Will Baker also nominated for Best Rock Male. On August 1st, they released their appropriately-titled debut EP Monster, which I’m pleased to feature on this blog.

Hollow Intent was born when guitarist and vocalist Will Baker and drummer Mark Davis started jamming together and discovered an immediate chemistry between them. Soon, they brought on bassist Shane Noren and guitarist Wesley Seven to complete the band’s lineup, and quickly began perfecting their intense sound and crafting songs to take advantage of their explosive, guitar-driven music style. The band explains that Monsterdepicts all feelings with a negative connotation such as depression, anxiety, stress, rage, etc,, and they’re put together to create this “Monster”.

Hollow Intent

The EP kicks off with the title track “Monster“, a two-minute long instrumental that sets the tone for things to come. As its title implies, the song’s a rampaging beast of wailing distortion, grinding bass and crashing drums, plunging us headlong into the heavy metal zone.

Before we can catch our breath, “Burn” explodes onto the airwaves with a thunderous barrage of raging guitars, buzz-saw bass and speaker-blowing percussion. But the real highlight for me are Baker’s jaw-dropping vocals. He has a phenomenal voice that sounds beautiful when singing clean, and positively feral when he launches into his metalcore screams and growls. There aren’t many metalcore vocalists who also have great clean singing voices (Slipknot’s Corey Taylor and Ice Nine Kills’ Spencer Charnas are two who come to my mind). Baker definitely does, and it’s no wonder he was nominated for the Carolina Music Best Rock Male Award. When he screams “Let’s go!” with a terrifying ferocity, we have no choice but to comply. But then he draws us in as he plaintively sings the biting lyrics addressing someone who’s actions have brought out the worst in him: “You hate what I’ve become in you. The monster inside me. You’re inside my head, tearing me apart. Filling with red, straight through the heart. You’re starting to turn. There’s no controlling all these evil eyes. I’m here to watch you burn!

The face-melting “Bipolar” serves up chugging riffs of reverb-soaked grit and distortion enveloped in a punishing wall of sound. This song kicks some major ass, and is one of my favorite cuts on the EP.  Once again, Baker blows our minds and eardrums with his vocal gymnastics. The way he makes his voice bleed one moment as he screams “Liar!” or “Bipolar“, then transitions to a seductive croon the next is really impressive.

The guys slow down the pace with “Shadow of You“, a darkly beautiful metalcore ballad that speaks to duplicity and betrayal: “You didn’t believe in me. I trusted you, but I knew you were faking. /I am always in the shadow of you. It’s getting colder as I close my eyes. These dreams are made of all your lies.” The guitar work is fantastic, and I really like the recurring mournful little riff, as well as the moody piano keys at the end of the song.

Parasite” serves up more metalcore goodness with a torrent of shredded guitars and pummeling drums, accompanied by Baker’s death-rattling growls. But it’s on “Welcome to the Dead” that Hollow Intent show us what they’re really capable of. Wow, these guys blow the fucking roof off here, with some of most explosive instrumentals I’ve heard in a very long while. The raging guitars, crushing bass and pummeling drums are so hard-driving they leave me breathless! The guitar work here is nothing short of magnificent. Turn the volume all the way up for this monster of a tune!

The EP closes with “Normal“, a beautiful ballad that showcases the band’s softer side. The instrumentals are more stripped down, with strummed acoustic guitar, subtle bass, stirring strings and gentle percussion. Baker passionately implores someone to help him overcome his mental anguish and live a healthy existence: “If the pain could go away, would you save me? If the light stays gray, will you help me believe? If you could find a way to break this hold, could you help me be normal?

Though it contains only seven tracks, six of which include vocals, Monster feels monumental in scope. All of the songs are superb, both in terms of their high quality and in their power to move us, and it’s a very impressive debut work. Hollow Intent are an incredibly skilled group of musicians who know how to play metal rock as it was meant to be played – heavy, melodic and loud! Furthermore, Will Baker is one of the finest metalcore vocalists around, in my opinion. I cannot wait to hear more music from this fantastic band.

Connect with Hollow Intent:  Facebook / Twitter / Instagram
Stream “Monster” on Spotify / Apple Music
Purchase on Bandcamp / Google Play

New Song of the Week: ELEPHANT GUN RIOT – “Man Down”

Elephant Gun Riot Man Down

Elephant Gun Riot (is that not a great band name or what!) is a female-fronted modern rock band based in Spokane, Washington. Formed in 2013, the five-piece is made up of vocalist Caitlin Rose, guitarists and brothers Zach Wirchak and Sean Ciolli, bassist Patrick Rooks, and drummer Mike Lowe. They released their debut EP Sic Infit in 2014, and followed with their self-title album Elephant Gun Riot in 2016. Since then, they’ve release two more EPs and several singles, including a face-melting cover of Billie Eilish’s “You Should See Me in a Crown”. Now they’re back with “Man Down“, their first original single of 2019 and my selection for New Song of the Week.

It’s a banger of a tune, featuring the band’s signature sweeping melodies and roiling riffs of gnarly guitars, driven hard by an explosive rhythm section. Wirchak and Ciolli’s intricate, layered guitar work is impressive, running the gamut from delicate chiming notes to some serious shredding, and everything in between. Rooks lays down a crushing bass line while Lowe pounds his drum kit like a banshee. And then there’s Rose, who has a beautiful, yet incredibly powerful vocal style that pairs perfectly with their hard-rocking sound. Here, she raises goosebumps with her raw, impassioned vocals as she rails against another’s deceit and betrayal,”The truth will find you out. So long now. You best get out of town. Long gone (Man down).” Listen and see for yourself:

Connect with Elephant Gun Riot:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / Apple Music
Purchase:  Bandcamp / Google Play

New Song of the Week: DRAWING ON SCARS – “Rewrite”

Drawing on Scars Rewrite

I just reviewed a song titled “Under These Scars”, and now turn my attention to Drawing on Scars, an online alternative rock music project based in Atlanta, Georgia. The creative brainchild of songwriter and multi-instrumentalist Will Thacker, Drawing on Scars seeks to collaborate with guest vocalists from across the U.S. in the creation of unique, ever-changing music. Generally, Thacker writes the music and lyrics, which the different vocalists then interpret in their own distinct ways, keeping Drawing on Scars’ repertoire sounding fresh and delivering the unexpected.

Formed in 2012, the project produced an EP featuring seven artists, then went on hiatus in 2017, during which time Thacker formed the band Fieldcrest. He resurrected Drawing on Scars in early 2019, and since March has released four singles, the latest of which is “Rewrite“, which I’ve chosen as my New Song of the Week.

The song features vocals by Jena Jones, who is also vocalist for Fieldcrest (I reviewed their EP Canvas last October.) The song has an Evanescence feel, not only because of the dark, complex melody and powerful instrumentation, but also because Jones’ strong, resonant vocals remind me of Amy Lee’s. Thacker’s a skilled guitarist, and his work really shines here as he dazzles our ears with crushing riffs of grimy guitars and heavy bass. The spooky synths and thunderous percussion are pretty fantastic too, and combined with the intense guitars, create a massive backdrop for Jones’ mesmerizing vocals. 

The lyrics seem to speak about someone suffering from mental illness or an emotional breakdown, and their desperate plea for help and support in getting their life together. Jones’ emotion-filled vocals beautifully convey the anguish expressed in the powerful lyrics:

I need you here babysitting my thoughts
I can’t control them, they’ll tear me apart
There’s just little things that go straight for my heart
It makes me sick

I hope I can keep control and not let myself down
But I’m a fake, how much can you take
Can’t you see that I’m afraid

Distorted perception of who I am
Help me rewrite it, begin again
This war going on inside of my head

I don’t know how to fix myself
The words that kill me are my own
Oh, I’m the harshest critic I know

Connect with Drawing on Scars: Facebook / Twitter / Instagram
Stream their music:  Spotify / Soundcloud / Reverbnation / YouTube
Purchase:  Bandcamp / Google Play / cdbaby

FOLLOW NO ONE – Single Review: “Fear No Evil”

Follow No One is the music project of two highly accomplished musicians from different parts of the world and two completely separate musical backgrounds – singer/songwriter and pianist Rich Hall, who’s originally from Nashville, Tennessee, but now based in Denver, Colorado, and guitar virtuoso Pedro Murino Almeida from Lisbon, Portugal, but with roots in Brazil. Rich began performing at a young age in theater, but found his true calling performing and writing music. Pedro was classically trained in music composition, with a successful career involving his own musical acts, and his work has been featured in film and video. Their dynamic style of rock music is influenced by such giants as Dream Theater, Alter Bridge, Foo Fighters, Avenged Sevenfold, Imagine Dragons and Three Days Grace.

The duo released their debut EP, simply titled “5“, in September 2017, which featured five hard-hitting tracks. (My review of the EP has been one of my most successful, earning nearly 300 views.) They followed in 2018 with an excellent cover of the David Bowie song “I’m Afraid of Americans”, then “Your Time of Dying” in March 2019. Now they’re back with a killer new single “Fear No Evil”, which dropped August 9th. The song was inspired by Hall’s study of Demonic Possession, a topic he has researched for many years. The track has had quite a journey during its creation, having been recorded in both Portugal and the U.S., and mixed by Jarrod Headley (Music Supervisor for the History Channel program Counting Cars), before finally being mastered in Dallas.

The track blasts open with an explosion of Almeida’s gritty, chugging guitar, while Hall fervently wails the opening lyrics. Almeida’s guitar soon settles into an intricate back and forth dance of melodic jangly riffs alternating with some serious shredding and mind-blowing distortion. Holy hell, this man can play the guitar! Fortified with a rock-solid rhythm section of crushing bass and thunderous percussion, Almeida lays down a riveting backdrop for Hall’s colorful, impassioned vocals as he plaintively laments:

I tried to believe
And the people let me down
I gave them every chance
Changed every circumstance
People you think you can trust
Are not even people at all
Imagination or indoctrination
Chipping away at the edges of your soul
See no evil
Hear no evil

“Fear No Evil” is a fantastic, powerhouse track that gets better with each listen. Almeida’s guitar work is among the best I’ve heard lately, and both he and Hall make a formidable pair, delivering outstanding and hard-driving rock with every song they release.

Connect with Follow No One:  Website / Facebook / Twitter / Instagram
Stream their music:  SoundcloudSpotify / Tidal / Google PlayYouTube
Purchase:  iTunesAmazon

New Song of the Week: THE ONLY ROUTE [TOR] – “Secrets”

The Only Route3

British alternative rock band The Only Route (also known as TOR) play some of the finest, most aggressive guitar-driven rock of any indie act around today. Slicing through the airwaves with wicked riffs, explosive percussion and addictive melodies, their hard-hitting songs never fail to deliver an electrifying listening experience. The Lowestoft, England four-piece consists of Ryan Redwood (vocals, guitar), Robby Hodgey (lead guitar), Andy Kirk (bass) and Matty Larkman (drums).

Since early 2017, they’ve released a series of terrific singles, including the blistering semi-autobiographical “Made” in January 2018, and the fantastic kiss-off “Not Worth It” this past March (a real ripper of a song which has spent the past nine weeks on my Weekly Top 30). I reviewed both of those singles, the links to which you can find under “Related” at the bottom of this page. They’re now back with a new banger of a single “Secrets“, which drops today.

As expected, TOR demonstrate yet again their talent for composing arresting melodies and penning straightforward lyrics based on their real-life experiences, and bringing them to life with their outstanding musicianship. The guitar work is fantastic as always, and Robby’s guitar solo in the bridge is absolute fire. Andy and Matty keep a tight rhythm while Ryan denounces a friend that cheated on his wife, who then left him and ran away from their town, but he kept it a secret. She eventually returns, but is like a stranger to everyone, with a completely different personality: “I looked out your window and saw that she was back. And you’ve got some secrets and they’re really bad./ Why doesn’t she look the same? She said she had changed her name.”

Ryan has a wonderful, commanding voice that’s perfectly suited to their style of hard-driving rock, and is one of the many positive attributes of TOR’s music. Plus I’m a sucker for a good strong British accent that comes through in the vocals. I love this band!

Connect with TOR:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music / Google Play
Purchase on iTunes

AGENCY PANIC – Single Review: “The Middle”

Agency Panic3

Agency Panic is an Irish rock band who, over the past year, have been establishing themselves as one of the more exciting and innovative acts in the progressive metal scene. They seem to prefer maintaining a low profile, however, as the few photos they have on their social media accounts are dark, with their faces in shadow, and I know them only by their first names:  J.D.K. on vocals, Tubs on guitars, Lee on bass, and Revsy on drums. My sense is that they want their music to speak for itself, rather than the focus be on them personally.

In July 2018, they released their monumental debut single “Panic” (which I reviewed) as the first installment from what they’re calling their ‘drip feed’ EP, which is being released one song at a time. The incredibly intense song set a very high bar for the band, with face-melting riffs, explosive percussion and fierce, chill-inducing vocals. I loved it so much it ended up on my Top 100 Songs of 2018 list.

They followed up that October with their second single “Lie”, a darkly beautiful banger featuring more of their signature scorching riffs and thunderous percussion. Now they’ve returned with their third installment “The Middle“, which dropped June 14. It’s another winning single, serving to further bolster Agency Panic’s flawless resume for putting out stellar progressive metal songs that challenge the listener. Unlike a typical song with a catchy melody that quickly bores into our brain, progressive metal (or any progressive form of other music genres for that matter) often requires a closer and/or repeated listens to fully absorb and appreciate the nuance of the unusual melodies, song structures, lyrics and instrumentals, all of which “The Middle” has in spades.

In keeping with their penchant for maintaining a bit of mystery, the poetic lyrics are somewhat abstract and open to interpretation. When I asked J.D.K. of the meaning of the song, all he would tell me is that “it all took place in the middle of Amsterdam.” The song opens with a twangy electric guitar riff and a whisper of ominous synth, then a somber drumbeat kicks in as J.D.K. speaks in a rather unsettling echoed voice about what seems to be a dream or possible acid trip:

Blinding blinding flicker
Sparks of light
Creeping dilations
Pupils rise
Abstract thoughts
Deceptively distort, shadows crawl to the sirens song
As it all dissolves the show has just begun.
Through to black
Beyond the veil
The oceans of chaos were about to sail…

The guitar suddenly explodes into gnarly riffs of shredded distortion as deep bass and heavier percussion are added, and J.D.K.’s vocals turn more impassioned as he sings:

Invasive influence
Hooked direct to the mainline.
Re con struct self
Time has melted design
Illusion slowly reveal
Spilling right into the dream…
Ahhhhhhhhhh
Ahhhhhhhhhhhh
In the loop again
In the loop again
In the loop again

By the third verse, everything ramps up to near-frenzy, with screaming guitars and speaker-blowing drums as he fervently wails the lyrics that seem to speak of being reborn into a new reality:

Erasing what you think is real
Ego peels
Stripped down to bone to which you’ll find
One mind’s eye
Seductively it reels us in
Hooks through the skin
Past present future on a plain
Reincarnate
Walking through the void
Entrance to the other side
Take take fear…

Step from the darkness into the light
As movement slowed and we bent time 

The song closes with a fadeout of reverb, leaving me awestruck by its magnificence. Agency Panic are proving themselves to be phenomenal songwriters and musicians worthy of notice, and I’m thrilled to be following them on their musical journey as they continue to release more songs.

Connect with Agency Panic:  Facebook / Twitter / Instagram
Stream “Panic” on  Spotify /  Apple Music
Purchase on  Bandcamp /  iTunes

SABOTEURS – Album Review: “Dance With the Hunted”

Saboteurs album art

Saboteurs is a rock band from Lincoln, England who (in their own words) “play trans-genre songs about badgers, constellations and other things which creep into our lives during the night.” Fusing elements of alt-rock, grunge, post-punk, metal and folk, they create hard-hitting music that thrills and surprises our ears and minds.  Like many a band, they’ve experienced some personnel changes since forming, and now consist of Ben Ellis (lead vocals/guitar), Rick Whitehead (lead guitar/vocals), Kirsty Marlog (backing vocals), Geoff Standeven (bass), and Pete Botterill (drums), although for the album Dance With the Hunted, drums and percussion were performed by Hamish Dickinson, who also handled production, mixing and mastering.

The band released their self-titled debut EP Saboteurs in 2018, immediately attracting a growing base of fans and recognition by BBC Introducing, as well as being named Richer Sound’s Artist of the Week and finalists in Radio Wigwam’s Rock Act of the Year. But shoulder surgery for lead guitarist Whitehead led to unrest in the band and, ultimately, a violent split with the rhythm section. This caused the band’s songwriters Ellis and Whitehead to sink into a dark place, which actually provided them with needed impetus for an explosion of new material that would become their first full album Dance With the Hunted, which dropped on May 4th.

The opening track “Splintered” reveals the intensity of their feelings while writing the songs for the album. The biting lyrics speak to a bitter breakup of a relationship, delivered by Ellis’ fiery vocals: “The pain – I dedicate our loss to you. The shame will never end but I’m coping on my own. The ones I left behind – they just fade out. If I fall down, I won’t stay down. If you fall down, you will stay down.” The roiling riffs of grungy guitars, pulsating bass and thunderous drums are fantastic.

Next up is “Over and Doubt“, a moody but gorgeous track that leaves no doubt that these guys know a thing or two about crafting superb songs with the power to inspire and move the listener. And I’ll state right here how much I love Ellis’ vocals, which in addition to his and Whitehead’s spectacular guitar work, are one of the strong points of Saboteurs’ overall sound. He’s one of the best rock vocalists around today, in my opinion, with an incredible tone and range that give him the ability to comfort us one moment, then chill us to the bone the next. When he plaintively wails “Please stay with me, over and over again!“, we really believe him. On this track he sounds a lot like Steve Kilbey of The Church. Musically, the song features a complex, ever-changing melody that keeps us enthralled from start to finish, and the guitar work is outstanding. It’s one of my favorite tracks on the album.

The dark and moody vibe continues with “Believe Nothing Hurts“, but presented here with an exhilarating fast-paced rhythm and chugging riffs of gnarly guitars. Ellis angrily snarls the searing lyrics condemning someone for their duplicity: “This time, believe nothing hurts. Oh, your lies. As they come in they’re drowning now in your own sweet precious melody of lies.” “Break Down” is a lovely, incredibly melodic song with a 1990s vibe that, to my ears, calls to mind songs by the Goo Goo Dolls, Gin Blossoms and Deep Blue Something. The strummed guitar is a great addition, providing a wonderful added texture of sound. The backing vocal choruses by Miles Kent and Kirsty Marlog are especially nice.

Marooned” is a big, arena-worthy track, with lush, layered guitars and a torrent of bombastic percussion. But it’s the deep, pulsating bass that plays a starring role here, giving the song a massive U2 vibe. In fact, Ellis’ vocals sound a bit like Bono on this and a few other tracks. He passionately sings of emotional hurt that can never be undone: “Broken red skies are endless. The reason I guess why you left me here. They look like the old wounds you can’t suture. They are the scars of time.” On the poignant, hard-rocking “I Think My Face Hates Me“, Ellis sings of his feelings of hopelessness: “I’ve been lying on the floor just eating time. Pretending there’s no light behind my eyes. I’m going home or I’m going down. Every day I am reborn in the skin I’ve had before.

The guys keep delivering compelling lyrics and killer riffs with “One Track Mind“. The protagonist acknowledges his need to change his ways: “What would it take to be the better man? To say, ‘Yes, I can – I’ll never let you down’. Constant mistakes – pathetic apologies. Want to effect a change and make it alright.” But then he bitterly resigns himself to the fact that while he’s the one who must change “I kill the doubt inside and learn to play your game.“, others will not: “You all stay the same.

The title track “Dance With the Hunted” is about a rock star whose fame has not brought the happiness and contentment he’d hoped for. Instead, he lives a miserable, self-destructive life: “The spotlight I always craved keeps pulling me back but there’s no light behind these eyes./  Is art ever worth the pain? To watch you die on centre stage for fifteen minutes of shame.The disappointment never ends.

Traces” is one the darkest tracks on the album, with trace elements (no pun intended) of metal, giving it a heavier vibe. The song opens with a mesmerizing guitar riff, then expands with a powerful melange of intricate guitars, throbbing bass and hammering drums. The lyrics speak of someone tortured by their past and possible mental illness, desperate to escape their surroundings in the hope of starting over fresh: “There are traces of the old times. Like battle scars in my mind. Only the world to me. Turn the lights out – leave this home. Wherever the white lines take us.” Backing metalcore growls by guest vocalist Jamie Armstrong add an extra layer of gritty texture to Ellis’ raw vocals, to great effect.

The final track “Willows” closes out the album on a gloomy note, speaking of a couple whose relationship is so damaged by hurt and pain, it may be beyond salvation. In vocals that really seem to channel Bono, Ellis passionately wails “Skin so thin, so thin it bleeds right through you. And we blame ourselves, don’t you blame yourself too? Walking wounded – in a black wind. Take me to the place where the willows grow. Write down everything that hurt us so. Everything we never said.” As always, the instrumentals are hard-hitting, with furious riffs, crushing bass and tumultuous drums.

Dance With the Hunted is a heavy, emotionally-wrought album to be sure – there are no upbeat love songs here! But it’s a beautifully-crafted work, with deeply compelling, heartfelt lyrics, gorgeous rock melodies, and magnificent instrumentals. Every track is superb, with no filler or throwaways. If you like some of the aforementioned bands I discussed, you will enjoy the music of Saboteurs.

The beautiful original album artwork was designed by Anita Inverarity.

Catch Saboteurs at one of these upcoming shows:

Saboteurs concerts

Follow Saboteurs:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud / YouTube
Purchase on Bandcamp / Google Play