SHIMMER JOHNSON – Single Review: “It’s Fate’s Turn”

I first learned about silky-voiced singer/songwriter Shimmer Johnson in early 2018, when she followed me on Twitter. She has a beautiful and resonant singing voice that puts her in the company of other contemporary female vocalists like P!nk, Kelly Clarkson and Sara Bareilles. Originally from Edmonton, Alberta, Canada, she started out writing and recording Country songs, but wanting to broaden her musical horizons, a few years ago she relocated to Los Angeles. In addition to her amazing vocal talents, she’s also a fine guitarist and pianist, and has been working with several songwriters and producers. In the process, she’s recorded and released an impressive repertoire of stellar songs.

Shimmer creates and sings lovely and compelling songs about life and love that we can all relate to. Her clear, pitch-perfect vocals are strong, but with a raw vulnerability that she skillfully employs to beautifully convey the subtle yet powerful emotions expressed in her heartfelt lyrics, enabling us to connect with her songs on a deeply personal level. Her 2017 single “Pride” has been streamed more than 239,000 times on Spotify, while her gorgeous 2020 single “Never Be the Same” has garnered 100,000 streams. I first featured her on this blog in February 2018 when I reviewed her uplifting single “Getaway”, and this past January, I featured her single “Love is Possible“ on one of my Fresh New Tracks posts. She followed that single in February with her exquisite debut album Inner Me, and now returns with her latest single “It’s Fate’s Turn“. The song was co-written with Thornton Douglas Cline and her husband Corey, and released via Catalyst Records.

On this track, Shimmer’s vocals sound more emotional and fragile than on many of her previous songs. She sings with a trembling vibrato that quite effectively conveys a sense of both apprehension and firm resolve as she dips her toe into uncertain waters, hoping that this time things will work out. Musically, the song has a languid, hauntingly beautiful melody that’s driven forward by the wonderful interplay between emotive piano keys and shimmery guitars, complementing each other quite nicely in the creation of an enchanting soundscape for Shimmer’s bewitching vocals.

The lyrics speak of never giving up on finding happiness and fulfillment in life, no matter how many roadblocks you’ve encountered and missteps you’ve experienced along the way: “I felt defeated, over and over again. I felt cheated, how would I ever win? Life is hard, when easy becomes the game. Take a spin to bet on a chance of change. You can be wrong a thousand times. Then suddenly, everything’s right. It’s fate’s turn. Don’t turn off the lights. Lessons learned. My lining is in sight. Cause this time it’s real. No one tells me how I feel.”

“It’s Fate’s Turn” is another in an unbroken string of superb singles by this incredibly talented vocalist. I’m confident we’ll continue to hear more great music from Shimmer well into the future.

To learn more about Shimmer and her music, check out her Website

Connect with Shimmer:  Facebook / Twitter / Instagram
Stream her music on Spotify / Soundcloud / Apple Music
Purchase on Bandcamp or iTunes

LYIA META – Single Review: “This One’s For You”

One of my favorite female vocalists is Malaysian singer-songwriter Lyia Meta, who I’ve featured numerous times on this blog over the past three years. (You can read some of my previous reviews listed under “Related” at the end of this post.) Based in Kuala Lumpur, Lyia is an exceptionally talented, gracious and strikingly beautiful woman, with a dazzling powerhouse voice to match. I honestly believe she could sing just about anything! She’s also a highly accomplished visual artist, and you can check out some of her phenomenal work on her WordPress blog

With her deep, soulful and smoky vocal style, combined with a masterful ability to cover multiple genres ranging from blues, rock and metal to pop and country with ease, she’s become an international music star, winning numerous awards over the past several years, including the 2018 Josie World Music Artist Award, and 2019 Artist of the Year (multi Genre), both of which were presented to her in Nashville, Tennessee. More recently, she’s been nominated for a Texas Sounds International Country Music Award 2021, and her hard rock song “We Are Lords” has been nominated for a Munich Music Video Award, is a finalist for Best Original Song in the UK International Music Video Awards, and made the first ballot for consideration of a Grammy for Metal Performance by The Recording Academy. And on April 18th, Lyia participated in the Ladies Who Rock For A Cause Virtual Music Festival, whose goal was to raise awareness and funds for ataxia, an incurable and rare neurological disease.

Photo by Khahin Meta

A prolific artist, Lyia released six singles in 2020, and has already dropped two this year, the latest of which is “This One’s For You“. While she often writes her own songs, she also collaborates with other songwriters and musicians from time to time, not only to broaden her own musical horizons, but also to support other songwriters. “This One’s For You” was written by Los Angeles-based songwriter Denise Dimin, and produced by Nashville-based Bob McGilpin, who also played guitar, bass, piano and drums.

The song is sublime, with a retro adult contemporary feel similar to some of the great torch songs of the 50s and early 60s by such artists as Ella Fitzgerald, Julie London, Nat “King” Cole and Frank Sinatra. Bob McGilpin’s musical arrangement is brilliant, and I love his tinkling piano keys and guitar notes that give the track a cool jazzy vibe. Lyia’s smoky vocals are smooth and lovely, perfectly complementing the track’s mellow arrangement. But they’re emotive and heartfelt too, conveying a sad resignation as she sings the bittersweet lyrics addressed to the woman who’s now with the man she once claimed.

This one's for you
You're the one who has taken my place
You won, guess I should bow out with grace
Be happy with my pride

My hat is off to you
You did what I just never could
Though you know I always thought that I would
God knows I've tried

If you think you'll make him happy
Go on, you got the best
Give him good times
Give him love
And for me, there's nothing left

I raise my glass to you
You succeeded where I always failed
Guess things are good, but oh what the hell
I guess you're satisfied

Thanks to you, I'm free
I do what I please
Right now, I'm just not sure what that means
Sometimes it hurts so much inside

I didn't think this could happen
It's all a big mistake
You've got him now
You've got his love
And who is to blame

Cause if you think you'll make him happy
Go on, you've got the best
Give him good times
Give him love
And for me, there is nothing left

The official video shows Lyia in her element at a recording session at Big A Productions in Kuala Lumpur.

Connect with Lyia: Website / Facebook / Twitter / Instagram
Stream her music on Spotify / Soundcloud / Apple Music / Reverbnation
Purchase on iTunes / Amazon

JAMIE ALIMORAD – Album Review: “This is Tomorrow Calling”

Jamie Alimorad

Singer-songwriter Jamie Alimorad has had music in his blood practically all his life. As a teen, he played in a garage band, for which he wrote all the songs, and in high school, he was literally the face of the music department. By the time he was attending college at Northeastern University in Boston, he released his first EP Cornerstone (in 2010), then followed up two years later with his critically-acclaimed full-length album Words Left Unsaid, winning several music and songwriting awards. His very first video, for the song “Beautiful” from that album, has been viewed over 2 million times! Writing and recording songs had always seemed to come easy to him. Then, suddenly, it wasn’t so easy anymore.

Starting in early 2015, and continuing over the next few years, he wrote and recorded dozens of songs for a new album, but none of them satisfied him. He grew frustrated and filled with crippling self-doubt, wondering if he’d ever be successful again. So, he took a couple of classes with famed singer-songwriter, musician and producer Gino Vannelli, who offers small Art of  Song & Voice Master Class sessions at his music studio in Troutdale, Oregon. Jamie took one of his songs “A Moment Is All I Ask” to the second class, and after working on the song together, he and Vannelli realized they’d make a great team collaborating on an original project. That project ultimately became Jamie’s second album This is Tomorrow Calling, which was released on September 27th.

Working with Vannelli was an artistic rollercoaster ride for Jamie, filled with unique challenges and opportunities. He recalls “No one had ever told me in music, ‘It’s not good enough.’ No one had ever said, ‘You could be better.’ Gino put me on an island. No map, no shelter, no supplies. Make the island paradise, find a way out, or die. Those were the options, and it was up to me to create my tomorrow. Eventually Gino and I recorded eight songs together. Upon moving to Los Angeles, I did two more cuts with [Gino’s brother] Ross Vannelli. These two legends took me under their wings and opened my eyes to who I am. I’m eternally grateful for everything they’ve done for me.”

For the album, Jamie sang lead and backing vocals, and played keyboards, acoustic guitar and programming. Gino Vannelli played additional keyboard, organ, acoustic guitar, synth bass, drums, percussion and programming. Ross Vannelli sang backing vocals and also played keyboard, electric guitar, synth bass, drums, percussion and programming. Additional keyboards and programming were provided by George Whitty and Greg Goebel, electric guitar by Dalton Cyr, and backing vocals by Julie LaMeng and Moorea Masa. The album was produced by Gino Vannelli, though two of the tracks were produced by Ross.

Jamie’s pleasing sound could probably best be classified as adult contemporary pop-rock, although his music includes elements of folk, Americana, country and jazz. His thoughtful, relatable lyrics are set to catchy melodies and brought to life through superb instrumentation and rich sound textures. Listening to This is Tomorrow Calling, I’m struck by how good it sounds – the beautiful arrangements, lush soundscapes and, most notably, Jamie’s marvelous vocals. Every track is superb, showcasing his skillful songwriting, musicianship and impressive vocal range, but I’ll highlight my personal favorites.

The album opener “Brighter Days” is a terrific, upbeat song about not letting your problems overwhelm you, and staying positive in the hope that things will get better. A phrase in one of the lyrics is the album’s title, and really encapsulates its overall theme of love and resilience. “When living’s hard and you think you’re better off dead. This is tomorrow calling, there are brighter days ahead.” The genre-bending song has an infectious dance beat, with a bit of a country-rock vibe thanks to twangy guitars and some great vocal harmonies, and hits us in all the right feels. In conjunction with its release this past August, Jamie partnered with the American Foundation for Suicide Prevention to raise funds for their cause. Proceeds from sales of a “Brighter Days” t-shirt at https://www.teepublic.com/user/jamiealimorad will be donated to the American Foundation for Suicide Prevention.

On “Not Just Another Pretty Face“, Jamie sings of the many virtues of the object of his affection in addition to her good looks. “You’re more than a heavenly sight. Not just a Renoir on the wall, or a statue in a marble hall. You’re not just another pretty face. That’s what I love most of all.” The jazzy piano, organ runs and lively percussion, along with his smooth vocals and occasional scatting, make for an incredibly delectable song in the style of Michael Bublé.

Down on Golden Shores” is a lovely but bittersweet song about loss, with some especially poignant lyrics like these:  “Poor Louie was one of the best-looking dudes you ever did see. Kandahar sure did a number on his perfect body. /My Alex was so full of life. I thought someday to make her my wife. But the world is full of best-laid plans, made by sea and golden sands.” The piano, gentle guitar, harmonica and strings are all sublime, as are Jamie’s heartfelt vocals.

The radio-friendly “Not Ready to Say Goodbye” was the lead single from the album, and with its haunting melody, beautiful guitar work and infectious Latin rhythms, is definitely one of the standout tracks. Jamie passionately implores to the woman he’s fallen for to not end their budding relationship: “I fell head over heels, I jumped when you said jump. Too fast, too deep, just call me a chump. Not ready to say goodbye. Not ready to take the fall. Not ready to say goodbye. I’m in it for the long haul.”

A track that jumped right out at me on my first listen of the album was “Lucky Me“, a delightful kiss-off song that Jamie wrote as needed therapy after a bad breakup. The amusing lyrics describe how he quickly fell for her, only to discover that she was toxic: “They popped right out of my head when I laid my eyes on her, not knowing what kind of claptrap lay in my future. Lucky me! She came and went in a New York minute. Lucky me! It’s a beautiful world and I’m right back in it. The two best days of my life: One was finding her. Ooh the second one was losing her. Lucky me.” With its jazzy organ, guitar and percussive grooves, the song has a cool, late 70s Steely Dan vibe, and is one of my favorites on the album. And need I mention yet again how good Jamie’s vocals are?

How Could I Love Again” is a poignant song about having such a deep, intense love for someone that you don’t believe you are capable of ever loving another. The beautiful, piano-driven melody provides a moving backdrop for Jamie’s heartfelt vocals as he laments “Once I loved one woman such, that I thought to die without her touch. Because I loved her far too much, how could I love again?

On the album closer “Nights In the Back Bay“, Jamie seems to recall his experiences while attending college in Boston, and wanting to recapture the passion and creativity he had for making music back then. “I remember when the road had no end. My faith has been shaken, my heart keeps aching to return to those nights in the Back Bay. I’ve gotta get born all over again.” Musically, the song has a hauntingly beautiful melody that sounds brooding at times, yet uplifting and hopeful at others. The laid-back twangy guitars give the track an Americana feel, and the tinkling piano keys, synths, bass and crisp percussion are all wonderful.

This is Tomorrow Calling is a gorgeous work, with some of the finest production values of any album I’ve heard in a long while. Jamie and the Vannelli brothers should be very proud of their creation, as it’s impressive on every level. While its laid-back, easy-listening style probably won’t appeal to everyone, anyone who enjoys quality music, great lyrics and beautiful male vocals will enjoy this album.

Jamie will be opening for Gino Vannelli on Saturday, October 12 at the Saban Theater in Beverly Hills, CA.

To learn more about Jamie, visit his Website
Connect with him on:  Facebook / Twitter / Instagram
Stream his music:  Spotify / Soundcloud / Apple Music
Purchase:  Bandcamp / Amazon /  Google Play

EML’s Favorite Songs – CARPENTERS: “Superstar”

Superstar-Carpenters

From the moment I first heard “(They Long to Be) Close to You” in the early summer of 1970 until the mid-1970s, the Carpenters were one of my favorite acts. Their music was beautiful, with the kind of lush orchestration I’ve always loved, and Karen Carpenter had the voice of an angel. I loved them so much I actually wrote a paper about them for my 11th grade English class – perhaps an early presage to my much later calling as a music blogger? They had a successful run of huge hits from 1970-1975, and one of my favorites is the bittersweet “Superstar“.

The song was written by Bonnie Bramlett and Leon Russell, and originally titled “Groupie Song”. But when it was recorded by Delaney & Bonnie and released as a B-side on their single “Comin’ Home” in December 1969, it was re-titled “Groupie (Superstar)”. The song tells the story of a female groupie’s one-night stand with a rock star, whom she hopes will return to her. It was covered by a number of artists, including Joe Cocker (on his Mad Dogs & Englishmen Live Tour album, with vocals sung by Rita Coolidge), Bette Midler (on her debut album The Divine Miss M), Cher, and Australian rock group McPhee, among others. But it was the Carpenters version that stands head and shoulders above the rest, and became one of their biggest hits, peaking at #2 (Rod Stewart’s “Maggie May” had a 5-week run at #1 in the fall of 1971, preventing “Superstar” from reaching the top).

The story goes that Richard Carpenter first became aware of “Superstar” after hearing it sung by a relatively unknown Bette Midler on The Tonight Show in 1971. He loved the song and thought it would be perfect for Karen, and wrote a new arrangement to fit their style. Shockingly, when he played it for her, she wasn’t thrilled with the song. She later recalled “For some reason that tune didn’t hit me in the beginning. It’s the only one. Richard looked at me like I had three heads. He said: ‘Are you out of your mind!‘” But after they recorded the song, she grew to love it too.

“Superstar” was produced by Richard Carpenter with Jack Daugherty, and recorded with members of The Wrecking Crew, the famed collective of Los Angeles area session musicians. As the song’s storyline was originally more risqué than what was typical for the Carpenters, Richard changed a lyric in the second verse “And I can hardly wait to sleep with you again” to the somewhat less suggestive “And I can hardly wait to be with you again.”

The song is breathtakingly beautiful, with rich orchestral instrumentation highlighted by a soaring horn section, gorgeous oboe played by Earle Dumler, a somber, understated bassline by Joe Osborn, drums by the legendary Hal Blaine (even though Karen was herself an accomplished drummer), and a lovely keyboards by Richard Carpenter. Karen’s distinctive contralto vocals never sounded better or more resonant, beautifully conveying the fervent longing for someone you love to return and ease your loneliness. “Superstar” is one of my favorite songs of the 1970s, and for all time.

Long ago and oh so far away
I fell in love with you before the second show
Your guitar it sounds so sweet and clear
But you’re not really here
It’s just the radio

Don’t you remember you told me you loved me baby
You said you’d be coming back this way again baby
Baby, baby, baby, baby oh baby
I love you, I really do

Loneliness is such a sad affair
And I can hardly wait to be with you again
What to say to make you come again…ooh baby
Come back to me again…baby
And play your sad guitar

Don’t you remember you told me you loved me baby
You said you’d be coming back this way again baby
Baby, baby, baby, baby oh baby
I love you, I really do

I still remember the exact moment in February 1983 when I heard that Karen Carpenter had died from heart failure at the age of only 32, as a result from years of suffering with the eating disorder anorexia nervosa. I was in my car on the way to a meeting, and nearly burst into tears. Like so many other great artists and musicians who passed away far too soon, Karen’s death was a tremendous loss to the music world.