Bundy featuring Subtle Smiles – Single Review: “Crush”

Bundy is a four-piece band from Long Beach, California who play a unique, eclectic and innovative style of post-punk rock with progressive overtones. I had the pleasure of seeing one of their shows a few years ago, and the high energy of their music translates well into their exciting on-stage performances. The band consists of front man Nani Serna (Lead Vocals, Guitar), Johnny Lim (Guitar, Keys), Mike Meza (Drums) and JB Vasquez (Bass). In January 2018, they released their magnificent debut album Bastard Performer, which in my review I described as “a kaleidoscopic soundscape of breathtaking melodies, complex musical structures and deeply meaningful lyrics that elicit strong emotional responses for the listener.”

From their beginnings in 2016, they’ve always shown a willingness to venture outside their comfort zone in the creation of music that pushes boundaries and grabs our attention in positive ways that both entertain and inform us. Since Bastard Performer, they’ve released a number of excellent singles, the latest of which is “Crush“, featuring the wizardry of Subtle Smiles, an electronic music duo consisting of producer Brian Frederick and singer-songwriter Marley Rae, who are also based in Long Beach. They make some terrific music too, so do check them out using one of the links I’ve provided at the end of this post.

Bundy recorded “Crush” almost two years ago, but felt like something was missing from the song, that it just wasn’t ready for release. They eventually turned to Subtle Smiles producer Frederick for help, who worked his magic to give the song a more epic feel befitting its powerful lyrics addressing self destruction and growth. Serna confides: “I wrote ‘Crush’ at a time when I was soaking in the chaotic. I had lived with relationship trauma that haunted me for 10 years. It sent me down a spiral of triggers. I wasn’t the person I wanted to be. Now we’re all better but the pain will keep resurfacing. I’m now living my best life, with love and joy. I have people who legitimately understand my issues. and I hope that if you are feeling down and crappy about yourself, let me tell you: with open hearts, REALLY looking at yourself, and taking steps to improve – things will get better and you can fix the cycle.

Musically, Bundy and Subtle Smiles deliver a thrilling sonic eargasm bathed in cinematic psychedelic grooves. I love the dominant pulsating bass line, eerie synths, roiling guitars and thunderous percussion, all working together brilliantly to create a dark, menacing vibe. The intricate guitar riff in the bridge, accompanied by powerful galloping drumbeats, further heightens the tension. Serna has a beautiful voice that skillfully expresses strong emotions as he laments “Sooner or later you’ll find out all about me and how I was set off on a path to my own self destruction. Now we’re all better but the pain it keeps resurfacing when moments are remembered, the feelings are triggered. Another love to crush.”

Follow Bundy:  FacebookInstagram

Stream/purchase their music: SpotifySoundcloudApple MusicBandcamp

Follow Subtle Smiles:  FacebookInstagram

Stream/purchase their music: SpotifySoundcloudApple MusicBandcamp

BLOOM DE WILDE – Album Review: “The Heart Shall Be Rewarded by the Universe”

Bloom de Wilde album art

Bloom de Wilde is a London-based singer-songwriter, producer and visual artist with a fascinating and eccentric avant garde sound. Born in the Netherlands to a Dutch artist mother and an Indonesian father who lead his own traditional Indonesian music ensemble known as Gamelan, Bloom’s experiences growing up in a multi-ethnic environment led her to develop an innovative and imaginative approach to her music. Drawing from an eclectic mix of influences by some of her favorite artists such as Radiohead, Jeff Buckley, Tom Waits, Björk, Billie Holiday, Chet Baker, Nina Simone and Toxic Chicken, Bloom fuses elements of dream, ethno and experimental art pop, folk and jazz with unconventional melodies and a rich mix of instruments to create exuberant, colorful soundscapes that transport us to exotic, faraway places. Moreover, her unusual and distinctive vocal style has earned her comparisons to Joanna Newsom, Kate Bush and Björk.

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Bloom has been writing and recording songs for several years, and some of her older tracks can be found on her Soundcloud account. In July 2019, she began releasing a series of singles, starting with “Soul Siren”, which won both the International Songwriting Award for best female singer songwriter, and the UK Songwriting Competition for Best Video. That October, she followed up with “Rock, Plant & Animal”, a hopeful ode to nature and earth. That song won the Alternative Friday Award for best Folk & Art-pop track. She later released two more singles “Atlas Cassandra” and “Do & Be”, and on June 12, dropped her debut album The Heart Shall Be Rewarded by the Universe.

Released via Dream Society Records, the album features those four tracks plus two others. I asked her why she’s calling it an album when it contains only six tracks. She responded that “format-wise it’s an EP, but content-wise it’s definitely an album.” The songs were written and arranged by Bloom, who sang all vocals and played several instruments including piano, Fender Rhodes electric piano, guitar, harmonium, glockenspiel, organ and synth programming. The tracks were co-produced by her and Nick Trepka and Sam Ritchie, who also played some of the instruments. In addition, ten other musicians played various instruments on the album, including flugelhorn, kora, viola, violin, trumpet, trombone, saxophone, tuba and double bass, all contributing to the songs’ lush, dreamy sounds.

About the album, Bloom explains: “These songs have all been inspired by the human beings and cats that are closest to my heart; and as we are all the Universe perceiving itself through infinite subjective perspectives, I feel it is via the Heart that the Universe speaks. In these strange and challenging liminal times, I feel it is possible for us to create a new reality – a life-sustaining harmonious world where people are kind and generous to all earthlings, human or animal, and look after the planet and it’s plant life with love and care. This album is an invitation to celebrate life in all its wondrous, colourful exuberance. Let’s sing, dance, dream, paint, play and meow a new world into existence.

Bloom opens her album with “Soul Siren“, a delightful song of love. Employing an exotic and lush array of instruments, highlighted by soulful trumpet and shimmery notes from a West African kora, she fashions an enchanting backdrop for her quirky vocals. She uses her voice like another instrument, reaching almost childlike high notes as her voice sweetly coos, then soars with an emotion-filled confidence in the choruses.  She sings of her strong emotional and physical connection with her beloved – she’s the siren to her soulmate: “I will show you all the secret hearts I’ve hidden in my chest. We could now do all the things that we always wanted to, but never dared. I’m all yours, your Soul Siren.”

On the pleasing and catchy “Do & Be“, Bloom urges us to just live our lives as simply and honestly as possible, keeping in touch with the real world and the natural beauty around us, and not overthink everything: “Sleepers should be dreamers, oh i know It’s so obvious it drives me crazy.” The colorful and whimsical video she made for the song showcases her creativity and playfulness.

Atlas Cassandra” has a rather dark spiritual vibe, with Bloom sounding like a high priestess as she croons against a dramatic and mysterious backdrop of tinkling xylophone, somber drumbeats and soaring strings. The captivating “Rock, Plant & Animal” is a beautiful, uplifting tribute to earth and nature. She explained her inspiration for the song: “I wrote this song for my children, about this living Earth I love so dearly, and all the precious life upon it. I believe everything in this world has a living essence, a soul, and all is connected. We are all One – Rock, Plant and Animal.” (You can read my detailed review here.)

The exuberant anthem “Animal Spirit” was written in 2018, and in a sense could be considered Bloom’s theme song. It expresses her philosophy – her inherent ‘animal spirit’ if you will – of her reverence for earth and all living things, and how she chooses to conduct her life on this planet, promoting respect for life in all its myriad forms: “I won’t stop, I’ll never give up. I’m inside this eternal movement. I will not be held back by darkness or heaviness. Never, never cease to be driven by the heart, by the art, the magic and the marvellous.”

Pale Moon, Golden Light” is a tender and languid ballad, with a more stripped-down sound consisting of only piano and light percussion. Bloom softly croons to a boy with assurances that her love can calm the savage beast in him: ” What’s the matter with you boy? Madness strikes under your window with a sword. Climbing up & down the ladder. Who is there? I’m there. / Could it be that you’re the one for me?

The Heart Shall Be Rewarded by the Universe is an utterly enchanting and eccentric little album that’s unlike anything I’ve ever heard by any other artist. Bloom de Wilde is a brilliant, creative and innovative artist, though I can imagine that her style and sound might not appeal to everyone. But if you like music that’s colorful, avant garde and thoroughly unique, you will enjoy this album.

Connect with Bloom:  Facebook / Twitter / Instagram
Stream her music:  Spotify / Soundcloud / Apple Music
Purchase:  Bandcamp / Google Play

dizmation – EP Review: “Who Are the Experts?”

Dizmation

Dizmation is the solo music project of Irish singer-songwriter and musician Joey Doyle. The talented Dubliner is also front man for the band Fiction Peaks, a wonderful alternative folk-rock group I featured on this blog a number of times in 2016 and 2017. He released his debut EP The Future is a Bubble in March, and followed a month later with the lovely piano instrumental “Paint Clouds”. Now he returns with a new three-track EP Who Are the Experts?, which dropped May 3rd. He’s also a pretty talented visual artist, and created the trippy artwork for the EP cover.

On his Instagram page, Dizmation offers a hint as to the meaning of the songs: “These are our identities being swallowed up by algorithms, to be homogenised.” Each of the three tracks has a completely different music style and sound. The first track “Render” features an urgent piano-driven melody, accompanied by soaring orchestral strings and pulsating waves of distorted synth bass that give the song a beautiful but rather unsettling vibe. Doyle has a lovely voice, which here sounds plaintive and somewhat distant as he sings: “No sense in making sense now / The time awaits all fools / That deeper stain behind us / The truth’s no longer the truth / But sail away so far away / For truth and darkness lies in the light.”

“Shadow Band” is an unusual instrumental track with a fascinating mix of scratchy, undulating lo-fi industrial synths, sharp percussive beats and somber piano keys, punctuated by brief moments of delicate glittery synths. The lovely but rather haunting echoed chorale vocals lend a mystical air to the song.

“Where Life Awaits” is a pleasing folk-style song that starts off with a strummed acoustic guitar and bold hand claps. The music expands to include moody horns and string synths that give the song a poignant feel. Dizmation softly croons the lyrics that seem to speak of trying to break through to someone he cares deeply about: “I tried to know you, to see inside. To light the path where the darkness lies. But every time I’m getting close, all I see is closing doors. But it’s not too far, And it’s not too late. We’re dying to be where, to be where life awaits.”

Who Are the Experts? is a fine little EP that provides a glimpse of Dizmation’s creative imagination and songwriting skills, as well as his strong musicianship.

Update: Dizmation subsequently deleted this music that I spent time reviewing.

HERO WARSHIP – Double-Single Review: “Therewithal / Halcyon Then Gone”

Hero Warship is the solo music project of Joey Doyle, who’s also front man for the Irish band Fiction Peaks, a terrific alternative folk-rock group I’ve featured on this blog a number of times in 2016 and 2017. He released two singles “Chrysanthemum” and “Lesser of Evils” in May (2019), and now returns with another wonderful double single “Therewithal” and “Halcyon Then Gone“, which drop today, October 24. The talented Dubliner is a great songwriter and guitarist, with a beautiful singing voice too. (He’s also a pretty good visual artist.)

Doyle takes a stripped down approach on these two songs, using only guitars and piano to create a captivating soundscape for his gentle vocals. The first track “Therewithal” features layers of cheerfully strummed acoustic and rhythm guitars, accompanied by more somber piano keys that give the song a contemplative air. He earnestly sings the poignant lyrics that seem to me to speak of the ephemeral nature of happiness and contentment. “By the way, I think I thought I had a handle on life suspended on a sunbeam infinitely calls, to an individual sense of therewithal.”

“Halcyon Then Gone” is a simple but lovely song with a haunting piano-driven melody providing the only music for Doyle’s heartfelt, falsetto vocals. He told me the song is a kind of tongue and cheek look at making millions by cheating the casino (casino as a metaphor for a kind of consumer driven, shallow life style). but then giving all the money away and doing it all over again: “When I make my millions I’ll call you, to meet me at the end before we start. This time I’m sure, I’m on to my surefire winning streak, loading the dice, cleaning the house out of countless funds, then give it all away again.


Purchase on Bandcamp / Google Play 

BLOOM DE WILDE – Single Review: “Rock, Plant & Animal”

I recently learned about London, England-based singer-songwriter, producer and visual artist Bloom de Wilde when she reached out to me about her new single “Rock, Plant & Animal.” I was enchanted by her fascinating avant garde sound and imaginative approach to her music, and am happy to feature her on my blog. Influenced by her favorite artists such as Radiohead, Erik Satie, Jeff Buckley, Meredith Monk, Miles Davis, Tom Waits, Björk, Billie Holiday, Chet Baker, NIna Simone, Moondog and Toxic Chicken, Bloom fuses dream, ethno and experimental art pop, folk and jazz with surrealistic yet uplifting lyrics and unconventional melodies to create exuberant, colorful soundscapes that transport us to dreamy, faraway places.

Bloom De Wilde2

Bloom has been writing and recording songs for several years, and some of her older tracks can be found on her Soundcloud account. In July, she released a beautiful single “Soul Siren”, and on October 7th, she dropped “Rock, Plant & Animal”, a hopeful ode to nature and our Earth. The track was written and arranged by Bloom and co-produced by her and Nick Trepka, who also did the mixing. Recording was done at the Cowshed Studio in London by Joe Leech, with assistance by Grace Banks, and mastered by Nick Watson. Bloom sang vocals, played guitar, piano and programming, and had assistance by several musicians, including Nick Trepka on bass and programming, Yuval Juba Wetzler on drums, Sam Ritchie on flugelhorn and trumpet, Jally Kebba Susso on kora (a West African long-necked harp lute), Gazel Algan on viola and violin, and Mao Yamada on double bass.

And what a captivating song it is, with the kora, horns and strings adding a dreamy, exotic lushness to the sound. The rich instrumentation and enthralling melody provide a stunning backdrop for Bloom’s bewitching vocals. Her unusual and distinctive vocal style is somewhat reminiscent of Björk, in that she uses her voice like another instrument. She’s not quite a soprano, but reaches almost childlike high notes as her voice sweetly croons and soars, creating quite an emotional impact.

About the song, Bloom explains: “I wrote this song for my children, about this living Earth I love so dearly, and all the precious life upon it. I believe everything in this world has a living essence, a soul, and all is connected. We are all One – Rock, Plant and Animal. We are all instances of the Universe, perceiving itself from infinite subjective perspectives. With everything that is happening in the world right now, I think it is clear the time has come to change our ways. To approach each day with humble gratitude, our hearts open wide, souls radiating, dancing and dreaming a new world into reality. A harmonious, life-sustaining world, where we look after each other, our animal brothers and sisters, and our Earth mother that nurtures us.”

There lives a humble sound
That renders love and peace
It ripples on the water
And rustles in the trees

We’ll make that sound a yes
We’ll make that sound a yes, yes, yes

Of our beloved earth
As puzzle poem beings
Rock, Plant and Animal all dream
We’ll bravely open doors
Our shadows softy cooing
My darling, you’ve done the wait, now sing
Your true song

And make that sound a yes
And make that sound a yes, yes, yes

The enchanting video was produced by Bloom and Kai Nobuko, and stars Bloom dancing about a forest clearing, wearing a colorful floral headpiece designed by Jimmy Boer. As she dances, bright flowers, butterflies and birds issue from her fingertips. It’s all so wonderfully magical.

Connect with Bloom:  Facebook / Twitter / Instagram
Stream her music:  Spotify / Soundcloud / Apple Music
Purchase:  Bandcamp / Google Play

TEISAN – Album Review: “Headspace”

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TEISAN is an exceptionally talented and prolific young singer/songwriter from Mannheim, Germany. He started playing guitar at the age of 14, and quickly began writing songs in a predominantly ambient acoustic style. His songs tend toward a more introspective side, with deeply personal lyrics delivered with smooth, heartfelt vocals. In his bio, he states “I like to make music about things I experienced in my life. What I write down in the lyrics helps me in dealing with past events.” In early 2016, when he was only 17, he released an excellent debut album Different Point of View, then quickly followed that August with a five-song EP Wait For Autumn. In October 2017, he released his second album Impatience, and this past August (2018) dropped his third full-length album Headspace, an ambitious and stunning work featuring 14 tracks.

With the new album, TEISAN explains that he “wanted to be more creative with his music by experimenting with new sounds and melodies.” The title Headspace symbolizes exploration into someone’s head, “going deeper into a personality and diving into a new world that only exists in their mind. This year was really stressful for me. I had to work on some personal stuff and didn’t have much time for music. But that’s what I needed the most in that time. So I tried to fit it all under a roof and realized it doesn’t matter how much stress I’m in – I need music and the process of music making [is] a way to relief this stress.”

The album starts off with the brief title track “Headspace,” which at first sounds like an instrumental only song, with shimmery synths highlighted by sweeping strings and tender piano keys. But a more careful listen reveals that what sound like spacey synths are actually TEISAN’s heavily distorted vocals. Next up is the sweet acoustic ballad “Anchor Pt. 2,” which I reviewed in June. Delicate, airy synths are layered over a pleasing acoustic guitar riff, along with sounds of finger snaps, gentle percussion and added subtle guitar chords that create a serene and beautiful backdrop for his soft and earnest vocals.

TEISAN uses synthesizers and acoustic guitar to great effect in the creation of gorgeous soundscapes on most of the album’s tracks, and a perfect example of this is the beautiful “Fade Into Me.” The lush, multi-textured synths are sublime, with delicate piano keys and subtle guitar notes that make for a captivating listen. The spare lyrics on this track are loaded with meaning: “Maybe I’m giving up on my life. Maybe… , but I’m giving it time.” On “Coins,” he weaves together beautiful sweeping synths with rather harsh industrial sounds to create feelings of discord, yet manages to add calm with his soothing acoustic guitar. So too with his vocals, that start off as a soothing falsetto as he croons “Sinking down,” but turn raw and impassioned as he confronts the one who caused him pain: “It’s so hard standing next to you, you think you can tell me that. I remember the times in my head, I was paralyzed and you didn’t help.”

Oceans” is a short and simple, but moving, track with only piano and subtle background synths providing the riveting sounds for TEISEN’s bittersweet lyrics: “Another sleepless night alone, you only open up when the bottle loses weight.” Such a great lyric there! He continues with the themes of sadness and loss, and trying to move on after a failed relationship on the mellow “I’m Okay, I am Alright,” and the wistful “Strangers In A Parking Lot,” a lovely song with acoustic guitar and the gentlest of synths. TEISEN’s vocals have a pleasing vulnerability as he sings “I count the stars, you count what’s yours, and it’s tearing me apart. And all I wanna be is in your arms, like we were never lost.

Keeping with the subject of exploring the mind’s deepest thoughts, TEISAN senses a former loved one’s presence on “In My Room,” and thinks of a girl he’d just as soon forget on the folk track “Daydreams“: “Take back the seasons to relive, it never happened, didn’t exist. You know I can’t resist the pity to forget, I couldn’t remember you as well.” One of my favorite tracks on the album is “Hate Me and Run Away,” a short but captivating song with a marvelous jazzy piano riff and bluesy guitar notes. The lyrics are simple but powerful, and his slightly distorted, breathy vocals have an air of cool detachment that makes them all the more compelling: “I’m trapped inside my head, all the time that I spend for you, it is all gone, all gone. Hate me for this, I’m begging you, please hate me for this.”

Crystals (Groundlevel)” has an almost psychedelic-rock feel, with sweeping spacey synths, distorted guitar, a strong bass riff and heavier percussion. I even detect traces of what sounds like sitar. TEISAN’s breathy vocals are slightly altered, adding to the otherworldly vibe that’s quite marvelous. “Ice Red” is an interesting song, both musically and lyrically. It starts off with a church organ, then transitions to layered acoustic guitars with gauzy synths. The lyrics seem to speak of helping someone in need of healing support, though the singer’s not sure he’s up to the task: “Maybe you need someone to lead, maybe even a place to hide. We can put our anger aside to make things right. All my friends are deep underneath, happiness is all make believe, I can’t put my sadness aside to make things right.” But then he acknowledges the support he was given, and decides he needs to repay the favor: “I’m seeing you’re constantly feeling so down – I can’t leave you behind. ‘Cause you stitched all my wounds, and I made a wish and you filled me with love, so I can sleep in the nights.” “Moon and Sun” is a lovely folk rock song that made me think of John Mayer, a good thing as I’m a big fan of his.

TEISAN returns to experimentation in big way for the album closer “Headache.” The track starts off with numerous skips that give the feeling your listening device or CD player has developed a malfunction, then at 15 seconds it all settles down and we hear his smooth vocals and acoustic guitar, but with unusual assorted background noises that suggest dissonance as he sings about changing. At the one minute mark, the song transitions yet again, this time to a hauntingly beautiful piano riff, backed by atmospheric echoed synths that gradually fade to the outro. What a superb ending to a magnificent, stunning album!

Headspace is a gorgeous album – dare I say, a masterpiece – and I continue to be blown away by TEISAN’s skill at writing such compelling, poetic lyrics and composing incredibly beautiful instrumentals, and his arrangements and production values are impeccable. For a man of only 20, his music and lyrics exhibit a remarkable maturity. This young man is destined for greatness, and his music needs to be heard by millions of ears.

He touches on his future music plans: “I don’t know which way I’ll go on my next album – if it’s some old work I want to get out, or if it’s new stuff – but I sense it that the next one is going to be more “me” . I’ve been reading a book called “Nada Brahma” and It’s quite interesting and changing my perspective when it comes to the world and of course music.

Connect with TEISAN on  Facebook / Instagram
Stream/purchase his music on Bandcamp or YouTube