Fresh New Tracks, Vol. 49 – Blake Rascals, Future Theory, Icarus Phoenix, Shimmer Road

For the latest installment of my Fresh New Tracks series, I’m featuring new songs by an international array of acts. They are, in alphabetical order, Italian indie garage rock band Blake Rascals, English alt-rock band Future Theory, American shoegaze/indie rock band Icarus Phoenix, and Canadian Country collaborative Shimmer Road.

Blake Rascals – “Conspiracy Of Snakes”

Hailing from Ancona province in central Italy are Blake Rascals, an indie garage rock trio formed early this year. With a name inspired by their shared love for British poet and painter William Blake, who often used the image of a snake to represent the complexity of the human soul, its temptations and its rebellions, their sound is a distinctive blend of British indie rock and garage / post-punk revival influences by such acts as Arctic Monkeys, Queens of the Stone Age, Black Rebel Motorcycle Club and The Raconteurs. The band is comprised of Giuseppe Palumbo (vocals and guitar), Andrea Marcellini (bass and backing vocals) and Simone Raggetti (drums and backing vocals). Andrea previously released music under his solo acoustic folk music project Andy K Leland, and I featured him numerous times on this blog between 2017-2019.

On June 10th, Blake Rascals released their debut single “Conspiracy Of Snakes“, and it’s a glorious hard-charging banger! The song opens with a powerful stomping drumbeat which is soon joined by heavy bass and a sensuous reverby guitar riff, then explodes into a maelstrom of distorted guitars and thunderous percussion, creating an electrifying soundscape for Giuseppe’s commanding vocals. And just when we think the guys have taken things as far as they can, they let loose with a furious onslaught of raging guitars and pummeling rhythms at the end for an exhilarating finish. I love it!

Future Theory – “Reality Buzz”

A long-time favorite British music act of mine is alternative psychedelic rock band Future Theory, a Lincolnshire, England-based four-piece comprised of Max Sander (rhythm guitar and vocals), Chris Moore (lead guitar), Jacob Brookes (bass) and Rohan Parrett (drums). Blending elements of alternative and progressive rock, psychedelia, grunge, shoegaze and funk, they create arresting songs featuring complex melodies and arrangements, and delivered with lavish instrumentation and Max’s mesmerizing vocals. Since first learning about them in early 2017, I’ve been consistently impressed by their intelligent songwriting and strong musicianship, and have written about them and their outstanding music numerous times. Their single “One and the Same” reached #3 on my Top 30 chart and ranks #42 on my 100 Best Songs of 2022 list, while their gorgeous “Why” went all the way to #1 and ranks #18 on my 100 Best Songs of 2023.

Now this talented band is back with “Reality Buzz“, their first new single since “Skin” in December 2023, and it was worth the wait! The song grabbed my attention right away with its swirling psychedelic guitars, Max’s distinctive sultry vocals and infectious head-bopping groove propelled by an insistent drumbeat. As the track progresses, we’re treated to more of Chris and Max’s awe-inspiring guitar prowess as they lay down a barrage of scorching riffs, fortified by Jacob’s grinding bass and Rohan’s boisterous drums. Future Theory never fail to deliver a quality song, and “Reality Buzz” instantly ranks among my favorite songs by them.

Icarus Phoenix – “Mark & Kyle”

The wonderfully-named Icarus Phoenix is a shoegaze/indie rock band originally formed in Missoula, Montana in 2020, but now based in and around Baltimore, Maryland. Fronted by silky-voiced singer-songwriter and guitarist Drew Danburry (who’s independently released a staggering amount of solo music since 2002, including over 400 songs on over 20 albums and 13 EPs), Icarus Phoenix has released quite a bit of music as well, starting with their self-titled debut album in 2021, followed by two more albums that year, another in 2022 and their most recent, I Should Have Known the Things You Never Said, last August (2024). In Nov 2022, Drew recorded 40 songs in three days at June Audio in Provo, Utah with producer Jed Jones (Post malone, The Killers), also recruiting the help of longtime friends Jake Bellows of the band Neva Dinova to play additional guitar, Justin Pacheco on bass, and Icarus Phoenix bandmate Andrew Young on drums. Since the release of I Should Have Known the Things You Never Said, Icarus Phoenix has been dropping singles at a rate of one every three weeks, many of which will be included on a deluxe edition of their aforementioned album, to be released next month. In March I wrote about their gorgeous song “Poor Sad Indie Everything”, which recently spent 15 weeks on my Top 30 chart, three of them at #10.

Their latest offering is “Mark & Kyle“, a heartwarming song about his English friend Mark who adopted a young boy named Kyle. Drew explains: “Mark has been a long time friend for twenty years at least. He’s always wanted to be a parent. Dreams come true. Sometimes those dreams are difficult and wonderful. It’s all part of the process of life I guess.” I love the song’s breezy melody, chiming guitars and what sounds like a mellotron. And it goes without saying I also love Drew’s warm vocals as he sings the poignant lyrics “When Kyle first met Mark and called him “Dad” he coulda cried. Adopting someone changes more than one life, if its right. So they play hide & seek to find their feet and then they dodge the cracks so they don’t fall in.” Kyle created the sweet artwork for the single.

And here’s Drew singing an acoustic version of the song:

Shimmer Road – “Branson”

Shimmer Road is a collaborate country music project fronted by the enormously talented and versatile singer-songwriter and musician Shimmer Johnson. Born and raised in Edmonton, Canada where she still resides, Shimmer also spent her teenage years in Branson, Missouri, as well as some time as an adult in Los Angeles. She began her music career singing country songs, but eventually branched out into adult contemporary pop, rock and even dance music, all of which she handles with ease. She’s recorded music both as a solo artist and in collaboration with numerous other songwriters and producers from around the globe, creating a truly impressive repertoire of outstanding songs. I’ve featured her numerous times on this blog over the past seven years, and two of her songs, the terrific 2021 dance single “Starts With You” and “Essence”, a stunning 2023 collaboration with Danish composer and producer Refeci, have reached #1 on my Top 30 chart, the latter also ranking #7 on my 100 Best Songs of 2023 list.

The prolific artist must be running on some kind of bionic energy force, as today she drops not one but two new singles – an enthralling collaboration “All I Need to Know” with Dutch producer and songwriter Plux, and “Branson” with her country band Shimmer Road. And this is on the heels of another single she released only a week ago! I’ve chosen to feature “Branson”, as I rarely write about country music. Co-written with her husband Corey, the song is a lovely autobiographical ode to the Missouri town where she spent her formative years. Shimmer explains: “This is about my life in Branson throughout my teenage years and how it will always be my home no matter where life takes me.” In addition to Shimmer on vocals and Corey on bass and keyboards, Shimmer Road also includes Jay Road on drums, Alan Tymofichuk on guitar and Ryan Williams on steel guitar. It’s a beautiful song that has a more traditional country vibe, which in addition to Shimmer’s captivating vocals is why I find it so appealing.

EML’s Favorite Songs – PATSY CLINE: “Crazy”

I’ve really been enjoying the Ken Burns series Country Music that’s been airing on PBS the past few weeks, and it’s reminded me of several classic country songs that I love. So, over the next week or two, I’ll be writing about a few of my personal favorites, the first of which is “Crazy” by Patsy Cline. The beautiful but heartbreaking song was Cline’s highest-charting single on the Billboard Hot 100, peaking at #9 and reaching #2 on the Country Chart, and has endured as one of the most popular and beloved songs of all time in the 58 years since its release. It was stated in the Country Music series that it’s the most-played jukebox track of all time.

Patsy_Cline-1962_EP

Born Virginia Patterson Hensley in 1932, Cline is considered one of the most important and influential female vocalists of the 20th Century, and one of the first country music artists to successfully crossover onto the pop charts. With her deep, resonant singing voice and ability to convey strong feelings of emotional pain and longing, she could bring even the biggest cynic to their knees. The Washington Star magazine beautifully described the essence of her vocal style: “She creates the moods through movement of her hands and body and by the lilt of her voice, reaching way down deep in her soul to bring forth the melody. Most female country music vocalists stand motionless, singing with a monotonous high-pitched nasal twang. Patsy’s come up with a throaty style loaded with motion and E-motion.

After a slow start, with a series of singles she recorded for Four Star Records failing to become hits, Cline finally had her first break-out hit “Walkin’ After Midnight” on the Decca Records label in 1957. Then, surprisingly, she didn’t have another chart hit until 1961’s “I Fall to Pieces”. In June of that year, she and her brother were in a near-fatal head-on car crash in which she was thrown through the windshield, suffering a severe cut to her forehead that narrowly missed her eyes and left her with a huge scar. After recovering well enough from the accident, though still in pain, she recorded “Crazy”. And oh man, that pain seems to emanate from her very core when she delivers those poignant lyrics with such conviction that we believe every word.

Like with many classic songs, “Crazy” has an interesting back story.  Cline’s husband Charlie Dick actually first heard the song one night on a jukebox while waiting for her in a bar. It was a recording by Paul Buskirk and His Little Men, featuring Hugh Nelson – now known as Willie Nelson – who wrote the song. Dick thought it would be a perfect song for her, and approached Nelson about them recording his song, to which he agreed. He then pitched it to Cline, who didn’t like it, and didn’t want to record it. She considered herself a country singer, and didn’t particularly like the vulnerable heartbroken sound of songs like “Crazy.” But her record producer Owen Bradley believed those songs were exactly right for her, and ultimately convinced her to record it.

Bradley wanted to produce a new and more sophisticated form of country music by adding more instrumentation and background vocals to create a fuller, richer sound. He brought in The Jordanaires, who also sang backup on a lot of Elvis Presley’s songs, and hired young piano player Floyd Cramer, as well as bass guitarist Bob Moore. Cline listened to Buskirk & Nelson’s version of “Crazy” and decided she would perform it differently, removing a spoken section that was featured on the original recording.  When the song was set to be recorded on August 17, 1961, Cline first performed some other material, and by the time they got to “Crazy”, she was tired and had difficulty singing the song’s higher notes due to residual rib pain from the car accident. Bradley sent her home to rest while the musicians laid down the instrumentals without her. A week later she returned and recorded her vocal in a single take. As we can all attest, it was perfect, and the rest is history.

Her untimely death less than two years later was a terrible loss, and we can only imagine how many more wonderful songs she could have given the world.

Crazy
I’m crazy for feeling so lonely
I’m crazy
Crazy for feeling so blue

I knew
You’d love me as long as you wanted
And then some day
You’d leave me for somebody new

Worry
Why do I let myself worry?
Wondering
What in the world did I do?

Oh, crazy
For thinking that my love could hold you
I’m crazy for trying
And crazy for crying
And I’m crazy for loving you

Crazy
For thinking that my love could hold you
I’m crazy for trying
And crazy for crying
And I’m crazy for loving you