It’s been a while since I’ve done a Fresh New Tracks post, and today I’m featuring three recently-released songs by three totally different acts I’m particularly fond of on a personal level: Chicago alternative electronic rock artist brett.grant.5, indie singer-songwriter Marc Schuster, and Texas hard rock’n’roll band The Metal Byrds.
“Reanimate” by brett.grant.5 featuring Emma Young
brett.grant.5 is the artistic name of Chicago-based singer-songwriter and composer Brett Grant, who’s been active in the Chicago music scene for many years, both as a member of several bands and as a solo artist. Drawing from a wide and eclectic range of musical sources and genres, ranging from 1920’s jazz and classical to electronic and experimental progressive rock, his sound is bold, unorthodox and always fascinating. Over the past couple of years, I’ve written about both his solo music as well as that of his band A Million Rich Daughters. Last June, I reviewed his single “Burning Fire”, a biting song repudiating the religious dogma that keeps people enslaved on so many different levels – mentally, socially, culturally and physically. He recently returned with a new single “Reanimate“, which features guest vocals by singer-songwriter, actor, model and producer Emma Young, who Brett got to know while they were students at Columbia College Chicago. They’d also played together in the band Sleep For Dinner, who released a self-titled EP in 2019.
“Reanimate” is a deliciously dark electronic track with a throbbing, super-gnarly bass groove overlain by an eerie mix of spacey, wobbly, and tortured psychedelic industrial synths, all working together brilliantly to create a dramatic and unsettling soundscape befitting the subject matter, which seems to me to be about how mankind keeps repeating the same destructive behavior over and over again, never learning from past mistakes. Brett has a distinctive singing voice, with the ability to sound vulnerable as well as diabolical, which he does here to great effect as he rails “Pretend you forgive, pretend you forget, pretend that it’s just another thought to repress.” Emma, on the other hand, has a lilting vocal style which provides a nice contrast as she hauntingly chants the chorus “I’m not trying to invalidate. I know they could soon eradicate. I can hear them start to salivate. Breathe in the undead, reanimate.”
The beautiful artwork for the single was created by Brett’s wife Ashlee.
“Before the Boys” by Marc Schuster
Marc Schuster is a talented and creative renaissance man who I got to know through blogging (he has a WordPress blog called Abominations, which you can check out here). In addition to teaching English at Montgomery County Community College in Pennsylvania, Marc has written several books, written scripts for two short films, writes songs and records music as both a solo artist and with music projects Plush Gordon, The Ministry of Plausible Rumours and experimental electronic music project Android Invasion. On April 6th, he released his latest single “Before the Boys“, a song that speaks to, in his own words, “the tyranny of gender identity, wrapped in a bubblegum pop sensibility reminiscent of the Monkees. The song is about a free-spirited eleven-year-old girl who becomes self-conscious when someone pulls her aside and tells her to be more reserved and feminine because ‘boys are watching’. It’s told from the point-of-view of the eight-year-old boy who is crushed when the girl gives up her tomboy ways.”
It’s a sweet song, with a simple but catchy piano-driven melody, punctuated in the choruses with quirky synth sounds that create an endearing vibe. Marc’s low-key vocals are smooth and pleasing as he croons the lyrics from the perspective of an eight-year-old boy now disappointed that the eleven-year-old tomboy he had fun with has changed, and not for the better in his opinion:
Muddy knees and a bloody lip the day she turned self-sabotaging,
A well-meaning grandmother pulled her aside and said, “Girl, don’t you know boys are watching?”
She was tough and she was cool,
And she wasn’t afraid to make noise.
Before the makeup, before the hair,
Before the laborious ploys.
Before, before, before the boys.
“Before the Boys” will be available on all streaming services by the end of the month.
“Spitfire Pete” by The Metal Byrds
The Metal Byrds are a female-fronted rock band based in Austin, Texas, who play a hard-hitting style of rock infused with healthy doses of rock’n’roll and power pop, along with enough metal in the mix to give their songs a dark, edgy quality. Formed in 2018, the band consists of London-born singer-songwriter Suzanne Birdie, as well as guitarist Sly Rye, bassist Kevin Kurts and drummer Alex Romanov. Over the past two years, they’ve released three EPs – The Song Byrd in April 2019, Byrds on a Wyre in June 2020, followed by Life in 20 in October, which I reviewed. On April 4th, they dropped “Spitfire Pete“, the first single from their forthcoming album 4, due for release later this year. The song is dedicated to an autistic boy from Lincolnshire, England named Pete, who’s a big fan of the band and rock’n’roll.
With blazing riffs and driving rhythms that would make AC/DC proud, The Metal Byrds fully engage their sonic weaponry to create a rousing rock song befitting the vintage film footage of British fighter pilots flying their Supermarine Spitfire aircraft during World War II and waging air fights against the Germans at the Battle of Britain. Sly Rye shreds the airwaves with fiery riffs and wailing distortion, while Kevin and Alex keep the pummeling rhythms moving forward at full throttle. Suzanne’s powerhouse aggressive vocals rise to the occasion as she fervently wails “All guns blazing, all night long. Pulling the trigger. Pulling the trigger and dropping the bomb. Spitfire Pete, whoa-oh. Never retreat, he’ll make a stand.” It’s a kickass banger!