New Song of the Week: THE MILLION REASONS – “Secrets”

The Million Reasons Secrets

Chicago rock outfit The Million Reasons has been a favorite indie band of mine ever since I first heard their magnificent song “Dizzy” almost exactly one year ago today. I featured the song on this blog, and loved it so much it ended up at #10 on my list of Top 100 Songs of 2018. They followed “Dizzy” with another fantastic single “Battle of Sound” in early November 2018, along with a humorously charming video. (I reviewed both singles, which you can read by clicking on the links under “Related” at the bottom of this page.)

The guys now return with a brand new single “Secrets“, which finds them taking a somewhat darker tone than their previous songs. Drummer Colin Dill explained: “We wanted to surprise people with a darker, heavier song than expected. We are all a little angry about the current state of affairs and this song represents letting people into the frustration that can be hidden deep down.” Besides Dill, The Million Reasons is comprised of Scott Nadeau (lead vocals), Ken Ugel (guitar), Mike Nichols (guitar), and Jason Cillo (bass). They’re all phenomenal musicians, consistently delivering arresting melodies, killer riffs, tight rhythms and powerful vocals. “Secrets” was produced by guitarist Ken Ugel along with Adam Beck, and mixed by Ugel and mastered by Nick Stetina.

The song starts off with a somber, bluesy guitar riff, moody bass line and pounding drum beat as Scott sings the first verse with his beautiful, understated vocals:

It’s hard to keep the days in line
And it’s hard to tell the time
When your mind is far away from here
When the light begins to fall
And your thoughts begin to stall
What do you do to entertain yourself?

Follow me a little deeper, and I’ll show you all my secrets that I keep inside
Follow me a little deeper, and I’ll show you all my secrets in this state of mind

Suddenly, Scott’s vocals erupt into an angry wail as the music intensifies with a barrage of gnarly and distorted guitars, chugging bass and tumultuous drums. He passionately rails against the current socioeconomic conditions in America (and elsewhere) that keep a sizable percentage of the population stuck in financial limbo:

Welcome to the modern age
Where there’s no jobs, no decent wage
But that’s OK
You can have some debt for free
All the problems of today
(They) never seem to go away
And the light
Is still so far from me

Follow me a little deeper, and I’ll show you all my secrets that I keep inside
Follow me a little deeper, and I’ll show you all my secrets in this state of mind

The song ends on a bombastic note, driving home the frustration and anger the band feels about this subject with powerful ferocity. It’s another winning song from The Million Reasons, offering further evidence that they’re an immensely talented band who are skilled at producing exceptional music with compelling and relatable lyrics. I love these guys, and look forward to hearing more from them soon.

Catch The Million Reasons at one of these upcoming shows:

July 19 – Beat Kitchen, Chicago
August 3 – Wedgestock 2019, Middlebury, Indiana
August 9 – Cubby Bear Wrigleyville, Chicago

Connect with The Million Reasons:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music / Soundcloud / YouTube
Purchase:  Bandcamp / iTunes / Amazon

DRAFT EVADER – EP Review: “Cashed”

Draft Evader Cashed

Draft Evader is an earnest and talented young musician from Chicago who I’ve been following for a while, and it’s been gratifying to watch him grow and mature as an artist. An interesting name for the music project of singer/songwriter and guitarist Ryan Loree, Draft Evader aptly describes his independent and rebellious nature. I first featured him on this blog in December 2017 when I reviewed his single “The Devil’s Disguise”, and at the time he explained “the name ‘Draft Evader’ is kind of a middle finger to the whole system, like ‘you can’t tell me what to do.’ So in a sense it means freedom. Freedom to be who you are and do what you love, no matter what anyone says.

Draft Evader plays a dynamic and accessible style of what he calls “pessimistic punk rock”, with rock’n’roll and grunge overtones. He writes all his songs, plays guitar and sings all vocals, and his good friend Joe Scaletta plays bass and drums, as well as mixes and masters the tracks. His deeply personal lyrics are brutally honest and always relatable; he openly addresses his struggles with depression and self-doubt, something a fair number of musicians and others involved in the arts also experience (as does yours truly).

He released a great little EP Hound Dog in the fall of 2018, featuring four stellar tracks – one of which, “In My Mind” was particularly outstanding. I loved the song so much it went all the way to #1 on my Weekly Top 30 last December. On February 12, he dropped a new two-song EP Cashed – a double-sided single of sorts. Interestingly, both tracks are 2:36 minutes long. Cashed was inspired by Ryan’s involvement in a car accident: “Ever get into a car accident during an existential crisis only to lose your job right after? Me too, and I wrote a couple songs about it.”

On the hard-rocking title track “Cashed“, he candidly speaks of depression and self-destructive behavior that often leads to additional problems, contributing to a cycle of ever deeper depression. Yet he also yearns for comfort and reassurance from a older and wiser voice. Ryan’s an impressive guitarist, and he delivers an onslaught of gnarly riffs from the get-go, driving home the seriousness of the subject matter. His scorching little guitar solo in the bridge was written by fellow musician Martijn Frazer, and I love his soaring vocals in the chorus. In fact, Ryan’s vocals have really improved with time and experience, and here he beautifully conveys the frustration and anger expressed in the biting lyrics:

Cashed my check to fill my tank up
Slow down over one more speed bump
Blowing stop signs with no license
Crash my car then stepped in dog shit
Covered in shitty ink
What would my grandma think
Kill for an old-school opinion
Pickin’ up missing teeth until my knuckles bleed
Falling deeper into a depression

On “Sunnyside“, he addresses the self-doubt about his music that sometimes plagues him. He released an EP Heel Turn in April 2018 (a very respectable effort that I also reviewed) but being a perfectionist, Ryan wasn’t satisfied with the songs or EP artwork. He incorporates the EP and song titles in the opening verse of “Sunnyside”, describing his struggle with self-confidence and feelings of not belonging:

Heel turn, I’m on a warpath
If I stutter more, I’ll complain less
All I have are some petty songs
Trying to write out all my wrongs

And I think I died in the old world
Because here I just don’t belong
And I left my soul in the old world
Behind yellow bars and heineken

Once again, he lays down chugging riffs of gritty guitar, while Joe handles the rhythm section with skilled precision. Both tracks are excellent, with catchy melodies that immediately hook us in, and driving riffs to keep us in thrall while we enjoy the ride. It’s a testament to Draft Evader’s continuing growth and ability to put out terrific rock music. I admire this young man and am happy to help promote him and his music however I can.

Connect with Draft Evader on Twitter / Instagram
Stream/purchase his music on Spotify and Bandcamp

BOOGIE BOARD – EP Review: “Rippers Only”

boogie board ep art

Last year, I wrote about Chicago-based surf/garage rock artist Boogie Board and his album Ferric Tape Noir, along with two extra singles (which you can read here). Boogie Board is the music project of guitarist and composer Stephen Denning, who describes his music as “fuzzy midwestern garage/ psych/ surf rock.” He writes, performs, records and masters all his music directly onto a 4-track tape machine in order to achieve a gritty lo-fi sound. I’m a big fan of surf guitar and all it’s permutations, so am pleased to feature him once again, with his latest release Rippers Only.

Screen shot 2018-04-10 at 1.13.52 AM

He’s produced quite a lot of music the past couple of years, starting with his debut 12-track album Surf N Turf in May 2017, followed by a five-track EP Dream Telepathy that September, then Ferric Tape Noir in late January 2018, and a double single Portal Window & Infinity Stairs two months later. On January 19, he dropped a new EP Rippers Only, delivering four new pieces of grungy surf rock candy for our listening enjoyment.

Most of Boogie Board’s tracks are on the short side, generally running approximately two minutes, give or take. At a total of only seven minutes, the EP comes and goes in a flash, but it’s a fun ride! The first track “Slow Roller” is catchy as hell, with a peppy drumbeat and a deep, gravelly riff that feels like bass, except it’s not. Denning likes to occasionally run his guitar through a bass amp to achieve a heavier sound. His vocals are as heavily distorted as the guitars as he chants “Slow roller. Go slow gonna take a drive. Slow roller. Gonna take my time.” Next up is “Keep It In Line“, with dense, grungy riffs set to a driving beat. Once again, Denning chants lyrics in heavily distorted vocals, however these I can’t make out. The track closes with lots of reverb.

Play It Cool” features very gnarly guitars over a repetitive frantic beat. Denning adds tasty little guitar flourishes to the mix as he shouts “I’m feeling good! Got to slow it down. I’m playing it cool!” The track leaves us feeling pretty good too. He closes things out with the title track “Rippers Only“. It’s very brief, running only 45 seconds, but it’s a gritty little banger overflowing with pulsating distortion. I really like it, but wish he’d made it into a more substantial track, as there’s a lot going on for him to work with.

Connect with Boogie Board:  Facebook / Instagram
Stream his music: Spotify
Purchase on Bandcamp

THE MILLION REASONS – Single Review: “Battle of Sound”

The Million Reasons New Lineup

I’ve been revisiting a lot of artists and bands lately on this blog, and today I’m featuring another one for the second time – the incredible Chicago rock band The Million Reasons. The band is comprised of Scott Nadeau (lead vocals), Ken Ugel (guitar), Mike Nichols (guitar), Colin Dill (drums) and their newest member Jason Cillo (bass). Following up on their outstanding 2017 debut EP The Runaround, they released their gorgeous single “Dizzy” in July, a magnificent song that went all the way to #1 on my Weekly Top 30 (you can read my review here). Today they return with another fantastic single “Battle of Sound,” which I’m pleased to review.

The song has a hard-hitting old-school rock vibe, starting off with punchy riffs of gnarly guitar that provide the driving force for the track. The song expands as layers of guitar are added, accompanied by a solid bass line and power drums, then suddenly erupts into a furious maelstrom in the bridge as the guys let loose on their respective instruments. It all makes for an exhilarating and highly enjoyable rock song.

Scott has a wonderful singing voice, with a raw power that’s perfectly suited to the music and biting lyrics that speak of a relationship that’s irreparably broken to the point that further communication is now impossible.

I didn’t know that we were fighting
I didn’t know that the lines were drawn
But here we are with our weapons at the ready
And the sides have been decided upon

If it’s a battle of silence, I’m winning
Never see me come around again
If it’s a battle of sound, I’ll take the crown
You’ll never see me come around again

You didn’t come prepared for battle 
You didn’t expect me to react 
You didn’t know that I own moments like this 
Where the lights go out and the power blows 
You’re in the black 

Who do you think kicks the power back on? 

The humorously charming video opens with the guys pulling up in a van, where they pick up a guy waiting by the curb who’s the new band member Jason Cillo. They hand him a bass guitar, whereupon he immediately gets into the groove as they all begin to play the song, heads furiously bobbing to the beat. As the video progresses, they’re shown alternating their seating positions and instruments, while the poor drummer Colin Dill gets tossed around a bit in the back as he tries to play his drums. The guys clearly had fun making this video.

Connect with The Million Reasons:  Facebook / Twitter / Instagram
Stream their music:  Spotify / Apple Music / Soundcloud / YouTube
Purchase:  Bandcamp / iTunes / Amazon