Fie! Fie! Fie! is a gloriously-named alternative rock band who make glorious music. Based in West Yorkshire, England, the band was formed in 2013 by seasoned musicians Daniel Varley and Pete Long, both of whom play some pretty mean guitar. Later joining the band were bassist Avon Blyth and multi-instrumentalist/percussionist Matt Burnside. (Burnside recently departed the band, though he’s played on all their recordings, and Marcus Ambler is a new addition to the lineup.) Daniel sings lead vocals, and the other band members provide backing vocals.
They’ve released a number of tracks and albums, including Can You Hear This? in 2015, and Live at St. Mary’s and a terrific single “Hit the Spanish Main” a year later. In August 2017, they released a double A-side single “Edge of Space/Everything I Told You”, which I reviewed, then followed with another single “Famous Liars.” This August (2018) they dropped a new album No Light For Lies, which includes all four of the aforementioned singles.
The guys describe the album as being about “Courage, Truth & Love – that there is no light for lies – yet there is light for the truth.” It opens with “Intro Venus,” a brief but captivating instrumental that immediately draws us in with a haunting guitar riff paired with dark synths. Having gotten our rapt attention, Fie! Fie! Fie! proceeds to blow our minds with the stunningly beautiful “Edge of Space.” Oh man, this song has one of the most arresting guitar-driven melodies I’ve ever heard. What sounds like lush synths is actually an effect that Pete put down on one of his guitar tracks, along with an achingly beautiful guitar riff that burns itself into your mind. It stayed with me long afterward, leaving me humming the melody and wanting to hear the song again and again.
Using metaphors of space exploration, Daniel fervently sings about finding enough forgiveness to salvage a damaged relationship, or possibly a damaged world: “Could you find a way, a way to see past this. Past the mess that we both left, could you see through it. Gliding through the stratosphere, could fall off, float away. There’s bigger fears alone up here as we try to find our way.” The song ends with snippets of what sound like old recordings of astronauts speaking from their spaceships, and a final dramatic flourish of distorted guitar. It’s fantastic, and my favorite track on the album.
Another highlight for me is the fun and bouncy “Hit the Spanish Main.” As it’s title suggests, the song features lots of tasty Latin guitars, but the guys spice things up with jolts of gritty and distorted guitars in the choruses that have the effect of Tequila shots on a beer buzz. Daniel sings about leaving their troubles behind when they reach Panamanian shores: “Got red-faced about everything. Still it all gets better when we hit the Spanish main.” The guys change up the tempo again with the mellow folk-like ballad “Everything I Told You.” The silky layered acoustic guitars floating above a smooth bass line and gentle percussion are sublime, and I really like Daniel’s earnest vocals, backed by a dreamlike harmonizing chorus. Here’s a lovely live performance of the song:
“Famous Liars” is a fascinating tune, with sweet acoustic guitars, gentle snare drums and an enthralling background whistle set to a delightful galloping drumbeat. The delicate whispered vocals add a nice bit of mystery to the track. “From the Wreck” speaks to overcoming adversity and moving on with your life, becoming a stronger person for it: “Come on, you’re that long lost mother’s son. Her unwanted Caesarean. Who’s skull she loved to smash against the paisley walls in the living room. / And after all that, and after all this, hearts still beat. Could care less.” The pleasing acoustic guitars seem to give a feeling of reassurance.
The guys shed light on hypocrites and phonies on the Americana folk songs “Bullet Points for the Bullet Proof“: “Your sped-up lines just don’t rhyme, so unctuous and overrated. If you could see past your nose, you’d be better off castrated. / So declare your manifesto, then we’ll decide if we’ll abide you or throw you over the side”, and “Bleeding Obvious“: “Who do you think you are telling us not to go far. With your snide remarks and your half-assed retorts. Is it stating the bleeding obvious you made such a stink and a fuss? About whether we have the right. Well our needs are a must.”
The hard-driving “Bloody Lane” is a moving protest song against the senseless jingoism and profiteering that lead to war: “bunkers filled with bankers playing with remote controls. Squares count lives in dollars...” They close out the album with “Outrospective,” a biting but optimistic clarion call for us to rise up against the tyranny and bullshit being foisted upon us by our so-called leaders and big corporate interests: “They bankrupt and bleed you more. Disrupt their aims, move to settle the score. / You pay your dues, they burn your soul. You’ll run them out, run into the light. Become free, become one. You can’t submit. Cast out the bullshit. / Come out, come on. We are so strong! Get it together, you’re not alone. Morning coming, we are the light!”
No Light For Lies is a wonderful album from start to finish, and every track is stellar, with not a single filler. I’ve had a few conversations with Daniel by internet, and I found him to be generous, thoughtful and kind. I admire this band’s philosophy and dedication to their craft, and love their music and lyrics, so they’ve got a huge fan in me!
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