Fresh New Tracks, Vol. 31 – Chief Springs, The Metal Byrds, Won’t Say Rabbit

A staggering amount of new music continues to issue forth into the airwaves, so it’s time for another Fresh New Tracks installment. Today, I’m featuring three recently released songs by, in alphabetical order, British indie rock band Chief Springs, Texas rock band The Metal Byrds, and New Jersey garage punk-pop band Won’t Say Rabbit. I’ve previously written about Chief Springs and The Metal Byrds, whereas this is the first appearance for Won’t Say Rabbit on my blog, and hopefully not the last!

CHIEF SPRINGS – “One Room Past Waiting”

Chief Springs is a fine indie rock band based in and around London and Leicester who started out in 2018 as a two-piece, but eventually grew to become a five-piece consisting of Josh Coyne, Scott Dillon, Sam Crosby-Browne, Dale Bradfield and Tommy Jordan. Together, they make a pleasing style of melodic rock fashioned with elements of alternative, post-rock, and dream pop, and featuring lush guitars, beautiful arrangements, intelligent lyrics and Coyne’s vibrant baritone vocals. They’ve released a fair amount of music since 2020, including several singles and two EPs, the latter of which, the wonderful Time to Take Time, I reviewed last June. Now they’re back with a compelling new single “One Room Past Waiting“, a song about the conversations you wish you could avoid. The song was produced and engineered by Ben Andrews and features additional vocals by English musician and vocalist Kelli Blanchett.

It’s a powerful song, both musically and lyrically. I really like the lush cinematic soundscape and reverb-drenched guitars. The percussion, highlighted by heavy crashing cymbals, is quite dramatic, though I think it overpowers the other instruments and Coyne’s warm vocals somewhat. Nevertheless, it’s a very good song overall. The lyrics tell a story about a talk between a woman and an overworked doctor, exploring difficult conversations and empathy: “Mae said, ‘these meds won’t do anything and I feel worse’. So they said, in my head, you are well beyond the point of reverse. Well, I wish that I had stayed in the waiting room./ Overworked, undermanned, running on empty, drawn like a line in the sand. Just holding out, still holding out.”

Follow Chief Springs:  Facebook / Twitter / Instagram

THE METAL BYRDS – “Working Class”

Hailing from Austin, Texas are The Metal Byrds, a female-fronted band who play hard-hitting rock, infused with healthy doses of rock’n’roll and power pop, along with enough metal in the mix to give their songs a dark, edgy quality. Formed in 2018, the band has undergone a few personnel changes, and now consists of founding members London-born singer-songwriter Suzanne Birdie and guitarist Sly Rye, along with bassist Mac Jacob and drummer Charlie “Breeze” Janto. Over the past five years, they’ve released two albums, four EPs and numerous singles, some of which I’ve written about on this blog. On February 24th, they released “Working Class“, the third single from their 2023 EP Moments Before Sunrise, accompanied by a terrific video. 

The song opens with Suzanne gently crooning “In this box I live in, watch me go round and round and round“, a line she repeats with greater intensity until she’s literally screaming the words, her emotional state at the breaking point. The music, having also reached a crescendo along with her impassioned wails, then settles into a chugging rock groove fueled by Mac’s pulsating bassline, Charlie’s assertive drumbeats and Sly Rye’s blistering riffs. At around 3:30 minutes, the tempo ramps back up to a frantic pace as Suzanne’s wailing vocals return, ending the song on a powerful note. The highly relatable lyrics speak to the drudgery of having a nine to five job you despise, which can really cast a pall over every other aspect of your life: “I come home from work. Yeah my job is boring. I got no sleep, and I’m out of coffee. Ooh ooh ooh ooh, all I do is work./ My life is boring, can you relate?” I love the video, shot in black and white and featuring close ups of Suzanne, interspersed with scenes of her playing guitar and scribbling the lyrics onto a notebook.

Follow The Metal Byrds: FacebookX (Twitter)

WON’T SAY RABBIT – “Live And Love”

Won’t Say Rabbit is a garage pop-punk band with a marvelous name from northern New Jersey, and also fronted by a female vocalist. Formed in 1989, they’re comprised of Brian (guitar & Won’t Say Rabbit drawings) Tom (bass guitar & keyboards) and Beth (vocals.) Drummers through the years have included Frank, John, Billy, and Juan. Inspired by acts ranging from X, The Damned, The Buzzcocks, Cheap Trick, The Who, Led Zeppelin and The Beatles to the Ronettes, Crystals, and Shangri-Las, their music is high-energy, melodic and fun. They released several singles in 1990, followed by their eponymous album on CD in 1991, but 30 years would go by before they would release more music. Though they never disbanded, they haven’t played any live gigs since 1997, and during that time period, each of them were involved in other music projects, including writing new songs, playing and singing for fun. In 2022, they decided to become musically active again, and began dropping new singles, the latest of which is “Live And Love“.

The song is a rousing pop-punk banger that could have easily been a hit in the late 70s or early 80s, yet still sounds exciting and fresh. I love the strong, driving rhythms and roiling, shredded guitars, and Beth’s commanding vocals have a youthful vibrancy that’s quite appealing. The lyrics are a defiant refusal to go along with things you feel are wrong, choosing a life of positivity and love instead: “I won’t kill my brothers and sisters while Geppetto pulls the strings. Because I know in every war that no one really wins. I won’t do what I won’t do when I know it’s wrong. All I want is to live and love.” The delightful video features puppets representing the members of Won’t Say Rabbit performing the song on a stage. As a final note, I must give Beth a special mention for being one of the most supportive musicians I know; she not only frequently engages with my posts, but also of many other artists and bands.

Follow Won’t Say Rabbit:  X (Twitter)Instagram

CHIEF SPRINGS – EP Review: “Time to Take Time”

This June seems to be shaping up as “United Kingdom Artists Month”, as the last three artists I’ve written about are British, with several more in the coming weeks. Today I bring you a fourth – Chief Springs, a fine indie rock band based in Leicester and London. Originally formed in 2018 as a two-piece by Josh Coyne and Scott Dillon, they eventually grew to become a five-piece with the addition of Sam Crosby-Browne, Dale Bradfield and Tommy Jordan. Together, they make a pleasing style of melodic rock fashioned with elements of alternative, post-rock, and dream pop, and featuring lush guitars, beautiful arrangements, intelligent lyrics and Josh’s vibrant baritone vocals.

They’ve been releasing music since 2020, beginning with their lovely single “Tupelo”, which they followed a year later with a three-song EP 00. In February 2022, they dropped a single “Long Game (Agave)”, followed two weeks later with “La Cienega”, named after the famous boulevard running through western L.A. and West Hollywood. I first learned about Chief Springs through my being a guest moderator of the British online music program Fresh on the Net, in which “La Cienega” was an entry that week. The beautiful song was one of my top five picks out of 170 entries, and I liked it so much, it spent three months on my Weekly Top 30, and ranks #76 on my 100 Best Songs of 2022 list.

Now they return with a marvelous new EP Time to Take Time, featuring four excellent songs they wrote and recorded between this past winter and early spring. Produced and mixed by their frequent collaborator Jamie Ward, the EP features accompanying vocals from singer-songwriter and musician Courtney Askey on selected tracks. Josh told me the songs on the EP “explore people’s experiences of being lied to, being told what to do with their body, accepting what’s gone is gone and moving home.”

Opening track “Elastic” touches on all the conflicting and sometimes incorrect news we’re fed, leaving us confused, disoriented, and not knowing what’s truth or fiction: “All of the things you ought to know, are no longer showing / Because the posters in the window, they serve as proof of how far they can stretch this elastic truth. All of the stories rearrange you / How far can they stretch this elastic truth? A time to take time to take time.” The instrumentation is impeccable and honest, with gorgeous jangly guitars bathed in shimmer, accompanied by a deep bass groove and real drums that lend rich textures to the track.

House Money” speaks to accepting the hand you’ve been dealt and realizing you can move forward: “Things have changed. Somehow strangely liberating. And the house, it always wins, and everything that was, now can end. The house, it always wind, and everything to be can now begin.” A vibrant mix of intricate guitars are layered over a lush bassline and thumping groove.

And on the lovely and sweet “Upping“, Josh croons to a loved one of his devotion and willingness to go anywhere, so long as it’s with her: “Well I could move off this rock with you, build a house on the moon. Make a state upon that star too, wait for the space plants to bloom. Well I could fill a new home with you down on the bed of the sea. Forge a life under ocean blue, cheap but it’s harder to breath. If I’m to do nothing, it’ll be with you. Don’t see it as running, but a thing to do.” As always, the lush guitar work and Josh’s vocals are both achingly beautiful.

The topically relevant “Saddened Sick” calls out those who aim to control or interfere with our bodily autonomy, telling us what we can or cannot do with our lives: “Who makes the call for someone else? Now how am I supposed to believe that these are your decisions to make? And where do we begin, the hope is where it lives. Original sin, but you couldn’t write it if you tried.” The crisp percussion and jangly guitars are simply wonderful, and Josh and Courtney’s harmonies sublime.

Chief Springs have really outdone themselves with the creation of this exquisite little EP. Time to Take Time is not only a beautiful feast for the ears, it’s meaningful lyrics give us lots to think about. Great work guys!

Connect with Chief Springs:  FacebookTwitterInstagram

Find their music on BandcampSpotifyApple Music / SoundcloudYouTube

Top 30 Songs for June 26-July 2, 2022

Brooklyn, New York-based Two Feet (the music moniker of singer-songwriter and guitarist extraordinaire Bill Dess) has been my favorite music artist for the past four years or so. I’ve written about him numerous times on this blog, and have seen three of his live shows. His latest single “Tell Me The Truth” assumes the #1 spot on this week’s Top 30, his tenth song to top my weekly chart. Many of his songs are sultry and sensual, but “Tell Me The Truth”, taken from his fourth album Shape & Form, is one of his darkest and sexiest yet. The lyrics are sung from the perspective of a man who’s tried everything to win the love of a woman he desires, to no avail. “For too long, I dream of you, All that you do. I watch you float on, float on. For too long, I contemplate, I try to be all that you need. So tell me the truth, my baby, baby. Is it me, is it you?

It’s a powerful and gorgeous song, and I love how it transitions from haunting interludes of restrained instrumentals and vocals in the verses, to an explosive, cinematic crescendo in the choruses, in which Two Feet’s vocals are more impassioned and raw than we’ve ever heard before. It’s also longer than most of his previous songs, and his scorching guitar solo in the final chorus is well worth the wait. He’s commented that it’s his favorite of all the songs he’s written and recorded, and I have to say that it’s certainly one of mine. The steamy video, directed by Brian Lipko and starring a finely chiseled Two Feet and sexy LA-based model and restauranteur Tina Louise, shows them experiencing the throes of unrequited sexual desire and angst, both together and alone.

Entering the top 10 this week are “About Damn Time” by Lizzo and “A Little Bit of Love” by Weezer, who I’m happy are still making music after nearly 30 years together. Making a strong upward movement are My Chemical Romance‘s “The Foundations of Decay” and Arcade Fire‘s “Unconditional I (Lookout Kid)”, both of which climb seven spots to #16 and #22, respectively. Three new songs make their debut: “The Funeral” by British artist YUNGBLUD (which I realized I really like after reading this post by fellow blogger The Alternative Mixtapes), “Mistakes” by the always wonderful Sharon Van Etten, and the haunting “Failure to Comply” by MISSIO, another one of my favorite artists, who I’ll finally be seeing perform live in LA on July 30.

  1. TELL ME THE TRUTH – Two Feet (3)
  2. CHASING TRAINS – HULLAH (1)
  3. MY LOVE – Florence + the Machine (2)
  4. WILD CHILD – The Black Keys (4)
  5. AS IT WAS – Harry Styles (5)
  6. SEVENTEEN GOING UNDER – Sam Fender (7)
  7. BELIEVE – Caamp (9)
  8. ABOUT DAMN TIME – Lizzo (12)
  9. A LITTLE BIT OF LOVE – Weezer (11)
  10. BLOODRUSH – The Amazons (8)
  11. WILD – Spoon (6)
  12. 2am – Foals (13)
  13. LOVE BRAND NEW – Bob Moses (10)
  14. SYNCHRONIZE – Milky Chance (15)
  15. THAT’S WHERE I AM – Maggie Rogers (16)
  16. THE FOUNDATIONS OF DECAY – My Chemical Romance (23)
  17. CLOSER – The Frontier (20)
  18. LONELY – Sea Girls (21)
  19. BEDS ARE BURNING – AWOLNATION feat. Tim McIlrath (22)
  20. SLEEP – Gooseberry (14)
  21. IN THE MIRROR – The Interrupters (25)
  22. UNCONDITIONAL I (LOOKOUT KID) – Arcade Fire (29)
  23. WARNING SIGNS – Band of Horses(26)
  24. LA CIENEGA – Chief Springs (17)
  25. VIRGINIA (WIND IN THE NIGHT) – The Head and the Heart (18)
  26. DESPERATELY WANTING – Brian Lambert & Marc Schuster (28)
  27. LIN MANUEL – Onism E (30)
  28. THE FUNERAL – YUNGBLUD (N)
  29. MISTAKES – Sharon Van Etten (N)
  30. FAILURE TO COMPLY – MISSIO (N)

Top 30 Songs for June 19-25, 2022

One of my best new finds of 2022 is the young British singer-songwriter Charley Hullah, who goes by just his last name, stylized as HULLAH. I learned about the handsome and talented London-based artist as a result of being a guest moderator for the BBC Music weekly song competition Fresh On The Net, for which he’d entered his single “Chasing Trains”. I loved the beautiful song the moment I heard it, and chose it as one of my five top picks out of the 170 entries. (Three others of those top five have also appeared on my Weekly Top 30: “Deception” by Hannah Reem & Noodle Beard, which reached #1 in late April, “The Hurt Within” by Holy Coves and “La Cienega” by Chief Springs, which is still on this list.) Now in its 15th week on my list, I’m thrilled to finally place “Chasing Trains” at the top. HULLAH’s compelling lyrics, haunting melody, sparkling atmospheric synths and ethereal vocals are gorgeous, and I love this song more with every listen.

In other chart developments, Two Feet moves up three spots to #3 with his smoldering song of desire “Tell Me The Truth”, and Florence + the Machine, The Black Keys, Harry Styles, Spoon, Sam Fender and Bob Moses continue to dominate the top 10. Caamp climbs three spots to #9 with their lovely “Believe”, Weezer‘s optimistic “A Little Bit of Love” also moves up three to #11, and Lizzo‘s delightful “About Damn Time” leaps 14 spots to #12. Making their debut this week are “Unconditional I (Lookout Kid)” by Arcade Fire, and the brilliant “Lin Manuel” by New York-based indie rock band Onism E.

  1. CHASING TRAINS – HULLAH (2)
  2. MY LOVE – Florence + the Machine (1)
  3. TELL ME THE TRUTH – Two Feet (6)
  4. WILD CHILD – The Black Keys (3)
  5. AS IT WAS – Harry Styles (4)
  6. WILD – Spoon (5)
  7. SEVENTEEN GOING UNDER – Sam Fender (8)
  8. BLOODRUSH – The Amazons (10)
  9. BELIEVE – Caamp (12)
  10. LOVE BRAND NEW – Bob Moses (9)
  11. A LITTLE BIT OF LOVE – Weezer (14)
  12. ABOUT DAMN TIME – Lizzo (26)
  13. 2am – Foals (15)
  14. SLEEP – Gooseberry (7)
  15. SYNCHRONIZE – Milky Chance (17)
  16. THAT’S WHERE I AM – Maggie Rogers (18)
  17. LA CIENEGA – Chief Springs (11)
  18. VIRGINIA (WIND IN THE NIGHT) – The Head and the Heart (13)
  19. SHUT OFF THE LIGHTS – Bastille (16)
  20. CLOSER – The Frontier (22)
  21. LONELY – Sea Girls (23)
  22. BEDS ARE BURNING – AWOLNATION feat. Tim McIlrath (24)
  23. THE FOUNDATIONS OF DECAY – My Chemical Romance (25)
  24. ON MY KNEES – RÜFÜS DU SOL (19)
  25. IN THE MIRROR – The Interrupters (28)
  26. WARNING SIGNS – Band of Horses (29)
  27. DISTANCE – Mount Famine (20)
  28. DESPERATELY WANTING – Brian Lambert & Marc Schuster (30)
  29. UNCONDITIONAL I (LOOKOUT KID) – Arcade Fire (N)
  30. LIN MANUEL – Onism E (N)

Top 30 Songs for June 12-18, 2022

No matter how often I listen to “My Love” by Florence + the Machine, my love for it (no pun intended) only grows stronger, and the gorgeous song maintains a firm grip on the #1 spot for a third week. Moving up two notches to #2 is “Chasing Trains” by London singer songwriter HULLAH, another beautiful song I never tire of hearing. In other notable chart movements, my favorite artist Two Feet jumps six spots to #6 with his darkly sexy “Tell Me The Truth”, and Ohio band Caamp leaps 10 spots with their lovely song “Believe”.

Three new songs make their debut this week: “About Damn Time” by Lizzo, her first ever appearance on my chart, enters at #26. I know she’s one of the most popular artists around today, but none of her previous songs have really appealed to me until “About Damn Time”, and I can’t resist its infectious 70s dance groove. At #29 is “Warning Signs” by the wonderful Band of Horses, whose songs never disappoint. And bringing up the rear is “Desperately Wanting”, a haunting collaboration by prolific and talented singer-songwriters Brian Lambert and Marc Schuster.

  1. MY LOVE – Florence + the Machine (1)
  2. CHASING TRAINS – HULLAH (4)
  3. WILD CHILD – The Black Keys (2)
  4. AS IT WAS – Harry Styles (5)
  5. WILD – Spoon (6)
  6. TELL ME THE TRUTH – Two Feet (12)
  7. SLEEP – Gooseberry (3)
  8. SEVENTEEN GOING UNDER – Sam Fender (9)
  9. LOVE BRAND NEW – Bob Moses (7)
  10. BLOODRUSH – The Amazons (11)
  11. LA CIENEGA – Chief Springs (8)
  12. BELIEVE – Caamp (22)
  13. VIRGINIA (WIND IN THE NIGHT) – The Head and the Heart (10)
  14. A LITTLE BIT OF LOVE – Weezer (16)
  15. 2am – Foals (17)
  16. SHUT OFF THE LIGHTS – Bastille (18)
  17. SYNCHRONIZE – Milky Chance (19)
  18. THAT’S WHERE I AM – Maggie Rogers (20)
  19. ON MY KNEES – RÜFÜS DU SOL (13)
  20. DISTANCE – Mount Famine (15)
  21. THE HURT WITHIN – Holy Coves (14)
  22. CLOSER – The Frontier (24)
  23. LONELY – Sea Girls (25)
  24. BEDS ARE BURNING – AWOLNATION feat. Tim McIlrath (26)
  25. THE FOUNDATIONS OF DECAY – My Chemical Romance (29)
  26. ABOUT DAMN TIME – Lizzo (N)
  27. DECEPTION – Hannah Reem & Noodle Beard (21)
  28. IN THE MIRROR – The Interrupters (30)
  29. WARNING SIGNS – Band of Horses (N)
  30. DESPERATELY WANTING – Brian Lambert & Marc Schuster (N)

Top 30 Songs for June 5-11, 2022

Florence + the Machine‘s cinematic “My Love” holds the #1 spot for a second week, while The Black Keys‘ “Wild Child” remains at #2. Brooklyn band Gooseberry climbs a notch to #3 with their wonderful “Sleep”, and London artist HULLAH moves up to #4 with his ethereal and moody “Chasing Trains”. British band The Amazons‘ “Bloodrush” climbs four spots to #11, Two Feet jumps seven spots to #12 with his smoldering “Tell Me The Truth”, and Caamp’s “Believe” leaps eight spots to #22. Two songs make their debut this week – the epic “The Foundations of Decay” by My Chemical Romance, their first new music in eight years, and the buoyant “In The Mirror” by Los Angeles ska punk band The Interrupters, entering at #29 and 30, respectively.

  1. MY LOVE – Florence + the Machine (1)
  2. WILD CHILD – The Black Keys (2)
  3. SLEEP – Gooseberry (4)
  4. CHASING TRAINS – HULLAH (5)
  5. AS IT WAS – Harry Styles (3)
  6. WILD – Spoon (6)
  7. LOVE BRAND NEW – Bob Moses (7)
  8. LA CIENEGA – Chief Springs (8)
  9. SEVENTEEN GOING UNDER – Sam Fender (10)
  10. VIRGINIA (WIND IN THE NIGHT) – The Head and the Heart (9)
  11. BLOODRUSH – The Amazons (15)
  12. TELL ME THE TRUTH – Two Feet (19)
  13. ON MY KNEES – RÜFÜS DU SOL (11)
  14. THE HURT WITHIN – Holy Coves (13)
  15. DISTANCE – Mount Famine (14)
  16. A LITTLE BIT OF LOVE – Weezer (17)
  17. 2am – Foals (18)
  18. SHUT OFF THE LIGHTS – Bastille (20)
  19. SYNCHRONIZE – Milky Chance (21)
  20. THAT’S WHERE I AM – Maggie Rogers (22)
  21. DECEPTION – Hannah Reem & Noodle Beard (12)
  22. BELIEVE – Caamp (30)
  23. ANIMAL – Partisan (25)
  24. CLOSER – The Frontier (27)
  25. LONELY – Sea Girls (28)
  26. BEDS ARE BURNING – AWOLNATION feat. Tim McIlrath (29)
  27. I LOVE YOU – Fontaines D.C. (16)
  28. WHAT, ME WORRY? – Portugal. The Man (23)
  29. THE FOUNDATIONS OF DECAY – My Chemical Romance (N)
  30. IN THE MIRROR – The Interrupters (N)

Top 30 Songs for May 29-June 4, 2022

I love the music of British band Florence + the Machine. Fronted by singer-songwriter Florence Welch, their sound is a glorious blend of indie rock, baroque pop, folk, art rock and soul. Their gorgeous song “My Love” takes over the #1 spot on my Weekly Top 30. The third single from their new album Dance Fever, Welch told Rolling Stone that she initially envisioned the song as a “sad little poem” to be performed acoustically, but later transformed it into a number she describes as “Nick Cave at the club.” In an interview with BBC Radio 1 Breakfast Show, she commented “Sometimes the biggest dance songs, I think, have a really sad core to them.” The song was co-written by Glass Animals vocalist Dave Bayley, with whom she collaborated on Dance Fever along with Jack Antonoff. The video for “My Love” was directed by Autumn de Wilde, who also directed the videos for the previous two Florence + the Machine singles “King” and “Heaven Is Here”. In the video, Welch is shown performing a concert in a pretentious nightclub, where she hypnotizes and immobilizes people, then arranges them in dances. Very baroque and cinematic.

In other chart developments, the songs at #s 3-7 remain in their same positions, while two beautiful songs – “Virginia (Wind in the Night)” by The Head and the Heart and “Seventeen Going Under” by Sam Fender – enter the top 10. Debuting this week are “Beds Are Burning”, a terrific remake of the Midnight Oil classic by AWOLNATION, featuring guest vocals by Rise Against lead singer Tim McIlrath, and “Believe” by American folk band Caamp, making their first appearance on my Weekly Top 30.

  1. MY LOVE – Florence + the Machine (2)
  2. WILD CHILD – The Black Keys (1)
  3. AS IT WAS – Harry Styles (3)
  4. SLEEP – Gooseberry (4)
  5. CHASING TRAINS – HULLAH (5)
  6. WILD – Spoon (6)
  7. LOVE BRAND NEW – Bob Moses (7)
  8. LA CIENEGA – Chief Springs (10)
  9. VIRGINIA (WIND IN THE NIGHT) – The Head and the Heart (11)
  10. SEVENTEEN GOING UNDER – Sam Fender (12)
  11. ON MY KNEES – RÜFÜS DU SOL (13)
  12. DECEPTION – Hannah Reem & Noodle Beard (8)
  13. THE HURT WITHIN – Holy Coves (14)
  14. DISTANCE – Mount Famine (16)
  15. BLOODRUSH – The Amazons (17)
  16. I LOVE YOU – Fontaines D.C. (9)
  17. A LITTLE BIT OF LOVE – Weezer (20)
  18. 2am – Foals (21)
  19. TELL ME THE TRUTH – Two Feet (25)
  20. SHUT OFF THE LIGHTS – Bastille (22)
  21. SYNCHRONIZE – Milky Chance (23)
  22. THAT’S WHERE I AM – Maggie Rogers (24)
  23. WHAT, ME WORRY? – Portugal. The Man (15)
  24. BROKEN HORSES – Brandi Carlile (18)
  25. ANIMAL – Partisan (28)
  26. BLACK SUMMER – Red Hot Chili Peppers (19)
  27. CLOSER – The Frontier (29)
  28. LONELY – Sea Girls (30)
  29. BEDS ARE BURNING – AWOLNATION feat. Tim McIlrath (N)
  30. BELIEVE – Caamp (N)

Top 30 Songs for May 22-28, 2022

Not a lot of changes from last week on my latest Weekly Top 30. The Black Keys hold at #1 for a second week with their raucous “Wild Child”, while Florence + the Machine‘s “My Love” closes in at #2. British five-piece Chief Springs enter the top 10 with their lovely song “La Cienega”, named after the famous boulevard that runs through West Hollywood and Los Angeles. The lone new debut this week is “Lonely” by British band Sea Girls, who’ve been around since 2015, but I sadly didn’t learn about until a few weeks ago.

  1. WILD CHILD – The Black Keys (1)
  2. MY LOVE – Florence + the Machine (3)
  3. AS IT WAS – Harry Styles (2)
  4. SLEEP – Gooseberry (6)
  5. CHASING TRAINS – HULLAH (7)
  6. WILD – Spoon (8)
  7. LOVE BRAND NEW – Bob Moses (5)
  8. DECEPTION – Hannah Reem & Noodle Beard (4)
  9. I LOVE YOU – Fontaines D.C. (10)
  10. LA CIENEGA – Chief Springs (13)
  11. VIRGINIA (WIND IN THE NIGHT) – The Head and the Heart (16)
  12. SEVENTEEN GOING UNDER – Sam Fender (19)
  13. ON MY KNEES – RÜFÜS DU SOL (14)
  14. THE HURT WITHIN – Holy Coves (15)
  15. WHAT, ME WORRY – Portugal. The Man (9)
  16. DISTANCE – Mount Famine (17)
  17. BLOODRUSH – The Amazons (18)
  18. BROKEN HORSES – Brandi Carlile (11)
  19. BLACK SUMMER – Red Hot Chili Peppers (12)
  20. A LITTLE BIT OF LOVE – Weezer (22)
  21. 2am – Foals (23)
  22. SHUT OFF THE LIGHTS – Bastille (24)
  23. SYNCHRONIZE – Milky Chance (25)
  24. THAT’S WHERE I AM – Maggie Rogers (26)
  25. TELL ME THE TRUTH – Two Feet (27)
  26. BROKEN HEARTS – Ships Have Sailed (20)
  27. GIVE A LITTLE LOVIN’ – Jamie Alimorad (21)
  28. ANIMAL – Partisan (29)
  29. CLOSER – The Frontier (30)
  30. LONELY – Sea Girls (N)

Top 30 Songs for May 15-21, 2022

Though their latest album Dropout Boogie has gotten mixed reviews, I love The Black Keys‘ lead single “Wild Child”, which knocks Harry Styles’ “As It Was” from the #1 spot after a two-week run. The rousing stomper sees them going back to their blues rock roots, highlighted by Dan Auerbach’s gnarly guitars and Patrick Carney’s muscular drumbeats. Though the simple lyrics are directed to a woman the singer wants to love – “I just wanna hold you at the end of every day. Girl, I wanna please you, oh, I’m needing you to stay. The sun is gonna shine if you would just come out and play. Baby, won’t you show me your wild child ways” – the outrageous video portrays Auerbach and Carney as guys who show up for menial jobs at an out of control high school, then add to the ensuing mayhem.

In other chart news, Florence + the Machine‘s gorgeous “My Love” continues its march toward the top, climbing a notch to #3. “Sleep” by Brooklyn four-piece Gooseberry, “Chasing Trains” by British singer-songwriter HULLAH, and “Wild” by Spoon all climb three spots to #6, 7 and 8, respectively, and Fontaines D.C.’s haunting “I Love You” finally enters the top 10.

Three songs make their debut this week. The first is “Seventeen Going Under” by British singer-songwriter Sam Fender, which enters at #19. The beautiful song was released in July 2021, and I ranked it at #44 on my Top 100 Songs of 2021 list, so when it started getting a lot of airplay a few months ago, I resisted placing it on my Weekly Top 30. But now that’s it climbing up the Alternative charts, I’m compelled to add it to mine too. The other two debuts are “Tell Me The Truth” by my favorite artist Two Feet, who just dropped his fourth album Shape and Form, and “Closer” by another favorite artist of mine, singer-songwriter The Frontier.

  1. WILD CHILD – The Black Keys (2)
  2. AS IT WAS – Harry Styles (1)
  3. MY LOVE – Florence + the Machine (4)
  4. DECEPTION – Hannah Reem & Noodle Beard (3)
  5. LOVE BRAND NEW – Bob Moses (5)
  6. SLEEP – Gooseberry (9)
  7. CHASING TRAINS – HULLAH (10)
  8. WILD – Spoon (11)
  9. WHAT, ME WORRY? – Portugal. The Man (6)
  10. I LOVE YOU – Fontaines D.C. (14)
  11. BROKEN HORSES – Brandi Carlile (8)
  12. BLACK SUMMER – Red Hot Chili Peppers (7)
  13. LA CIENEGA – Chief Springs (15)
  14. ON MY KNEES – RÜFÜS DU SOL (16)
  15. THE HURT WITHIN – Holy Coves (17)
  16. VIRGINIA (WIND IN THE NIGHT) – The Head and the Heart (18)
  17. DISTANCE – Mount Famine (19)
  18. BLOODRUSH – The Amazons (20)
  19. SEVENTEEN GOING UNDER – Sam Fender (N)
  20. BROKEN HEARTS – Ships Have Sailed (12)
  21. GIVE A LITTLE LOVIN’ – Jamie Alimorad (13)
  22. A LITTLE BIT OF LOVE – Weezer (21)
  23. 2am – Foals (22)
  24. SHUT OFF THE LIGHTS – Bastille (26)
  25. SYNCHRONIZE – Milky Chance (28)
  26. THAT’S WHERE I AM – Maggie Rogers (29)
  27. TELL ME THE TRUTH – Two Feet (N)
  28. I’LL CALL YOU MINE – girl in red (24)
  29. ANIMAL – Partisan (30)
  30. CLOSER – The Frontier (N)

Top 30 Songs for May 8-14, 2022

Some have asked me how I come up with my Weekly Top 30 lists – i.e., what my song rankings are based on, and how and why I include the songs that I do. Well, it’s simple: it’s basically a list of my 30 current favorite songs for each week. If I had my own radio station, these are the songs I’d play most, along with favorite older songs, of course. I’m a big fan of alternative rock, dream rock, pop-rock and synthpop, so my lists are strongly influenced by the Billboard Alternative and Adult Alternative Airplay charts. I also write about and like to promote indie artists as much as possible, many of whom are putting out outstanding music, so each week I try to include at least 10 songs I really like by indie artists and bands.

It’s not often that a song that reaches #1 on the Billboard Hot 100 also tops my chart, as a lot of them are crap, but every once in a while a great pop song comes along that I also love, such as last year’s “Drivers License”, “Levitating” and “Leave the Door Open”. Harry Styles‘ “As It Was” is another such hit song, now in its third week at #1 on the Hot 100, and #1 for a second week on my chart. The Black Keys‘ “Wild Child” closes in at #2, while Florence + the Machine‘s gorgeous “My Love” rises to #4. Entering the top 10 are songs by two indie artists I’ve come to really like: “Sleep” by Brooklyn four-piece Gooseberry, who just released their wonderful EP Broken Dance, and the achingly beautiful “Chasing Trains” by British singer-songwriter HULLAH. The lone debut this week is “Animal” by British rock group Partisan, a long-time favorite band of mine.

  1. AS IT WAS – Harry Styles (1)
  2. WILD CHILD – The Black Keys (3)
  3. DECEPTION – Hannah Reem & Noodle Beard (2)
  4. MY LOVE – Florence + the Machine (6)
  5. LOVE BRAND NEW – Bob Moses (5)
  6. WHAT, ME WORRY? – Portugal. The Man (4)
  7. BLACK SUMMER – Red Hot Chili Peppers (7)
  8. BROKEN HORSES – Brandi Carlile (8)
  9. SLEEP – Gooseberry (11)
  10. CHASING TRAINS – HULLAH (12)
  11. WILD – Spoon (13)
  12. BROKEN HEARTS – Ships Have Sailed (9)
  13. GIVE A LITTLE LOVIN’ – Jamie Alimorad (10)
  14. I LOVE YOU – Fontaines D.C. (17)
  15. LA CIENEGA – Chief Springs (18)
  16. ON MY KNEES – RÜFÜS DU SOL (19)
  17. THE HURT WITHIN – Holy Coves (20)
  18. VIRGINIA (WIND IN THE NIGHT) – The Head and the Heart (21)
  19. DISTANCE – Mount Famine (22)
  20. BLOODRUSH – The Amazons (23)
  21. A LITTLE BIT OF LOVE – Weezer (24)
  22. 2am – Foals (25)
  23. JUST LIKE ALWAYS – Oli Barton & the Movement with Maella (14)
  24. I’LL CALL YOU MINE – girl in red (15)
  25. CHEER UP BABY – Inhaler (16)
  26. SHUT OFF THE LIGHTS – Bastille (27)
  27. MIRACLE MILE – Head Noise (28)
  28. SYNCHRONIZE – Milky Chance (29)
  29. THAT’S WHERE I AM – Maggie Rogers (30)
  30. ANIMAL – Partisan (N)