Photo of Dan Auerbach and Patrick Carney by Larry Niehues
“No Rain, No Flowers” by The Black Keys holds onto the top spot for a third week, while the equally infectious “Feels Right” by singer-songwriter and multi-instrumentalist Talk in Waves moves into second place. “Back to Friends” by sombr racks up its 13th week in my top 10, three of them spent at #1.
Two songs make their debut this week, starting with the wonderful “Metal” by New Zealand indie pop-rock band The Beths. Formed in Auckland in 2014, the band’s lineup includes lead vocalist Elizabeth Stokes, guitarist Jonathan Pearce, bassist Benjamin Sinclair, and drummer Tristan Deck. The lead single from their fourth and latest album Straight Line Was A Lie – released this past Friday, August 29th – “Metal” is their first single to chart in the U.S., currently sitting at #10 on the Billboard AAA (Adult Alternative Airplay) chart. I love the lively melody and jangly guitars!
My second new entry is “Everyday Magic” by Louisville, Kentucky-based My Morning Jacket, whose music is a glorious blend of indie, alternative and psychedelic rock, country, Americana and Southern rock. Formed in 1998, the band presently consists of vocalist/guitarist Jim James, bassist Tom Blankenship, drummer Patrick Hallahan, guitarist Carl Broemel, and keyboardist Bo Koster. The delightful “Everyday Magic” is from their tenth and latest album is, which dropped this past March. Another track from that album, “Time Waited”, topped my chart in May. “Everyday Magic” is currently #1 on the Billboard AAA chart, which is a major influence on my own chart.
NO RAIN, NO FLOWERS – The Black Keys (1)
FEELS RIGHT – Talk in Waves (3)
THE CONTRACT – Twenty One Pilots (2)
MOODY – Royel Otis (4)
LOVE IS A FIRE – Art Block (7)
LONDON TOWN – Healer (8)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (9)
BETTER OFF EVENTUALLY – Bealby Point (6)
RIPPLE – Good Neighbours (5)
BACK TO FRIENDS – sombr (10)
JUPITER – almost monday ft. Jordana (12)
UNDRESSED – sombr (13)
ASSHOLE – The Lumineers (14)
BACKSEAT – Balu Brigada (15)
POLYESTER (YES SIR) – Sorry Ghost (16)
TODAY’S SONG – Foo Fighters (17)
FIVE MORE SECONDS – Seafret & KT Tunstall (18)
BETTER DAYS – Yellowcard (19)
BLOOM BABY BLOOM – Wolf Alice (11)
LIGHT YEARS APART – Unobliterated (23)
UNRAVELLING – Muse (24)
AFTERLIFE – Alex G (26)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (27)
Photo of Dan Auerbach and Patrick Carney by Larry Niehues
Last week’s top ten songs remain in place again this week, with a bit of shuffling here and there. The Black Keys top my chart for a second week with “No Rain, No Flowers”, while “The Contract” by Twenty One Pilots holds at #2 again after a two-week run at #1. “Feels Right” by northern Virginia singer-songwriter and multi-instrumentalist Talk in Waves moves up a spot to secure the third place ranking.
We have three new debuts, two of which are by legendary alt-rock favorites, and another by one of my favorite Canadian indie artists. Entering at #28 is “Ensenada” by American ska punk band Sublime, who originally formed way back in 1988 in Long Beach, California and consisted of Bradley Nowell (vocals and guitar), Bud Gaugh (drums) and Eric Wilson (bass). Over their eight-year run, Sublime released three studio albums, a live album, five compilation albums, three EPs, one box set and six singles, three of which – “What I Got”, “Santeria” and “Wrong Way” – have remained longtime alt-rock radio staples. The band disbanded after singer Bradley Nowell’s death from a heroin overdose in 1996 but subsequently reformed in 2023 with Bradley’s son Jakob Nowell singing lead vocals alongside original band members Wilson and Gaugh. Their latest single “Ensenada”, released July 18th, carries on with the band’s original signature sound, almost as if no time has passed.
Coming in at #29 is “my mind is a mountain” by American alternative metal band Deftones. Also formed in 1988, in Sacramento, California (where I lived from 1989-1994), they originally consisted of frontman Chino Moreno (lead vocals), Stephen Carpenter (lead guitar), Abe Cunningham (drums) and Chi Cheng (bass). Frank Delgado later joined the band as keyboardist and turntablist in 1999. Cheng, who was seriously injured in an auto accident in 2008 and subsequently died in 2013, was replaced on bass by Sergio Vega, who remained with the band until early 2021. Deftones have released 10 studio albums, four EPs, three compilation albums, five demo albums, 32 music videos and 25 singles. Though none of their songs have ever made the Billboard Hot 100, several have appeared on the Alternative and Rock charts. On July 10th, they released “my mind is a mountain”, the lead single from their 10th and latest album private music (which dropped this past Friday, August 22nd), their first new music since their 2020 album Ohms. With the intensely heavy and melodic “my mind is a mountain”, it’s clear Deftones haven’t lost a step and I’m really liking the new album as well.
Last but certainly not least is “Hornets” by British Columbia-based Western Jaguar, the music project of the personable and talented singer-songwriter and multi-instrumentalist Jeffrey Trainor. I’ve been a fan of his for over seven years, and two of his songs – “Disappear” (2019) and “Darling” (2023) have reached #1 on my chart. His latest single “Hornets” represents a somewhat edgier, more rock-oriented sound from him and I like it!
NO RAIN, NO FLOWERS – The Black Keys (1)
THE CONTRACT – Twenty One Pilots (2)
FEELS RIGHT – Talk in Waves (4)
MOODY – Royel Otis (3)
RIPPLE – Good Neighbours (6)
BETTER OFF EVENTUALLY – Bealby Point (7)
LOVE IS A FIRE – Art Block (8)
LONDON TOWN – Healer (9)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (10)
BACK TO FRIENDS – sombr (5)
BLOOM BABY BLOOM – Wolf Alice (12)
JUPITER – almost monday ft. Jordana (13)
UNDRESSED – sombr (14)
ASSHOLE – The Lumineers (15)
BACKSEAT – Balu Brigada (19)
POLYESTER (YES SIR) – Sorry Ghost (20)
TODAY’S SONG – Foo Fighters (21)
FIVE MORE SECONDS – Seafret & KT Tunstall (22)
BETTER DAYS – Yellowcard (24)
BASIC BEING BASIC – Djo (11)
NOTHING I NEED – Lord Huron (17)
INCOMPREHENSIBLE – Big Thief (25)
LIGHT YEARS APART – Unobliterated (26)
UNRAVELLING – Muse (27)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (16)
AFTERLIFE – Alex G (29)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (30)
Photo of Dan Auerbach and Patrick Carney by Larry Niehues
“No Rain, No Flowers”, the title track from Nashville-based blues rock duo The Black Keys‘ 13th and latest album No Rain, No Flowers, is my new #1 song this week. Though the song, along with many of the other tracks on the album, has a decidedly more polished, poppy sound than their usual musical fare, I really like it. I love its smooth head-bopping dance groove, twangy guitars and Dan Auerbach’s always-cool vocals, plus it’s catchy as hell. The song and album have received mostly positive reviews, though some have criticized it for being too pop-oriented, overly produced or simply veering too far away from their blues rock roots. That said, the album’s lead single “The Night Before” spent two weeks at #1 on the Billboard Alternative Airplay chart this past May, whereas “No Rain, No Flowers” peaked at only #28 and is now falling. The song did recently peak at #2 on the Adult Alternative Airplay chart, however.
In other chart news of note, “Sally, When the Wine Runs Out” by Los Angeles-based ROLE MODEL (the music project of singer-songwriter Tucker Harrington Pillsbury), advances six spots to enter the top 10 at #10. And curiously, the songs at numbers 11 and 12 both have three-word titles in all B’s – “Basic Being Basic” and Bloom Baby Bloom”.
There are two new debuts again this week, the first of which is the delightful “Afterlife” by American musician, producer, and singer-songwriter Alex G (born Alexander Giannascoli in Havertown, Pennsylvania). Since 2011, the prolific musician has released ten studio albums, four EPs, three live albums, two soundtrack albums and 30 singles. The lead single from his 10th and latest album Headlights, “Afterlife” has become Alex G’s highest charting single in the U.S., currently sitting at #8 on the Billboard Adult Alternative Airplay chart. That ukelele is utterly charming.
The second new entry is “As Alive As You Need Me To Be” by American industrial rock band Nine Inch Nails, their first new music release in four years since “ISN’T EVERYONE”, a collaborative single with Los Angeles-based industrial/noise rock band Health. Formed in 1988 as a solo act by singer-songwriter, musician, and composer Trent Reznor (who was inspired by Prince to play all instruments himself except drums, which he programmed electronically), Nine Inch Nails for many years consisted of Reznor as the only official member, aided by an ever-changing group of backing musicians for live performances. He finally added English musician and long-time collaborator Atticus Ross as the act’s second permanent member in 2016. Released on July 17th, “As Alive As You Need Me To Be” is from the forthcoming soundtrack album Tron: Ares (Original Motion Picture Soundtrack), to be released September 19th. Nine Inch Nails composed the score for the film Tron: Ares, the third installment in the Tron series scheduled for release October 10th. At the age of 60, Reznor sounds as good as ever.
NO RAIN, NO FLOWERS – The Black Keys (3)
THE CONTRACT – Twenty One Pilots (1)
MOODY – Royel Otis (2)
FEELS RIGHT – Talk in Waves (5)
BACK TO FRIENDS – sombr (4)
RIPPLE – Good Neighbours (7)
BETTER OFF EVENTUALLY – Bealby Point (8)
LOVE IS A FIRE – Art Block (9)
LONDON TOWN – Healer (10)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (16)
BASIC BEING BASIC – Djo (6)
BLOOM BABY BLOOM – Wolf Alice (15)
JUPITER – almost monday ft. Jordana (17)
UNDRESSED – sombr (18)
ASSHOLE – The Lumineers (20)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (11)
NOTHING I NEED – Lord Huron (12)
SCARS – Secret Postal Society (13)
BACKSEAT – Balu Brigada (21)
POLYESTER (YES SIR) – Sorry Ghost (22)
TODAY’S SONG – Foo Fighters (23)
FIVE MORE SECONDS – Seafret & KT Tunstall (24)
WHAT WAS THAT – Lorde (14)
BETTER DAYS – Yellowcard (29)
INCOMPREHENSIBLE – Big Thief (26)
LIGHT YEARS APART – Unobliterated (28)
UNRAVELLING – Muse (30)
BONNET OF PINS – Matt Berninger (19)
AFTERLIFE – Alex G (N)
AS ALIVE AS YOU NEED ME TO BE – Nine Inch Nails (N)
It’s a second week on top for “The Contract” by Twenty One Pilots, with “moody” by Royel Otis holding onto second place for a second week after two weeks at #1. The Black Keys move up two to #3 with “No Rain, No Flowers”, the title track to their 13th and latest album No Rain, No Flowers, which dropped this past Friday, while Talk in Waves moves up a spot to #5 with his jubilant ear worm “Feels Right”. Entering the top 10 are “Ripple” by English indie rock duo Good Neighbours, “Better Off Eventually” by Canadian alt-rock band Bealby Point, “Love Is A Fire” by English singer-songwriter Art Block and “London Town” by English rock band Healer.
Making their debut this week are songs by two legendary bands, the first of which is “Better Days” by pop punk band Yellowcard, who formed in 1997, broke up in 2017, then reunited in 2022. Their lineup has changed over the years, and now consists of Ryan Key (lead vocals), Ryan Mendez (lead guitar), Josh Portman (bass) and Sean Mackin (violin). Their music is notable for its distinct and unique sound due to their prominent use of Mackin’s violin. The song is the lead single and title track from their forthcoming eleventh studio album Better Days, due for release on October 10. The album was produced by blink-182 drummer Travis Barker, who played drums on every song.
The second debut, coming in at #30, is “Unravelling” by English alternative space rock band Muse, who since forming in 1994 have consisted of Matt Bellamy (lead vocals, guitar, keyboards), Chris Wolstenholme (bass guitar, backing vocals), and Dominic Howard (drums, percussion). Though I’m a pretty big fan of Muse, I find it always takes several listens for many of their songs to grab me, which was the case with “Unravelling”. But grab me it did, and I now like it a lot.
THE CONTRACT – Twenty One Pilots (1)
MOODY – Royel Otis (2)
NO RAIN, NO FLOWERS – The Black Keys (5)
BACK TO FRIENDS – sombr (3)
FEELS RIGHT – Talk in Waves (6)
BASIC BEING BASIC – Djo (4)
RIPPLE – Good Neighbours (11)
BETTER OFF EVENTUALLY – Bealby Point (13)
LOVE IS A FIRE – Art Block (14)
LONDON TOWN – Healer (15)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (7)
Photo of Twenty One Pilots from their Facebook account
One of my favorite music acts for the past ten years is Twenty One Pilots, comprised of the dynamic duo of singer-songwriter and multi-instrumentalist Tyler Joseph and power drummer Josh Dun. Their latest single “The Contract” is my new #1 song this week, marking their 13th song to reach the top of my chart, and their third in just the past year, following “The Craving” last September and “The Line” this past March. The lead single from their forthcoming eighth studio album Breach, to be released September 12th, “The Contract” starts the final act of the narrative begun on their 2015 album Blurryface and continued through Trench, Scaled And Icy, and last year’s Clancy.
The song is a frenetic and electrifying mash-up of music styles, something Twenty One Pilots have incorporated into many of their songs over the years. As Kory Grow observed in his article about the single for Rolling Stone, the song “ping-pongs between pop, rap, emo, and drumline practice.” While I love that about the song and their music in general, some do not. Paulo Ragusa, a writer who’s obviously not a Twenty One Pilots fan, trashed the song in his article for Consequence Sound, calling it “a complete mess, a sloppy hodge-podge of genres and styles that directly compete with one another from moment to moment.” Well, to each their own I say, as “The Contract” takes its place among a long line of songs I love by this talented duo.
In other chart news, Lorde enters the top 10 with “What Was That”, and we have two new debuts. The first is “Five More Seconds”, a wonderfully exuberant collaboration by English duo Seafret and Scottish singer-songwriter KT Tunstall, which enters at #29. Seafret, based in Yorkshire and comprised of singer Jack Sedman and guitarist Harry Draper, released three albums and a number of singles from 2015-2023 and saw their debut 2015 single “Atlantis” go viral on TikTok over the past three years, eventually racking up over 1.1 billion streams on Spotify alone. KT Tunstall burst onto the British music scene in 2004 with her debut album Eye to the Telescope, which spawned the hit singles “Black Horse and the Cherry Tree” and “Suddenly I See”, which won the Ivor Novello Award for Best Song in 2006. “Five More Seconds” marks both Seafret and KT Tunstall’s first new music in two years.
The second debut is “light years apart” by Unobliterated, the music project of England-born and now Portugal-based singer-songwriter and musician Gary Taylor. In my review of the song upon its July 11 release, I described it as “majestic”, with a haunting melody driven forward by a strong pulsating groove and layered with swirling atmospheric synths and warm guitar notes to create a mesmerizing backdrop for Taylor’s arresting vocals that masterfully convey a sense of both despair and hopeful optimism.
THE CONTRACT – Twenty One Pilots (3)
MOODY – Royel Otis (1)
BACK TO FRIENDS – sombr (2)
BASIC BEING BASIC – Djo (4)
NO RAIN, NO FLOWERS – The Black Keys (7)
FEELS RIGHT – Talk in Waves (9)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (5)
Photo of Otis Pavlovic and Royel Maddell by Shervin Lainez
I’m still loving “moody” by Royel Otis a lot, thus it remains at #1 for a second week, while sombr‘s “back to friends” holds at #2 for a second week after spending three weeks at #1. Twenty One Pilots and Djo move up one spot each to #s 3 and 4 with “The Contract” and “Basic Being Basic”. Entering the top 10 are “No Rain, No Flowers” by The Black Keys, jumping seven spots to #7, and “Scars” by my favorite Welsh artist Secret Postal Society, moving up a notch to #10.
Two songs make their debut on my chart this week, the first of which is “Today’s Song” by rock legends the Foo Fighters, entering at #29. In a note accompanying the single’s release, band frontman Dave Grohl stated it’s a tribute to former band members including recently fired drummer Josh Freese, founding drummer William Goldsmith, guitarist Franz Stahl and late drummer Taylor Hawkins, who died in 2022. The second debut is the quite lovely “Incomprehensible” by Brooklyn, New York-based indie folk band Big Thief. Formed in 2015, the band now consists of vocalist-guitarist Adrianne Lenker, guitarist Buck Meek and drummer James Krivchenia. (Founding bassist Max Oleartchik left the band in 2024.) The song is the lead single from their forthcoming sixth studio album Double Infinity, set for release on September 5th.
MOODY – Royel Otis (1)
BACK TO FRIENDS – sombr (2)
THE CONTRACT – Twenty One Pilots (4)
BASIC BEING BASIC – Djo (5)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (3)
NOTHING I NEED – Lord Huron (6)
NO RAIN, NO FLOWERS – The Black Keys (14)
BONNET OF PINS – Matt Berninger (9)
FEELS RIGHT – Talk in Waves (10)
SCARS – Secret Postal Society (11)
WHAT WAS THAT – Lorde (12)
CATCH THESE FISTS – Wet Leg (7)
RIPPLE – Good Neighbours (15)
RITALIN – Dexter and The Moonrocks (8)
BETTER OFF EVENTUALLY – Bealby Point (16)
EMERGENCE – Sleep Token (18)
LOVE IS A FIRE – Art Block (19)
LONDON TOWN – HEALER (20)
BLOOM BABY BLOOM – Wolf Alice (21)
RELATIONSHIPS – HAIM (17)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (26)
JUPITER – almost monday ft. Jordana (27)
UNDRESSED – sombr (28)
ARCHBISHOP HAROLD HOLMES – Jack White (13)
ASSHOLE – The Lumineers (25)
BACKSEAT – Balu Brigada (29)
POLYESTER (YES SIR) – Sorry Ghost (30)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (22) 19th week on chart
Photo of Otis Pavlovic and Royel Maddell by Shervin Lainez for Flood Magazine
We have a new #1 song this week, as well as four new debuts. Over the past year, I’ve become a fan of Australian act Royel Otis on the strength of their infectious guitar-pop sound and charming, laid-back persona. Formed in 2019 by Royel Maddell (who rarely shows his face) and Otis Pavlovic, the Sydney-based duo draw from elements of indie pop, indie rock, new wave, pop rock, post-punk and psychedelic rock in the creation of their music. They released two EPs in 2021 and 2022 to little notice until the song “Oysters in My Pocket”, from the second EP Bar n Grill, gained traction in late 2022. Their third EP Sofa Kings, released in 2023, proved more successful, with the breakthrough title track marking their first appearance on American charts and eventually peaking at #12 on the Billboard Alternative Airplay chart. In late January 2024, they released their electrifying cover of “Murder on the Dancefloor”, the 2001 disco pop hit by British singer-songwriter Sophie Ellis-Bextor which they performed on the Australian radio station Triple J for their Like a Version program. The song went viral and reached #1 on the Billboard Alternative chart, as well as my own Top 30 chart. I couldn’t get enough of it, and it ended up ranking #4 on my 100 Best Songs of 2024 list. The guys quickly followed with their debut album Pratts & Pain in February 2024, which debuted at #1 on the Australian Albums Chart, and went on to win four awards at the 2024 ARIA (Australian Recording Industry Association) Music Awards. They also released a wonderful cover of The Cranberries’ classic “Linger”.
Their charming single “moody“, released on May 9th, is a love song of sorts, detailing a problematic relationship with a woman who drives the singer crazy in both good ways and bad. She’s jealous, bitchy and cranky, yet he’s hopelessly in love with her: “She’s always givin’ it to me. Late nights, she always accusin’. Last time, she said she would kill me. My girl’s a bitch when she’s moody. But she’s my everything. She’s all that I need.” I love the song’s languid laid back groove, highlighted by Royel’s terrific guitar noodling and Otis’ sweet vocals, and it ascends to #1 on my latest chart.
The joyoustly upbeat “Feels Right” by northern Virginia artist Talk in Waves, who’s no stranger to my charts, enters the top 10 at #10. And as I noted above, four songs make their debut this week, three of which are spelled in all lower case letters. Entering at #27 is “jupiter” by San Diego-based indie pop band almost monday, comprised of Dawson Daugherty (vocals), Cole Clisby (guitar), and Luke Fabry (bass), and featuring L.A.-based indie pop singer-songwriter Jordana. The song was originally included on their 2014 album DIVE as a recording by only the band, but a new version with Jordana singing backing vocals was released in January on a deluxe version of DIVE. It’s the third song by almost monday to appear on my chart, following 2020’s “broken people” and last year’s smash hit “can’t slow down”.
The second debut, coming in at #28, is the relentessly catchy “undressed” by sombr, whose single “back to friends” just spent three weeks at #1 and now sits at #2. The song continues the theme exploring the challenges of moving on from a failed relationship that was first introduced in “back to friends”. Next up is “Backseat” by New Zealand-born and now New York City-based duo Balu Brigada, comprised of multi-instrumentalist brothers Henry and Pierre Beasley, whose single “So Cold” spent three weeks at #1 on my chart in March. Though a long one, running nearly six and a half minutes, “Backseat” is a compelling, melodically complex song that’s sure to be another hit for the talented brothers.
Last but certainly not least is the delightful “polyester (yes sir)” by L.A. indie pop-rock band Sorry Ghost, which I featured in a recent Fresh New Tracks post. As I noted in that post, the charismatic band – comprised of Dan Anton (vocals), Matt Polito (guitar and vocals), Tate Silver (drums) and Sean Duong (guitar and vocals) – have a cheeky sense of humor and frequently delight their fans and followers with hilarious and endearing video reels of themselves on Instagram and TikTok. I love the song’s mellow vibe that sits in a sweet spot between sunny and melancholy, as well as the colorful blend of jangly and chiming guitars accompanied by pleasing harmonies.
MOODY – Royel Otis (2)
BACK TO FRIENDS – sombr (1)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (4)
THE CONTRACT – Twenty One Pilots (8)
BASIC BEING BASIC – Djo (5)
NOTHING I NEED – Lord Huron (3)
CATCH THESE FISTS – Wet Leg (6)
RITALIN – Dexter and The Moonrocks (9)
BONNET OF PINS – Matt Berninger (10)
FEELS RIGHT – Talk in Waves (11)
SCARS – Secret Postal Society (12)
WHAT WAS THAT – Lorde (13)
ARCHBISHOP HAROLD HOLMES – Jack White (7)
NO RAIN, NO FLOWERS – The Black Keys (18)
RIPPLE – Good Neighbours (17)
BETTER OFF EVENTUALLY – Bealby Point (19)
RELATIONSHIPS – HAIM (20)
EMERGENCE – Sleep Token (21)
LOVE IS A FIRE – Art Block (22)
LONDON TOWN – HEALER (23)
BLOOM BABY BLOOM – Wolf Alice (24)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (14)
BARBARIAN – AWOLNATION (15)
LET THINGS GO – Caamp (16)
ASSHOLE – The Lumineers (26)
SALLY, WHEN THE WINE RUNS OUT – ROLE MODEL (30)
JUPITER – almost monday ft. Jordana (N)
UNDRESSED – sombr (N)
BACKSEAT – Balu Brigada (N)
POLYESTER (YES SIR) – Sorry Ghost (N)
I feel guilty including a Spotify playlist anymore, but here it is in case anyone cares to check out any of the songs:
For my latest and 50th edition of Fresh New Tracks, I’m featuring songs by three acts I’ve followed for quite a long time – ranging from seven to nine years – and have written about numerous times on this blog, though none of them for at least the past two years. They are, in alphabetical order, Norwegian composer and musician Antipole (in a song also featuring his son Ja’kob and Portuguese singer-songwriter Pedro Code), English rock band Black Bear Kiss and American alternative pop rock band Council. All three singles were released on July 11th.
Antipole & Ja’kob featuring Pedro Code – “Echoes”
AntipoleJa’kobPedro Code
Coldwave/post-punk act Antipole is the music project of Norwegian guitarist and composer Karl Morten Dahl, who’s based in Trondheim. The prolific musician has released nine albums and numerous singles over the past 12 years, both as a solo artist and in collaboration with many other artists and vocalists, most frequently British electronic music artist Paris Alexander, with whom he’s released several albums. I reviewed their albums Northern Flux in 2017 and Crystalline in May 2023 (which you can read here).
His latest release is the enthralling single “Echoes“, a collaboration with his son Ja’kob, a budding guitarist in his own right, and Portuguese singer-songwriter and producer Pedro Code (aka Pedro Mota), who’s half of the electronic duo IAMTHESHADOW along with Vitor J. Moreira. The song was written and recorded by Antipole, Ja’kob and Pedro, who sings vocals and also produced the track. I love the insistent fast-paced beat and mesmerizing soundcape of swirling industrial synths, haunting jangly guitars and arresting percussion, accompanied by Pedro’s deep baritone vocals. The beautiful black and white video, filmed in Lofoten and Granåsen, Norway and Lisboa, Portugal, was edited by Karl and his wife Anne-Christel and features Karl, Ja’kob and Pedro performing the song in various settings.
Black Bear Kiss – “Calling Out”
Photo by Paul Richardson
Since the release of their terrific debut single “Hooks” in the spring of 2018, English alternative garage rock band Black Bear Kiss have consistently released outstanding songs, and I would know, as I reviewed every one of their first seven singles. On the strength of their exciting guitar-driven sound, strong charisma and rowdy live performances, they’ve built a loyal following in their home base of the West Midlands/Shropshire region of England and beyond. Unfortunately, in June 2021 the band was shaken by the tragic and sudden passing of one of their members Rob Jones due to a previously undisclosed heart ailment. Undaunted by that terrible blow, the guys decided to soldier on as a four-piece consisting of Chris Leech on lead vocals, Colin Haden on guitar, Rich Sach on bass, and Chris Bagnall on drums.
They released their debut self-titled album in March 2023, and since then have dropped three more singles, the latest of which is “Calling Out“. The song is a smoldering melodic rocker, with an intricate mix of darkly beautiful guitar notes and fiery riffs, accompanied by a driving bassline, snappy drums and what sounds like a mellotron in the bridge. As always, Chris’s distinctive warm vocals are a highlight for me as he plaintively sings the lyrics that seem to be about reaching out to a loved one who’s struggling emotionally: “Calling out to bring you in. Oh fight this feeling, my headspace I want you to lift. Call me again. Call me in time. Call me whatever your state of mind. Call it in close. Pull it apart. Never forget baby who you are.”
Council – “Never Let You Go”
I’ve been following New York alternative pop rock band Council for the past nine years, and have featured them on this blog a number of times. Comprised of the three strikingly handsome Reeves brothers – twins Patrick (bass and lead vocals) and Doug (drums) and their younger brother Andy (guitar) – they were raised on a farm in rural upstate New York and now split their time between tending the family farm and working on their music in New York City. Through their signature sweeping melodies, bold instrumentation and anthemic choruses, Council’s dynamic sound has sometimes been compared to Imagine Dragons. Their magnificent life-affirming debut single “Rust to Gold” received worldwide acclaim, including being played at the opening ceremonies of the 2018 Winter Olympics and the FIFA World Cup, as well as on American Idol, So You Think You Can Dance, World Of Dance and Premier League. It’s been streamed more than 14 million times on Spotify, and ended up on my list of 100 Best Songs of 2017.
The guys have released numerous singles over the past nine years, including an original Christmas song nearly every December since 2020. Their latest offering is “Never Let You Go“, their first non-Christmas single in nearly three years. In an Instagram post, they stated that the song is about two toxic people in a relationship who can’t seem to walk away from each other, yet end up slowly destroying each other because each of them wants to change the other into who they think they should be, something I’m sure is the cause of many a break-up. Musically, the song is the kind of powerful soaring anthem we’ve come to love and expect from Council, highlighted by Andy’s intricate guitar work, Pat and Doug’s hard-driving rhythms and Pat’s fervent vocals. Great job guys!
20-year-old artist sombr has a firm grip on the top spot as his song “back to friends” spends a third week at #1, while Australian duo Royel Otis move up two spots to #2 with “moody” (I find it fascinating that a lot of acts today use all lowercase letters for their names and song titles). Twenty One Pilots (who for many years also spelled their name in all lowercase) advance five spots to enter the top 10 at #8 with “The Contract”, followed by Dexter and The Moonrocks‘ “Ritalin” and Matt Berninger‘s “Bonnet of Pins”, coming in at #s 9 and 10, respectively. The Black Keys are this week’s biggest upward mover with “No Rain, No Flowers”, jumping eight spots to #18.
The lone new debut this week is “Sally, When The Wine Runs Out” by ROLE MODEL, the music project of American singer-songwriter Tucker Harrington Pillsbury. Born in Maine and now based in Los Angeles, he began his music career in 2016, rapping under his first name Tucker, but soon changed his stage name to Dillis, under which he released an album Moth. In early 2017, he again changed his name, this time to ROLE MODEL, and switched from rapping to singing. He released his debut EP Arizona in the Summer that December, which earned him a following online and captured the attention of the late rapper Mac Miller, who invited him to Los Angeles to work with him on a music project. ROLE MODEL was subsequently signed to Interscope in 2018, and continued releasing singles and two more EPs, culminating in the release of his debut album Rx, though none of them charted.
In July 2024 he released his sophomore album Kansas Anymore, featuring a more country folk sound. He followed this past February with a deluxe edition of the album, Kansas Anymore (The Longest Goodbye), accompanied by the sweet single “Sally, When The Wine Runs Out”. Like many songs these days, it became popular on TikTok, undoubtedly helped by Tucker’s good looks and charming persona, and is his first song to chart in the U.S. and several countries, including Canada, the UK, Ireland, New Zealand and Israel.
BACK TO FRIENDS – sombr (1)
MOODY – Royel Otis (4)
NOTHING I NEED – Lord Huron (2)
PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (3)
BASIC BEING BASIC – Djo (6)
CATCH THESE FISTS – Wet Leg (7)
ARCHBISHOP HAROLD HOLMES – Jack White (5)
THE CONTRACT – Twenty One Pilots (13)
RITALIN – Dexter and The Moonrocks (11)
BONNET OF PINS – Matt Berninger (12)
FEELS RIGHT – Talk in Waves (15)
SCARS – Secret Postal Society (14)
WHAT WAS THAT – Lorde (16)
IT’S AMAZING TO BE YOUNG – Fontaines D.C. (8)
BARBARIAN – AWOLNATION (9)
LET THINGS GO – Caamp (10)
RIPPLE – Good Neighbours (19)
NO RAIN, NO FLOWERS – The Black Keys (26)
BETTER OFF EVENTUALLY – Bealby Point (22)
RELATIONSHIPS – HAIM (23)
EMERGENCE – Sleep Token (24)
LOVE IS A FIRE – Art Block (25)
LONDON TOWN – HEALER (28)
BLOOM BABY BLOOM – Wolf Alice (29)
THE TURNAROUND – DelCobras (17) 19th week on chart
Unobliterated is the music project of England-born and now Portugal-based singer-songwriter and musician Gary Taylor, who’s been making music for many years in one form or another under various guises. While living in the UK, he started out making EDM/Ambient music under the name Agent Orange just for fun, never releasing any of it. Then he played in a number of bands – most recently The Tasers, with whom he served as songwriter – who recorded a few demo tracks though nothing was ever officially released. After relocating to Portugal partly in response to Brexit, Gary felt like he still had some unfinished business with regard to making music, as he had a few songs he’d started during his time with The Tasers that had never been fully developed or recorded. Discovering how easy it was to release music on platforms like Spotify, Bandcamp, YouTube, etc., he dubbed his project “Unobliterated” and began releasing alternative pop-rock songs in March 2024, starting with “Truth is Nothing” and “Slipping Through Your Fingers”.
When I asked Gary about his unusual moniker, he explained: “I came across the word ‘Unobliterated’ many years ago on a Dymo label – I just found it at a bus stop along with a bunch of other unused labels. I absolutely fell in love with the word [at first it appears ridiculous but you definitely can make it work in a sentence] and the question of why it was there in the first place, and geekily named my music making computer ‘Unobliterated’, and that tradition carried on until this day. So when it came to finding a name, that was top of my shortlist and won out when I was able to verify that there were no other Unobliterated artists.“
He continued releasing more singles throughout 2024 and into 2025, and today returns with “light years apart“, a majestic song he describes as a “tale of love, loss, fragility, pain and the [misplaced] hope we often cling to in desperate times.” Gary wrote and recorded the song, played guitar and programmed synths, and sang lead and backing vocals, with his wife Anna providing additional backing vocals. The track was mixed and Mastered by Charles Connolly.
To drive home his message, Unobliterated starts with a haunting melody driven forward by a strong pulsating groove, then layers swirling atmospheric synths and warm guitar notes, creating a mesmerizing backdrop for his arresting vocals that masterfully convey a sense of both despair and hopeful optimism. I really like his marvelous vocals that go from breathy and sensuous to plaintive and impassioned, as well as his and Anna’s subtle harmonies in the choruses. “light years apart” is a great song, and I think it’s one of his best yet.
Oceans of empty bottles can’t drown the thoughts of you Red eyes and chemicals in smoky rooms don’t blur these apparitions My Skies grow darker now, day by day Storms flush my colours out and turn my world to grey
Oh I’m devastated to my core But tell me are you really sure Why don’t you hear me out why don’t you give me just one more try And maybe… We can take it back to the start, we’re only light years apart and I would bend space for you
Memories that taunt and tear me down, deride my hollow virtues Caught in this clouded mirror; fading echoes of a better man Oh these scars run deeper now, every day As tortured fragments of my soul are ground to dust and blown away
Let’s take a minute to gather all the moments we have scattered to the wind We don’t know how the story ends but let’s turn the page and see how it begins Yeah I would bend space and time; turn water to wine. I’d take it back to the start; we’re only light years apart and I am light speed
Oh I’m devastated to my core But tell me are you really sure Why don’t you hear me out why don’t you give me just one more try And maybe… We can take it back to the start, we’re only light years apart and I would bend space for you
ECLECTIC MUSIC LOVER 