THE STAR CRUMBLES – Album Review: “The Stars That Shine”

There’s an old saying that “two heads are better than one”, and while it might not always be true, I’ve found that when it comes to music, collaborations involving two different musicians from different backgrounds often leads to greater energy and creativity. Such is the case with The Star Crumbles, a musical collaboration between singer-songwriter Brian Lambert, who’s based in Denton, Texas, and singer-songwriter and multi-instrumentalist Marc Schuster, who lives in suburban Philadelphia. (Brian, who self identifies as “Your Friendly Neighborhood Rock And Roller”, affectionately calls The Star Crumbles his “love child” with Marc.) Now don’t get me wrong, each is a prolific and talented songwriter and musician in his own right, putting out catchy songs with thoughtful lyrics. But the songs they create together are some of my favorite music by them.

Last October, the Star Crumbles released their debut album The Ghost of Dancing Slow, a brilliant work inspired by some of the 80s artists and music they love. In my review of the album, I provided quite a bit of background info on Brian and Marc, but will reiterate a few important facts about each of them here for context.

Brian is a prolific artist who’s been writing and recording music for many years, and says he’s “reinvented himself more times than he can count.” In early 2021, he challenged himself to writing, recording and producing a new song every week for an entire year, which he accomplished, and now has an incredible body of work to his credit. He just released his latest album Auto Matic Im Perfect on August 4th. Marc is an insanely creative renaissance man, who counts among his many talents being an educator, author, literary critic, songwriter and musician – both as a solo artist and as part of numerous music projects and collaborations, visual artist, blogger (he has a terrific WordPress blog called Abominations), and host of the weekly online radio program Tweetcore Radio Hour.

Brian Lambert & Marc Schuster

Now the dynamic duo are back with their second album The Stars That Shine, which dropped August 8th, just four days after Lambert released his solo album. I said he was a prolific artist! This album showcases their ongoing exploration and growth as musicians and songwriters, continuing to push themselves beyond their comfort zones. Brian elaborates: “When we started the process of the album, Marc and I discussed this theme of new beginnings and really letting go of the past to become who you actually are. Thematically it’s probably best surmised in “Brand New Sunrise.” I wrestled with it for a couple of months while trying to make sense of where things were shaping up with the rest of the great music Marc was sending me. I felt like I had to really bring something that pushed me to areas where I was uncomfortable. The scope and grandeur of the music Marc was sending me demanded that I dig and find something in myself that was a mystery even to myself. What I love about the Star Crumbles is how this interaction with the “other” in the form of a piece of music allows me to redefine my own boundaries and shed them. Musically I’m just blown away and of all the things that I have a hand in, it’s the one that I listen to for pure enjoyment. I’m very proud of the work that Marc and I have done.

They kick things off with “Get What You Are“, which was released in March as the album’s lead single. Brian wrote the lyrics, while both of them had a hand in writing the music. While the song has a somewhat dark and eerie vibe, with intricate guitar notes layered over a droning melody and mysterious echoed synths, the lyrics are more hopeful. Brian urges us to find our true selves in order to live a better, more fulfilling life: “You’ve got this time on your hands, feel it slipping away. You always hurt, live for today. You get what you want, when you get what you are.

The guys channel Depeche Mode on “My Own Hands“, a terrific electronic gem featuring a contrasting mix of gnarly and swirling industrial synths that add drama and texture to the track. Marc noted how his and Brian’s collaboration really paid off in the track’s development: “There’s a little “whoosh” right before the chorus kicks in. It wasn’t there when I recorded the initial backing track, but Brian wanted a little bit of breathing room between the verse and the chorus. It took me a day or so to figure out how to do it, but I feel like that extra measure really does a nice job of letting Brian’s vocal shine when it comes back in.

Radio” is a fascinating spoken-word interlude in which Brian muses about all the songs floating around out there, which is followed by the trippy instrumental electronic track “Eat Your Vegetables“. Brian remarked that he and Marc had been talking about Brian Eno and experimental music, which led him to do his “best jazz daredevil over super cool bedrock of sound.”

One of my favorite tracks on the album is “What I’ve Become“, a haunting synth-driven beauty highlighted by Marc’s simple but arresting piano riff. Brian’s languid, melancholy vocals here are some of the best I’ve heard by him as he contemplates ridding himself of dark and negative thoughts that held him back: “I had a feeling, my feeling go away, and now that’s it’s gone, I’m happy here to stay. I let go of loneliness that always tortured me. The gloom and the darkness penetrating all I see.

On the timely and relevant “Don’t Wanna Be Angry Anymore“, Brian calls out the constant anger that seems to permeate society today, with people on both sides of the political spectrum railing about one thing or another, always at war with each other: “It’s always something else, a brand new travesty. Conspiracies I do not see, and you just seethe and shout. And I don’t wanna be angry any more. I don’t even know what we’re fighting for. Can you tell me how you’re keeping score, because I don’t wanna be angry anymore.

Those who follow Brian on social media know him to be a thoughtful guy who frequently poses questions about the music industry, our culture, emotional well-being, and life in general. The second spoken-word interlude “Space” is a great example of this, where he ponders the impact of spaces between scenes in a film or between tracks on a record. Next up is the upbeat and catchy song “Brand New Sunrise“, where he sings of seeing things with a new, more positive outlook. “Now I see the look in your eyes, I’m waking up to a brand new sunrise. I didn’t know we could be so much more than we thought we’d be.”

Continuing on a positive note, the delightful “Quiet Wonderful Day” celebrates the simple joys of everyday moments spent with a loved one: “Silent smiles we sit there blissfully, nothing that we need to say. In the park, holding hands on a quiet wonderful day.” I love the bouncy melody, lighthearted synths and Marc’s breezy piano chords, all of which make this another one of my favorites. On “See You Want You“, Brian confides to someone he’s besotted with of his clear-eyed adoration: “I see you and I want you, exactly for who you are.”

Read My Mind” is a fast-paced, spacey synthpop song with a melody that sounds a lot like Semisonic’s 1998 classic “Closing Time”, and while I like it well enough, for me it’s the weakest track on the album. The lyrics seem to speak of feeling fulfilled and at peace with oneself: “If you could read my mind you would know that I am done trying to fill in the holes./I am here, feeling whole.” Closing track “You Are Much More” seems to question our beliefs that form the basis of our worldview: “Are stories you tell, what you believe? Is what you’re giving, what you receive? Do memories make meanings that hold us in place? …searching for answers in the thoughts between space. Won’t you come with me. We’ll see all we can see.” I like the nifty bassline, reverb-soaked fuzzy guitar notes and crisp drumbeats that give the song an urgent, fascinating vibe.

With The Stars That Shine, The Star Crumbles have crafted another stellar album for our listening pleasure. I love these guys, and trust we’ll be hearing much more great music from them in the months and years to come!

Here’s the album on YouTube:

And on Spotify:

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Find their music on SpotifyApple MusicYouTubeAmazon Music / Pandora

THE STAR CRUMBLES – Album Review: “The Ghost of Dancing Slow”

Music act The Star Crumbles came to be rather serendipitously earlier this year when singer-songwriter Brian Lambert, who’s based in Denton, Texas, reached out to singer-songwriter and multi-instrumentalist Marc Schuster, who lives in suburban Philadelphia, for some help with his song “Kids” (which I wrote about last March in a Fresh New Tracks post). The two had previously met on Twitter, but had never before worked with each other. Well, they immediately hit it off, so much so that they decided to collaborate together on more music projects, eventually leading to their creation of a new music act they dubbed The Star Crumbles. On September 30th, their debut album The Ghost of Dancing Slow was released on Bandcamp, and will go live on most other streaming services (Spotify, Apple Music, etc.) on October 7th. 

Brian Lambert & Marc Schuster

Before I get into the album, I want to provide a bit of background on Brian, Marc and The Star Crumbles. Brian has been writing and recording music for many years, and says he’s “reinvented himself more times than he can count.” He even tried his hand at country music for a while, but eventually realized that it just wasn’t for him. More recently, the prolific songwriter’s been making indie rock music inspired by some of his favorite acts like Spoon, Gang of Youths and the Replacements, and beginning in 2021, he challenged himself to writing, recording and producing a new song every week for an entire year. He now has an incredible body of work to his credit.

Marc is an insanely creative renaissance man in every sense of the word. Not only is he an educator, author and literary critic, he’s also a prolific songwriter and musician, recording both as a solo artist and as part of numerous music projects and collaborations with an ever-expanding roster of musicians. As if all that weren’t enough, he’s also a pretty good visual artist, is incredibly supportive of other artists and music bloggers (including yours truly), and has a terrific WordPress blog of his own called Abominations, where he writes about music and interviews lots of indie artists. I’ve featured him three times on my blog, including a review last February of his wonderful EP There Is No Down.

In addition to making music, both Brian and Marc are wildly imaginative and funny guys. Soon after forming The Star Crumbles, they came up with the idea of creating a tongue-in-cheek back story for the act. Since their music is strongly influenced by their shared love of 80s new wave music by such bands as The Cure, Echo & the Bunnymen, Ultravox and New Order, they decided that The Star Crumbles would have its origins in the early 80s, but due a number of unexplained circumstances, they suddenly disappeared from the music scene before having a chance to release their first album: “From 1982 to 1986, The Star Crumbles were always on the verge of something big – until they vanished without a trace, taking their eagerly anticipated album, ‘The Ghost of Dancing Slow’, with them. Everyone thought they had potential, but they were dogged by misfortune and bad timing. Also, they had terrible business sense.

The guys recruited a motley crew of friends and fans to provide their own unfiltered insight into what became of The Star Crumbles. The result (which I was honored to be a part of) is a brilliant and hilarious video documentary Beyond the Music. The inventiveness, originality and deadpan delivery of those who participated is really quite impressive! Please press play:

Okay, now lets get to the music. The Ghost of Dancing Slow was a DIY project, totally self-recorded and produced by Marc and Brian. Marc mixed the tracks, and they both had a hand in the final mastering. Marc played guitars and drums on all tracks, while both he and Brian played synths. All but one of the ten songs on the album were written by Brian and Marc, the exception being “Cool Down”, which was written by fellow musician Mike Mosley (who also appears in the documentary).

Opening track “Desperately Wanting” was The Star Crumbles’ first official single, released this past May. It’s a beautiful and compelling song about a couple who are unable to communicate their needs to each other, leaving their relationship in a perpetual state of limbo, with each of them feeling unfulfilled and unhappy. The album’s title is taken from the song’s lyrics: “The space that lies in between. The gap that lies in between, what we’re really wanting, we don’t want to talk about. The ghost of dancing slow, inside what we’re speaking. But we pretend not to know, what we’re really thinking.” Musically, the song is driven by Marc’s hypnotic bassline, over which he’s layered somber droning synths, thumping drumbeats and gently crashing cymbals. Both he and Brian played guitars. Brian’s plaintive vocals are both comforting and melancholy, nicely conveying the sad sense of resignation expressed in the lyrics. It’s a great song, and spent 12 weeks on my Top 30 chart this past summer.

Next up is their follow-up single “Shadows in the Dark“, another winning tune with a strong retro 80s vibe that borders on darkwave. The guitar work is fantastic, and I love that sizzling little guitar solo in the bridge. Brian’s fervent vocals are great as well. The cool video, which was created by Marc, features pixelated renditions of the band trapped in an eight-bit Atari nightmare.

On the timely and relevant “Conspiracy“, the guys take on those who spread conspiracy theories, and the damage it does to society: “While bald-faced lies are told, the rhythm of what’s true skips a beat. We wonder how they get away with it. There is no consequence for ineloquence that harms the trust. I think it’s more than just a bit intentional.” The gravity of the subject is driven home by the song’s unsettling vibe, created by a rather menacing groove, overlain with dark industrial synths and distorted guitars.

Cool Down” sounds like a long-lost song by Joy Division or The Cure, with gorgeous shimmery guitars and swirling synths, and Brian’s vocals sound better than ever here. “Cozumel” is a sweet song about spending time with a loved one in the Mexican resort, and though the subject matter is quite different, it made me think of Suzanne Vega’s great song “Tom’s Diner”. Those great jangly guitars return on the haunting new wave gem “Trees in the Forest“, with lyrics that seem to speak of feeling lost and disconnected from the world.

With its bouncy new wave vibe, “What Are We Waiting For” urges us to stop doubting ourselves and seize the moment so that we can move forward and live our fullest lives. “Spectres in Waiting” has a decidedly different feel than the other tracks on the album, with a somber, more introspective feel, highlighted by rather mournful guitar notes. The wonderfully-titled “Past, Present and Future Walk Into a Bar, It Was Tense” is another terrific story song, in which Brian talk-sings about his present self encountering his past and future selves in a bar, and wanting to ask them questions to gain a better understanding of himself: “All these years older, what do you get? I hope not colder, nor full of regret.” I love the song’s darker vibe and rather menacing gnarly guitars.

Closing track “If I Could” is the longest on the album, running over five minutes, and has a gentle, upbeat cadence that’s really pleasing. The song seems to be about searching for the truths that will help guide us to a better life, which I also think kind of encapsulates the overall them of the album: “Every time I thought I had an answer, there is just another question that begs that I go searching. Even when I find it, I’m left not truly knowing. I guess it will always be that way.”

The Ghost of Dancing Slow is a marvelous album, and we’re so fortunate The Star Crumbles were successful in retrieving the lost masters to these new wave gems so that we can enjoy them these many years later 😉

Those who purchase the album on Bandcamp will receive a bonus song. Also Friday, October 7th is Bandcamp Friday, meaning all proceeds from purchases go directly to the artists.

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