CAMERON MILLS – Single Review: “Burning On Full Steam”

Cameron Mills is a talented young singer/songwriter based in Devon, UK. Despite the fact he’s only 18 years old, Cameron has a phenomenal singing voice that sounds far beyond his years. He began taking singing lessons at an early age, and has performed at many gigs and concerts since before he was ten. He enjoys performing swing and jazz songs, as well as old classics and modern folk-pop that suit his mature vocal style. I think he sounds like a more soulful version of Rick Astley.

Cameron Mills

He released his first single “Autumn Leaves” in 2015, and followed up with a couple more before dropping his latest single “Burning On Full Steam” in April of this year. It’s a catchy, folk-infused pop tune with an almost gospel quality. The track begins with a slightly mysterious hummed chorus, then lovely strummed guitar and gentle percussion take over, accompanied by Cameron’s rich, warm vocals. He sings about dreaming big and not letting anyone or anything prevent you from trying to reach your goals: “You’ve got to aim for the stars. Nothing less. No matter what people say. Don’t let them get in the way. Never let anything get in the way. Aim for your dreams, Keep burning on full steam.

As an added bonus, here’s a video of Cameron singing a pretty decent cover of Stevie Wonder’s classic song “Superstition.” It really showcases his vocal ability.

To learn more about Cameron, check out his Website and follow him on Twitter and Facebook.

Stream his music:  Spotify / Soundcloud

Purchase:  iTunes

TONI SIDGWICK – EP Review: “Lions”

Toni Sidgwick is an indie singer-songwriter based in County Durham in northeast England. She was born and raised in the remote Shetland Islands northeast of the Scottish mainland, and began her musical journey by busking on the streets of Edinburgh. Her unique style of folk/pop draws from influences by artists such as Ben Howard, London Grammar and Bruce Springsteen. And like those artists, her lyrics are often deeply personal and introspective, speaking to the complexities of life, relationships and her place in this world.

Toni released her debut EP Lions in June, having worked with the brilliant young producer, Lauren Deakin-Davies, and I have the pleasure of reviewing it. Delicate strums of her acoustic guitar introduce the first track “Carry My Heart,” a gentle, lovely ballad in which Toni acknowledges her independence, but also desire for a romantic connection: “I can carry my life, I’ve been doing it for some time. I can carry my life, will you carry my heart. Her vocals are understated and soft, yet reveal a quiet intensity that makes the lyrics feel all the more powerful.

Toni ramps things up a notch on “Only One Way,” a lively track about being honest and true to your feelings toward another. Toni’s vocals are clear and confident as she emphatically sings: “And I gotta stay true to me. And I gotta stay true to you. There’s only one way, only one way, only one way…that I can be.” I love the fast-paced jangly guitars and toe-tapping percussion. Just like the lyric “it makes me happy,” this song makes me happy and is my favorite on the EP.

Dance” is a beautiful, tender ballad with acoustic guitar, gentle percussion and a beguiling harmonica riff. With heartfelt emotion, Toni sings “Oh dance with me. Don’t you dare stop moving our two left feet. Slow dance, dance. We’ll go higher and higher than we dare to chance.” The title track “Lions” is a peppy little number with plucky guitars, crisp snare drum and just a hint of bass. Toni sings of drawing on one’s inner strength to make it through this crazy world: “We are lions, we gotta roar.

The folk-rock song “Be Anything” speaks to holding on to another’s love and support that enable you to be a better person: “You pull me closer. And in your heart, I can be anything.” A combination of strummed acoustic guitar, a sturdy bass line, and light percussion make for an intensely satisfying track. In fact, all five songs on Lions are intensely satisfying, and it’s clear that Toni poured her heart and soul into its creation. It’s a debut effort she can be proud of.

Connect with Toni:  WebsiteFacebook / Twitter / Instagram

Stream her music:  Spotify / Soundcloud / YouTube

Purchase:  iTunes

Single Review: SORICAH – “Waiting”

I had the pleasure of connecting with the talented young singer/songwriter Soricah when she reached out to me about her music. Now living in Dublin, Ireland, Soricah is of Irish/Mauritian ancestry and spent various times of her childhood and early adulthood living in Ireland, Africa, Mauritius and London. Those rich experiences give her music a unique sound that’s not tied to any one genre, in her words “taking the melodies of Ireland and the Soul of Africa to produce some truly original and captivating music.” She provided the following bio info that gives a good snapshot of her music background:

“Soricah has gigged on the London circuit as a solo artist, and is a former member of the band Rebekah Met Sarah. She has supported musical acts such as The Palma Violet and renowned celloist Jo Quail, and has been a frequent collaborator with members of The Artist Community of Studio 180 and the rich artistic warehouse scene of East London. She has also been featured on a wide variety of different artistic projects and her collaborations have been aired on Freakfm, BBC Radio One and a variety of Irish and international radio stations.”

Soricah

She recently completed recording of her debut EP Let Me Know, planned for release later this year. Her first single from the EP, “Waiting,” was just released on May 11. It’s a beautiful song, with a soothing, languid melody that conjures up images of a beach bathed by tropical breezes, at least to my mind. A distinctive element of the track is the gorgeous cello, played by Gary Molloy, which gives the track a haunting, dreamlike sound. Soricah’s strummed acoustic guitar and smooth, sensuous vocals are complemented by gentle percussion and bass, courtesy of Daniel Doherty.

Both musically and vocally, the song reminds me of Lana Del Ray. The song lyrics speak of intense passion and longing for someone. In her captivating voice, Soricah seductively croons “Come a little closer. Feel my body move. My heart is beating faster, waiting for you. / You take me away into the stars. This is where I’ll stay waiting for you, waiting for you.”

Follow Soricah on Facebook.  Stream “Waiting” on  Spotify or Soundcloud, and purchase on  Bandcamp,  iTunes  or  Amazon.

Featured Song – MORGAN CAMERON ROSS – “I Won’t Live Until I Die”

Morgan Cameron Ross

Morgan Cameron Ross is a folk singer/songwriter and actor from Canada, and I’m happy to feature him on my blog. Originally from Vancouver, Morgan now resides in Toronto, and has written songs featured in Canadian and American television and movies, as well as for numerous platinum selling albums. He had previously been involved in the bands Bird of Wales and Bellwoods, but is now striking out on his own again with a beautiful new song “I Won’t Live Until I Die.”

Regarding his decision to go it alone, Morgan explained: “I’ve been in need of a drastic change. Music slipped away from me this past while. I’ve written with and for countless people: Grammy winners, platinum selling artists, successes, failures, talented and non. I scored my own Top 10 Billboard song with my pop band Bellwoods a couple years ago even. So why put out my own dark and melancholy music? I started out as a young kid running my University radio station. I listened only to old folk music and political punk tunes. I can still recite every single damn Weakerthans or Shins lyric. Two years ago I got off a stage in some arena with my band and the headliners were about to go on. They do well and have some hits but they’re also close to 40 years old and every single damn one of them were wearing bedazzled shoes. It was that moment right there that I knew I had to start putting out music like this song again.”

“I Won’t Live Until I Die” is a lovely but bittersweet folk song. The poignant lyrics speak to the lifestyle choice of focusing on making money in order to find happiness at some future point, yet not living in the here and now as a real human on this beautiful earth. “I won’t live until I die. And I worked hard my whole life. Lord I know how hard I tried. I won’t live, I won’t live ’til I die. It’s always then and it’s never now. So I live my life somehow. And I got money, but I ain’t got no soul. It’s always then, it’s always then, it’s never now.

The song features smooth acoustic rhythm guitar, accompanied by just the right amount of gentle percussion, and punctuated by a fine electric guitar solo. Morgan’s heartfelt vocals are sublime, as are the guest vocals of fellow Toronto singer/songwriter Justin Nozuka that harmonize beautifully with Morgan’s. This is an incredibly beguiling song that had me hitting ‘replay’ over and over.

Morgan has also recorded a lovely acoustic version of the song, which sounds even a touch more melancholy. The beautiful video was filmed at Joshua Tree National Park (about an hour from my home and a popular place for filming music videos). I’m guessing the rugged natural beauty of the place is meant to represent a simpler life with a lack of pretension or materialism.

Connect with Morgan on Twitter and Facebook, and check out more of his music on Soundcloud and YouTube. His music may be purchased on iTunes and other music sites.

Song Review: ANDY K LELAND – “The Kingdom”

Andy K Leland

Although he sounds like he’s from the northern reaches of the UK, indie singer/songwriter Andy K Leland is Italian. Born Andrea Marcellini, Andy plays a quirky but charming style of acoustic folk music. Formerly a founding member and bassist of alternative rock band My Cruel Goro, who split up a year ago, Andy is now a solo artist, and in February he released his first single “The Kingdom.” He plans to release his debut EP Happy Daze later this year.

“The Kingdom” is a delightfully pleasing tune, with gentle strumming acoustic guitar, accompanied by sounds from a toy keyboard organ. Andy’s off-kilter vocals that seem to skip letters or even whole words are infectiously beguiling, and perfectly suited to the catchy folk vibe. I must admit that when I first listened to the song, my initial reaction to his vocal style was ‘what the hell?’ but after a couple more listens I was hooked. Andy’s music is certainly unique and he sounds like no one else, which can be a very good thing in the massively overcrowded music scene.

I don’t often include the entire lyrics from a song, but these are so compelling and slightly humorous that I cannot resist. I may be off-base, but they seem to be from the perspective of someone who is dying or already dead, and now describing their observations of the afterlife:

Well the world has capsized
Turned my guts inside out
(They) got unplugged but FB
Keeps alive their ID’s
Save the day for sleeping
And the night for choking
In a bed of concrete
Next to walls that haunt me

Well outside it’s dawning la-la-la-la
I won’t see the morning la-la-la-la
I’ll be dead or dazzled by our own black nature

Got up one day in the kingdom
Surrounded by some strange folks
They held in hand their relics
And really dug my antics
So we danced together
Took some rest however
They were all plugged and wet so
They got electrocuted

Well outside it’s dawning la-la-la-la
I won’t see the morning la-la-la-la
I’ll be dead or dazzled by our own black nature

Yeah we are all guilty la-la-la-la
That makes me feel so filthy la-la-la-la
I won’t see the morning la-la-la-la
I’ll be dead or dazzled

Connect with Andy on Twitter and Facebook, and stream his music on Soundcloud