My Top 30 Songs for August 3-9, 2025

Photo of Twenty One Pilots from their Facebook account

One of my favorite music acts for the past ten years is Twenty One Pilots, comprised of the dynamic duo of singer-songwriter and multi-instrumentalist Tyler Joseph and power drummer Josh Dun. Their latest single “The Contract” is my new #1 song this week, marking their 13th song to reach the top of my chart, and their third in just the past year, following “The Craving” last September and “The Line” this past March. The lead single from their forthcoming eighth studio album Breach, to be released September 12th, “The Contract” starts the final act of the narrative begun on their 2015 album Blurryface and continued through Trench, Scaled And Icy, and last year’s Clancy.

The song is a frenetic and electrifying mash-up of music styles, something Twenty One Pilots have incorporated into many of their songs over the years. As Kory Grow observed in his article about the single for Rolling Stone, the song “ping-pongs between pop, rap, emo, and drumline practice.” While I love that about the song and their music in general, some do not. Paulo Ragusa, a writer who’s obviously not a Twenty One Pilots fan, trashed the song in his article for Consequence Sound, calling it “a complete mess, a sloppy hodge-podge of genres and styles that directly compete with one another from moment to moment.” Well, to each their own I say, as “The Contract” takes its place among a long line of songs I love by this talented duo.

In other chart news, Lorde enters the top 10 with “What Was That”, and we have two new debuts. The first is “Five More Seconds”, a wonderfully exuberant collaboration by English duo Seafret and Scottish singer-songwriter KT Tunstall, which enters at #29. Seafret, based in Yorkshire and comprised of singer Jack Sedman and guitarist Harry Draper, released three albums and a number of singles from 2015-2023 and saw their debut 2015 single “Atlantis” go viral on TikTok over the past three years, eventually racking up over 1.1 billion streams on Spotify alone. KT Tunstall burst onto the British music scene in 2004 with her debut album Eye to the Telescope, which spawned the hit singles “Black Horse and the Cherry Tree” and “Suddenly I See”, which won the Ivor Novello Award for Best Song in 2006. “Five More Seconds” marks both Seafret and KT Tunstall’s first new music in two years.

The second debut is “light years apart” by Unobliterated, the music project of England-born and now Portugal-based singer-songwriter and musician Gary Taylor. In my review of the song upon its July 11 release, I described it as “majestic”, with a haunting melody driven forward by a strong pulsating groove and layered with swirling atmospheric synths and warm guitar notes to create a mesmerizing backdrop for Taylor’s arresting vocals that masterfully convey a sense of both despair and hopeful optimism.

  1. THE CONTRACT – Twenty One Pilots (3)
  2. MOODY – Royel Otis (1)
  3. BACK TO FRIENDS – sombr (2)
  4. BASIC BEING BASIC – Djo (4)
  5. NO RAIN, NO FLOWERS – The Black Keys (7)
  6. FEELS RIGHT – Talk in Waves (9)
  7. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (5)
  8. NOTHING I NEED – Lord Huron (6)
  9. SCARS – Secret Postal Society (10)
  10. WHAT WAS THAT – Lorde (11)
  11. RIPPLE – Good Neighbours (13)
  12. BONNET OF PINS – Matt Berninger (8)
  13. BETTER OFF EVENTUALLY – Bealby Point (15)
  14. LOVE IS A FIRE – Art Block (17)
  15. LONDON TOWN – HEALER (18)
  16. BLOOM BABY BLOOM – Wolf Alice (19)
  17. CATCH THESE FISTS – Wet Leg (12)
  18. SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (21)
  19. JUPITER – almost monday ft. Jordana (22)
  20. UNDRESSED – sombr (23)
  21. EMERGENCE – Sleep Token (16)
  22. ASSHOLE – The Lumineers (25)
  23. BACKSEAT – Balu Brigada (26)
  24. POLYESTER (YES SIR) – Sorry Ghost (27)
  25. RITALIN – Dexter and The Moonrocks (14)
  26. RELATIONSHIPS – HAIM (20)
  27. TODAY’S SONG – Foo Fighters (29)
  28. INCOMPREHENSIBLE – Big Thief (30)
  29. FIVE MORE SECONDS – Seafret & KT Tunstall (N)
  30. LIGHT YEARS APART – Unobliterated (N)

My Top 30 Songs for July 27-August 2, 2025

Photo of Otis Pavlovic and Royel Maddell by Shervin Lainez

I’m still loving “moody” by Royel Otis a lot, thus it remains at #1 for a second week, while sombr‘s “back to friends” holds at #2 for a second week after spending three weeks at #1. Twenty One Pilots and Djo move up one spot each to #s 3 and 4 with “The Contract” and “Basic Being Basic”. Entering the top 10 are “No Rain, No Flowers” by The Black Keys, jumping seven spots to #7, and “Scars” by my favorite Welsh artist Secret Postal Society, moving up a notch to #10.

Two songs make their debut on my chart this week, the first of which is “Today’s Song” by rock legends the Foo Fighters, entering at #29. In a note accompanying the single’s release, band frontman Dave Grohl stated it’s a tribute to former band members including recently fired drummer Josh Freese, founding drummer William Goldsmith, guitarist Franz Stahl and late drummer Taylor Hawkins, who died in 2022. The second debut is the quite lovely “Incomprehensible” by Brooklyn, New York-based indie folk band Big Thief. Formed in 2015, the band now consists of vocalist-guitarist Adrianne Lenker, guitarist Buck Meek and drummer James Krivchenia. (Founding bassist Max Oleartchik left the band in 2024.) The song is the lead single from their forthcoming sixth studio album Double Infinity, set for release on September 5th.

  1. MOODY – Royel Otis (1)
  2. BACK TO FRIENDS – sombr (2)
  3. THE CONTRACT – Twenty One Pilots (4)
  4. BASIC BEING BASIC – Djo (5)
  5. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (3)
  6. NOTHING I NEED – Lord Huron (6)
  7. NO RAIN, NO FLOWERS – The Black Keys (14)
  8. BONNET OF PINS – Matt Berninger (9)
  9. FEELS RIGHT – Talk in Waves (10)
  10. SCARS – Secret Postal Society (11)
  11. WHAT WAS THAT – Lorde (12)
  12. CATCH THESE FISTS – Wet Leg (7)
  13. RIPPLE – Good Neighbours (15)
  14. RITALIN – Dexter and The Moonrocks (8)
  15. BETTER OFF EVENTUALLY – Bealby Point (16)
  16. EMERGENCE – Sleep Token (18)
  17. LOVE IS A FIRE – Art Block (19)
  18. LONDON TOWN – HEALER (20)
  19. BLOOM BABY BLOOM – Wolf Alice (21)
  20. RELATIONSHIPS – HAIM (17)
  21. SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (26)
  22. JUPITER – almost monday ft. Jordana (27)
  23. UNDRESSED – sombr (28)
  24. ARCHBISHOP HAROLD HOLMES – Jack White (13)
  25. ASSHOLE – The Lumineers (25)
  26. BACKSEAT – Balu Brigada (29)
  27. POLYESTER (YES SIR) – Sorry Ghost (30)
  28. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (22) 19th week on chart
  29. TODAY’S SONG – Foo Fighters (N)
  30. INCOMPREHENSIBLE – Big Thief (N)

My Top 30 Songs for July 20-26, 2025

Photo of Otis Pavlovic and Royel Maddell by Shervin Lainez for Flood Magazine

We have a new #1 song this week, as well as four new debuts. Over the past year, I’ve become a fan of Australian act Royel Otis on the strength of their infectious guitar-pop sound and charming, laid-back persona. Formed in 2019 by Royel Maddell (who rarely shows his face) and Otis Pavlovic, the Sydney-based duo draw from elements of indie pop, indie rock, new wave, pop rock, post-punk and psychedelic rock in the creation of their music. They released two EPs in 2021 and 2022 to little notice until the song “Oysters in My Pocket”, from the second EP Bar n Grill, gained traction in late 2022. Their third EP Sofa Kings, released in 2023, proved more successful, with the breakthrough title track marking their first appearance on American charts and eventually peaking at #12 on the Billboard Alternative Airplay chart. In late January 2024, they released their electrifying cover of “Murder on the Dancefloor”, the 2001 disco pop hit by British singer-songwriter Sophie Ellis-Bextor which they performed on the Australian radio station Triple J for their Like a Version program. The song went viral and reached #1 on the Billboard Alternative chart, as well as my own Top 30 chart. I couldn’t get enough of it, and it ended up ranking #4 on my 100 Best Songs of 2024 list. The guys quickly followed with their debut album Pratts & Pain in February 2024, which debuted at #1 on the Australian Albums Chart, and went on to win four awards at the 2024 ARIA (Australian Recording Industry Association) Music Awards. They also released a wonderful cover of The Cranberries’ classic “Linger”.

Their charming single “moody“, released on May 9th, is a love song of sorts, detailing a problematic relationship with a woman who drives the singer crazy in both good ways and bad. She’s jealous, bitchy and cranky, yet he’s hopelessly in love with her: “She’s always givin’ it to me. Late nights, she always accusin’. Last time, she said she would kill me. My girl’s a bitch when she’s moody. But she’s my everything. She’s all that I need.” I love the song’s languid laid back groove, highlighted by Royel’s terrific guitar noodling and Otis’ sweet vocals, and it ascends to #1 on my latest chart.

The joyoustly upbeat “Feels Right” by northern Virginia artist Talk in Waves, who’s no stranger to my charts, enters the top 10 at #10. And as I noted above, four songs make their debut this week, three of which are spelled in all lower case letters. Entering at #27 is “jupiter” by San Diego-based indie pop band almost monday, comprised of Dawson Daugherty (vocals), Cole Clisby (guitar), and Luke Fabry (bass), and featuring L.A.-based indie pop singer-songwriter Jordana. The song was originally included on their 2014 album DIVE as a recording by only the band, but a new version with Jordana singing backing vocals was released in January on a deluxe version of DIVE. It’s the third song by almost monday to appear on my chart, following 2020’s “broken people” and last year’s smash hit “can’t slow down”.

The second debut, coming in at #28, is the relentessly catchy “undressed” by sombr, whose single “back to friends” just spent three weeks at #1 and now sits at #2. The song continues the theme exploring the challenges of moving on from a failed relationship that was first introduced in “back to friends”. Next up is “Backseat” by New Zealand-born and now New York City-based duo Balu Brigada, comprised of multi-instrumentalist brothers Henry and Pierre Beasley, whose single “So Cold” spent three weeks at #1 on my chart in March. Though a long one, running nearly six and a half minutes, “Backseat” is a compelling, melodically complex song that’s sure to be another hit for the talented brothers.

Last but certainly not least is the delightful “polyester (yes sir)” by L.A. indie pop-rock band Sorry Ghost, which I featured in a recent Fresh New Tracks post. As I noted in that post, the charismatic band – comprised of Dan Anton (vocals), Matt Polito (guitar and vocals), Tate Silver (drums) and Sean Duong (guitar and vocals) – have a cheeky sense of humor and frequently delight their fans and followers with hilarious and endearing video reels of themselves on Instagram and TikTok. I love the song’s mellow vibe that sits in a sweet spot between sunny and melancholy, as well as the colorful blend of jangly and chiming guitars accompanied by pleasing harmonies.

  1. MOODY – Royel Otis (2)
  2. BACK TO FRIENDS – sombr (1)
  3. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (4)
  4. THE CONTRACT – Twenty One Pilots (8)
  5. BASIC BEING BASIC – Djo (5)
  6. NOTHING I NEED – Lord Huron (3)
  7. CATCH THESE FISTS – Wet Leg (6)
  8. RITALIN – Dexter and The Moonrocks (9)
  9. BONNET OF PINS – Matt Berninger (10)
  10. FEELS RIGHT – Talk in Waves (11)
  11. SCARS – Secret Postal Society (12)
  12. WHAT WAS THAT – Lorde (13)
  13. ARCHBISHOP HAROLD HOLMES – Jack White (7)
  14. NO RAIN, NO FLOWERS – The Black Keys (18)
  15. RIPPLE – Good Neighbours (17)
  16. BETTER OFF EVENTUALLY – Bealby Point (19)
  17. RELATIONSHIPS – HAIM (20)
  18. EMERGENCE – Sleep Token (21)
  19. LOVE IS A FIRE – Art Block (22)
  20. LONDON TOWN – HEALER (23)
  21. BLOOM BABY BLOOM – Wolf Alice (24)
  22. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (14)
  23. BARBARIAN – AWOLNATION (15)
  24. LET THINGS GO – Caamp (16)
  25. ASSHOLE – The Lumineers (26)
  26. SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (30)
  27. JUPITER – almost monday ft. Jordana (N)
  28. UNDRESSED – sombr (N)
  29. BACKSEAT – Balu Brigada (N)
  30. POLYESTER (YES SIR) – Sorry Ghost (N)

I feel guilty including a Spotify playlist anymore, but here it is in case anyone cares to check out any of the songs:

Top 30 Songs for July 13-19, 2025

20-year-old artist sombr has a firm grip on the top spot as his song “back to friends” spends a third week at #1, while Australian duo Royel Otis move up two spots to #2 with “moody” (I find it fascinating that a lot of acts today use all lowercase letters for their names and song titles). Twenty One Pilots (who for many years also spelled their name in all lowercase) advance five spots to enter the top 10 at #8 with “The Contract”, followed by Dexter and The Moonrocks‘ “Ritalin” and Matt Berninger‘s “Bonnet of Pins”, coming in at #s 9 and 10, respectively. The Black Keys are this week’s biggest upward mover with “No Rain, No Flowers”, jumping eight spots to #18.

The lone new debut this week is “Sally, When The Wine Runs Out” by ROLE MODEL, the music project of American singer-songwriter Tucker Harrington Pillsbury. Born in Maine and now based in Los Angeles, he began his music career in 2016, rapping under his first name Tucker, but soon changed his stage name to Dillis, under which he released an album Moth. In early 2017, he again changed his name, this time to ROLE MODEL, and switched from rapping to singing. He released his debut EP Arizona in the Summer that December, which earned him a following online and captured the attention of the late rapper Mac Miller, who invited him to Los Angeles to work with him on a music project. ROLE MODEL was subsequently signed to Interscope in 2018, and continued releasing singles and two more EPs, culminating in the release of his debut album Rx, though none of them charted.

In July 2024 he released his sophomore album Kansas Anymore, featuring a more country folk sound. He followed this past February with a deluxe edition of the album, Kansas Anymore (The Longest Goodbye), accompanied by the sweet single “Sally, When The Wine Runs Out”. Like many songs these days, it became popular on TikTok, undoubtedly helped by Tucker’s good looks and charming persona, and is his first song to chart in the U.S. and several countries, including Canada, the UK, Ireland, New Zealand and Israel.

  1. BACK TO FRIENDS – sombr (1)
  2. MOODY – Royel Otis (4)
  3. NOTHING I NEED – Lord Huron (2)
  4. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (3)
  5. BASIC BEING BASIC – Djo (6)
  6. CATCH THESE FISTS – Wet Leg (7)
  7. ARCHBISHOP HAROLD HOLMES – Jack White (5)
  8. THE CONTRACT – Twenty One Pilots (13)
  9. RITALIN – Dexter and The Moonrocks (11)
  10. BONNET OF PINS – Matt Berninger (12)
  11. FEELS RIGHT – Talk in Waves (15)
  12. SCARS – Secret Postal Society (14)
  13. WHAT WAS THAT – Lorde (16)
  14. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (8)
  15. BARBARIAN – AWOLNATION (9)
  16. LET THINGS GO – Caamp (10)
  17. RIPPLE – Good Neighbours (19)
  18. NO RAIN, NO FLOWERS – The Black Keys (26)
  19. BETTER OFF EVENTUALLY – Bealby Point (22)
  20. RELATIONSHIPS – HAIM (23)
  21. EMERGENCE – Sleep Token (24)
  22. LOVE IS A FIRE – Art Block (25)
  23. LONDON TOWN – HEALER (28)
  24. BLOOM BABY BLOOM – Wolf Alice (29)
  25. THE TURNAROUND – DelCobras (17) 19th week on chart
  26. ASSHOLE – The Lumineers (30)
  27. THREE SIX FIVE – Shinedown (18)
  28. WALLS – Frank Joshua (20) 21st week on chart
  29. LAREDO – Leon Bridges (21)
  30. SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (N)

Top 30 Songs for July 6-12, 2025

Photo of sombr from his Facebook account

The cinematic anthem “back to friends” by sombr holds onto the top spot for a second week, while Lord Huron‘s “Nothing I Need” remains at #2 again after spending two weeks at #1. Irish pop rock band Somebody’s Child moves up a spot to #3 with their beautiful “Porcelain (Losing All My Patience)” and Australian duo Royel Otis slide into fourth place with “moody”.

There are three new debuts this week, starting with “The Contract” by my favorite music act Twenty One Pilots, comprised of the dynamic duo Tyler Joseph and Josh Dun, entering my chart at lucky #13. The lead single from their forthcoming eighth studio album Breach, to be released September 5th, “The Contract” starts the final act of the narrative begun on their 2015 album Blurryface and continued through Trench, Scaled And Icy, and last year’s Clancy.

Entering at #29 is “Bloom Baby Bloom” by English alt-rock band Wolf Alice, consisting of Ellie Rowsell on lead vocals, Joff Oddie on guitar, Theo Ellis on bass and Joel Amey on drums. The song is the lead single from their fourth studio album The Clearing, to be released August 29th. And coming in at #30 is “Asshole” by Denver, Colorado-based alternative folk rock band The Lumineers, now a duo consisting of Wesley Schultz (lead vocals, guitar) and Jeremiah Fraites (drums, percussion, piano). Also dubbed “First We Ever Met” to mollify radio censors and self-righteous Puritans, “Asshole” is from their fifth and latest studio album Automatic, which dropped February 14th.

  1. BACK TO FRIENDS – sombr (1)
  2. NOTHING I NEED – Lord Huron (2)
  3. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (4)
  4. MOODY – Royel Otis (6)
  5. ARCHBISHOP HAROLD HOLMES – Jack White (3)
  6. BASIC BEING BASIC – Djo (9)
  7. CATCH THESE FISTS – Wet Leg (10)
  8. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (5)
  9. BARBARIAN – AWOLNATION (7)
  10. LET THINGS GO – Caamp (8)
  11. RITALIN – Dexter and The Moonrocks (15)
  12. BONNET OF PINS – Matt Berninger (16)
  13. THE CONTRACT – Twenty One Pilots (N)
  14. SCARS – Secret Postal Society (18)
  15. FEELS RIGHT – Talk in Waves (19)
  16. WHAT WAS THAT – Lorde (20)
  17. THE TURNAROUND – DelCobras (11)
  18. THREE SIX FIVE – Shinedown (12)
  19. RIPPLE – Neighbours (23)
  20. WALLS – Frank Joshua (13) 20th week on chart
  21. LAREDO – Leon Bridges (14)
  22. BETTER OFF EVENTUALLY – Bealby Point (24)
  23. RELATIONSHIPS – HAIM (25)
  24. EMERGENCE – Sleep Token (26)
  25. LOVE IS A FIRE – Art Block (28)
  26. NO RAIN, NO FLOWERS – The Black Keys (29)
  27. SPACEMAN IN TULSA – Counting Crows (17)
  28. LONDON TOWN – HEALER (30)
  29. BLOOM BABY BLOOM – Wolf Alice (N)
  30. ASSHOLE – The Lumineers (N)

Top 30 Songs for June 29-July 5, 2025

Photo of sombr from his Facebook account

‘With its sweeping cinematic wall of sound’ arrangement and lush orchestration, the beautiful anthem “back to friends” by alternative pop-rock artist sombr is exactly the kind of song I love, so it was only a matter of time before it reached the pinnacle of my top 30 chart. The music project of talented and charismatic young singer-songwriter Shane Michael Boose – who will turn 20 on July 5th – sombr was born and raised in New York City but now based in Los Angeles. The gorgeous song was released in late December but as so often happens these days, it went viral on TikTok this past Spring along with his other single “Undressed”, and began appearing on multiple charts around the world, including the Billboard Hot 100 and other American charts. Currently enjoying a long stay at #1 on the Alternative Airplay chart, “back to friends” surpassed 100 million streams on Spotify in April and has now garnered more than 381 million streams.’

The straightforward, relatable lyrics describe feelings of heartbreak resulting from learning someone you thought you had a strong romantic and emotional connection with turns out to not share the same feelings, something I’m confident nearly all of us experienced at one time or another during our late adolescence or early adulthood. “How can we go back to being friends when we just shared a bed? How can you look at me and pretend I’m someone you’ve never met? The devil in your eyes won’t deny the lies you’ve sold, I’m holding on too tight. While you let go, this is casual.”

In other chart news of note, “Moody” by Australian duo Royel Otis is the biggest upward mover again this week, jumping nine spots to enter the top 10 at #6. Also entering the top 10 are “Basic Being Basic” by Djo, the music project of American actor and musician Joseph David Keery, who starred in the Netflix hit series Stranger Things, the comedy film Free Guy and season five of Fargo, and “Catch These Fists” by English indie rock band Wet Leg.

Two songs make their debut this week, the first of which is “No Rain, No Flowers” by Nashville-based blues rock duo The Black Keys, who are certainly no strangers to my chart. The marvelous ear worm is the title track and third single (after “The Night Before”, which recently peaked at #2, and “Babygirl”) from their forthcoming 13th studio album No Rain, No Flowers, scheduled for release on August 8th. Entering at #30 is “London Town” by English alternative indie rock band HEALER, a great song I recently reviewed. It’s their third song to appear on my chart, after “Bones” in 2023 and “War” in 2024.

  1. BACK TO FRIENDS – sombr (2)
  2. NOTHING I NEED – Lord Huron (1)
  3. ARCHBISHOP HAROLD HOLMES – Jack White (4)
  4. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (5)
  5. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (3)
  6. MOODY – Royel Otis (15)
  7. BARBARIAN – AWOLNATION (7)
  8. LET THINGS GO – Caamp (10)
  9. BASIC BEING BASIC – Djo (11)
  10. CATCH THESE FISTS – Wet Leg (13)
  11. THE TURNAROUND – DelCobras (6)
  12. THREE SIX FIVE – Shinedown (12)
  13. WALLS – Frank Joshua (8)
  14. LAREDO – Leon Bridges (9)
  15. RITALIN – Dexter and The Moonrocks (17)
  16. BONNET OF PINS – Matt Berninger (19)
  17. SPACEMAN IN TULSA – Counting Crows (18)
  18. SCARS – Secret Postal Society (21)
  19. FEELS RIGHT – Talk in Waves (22)
  20. WHAT WAS THAT – Lorde (23)
  21. SNAKESKIN – NAVE (14)
  22. POOR SAD INDIE EVERYTHING – Icarus Phoenix (16)
  23. RIPPLE – Good Neighbours (26)
  24. BETTER OFF EVENTUALLY – Bealby Point (27)
  25. RELATIONSHIPS – HAIM (28)
  26. EMERGENCE – Sleep Token (29)
  27. EVERYTHING IS PEACEFUL LOVE – Bon Iver (20)
  28. LOVE IS A FIRE – Art Block (30)
  29. NO RAIN, NO FLOWERS – The Black Keys (N)
  30. LONDON TOWN – HEALER (N)

Top 30 Songs for June 22-28, 2025

Lord Huron‘s achingly beautiful “Nothing I Need” remains at #1 for a second week, while sombr‘s cinematic “back to friends” closes in at #2. Jack White advances four spots to #4 with his boisterous satirical takedown of televangelist hucksters “Archbishop Harold Holmes”, and Irish indie rock band Somebody’s Child jump five spots to #5 with “Porcelain (Losing All My Patience)”. Ohio indie folk band Caamp enter the top 10 with their gentle song of positivity “Let Things Go”. The biggest upward mover this week is “Moody” by Australian duo Royel Otis, leaping 10 spots to #15.

We have three wonderful new debuts this week, starting with “Relationships” by Los Angeles-based pop-rock trio HAIM, comprised of sisters Este (bass guitar and vocals), Danielle (lead vocals, guitar, and drums), and Alana Haim (guitars, keyboards, and vocals). The lead single from their fourth album I Quit, which dropped this past Friday, June 20th, the song has a languid yet edgy hip hop vibe with the ladies’ marvelous signature harmonies, and I love it. It’s the sisters’ first song to appear on my chart.

Entering at #29 is the darkly beautiful and musically complex “Emergence” by English rock band Sleep Token, whose music is an electrifying blend of alternative, metal, progressive, R&B, hip hop and djent. Though they formed in 2016 and have released four albums, they’re new to me. In addition to their dynamic music, they’re also know for remaining physically anonymous by wearing masks. “Emergence” is the lead single from their fourth album Even in Arcadia, which was released in May, and their first to appear on the Billboard Hot 100, where it peaked at #57. The song is currently #2 on the Mainstream Rock chart and #17 on the Alternative Airplay chart.

Last but certainly not least is the haunting “Love Is A Fire” by the remarkably talented and prolific London-based artist Art Block, which I reviewed upon its release four weeks ago. A favorite artist of mine who I’ve featured many times on this blog, it’s his second song to appear on my chart, the previous being “White Horses”, which went all the way to #1 in December 2022.

  1. NOTHING I NEED – Lord Huron (1)
  2. BACK TO FRIENDS – sombr (3)
  3. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (2)
  4. ARCHBISHOP HAROLD HOLMES – Jack White (8)
  5. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (10)
  6. THE TURNAROUND – DelCobras (4)
  7. BARBARIAN – AWOLNATION (9)
  8. WALLS – Frank Joshua (5)
  9. LAREDO – Leon Bridges (6)
  10. LET THINGS GO – Caamp (11)
  11. BASIC BEING BASIC – Djo (13)
  12. THREE SIX FIVE – Shinedown (14)
  13. CATCH THESE FISTS – Wet Leg (15)
  14. SNAKESKIN – NAVE (7)
  15. MOODY – Royel Otis (25)
  16. POOR SAD INDIE EVERYTHING – Icarus Phoenix (12)
  17. RITALIN – Dexter and The Moonrocks (19)
  18. SPACEMAN IN TULSA – Counting Crows (20)
  19. BONNET OF PINS – Matt Berninger (21)
  20. EVERYTHING IS PEACEFUL LOVE – Bon Iver (18)
  21. SCARS – Secret Postal Society (22)
  22. FEELS RIGHT – Talk in Waves (23)
  23. WHAT WAS THAT – Lorde (24)
  24. MORTAL WOUND – The Veils (16)
  25. BAD LARRY – Cloakroom (17)
  26. RIPPLE – Good Neighbours (29)
  27. BETTER OFF EVENTUALLY – Bealby Point (30)
  28. RELATIONSHIPS – HAIM (N)
  29. EMERGENCE – Sleep Token (N)
  30. LOVE IS A FIRE – Art Block (N)

ART BLOCK – Single Review: “Love Is A Fire”

Photo by Michael Robert Williams

Art Block is a brilliant and innovative singer-songwriter and multi-instrumentalist based in East London, England who I’ve been following for nearly seven years. Possessing a uniquely distinctive and highly emotive singing voice, he creates a hauntingly beautiful style of alternative folk, characterized by stirring melodies, lush arrangements and gorgeous instrumentation built around his poetic, often deeply moving lyrics. A prolific artist, he’s released an impressive catalog of music for more than a decade, including numerous singles, EPs, remixes and four albums, his most recent of which, Tiger, dropped only a month ago on April 30th. I’ve featured him several times on this blog, most recently in March 2024 when I reviewed his lovely EP Dandelion. (You can read a few more of my reviews by clicking on the ‘Related’ links at the end of this post.) One of his songs, “White Horses”, reached #1 on my Weekly Top 30 chart in December 2022, and ranks #26 on my 100 Best Songs of 2022 list.

Since the release of Tiger, Art Block has dropped two new singles – “You & I” on May 2nd and “Love Is A Fire” on the 22nd, the latter of which I’m featuring today. The track was produced and mixed by William “Wheeliemix” Robertson and mastered by noted British mastering engineer Pete Maher (whose clients include U2, The Killers, Noel Gallagher, The Rolling Stones, Nick Cave, Paul Weller, Jack White and Lana Del Rey, to name just a few). Art Block played all instruments except for drums, which were played by his frequent collaborator Raphael Bouchara.

As its title suggests, the song is a smoldering beauty with sweeping cinematic synths, haunting, reverb-drenched guitar chords and crunchy percussion, all of which create a magnificent incendiary backdrop for Art Block’s fervent spine-tingling vocals. It’s a darker, more dramatic sound than many of his previous songs, and I love it. The lyrics seem to speak of a tempestous love affair in which feelings of unbridled passion and longing are intertwined with the lasting pain from past mistakes and betrayal. Art Block told me he was inspired by The Cure’s latest album Songs of a Lost World, who played a special concert at the Troxy in East London neighbourhood this past November.

Our love is a fire
Do what you desire
Don’t hold it in
Don’t hold it in
So much to forget
So much to remember
Why don’t you bleed?
Why don’t you bleed?
Our love is a fire
Do what you desire
Hold it in
Life was empty without you
Do what you desire
Don’t hold it in
Don’t hold it in
Our love is a fire
So much to forget

Both “Love Is A Fire” and “You & I” are available exclusively on Bandcamp.

Art Block’s socials: Facebook / X (Twitter) / Instagram
Find his music on Bandcamp / Spotify / Apple Music / Soundcloud / YouTube

ART BLOCK – EP Review: “Dandelion”

Art Block is a brilliant and innovative singer-songwriter and multi-instrumentalist based in East London, England, who’s been making beautiful alternative folk music for nearly ten years. A prolific artist, he’s released an impressive catalog of music since the beginning of 2015, including numerous singles, EPs, remixes and three albums, two of which, Stones and Fire and borderline, were released in 2023 alone! I’ve featured him several times on this blog, most recently last June when I reviewed his wonderful EP Tiger. (You can read a few more of those reviews by clicking on the ‘Related’ links at the end of this post.) One of his songs, the haunting and gorgeous “White Horses”, went all the way to #1 on my Weekly Top 30 in December 2022, and ranks #26 on my 100 Best Songs of 2022 list.

On March 1st, Art Block released a new EP Dandelion, featuring three exquisite tracks inspired by the Northumberland coast and St Abbs, a small fishing village on the southeastern Scottish coast. The EP was produced, mixed and recorded by his longtime collaborator William Robertson at Super Symmetry Studios, and mastered by Tony Cousins at Metropolis Studios. Art Block played all instruments except for drums, which were played by Raphael Bouchara, another frequent collaborator of his. The lovely string arrangements were done by Joseph Robertson, with additional synths by Charlie Shan.

In addition to his sublime melodies, poetic lyrics and gorgeous arrangements, a defining aspect of Art Block’s music are his distinctive, deeply affecting vocals that are often so emotionally wrought, they rip at our heartstrings. The three songs on Dandelion are no exception. First up is “Journey”, a beautiful, cinematic song that I’m guessing uses the voyages of seamen, sailing from the Northumberland coast to distant lands, as a metaphor for how we take our idiosyncrasies and shortcomings with us wherever we go: “A journey from a distant light. Don’t you understand? The actions you made in the past echo now. A cold cold heart, frosty like the art burns in the arctic.” Musically, the song starts off with a delicately strummed guitar accompanied by gentle synths and faint sounds of the sea, then gradually builds into a dramatic soundscape highlighted by lush orchestral strings and AB’s lovely soaring harmonies.

The title track “Dandelion” serves up more beautifully strummed guitars, sumptuous strings and bold percussion, as AB plaintively sings “I feel I am like a Dandelion, burning in the sun, spreading pollen. Riding the wind through time, I spin, alone in my sphere. I’m separating. I’m caught in the rain, only He knows my pain. Teardrops of joy and you’re constantly away. Growing older fast. This dance is not our last. Float like a seed in the sky. Dandelion in an empty sky.”

On the moving third track “Holy Island”, AB sings his praises for Lindisfarne, a tidal island off the Northumberland coast also known as Holy Island, and how its beauty inspires and invigorates him, helping him to cope with life’s challenges, also giving a nod to Palestine: “Holy Island your clear blue sea, cleansing every part of me. Whispering winds, monks they pray to stop eternal damnation. Don’t believe they see your beauty, even appearing through the rain. I may feel but I am blind, wilted and worn out. Oh I cry and feel your soul. Aching in my dune-filled soul. Poetry so divine our future’s may so intertwine. Palestine I see you there, sweeter than you might care. Holy Island by the sea, you fill me with your beauty.” Again, a beautiful, strummed guitar and lilting strings are the dominant musical features, along with warbling synths and Raphael Bouchara’s wonderful cymbals creating the majestic sounds of waves gently crashing on the shore.

Once again, Art Block has delivered a sonically beautiful, flawlessly crafted, and intensely thought-provoking work. Though it contains only three tracks, Dandelion is deeply impactful nonetheless, leaving a lasting impression for all who take the time to give it a careful listen. I remain a dedicated follower and fan.

The header photo is of Art Block standing on a lonely road in the Atacama Desert of northern Chile.

Connect with Art Block: Facebook / X (Twitter) / Instagram
Find his music on Bandcamp / Spotify / Apple Music / Soundcloud / YouTube

ART BLOCK – EP Review: “Tiger EP”

There are some musicians and bands who possess such uniquely distinctive styles or singing voices, they sound like no one else, making their music immediately identifiable as only theirs. London, England-based singer-songwriter and multi-instrumentalist Art Block falls into this esteemed category on the strength of his affecting vocals that are so heartfelt and steeped in emotion, they have the power to take our breath away as we try and swallow the huge lump in our throats that forms after listening to him sing.

The brilliant and prolific artist creates a haunting brand of alternative folk, characterized by stirring melodies, captivating arrangements and gorgeous instrumentation built around his poetic, deeply moving lyrics. He’s been writing and recording beautiful music for nearly a decade, and has released an impressive amount of it since early 2015. I’ve previously written about him and his music four times on this blog, including his enchanting single “The Basement” (his most successful single, which has been streamed over 350,000 times on Spotify alone) in late 2019 and, most recently, last September when I reviewed his stunning White Horses EP. The title track “White Horses” went all the way to #1 on my Weekly Top 30 chart last December.

Art Block has stayed busy in 2023, dropping a single “Vilnius” in February, then his first full-length album Stones and Fire in March, followed by Tiger EP, the subject of today’s review, at the end of April. Featuring four tracks, including “Vilnius” and an alternate version of “White Horses”, the EP was produced, recorded and mixed by William Robertson and mastered by John Webber. For the recording, Art played all instruments except for drums, which were played by Raphael Bouchara.

The title track “Tiger” opens with a strummed acoustic guitar, accompanied by mysterious airy synths and sounds taken from the streets of Cairo as Art begins to sing, with a strong tremolo effect in his voice, “A plain heart that cuts through all the acerbic dust.” As the song unfolds, the melody gradually swells and instrumentals expand with beautiful guitars, heavier synths and more intense percussion, all of which culminate into a dramatic crescendo. Like the music, the lyrics become more forceful too, with Art Block passionately lamenting of his pain and sorrow over having been left abandoned in a relationship: “A silence that kills, insatiable rips my tongue. A tiger has ripped my lungs, unable to breathe. A figure of speech, crawling through arctic veins. You left me when I needed a friend. A quarrelsome mind, and we don’t see we’re spinning all around as if it’s meant to be.”

Vilnius” was inspired by Art’s visit to the Lithuanian capital last October, where he engaged with the Chromatikon artist collective who participated in a series of concerts intended to revive the old Jewish music of the Vilnius ghetto lost during Nazi occupation. Vilnius holds a special place in his heart, as he spent a year there as a volunteer for Voluntary Service Overseas after Lithuania’s independence from the Soviet Union. The lyrics seem to be told from the perspective of a young Jewish man witnessing the fall of Vilnius and Lithuania to the Nazis: “A Hebrew song, an old man’s lungs. Hold on my Vilnius. I see a cage and hold my rage. Hold on my Vilnius. I was meant to be playing C. Oh what a scene. Wasn’t yet an orphan. We were meant to meet in the dying streets but I forgot your number.” Art’s delicate acoustic guitar notes, accompanied by sparkling atmospheric synths and gentle drumbeats, create a melancholy but beautiful soundscape for his emotive, heartfelt vocals.

White Horses (Alternate version)” is the same version that appears on Stones and Fire, and to my ears sounds very close to the original. For this alternate version, Art’s added some pretty guitar notes and more drawn-out string synths, as well as a drum machine beat, all of which add subtle textures to the original piano-driven track, making it even more gorgeous than ever. He says the song “was inspired by a beautiful place in England, but also by the attack in Mariupol, Ukraine which was in the news, where I imagined I was going through the devastation there. Perhaps ‘White Horses’ is a metaphor for something else, greater, perhaps mystical or mysterious? The place I visited in England certainly had a mystical feel even though the White Horse itself etched into a hill was not ancient.”

The final track “New Dawn” is a haunting piano ballad about struggling with inner demons and self-doubt that keep him from living a fuller and happier life: “I want to know when life will change, so I can reach out for a new day. Tired of manifesting, tired of love, I have a hole in my heart oh my God. I was always fighting with my thoughts, trying to find peace amid the wars. I was overthinking life, I was overcome with strife.” Art’s echoed vocals have an interesting lo-fi feel, backed by a vintage-sounding piano and Raphael’s skillful measured drums.

Tiger EP is wonderful, serving up eleven and a half minutes of auditory bliss that transports us to dreamy, faraway places. Art Block is a uniquely gifted artist who never fails to deliver exceptional music that’s deeply impactful, sonically beautiful and intensely thought-provoking.

Connect with Art Block: Facebook / Twitter / Instagram
Find his music on BandcampSpotify / Apple Music / SoundcloudYouTube