Concert Review – Young the Giant, Fitz and the Tantrums & COIN at the LA Forum

I don’t attend all that many concerts, as I live in a desert – both literally and culturally. Despite the fact I live in the Coachella Valley – home to one of the most important music festivals on the planet – in order to see most musical acts under the age of 60, I must travel to Los Angeles. So, when I do see a concert, it’s a pretty big deal for me. On Saturday, August 10, I made the two and a half hour drive to West Los Angeles to see a fantastic lineup of bands at the historic Forum. (Former home of the L.A. Lakers, the Forum opened in 1967 but is already listed on the National Register of Historic Places, due to its groundbreaking engineering and structural design.)

It was a great double bill consisting of Young the Giant and Fitz and the Tantrums, with COIN opening. I’d long wanted to see Fitz and the Tantrums in concert, but had never gotten around to it, so when I saw they were performing with another of my favorites Young the Giant, I wasted no time getting tickets. The Forum seats approximately 17,500, and this show appeared to be nearly sold out.

LA Forum
The Los Angeles Forum

The concert started promptly at 7:00 pm when COIN took to the stage and immediately got the audience revved up with their high-energy alternative pop/rock. I wasn’t very familiar with their music, but when I saw in advance they were the opening act, I checked out several of their songs and really liked their sound. Based in Nashville, COIN formed in 2012, and currently consists of Chase Lawrence on lead vocals & synthesizers, Ryan Winnen on drums, and Joe Memmel on lead guitar & backing vocals. Since 2018, they’ve been joined on their tours by bassist Matt Martin.

The stage was set up with a series of vertical panels upon which various graphics and light displays were projected for all three acts. COIN’s visuals were simple, consisting only of the word “@coin” that would appear one line at a time on five of the panels, as if repeatedly typed on a keyboard and displayed on a computer screen. Once all five panels were filled with @coin, the words would disappear, then the process was repeated over and over. It was kind of interesting at first, but eventually grew rather tiresome.


COIN’s music and performance, however, were anything but, as their catchy, upbeat music and lively on-stage personas were quite entertaining, especially their animated front man Chase Lawrence, who bounded about the stage as he sang. They started their set with their dance-pop hit “Growing Pains”, then followed with “Simple Romance”, “Boyfriend”, and their latest single “Crash My Car” – all terrific songs. Lawrence engaged the audience a bit between songs and they continued with “Cemetery”, “I Want it All” and their big hit “Talk Too Much”, finally ending with “Fingers Crossed”. Here’s their exuberant performance of “Boyfriend” that I managed to film most of:

After a brief intermission, Fitz and the Tantrums made their entrance onto the stage to thunderous applause, and quickly got the crowd’s blood pumping with the foot-stomping “Get Right Back”, one of the tracks from their third self-titled album Fitz and the Tantrums. Before I get into their performance, I’ll provide a bit of background and personal perspective.

Fitz & the Tantrums-Forum
Fitz and the Tantrums

The Los Angeles-based band consists of front man/vocalist Michael “Fitz” Fitzpatrick, the lovely and talented Noelle Scaggs (vocals & percussion), saxophonist extraordinaire James King, as well as Joseph Karnes (bass), Jeremy Ruzumna (keyboards), and John Wicks (drums). They formed in 2008, but the first time I learned about them was in late summer 2013, when I heard their fantastic synth-pop ear worm “Out of My League”. I quickly fell head over heels in love with it, becoming an instant fan of theirs, and caught myself up on their back catalog of songs that were included on their debut album Pickin’ Up the Pieces, as well as purchasing their second album More Than Just a Dream, which I played nearly to death for the next several months.

Their early songs were described as neo soul, somewhat of a modern twist on the classic Motown sound, but with indie and jazz overtones that gave their music a distinctive sound. A particularly noteworthy aspect of their music is that they have no guitarist! Their sound took on more of a pop sensibility on More Than Just a Dream, generating a little backlash from some of their earliest die-hard fans. But overall, it’s an outstanding album containing some great songs like “Out of My League” and “The Walker”, both of which reached #1 on the Billboard Alternative Chart, as well as some other standouts like the soulful “6am” and “Break the Walls”, both of which prominently feature Noelle’s wonderful vocals.

In early 2016, they released “Hand Clap”, the lead single from their self-titled third album, and I was immediately underwhelmed. The song was too poppy and formula for my taste, and I was somewhat disappointed in the new direction their sound was taking. Also, Noelle’s vocals were not being utilized nearly enough. My feelings about the third album are mixed, but there are a few gems like the aforementioned “Get Right Back” and “Burn It Down”. I’ve softened a bit on “Hand Clap”, as it’s so damned catchy, but I still think it’s a mediocre song. OK, now back to the show!

Fitz and the Tantrums kept the energy flowing as they launched into the hard-rocking “Spark” from More Than Just a Dream, then sang one of their earliest songs “Don’t Gotta Work it Out”, which they followed with “Out of My League”, still one of my personal favorites. In between songs, Fitz was very engaging, sharing his thoughts and providing tidbits of background about the band and the songs they performed. He’s now 49 years old, but exudes a more youthful demeanor on stage.

Fitz & the Tantrums
Fitz and the Tantrums

The vertical panels that previously displayed @coin during their set now displayed colorful, rapidly-changing imagery and graphics. Fitz and the Tantrums played for more than an hour, performing 18 songs, including crowd favorite “Moneygrabber”, five from More Than Just a Dream, five from Fitz and the Tantrums, and six from their upcoming fourth album All the Feels, due out in September. One of the tracks they performed from that album was the lead single “123456”, which I didn’t much care for when I first heard it, but it sounded better live. In fact, I found that many of their more recent songs sounded much better live, which is perhaps a testament to their engaging on-stage personalities and musicality. At the very least, those attributes certainly make for a highly entertaining and enjoyable live performance, and I loved every second of theirs!

They closed with a rousing performance of the deliriously catchy “The Walker”. I loved how the home town crowd cheered when Fitz sang the line “I wake up to the City of Angels“.

The intermission following Fitz and the Tantrums’ performance was longer, giving us ample time to use the restroom, get some obscenely overpriced adult beverages, and for our excitement to build in anticipation of seeing the headliners Young the Giant. When they finally appeared on stage, the crowd roared and cheered with delight. They opened their set with “Oblivion” from their fourth and most recent album Mirror Master, then performed one of my favorites “Something to Believe In”, from their critically acclaimed 2016 third album Home of the Strange. Next up was their current single “Heat of the Summer”, another terrific song from Mirror Master.

Young the Giant
Young the Giant

Young the Giant started out in 2004 as a band called The Jakes, with two of the current founding members guitarist Jacob Tilley and vocalist Sameer Gadhia, when they were high school students in Irvine, California. They changed their name in 2010 to Young the Giant while recording their debut album of the same name, and have never looked back. In addition to Tilley and Gadhia, the current lineup includes Eric Cannata (guitar), Payam Doostzadeh (bass), and Francois Comtois (drums). They’re an amazing and talented collective of musicians with a totally unique sound unlike no other, thanks to their exquisite instrumentation and also Gadhia’s gorgeous and distinctive vocal style.

He’s also a strikingly handsome man, with a charismatic on-stage persona. His athletic and sometimes even flamboyant body movements were at times quirky, but always riveting. He appeared on stage wearing a long saffron-colored jacket over dark trousers, and danced about the stage, his jacket flowing about him as he sang. They continued with the beautiful track “Apartment” from their first album Young the Giant, then followed with four tracks from Home of the Strange – “Amerika”, “Nothing’s Over”, “Home of the Strange” and “Titus Was Born”. Next up was the lovely “Firelight” from Mind Over Matter, followed by one of their signature songs and crowd favorite “Cough Syrup”.

They performed three more songs, then said ‘Goodnight’ and walked off stage. They still had not performed some of their biggest hits, so I knew (hoped) they’d return for an encore. They soon reappeared, Gadhia now wearing a sparkly dark blue cape as they sang the song I’d been dying to hear them perform, the beautiful “Superposition.” They followed with the bouncy dance number “Tightrope”, then the sexy “Silvertongue” before closing their set with an electrifying performance of their hard-hitting first single “My Body”, at which point the crowd went wild.

I found it interesting that they performed six songs from each of their two most recent albums, but only three from Young the Giant and two from Mind Over Matter. I was a little disappointed they didn’t perform one of my favorite songs of theirs, the hard-rocking “It’s About Time”. That said, I loved hearing all the songs they did perform, and enjoyed their set immensely. In fact, I love them and their music even more after seeing them live, which is something I think most, if not all, of us feel when seeing artists and bands we like in concert. It’s a special thing to see our favorite artists and bands play their music live, giving us a greater connection to them and their music.


I hate to admit it, but I really didn’t know much about supergroup Hollywood Vampires until a few days ago, when a friend asked me if I wanted to go with her to see them perform at one of the local casinos. I knew that Alice Cooper and Johnny Depp were in the band, but not much else. I’m so glad I went, because they put on a fantastic show!


For those as unaware as I was, Hollywood Vampires was formed in 2015 by rock legends Alice Cooper and Joe Perry (lead guitarist of Aerosmith), and actor Johnny Depp to honor the music of the rock stars who died from excessive lifestyles in the 1970s. The band name comes from the drinking club called The Hollywood Vampires that was created by Cooper in the early 1970s. The club, which besides Cooper included such rock legends as Elton John, John Lennon, Ringo Starr, Keith Moon, Harry Nilsson and Mickey Dolenz of the Monkees, used to meet at the famed Rainbow Bar & Grill on the Sunset Strip in West Hollywood. Their main objective was to drink until no one could stand up. Thankfully, Cooper and the other surviving members eventually cleaned up their act and are alive and well today.

Hollywood Vampires just completed a brief Spring Tour, which began in Las Vegas on May 10, and ended last night (Saturday, May 18) at the Fantasy Springs Resort & Casino in Indio, California (30 miles SE of Palm Springs). They were the only act on the bill, so we didn’t have to sit through any opening acts. They appeared on stage around 8:15 pm and played their asses off for nearly two hours, proving that age is only a number (Cooper is 71, Perry 68 and Depp will turn 56 in June). It was nice seeing a band where most of the members are older than me for a change LOL!

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Along with Cooper, Perry and Depp, the other touring band members included Chris Wyse on bass, Tommy Henriksen on rhythm guitar, Buck Johnson on keyboards and Glen Sobel on drums. They’re all seasoned musicians who played as a tight unit, and clearly enjoyed themselves on stage. Their infectious energy easily transferred to the audience.

They played a mix of classic songs and covers, original songs from their 2015 debut album Hollywood Vampires, and five new songs from their forthcoming second album Rise (set for release on June 21st), opening with “I Want My Now” from the new album. They followed with the head-banging “Raise the Dead” from their 2015 album, and now had the audience nicely worked up. Even though I wasn’t familiar with those first two songs, I was really digging them big time!

Alice Cooper in action

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Joe Perry working his magic

Is there anything Johnny Depp cannot do?

Cooper was very engaging, and talked with the audience a bit between songs, doing a bit of reminiscing as he introduced some of the old songs. Some of the highlights for me were their covers of the Doors’ “Break on Through (to the other side)”, Aerosmiths’ “Sweet Emotion”, The Who’s “Baba O’Riley” (during which drummer Glen Sobel blew us away with a phenomenal drum solo), and David Bowie’s “Heroes”, in which Johnny Depp did great justice to Bowie’s memory by doing a fantastic job singing lead vocals. He’s really a fine vocalist; I loved his singing in the film musical “Sweeney Todd”, and I think he’s also pretty good at singing rock too.

Here’s a terrific video of the band performing “Heroes” that was shot by Joe Schaeffer, a photographer/videographer who also happened to be at the concert, and has graciously allowed me to include it in this review.

And here’s some footage of the band performing “Baba O’Riley”, showcasing Sobel’s amazing drum solo. I apologize for the poor quality of the sound on my video.

Among the other new songs they performed from Rise was “The Boogieman Surprise” a great, hard-driving track. Here’s the official video of the band performing the song at another show:

The guys kept playing song after song with scarcely a break, finally ending with their cover of Tiny Bradshaw’s “The Train Kept A-Rollin'”, then walked off stage. The crowd applauded wildly and repeatedly yelled “oncore!” To our collective delight, the band returned to finish off with another new song “We Gotta Rise”, and a rousing medley of the crowd-pleasing Cooper classic “School’s Out” and Pink Floyd’s “Another Brick in the Wall”. It was an awesome show, and we all left happy.

Set List
1.  I Want My Now
2.  Raise the Dead
3.  As Bad As I Am
4.  Five to One / Break On Through (to the Other Side) (The Doors cover)
5.  The Jack (AC/DC cover)
6.  Who’s Laughing Now
7.  The Boogieman Surprise
8.  You Can’t Put Your Arms Around a Memory (Johnny Thunders cover)
9.  My Dead Drunk Friends
10. Baba O’Riley (The Who cover)
11. Sweet Emotion (Aerosmith cover)
12. Heroes (David Bowie cover)
13. Git From Round Me
14. I’m Eighteen (Alice Cooper cover)
15. People Who Died (The Jim Carroll Band cover)
16. The Train Kept A-Rollin’ (Tiny Bradshaw cover)

17. We Gotta Rise
18. School’s Out / Another Brick in the Wall

Concert Review: ADELITAS WAY & DISCIPLES OF BABYLON – Jan. 27, 2017

I recently had the pleasure of seeing two bands that I love in concert on the same bill, at The Slidebar in Fullerton, California. LA band Disciples of Babylon, whose debut EP Welcome to Babylon I reviewed a year ago (which you can read here), opened for Las Vegas band Adelitas Way. (Varna was the other opening band, but I missed part of their set so am not including them in this review.) Adelitas Way played several gigs up and down California in late January, including at The Slidebar on January 27, and will resume touring throughout the Western U.S. in early March.

The Slidebar is a pretty small venue with no seating, so everyone stands to watch artists perform. I would guess the room held no more than 200 people, so it was quite intimate, and great to be able to see the bands up close and personal. Unbelievably, the concert was free! Disciples of Babylon, a four -man rock band consisting of Eric Knight on lead vocals, Ramon Blanco on lead guitar, Gui Bodi on bass, and Chris Toeller on drums, were first to perform.


The guys look a bit tough in their promotional photo, but in reality are kind, generous and funny, with a great appreciation for their fans. This was their second gig I’ve attended, and they deliver 100 percent. Their set, which lasted approximately 40 minutes, included a number of new songs that will be featured on their upcoming full-length album, currently being mastered and planned for release in early Spring. They also sang their fantastic hit song “KARMA” and “The Great Pretend” off their debut EP, as well as an awesome cover of the David Bowie classic “Fame.” I filmed a portion of that song but, unfortunately, the sound quality isn’t very good (the music and bass were extremely loud in the small venue, so the sound is distorted in the audio recorded by my phone). Still, one gets a good feel for their dynamic sound and stage presence.

Adelitas Way came on stage around 10 pm, and by that time the room was filled to capacity, with anticipation running high. The band’s current line-up includes lead vocalist Rick DeJesusTre Stafford on drums, Robert Zakaryan on lead guitar and backing vocals, and Andrew Cushing on bass. The guys put on an exhilarating live show, and DeJesus is a crazy man on stage! He’s a big guy, and stalks the stage like a lion, his charisma and incredible energy charging up his audience.

They played many of their hits, including “Criticize,” “Bad Reputation,” “Sick,” “Getaway,” “Invincible,” and “The Collapse,” as well as their new song “Ready for War (Pray for Peace)” that will appear on their upcoming fifth studio album. In between songs, DeJesus engaged the audience and spoke about the band, their music and future plans. It was obvious Adelitas Way has a large, loyal base of fans, and a few people in the audience had seen them five or six times. At the end of their set, the band members circulated among the crowd, shaking hands and posing for selfies with fans. I was impressed by the amount of time and effort DeJesus put forth in meeting and greeting his fans, and his interest in them was completely genuine.

Here’s a snippet of their performance of “Bad Reputation” and once again I apologize for the poor sound quality.

Adelitas Way kicks off their Ready For War Tour 2017 on March 2 in Las Vegas, joined by opening act Letters from the Fire. If you haven’t seen them live, I highly recommend you make the effort to see them on this tour.


To learn more about Adelitas Way, follow them on Facebook and Twitter, and stream their music on Spotify. Likewise, follow Disciples of Babylon on Facebook and Twitter, and stream their music on Spotify.

Concert Review: COLDPLAY – A Head Full of Dreams Tour

I finally got the long-overdue opportunity to see one of my all-time favorite bands Coldplay in concert on August 21. It was the second night of two concerts they played to a crowd of 80,000 at the legendary Rose Bowl stadium in Pasadena, California, and they didn’t disappoint.  Chris Martin and his band mates Jonny Buckland, Guy Berryman and Will Champion put on a tremendously colorful and entertaining show, complete with laser lights, fireworks, confetti and huge floating balls. It was amazing!

There were two opening acts – singers Bishop Briggs and Alessia Cara – who were both awesome, and got the crowd energized before Coldplay took the stage. Bishop Briggs, who was born in the UK, raised in Japan and Hong Kong, and now lives in Los Angeles, sings a rather intense style of bluesy alternative pop-rock with an almost gospel quality. She performed her songs “Wild Horses,” “Pray” and “The Way I Do,” and finished up with an impassioned performance of her excellent torch song “The River,” which is currently #5 on the Billboard Alternative Chart.

Bishop Briggs

Here’s a video of “The River”:

Next on stage was the 20-year old Canadian singer Alessia Cara, who immediately won me over with her warm, genuine personality, not to mention incredible voice. The only song of hers I was very familiar with was her big 2015 hit “Here,” but I found myself liking all the songs she sang, including “I’m Yours,” “Wild Things,” and her latest single “Scars to Your Beautiful” – of which she gave a tremendously moving performance. Unfortunately, I was not able to get a clear photo of her performance, so this one will have to do.


Here’s a video of Alessia singing “Scars to Your Beautiful”:

Despite the two ladies’ awesome performances, I and all the Coldplay fans were thrilled to see our boys finally take the stage at 9:05. They opened with “A Head Full of Dreams,” and the show took off with a bang, with fireworks and a dazzling light display.

Next up was an uplifting performance of the perennial crowd favorite “Yellow.”

Coldplay Yellow

Coldplay kept the energy flowing as they performed many of their hits, including “The Scientist,” “Every Teardrop is a Waterfall,” “Viva La Vida,” “Fix You,” “Magic,” “Midnight,” “Adventure of a Lifetime,” and my personal favorite “Clocks,” which I was able to film. The video and audio aren’t too bad, if I must say so myself.

Chris Martin is amiable and charismatic, with the energy of a 20-year old, running up and down the ramp and dancing about the stage. Halfway through the set, they paid tribute to David Bowie with a decent cover of “Heroes.” We were all given plastic wristbands when we entered the stadium, and at various times throughout the concert they would all light up through remote controlled computers, creating an amazing light display throughout the stadium that was truly magical.

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Late into the concert, the band moved to a smaller stage at the north end of the stadium and performed a few songs, including another of my favorites “In My Place” from A Rush of Blood to the Head. We were then treated to a surprise visit by late night talk show host and singer James Corden, who joined Coldplay for a great tribute performance of Prince’s “Nothing Compares 2 U.” It also happened to be Corden’s birthday, so a cake was presented, to tremendous applause from the audience. What an awesome treat that was!

The band returned to the main stage for the rest of the show, and sang “A Sky Full of Stars,” “Charlie Brown,” “Everglow,” and closed with “Up And Up.” They played for two full hours! Other than for challenges of getting out of the complex because of so many all leaving at the same time, it was a terrific concert experience, and one that I’ll cherish the rest of my days.  I only wish I’d had a seat closer to the stage.

Connect with Coldplay:  Facebook /  Twitter /  Instagram

Connect with Bishop Briggs:  Facebook /  Twitter /  Instagram

Connect with Alessia Cara:  Facebook /  Twitter /  Instagram

Concert Review – twenty one pilots Emotional Roadshow World Tour

I had the pleasure of seeing my current favorite band twenty øne piløts in concert at the Scottrade Center in St. Louis on August 2, and my already high expectations were greatly exceeded. Not only are they amazing performers who put on a fantastically quirky show, but I also loved the two bands who opened for them.

I have to admit that I was not looking forward to having to sit through two opening acts I’d never heard of before seeing Tyler Joseph and Josh Dun play.  But the instant the first band – Chef’Special from Haarlem, The Netherlands – appeared on stage and began performing their exuberant new single “Amigo,” I was smitten.  They play a fun, energetic mix of hiphop, funk, reggae and rock guaranteed to have you on your feet.  I honestly felt disappointed when, after their third song, band front man Josh Nolet announced the fourth and last song of their set. I followed them on Twitter, listened to more of their songs and am now a fan.


After a brief intermission, the second opening band – MUTEMATH, a four-man band from New Orleans – took the stage and, once again, I was more than pleasantly surprised, not to mention shocked I had never heard of them, as they’ve been around for years and play totally awesome music!  Their lush, alternative synth/rock/jazz sound kept the audience – and me – at full attention and, as eager as I was to hear twenty øne piløts, I enjoyed every minute of their set. I was sorry they performed only six songs, including “Typical,” “Monuments,” and their gorgeous new single “Used To.”  We were all blown away by the powerful drum solos by band member Darren King, who attacked his drums with fierce abandon.  I’m now a big fan of MUTEMATH as well.


When the lights dimmed and Tyler and Josh appeared on stage, the audience leapt to their feet and went wild. The guys were dressed in their signature black and red suits, their faces covered by black balaclavas, and opened with a medley of “Heavydirtysoul” and “Migraine,” then segued into “Hometown.” Halfway into the song, crew members pulled a tarp over Tyler and, 30 seconds later, he reappeared in the upper stands and finished the song and tore off his balaclava. From video footage I’ve seen from other concerts on the tour, this stunt is repeated at most, if not all, shows. They continued playing songs from their three albums “Twenty One Pilots,” “Vessel” and “Blurryface,” as well as their latest single “Heathens.”


At one point, Tyler and Josh moved from the main stage to a secondary stage across from where I was sitting, and performed a medley of songs from their self-titled first album.  It was nice to be able to get a closer look at them, as I was sitting pretty far from the main stage.


Afterwards, they quickly climbed down from that stage and returned to the main stage to continue their show.  Halfway through their set, Tyler pulled out his ukelele and led the audience in a singalong of Elvis Presley’s “Can’t Help Falling in Love,” then welcomed MUTEMATH and Chef’Special back to the stage, whereupon they all sang “Twist and Shout.” Next came performances of Celine Dion’s “My Heart Will Go On” and Justin Bieber’s “Love Yourself” (with Josh abandoning his drums and playing a respectable trumpet solo), ending with a rousing rendition of House of Pain’s “Jump Around.”  It’s always fun when artists and bands choose to perform songs outside their comfort zones.  Here’s a snippet of “Jump Around”:

Here’s their awesome performance of “Tear In My Heart.”  I couldn’t help but sing along and, unfortunately, my off-key vocals are audible at times. Yikes!

Toward the end of the show, Tyler climbed into a giant red inflated hamster ball that reminded me of the bubble that transported Glinda the Good Witch into Oz, and walked it out onto and over the audience while singing “Guns For Hands.” Again, this was another crowd-pleasing stunt performed at every show. As they played their last song, millions of pieces of red tissue paper confetti were shot into the air and quickly spread out over the arena. It was a dramatic climax to an incredible concert experience.