SAM RAPPAPORT – Single Review: “Bicycle Away”

Sam Rappaport is a talented and affable singer-songwriter and musician who was born and raised in Los Angeles and now living in the Bushwick neighborhood of Brooklyn, New York. (He’s also a terrific writer, and you can read some of his work here.) He began his music career in earnest as keyboardist and backing vocalist of indie pop-rock band Gooseberry, but in early 2021, he released his first single “Till the Morning Comes” as a solo artist. He amicably left Gooseberry in May 2022 to focus on his solo career, and has since released a number of outstanding singles, as well as his debut EP Get Me Away From Myself, in November 2022. 

Sam’s mellow, understated music style draws from elements of adult contemporary pop, folk, rock, soul and jazz, and features thoughtful, relatable lyrics delivered by his smooth, pleasing vocals. I’m a big fan of his, and have previously featured him twice on this blog, first in November 2021 when I reviewed his wonderful single “Journeyman’s Ballet”, then in August 2022 when I reviewed “Easy to Love”. Thus far, two of his songs – “Journeyman’s Ballet” and “Dance for Me” – have appeared on my Weekly Top 30, with the latter ranking #68 on my 100 Best Songs of 2023 list. 

Now he returns with a beautiful new single “Bicycle Away“, his first new music in over a year. The song was produced and engineered by his frequent collaborator Lorenzo Wolff, mixed by Rocky Gallo and mastered by Mike Kalajian. For the track’s recording, Sam played Wurlitzer electronic piano and sang vocals, Alwyn Robinson played drums, Spencer Zahn played bass, Mike Haldeman played guitar, Jake Sherman played keyboards and synths, and Lorenzo handled additional drum programming.

About the song, Sam says “‘Bicycle Away’ traces the volatile seesawing of a relationship struggling to arrive at equilibrium. The song’s narrator acknowledges and laments his need for emotional growth, while yearning for an escape route.” It’s a wonderful song, with hauntingly beautiful instrumentation that gradually builds as the song progresses. I love the clarity and nuance of each instrument, and how beautifully they all come together to create a harmonious and captivating soundscape. The deep but subtle bass, crisp percussion and Sam’s sublime Wurlitzer notes are marvelous, and those wailing guitar notes at the end add just the right amount of drama to the proceedings. 

But for me, the song’s highlight is Sam’s warm, comforting vocals, which though low-key still manage to express a deep well of emotion. I love his voice, and could honestly listen to him sing the telephone book!

Let me go
Stop chasing, you're way too close
I'm breaking I know there's more
Cuz I'm empty and I need to grow
I know these words sound hollow as I've said them before


Cold water hits my eyelids
I remember 17
Wide streets for my escape from being seen

I'll bicycle away
I'll race against the sun as it cascades into the sea
I'll move beyond today
Stay close and promise when I push you away
Be honest when you hear that I say
I'm broken, tell me I need to grow
I know these words are just lines that we've read before


Cold water hits my eyelids
I remember 17
Wide streets for my escape from being seen

I'll bicycle away
I'll race against the sun as it cascades into the sea
I'll bicycle away
I'll move beyond today

The arresting video was created by and stars Kathleen Dalton and Sonja Petermann, co-founders of “Molar Movement Projects”, an artist collective rooted in intimate reflection of shared experiences and deep emotional cross-examination. In the past year, Kathleen and Sonja completed residencies with Moulin/Belle in Périgord Vert, France, as well as with Swale NYC on Governors Island, New York. In the video, the two perform an interpretive dance filmed alternately in a spare room and outdoors in woods resplendent with fall foliage, artfully expressing the conflict between emotional connection and estrangement described in the lyrics.

The sweet cover photo for the single is a photo of Sam riding his bike as a toddler.

Connect with Sam on Instagram and learn more about him on his Website

Sam’s music may be found on: Spotify / Apple Music / YouTube / Amazon

HOMELESS RADIO – Single Review: “Submarine”

The power of music as a means of persevering through the hardships and challenges that life can throw in our paths is undeniable, and to prove my point I present Ukrainian indie rock band Homeless Radio, and their new single “Submarine“. Despite the fact their country has been waging a valiant defense again their Russian invaders for nearly two years, the band have still managed to keep making music, including recording and releasing a few new songs.

Formed in the city of Kharkiv in 2016, Homeless Radio is comprised of Andrii Yampolskyi (vocals/guitar), Fedir Orlov (guitar), Stepan Tkachuk (bass), Ihor Pankieiev (guitar) and Ivan Orlov (drums), though Ihor is currently away, fighting in the war. (Their original bassist Ivan Trikoza left the band due to the war, and was replaced by Stepan Tkachuk.) Drawing from a mix of garage rock, alternative rock, and pop influences, their music ranges from pleasantly melodic to hard-driving and edgy.

Andrii, Stepan, Ivan & Fedir

From 2017-2019, the band played lots of shows in and around Kharkiv, and in 2018 released two demos “I Don’t Care” and “Cackler” on Soundcloud. Here’s a video of them performing the songs on the streets of Kharkiv in happier times:

In early 2021, Homeless Radio joined the Arizona-based indie label Sunset Alliance, through which they released their debut EP The Truth that May, featuring “I Don’t Care” and three new tracks. Russia invaded Ukraine in February 2022, whereupon the band members became separated across the country for many months. Lead vocalist Andrii found himself living in the occupied town of Izyum for three months without any electricity, gas, water or standard comfort. In a show of support, the band released their beautiful single “About You” on May 3, 2022.

Now, after a long hiatus, the band is back with an exhilarating new single “Submarine”, which they wrote in 2015 but decided to record now. The song was inspired by British comedian, actor, writer and director Richard Ayoade’s 2010 coming-of-age comedy-drama film Submarine, which was itself adapted from the 2008 novel of the same name by Welsh novelist, poet and journalist Joe Dunthorne. (The film’s soundtrack features six original songs written and performed by Arctic Monkeys frontman Alex Turner.) The band calls their single “a lively blend of humor, sarcasm, and unbridled optimism — a musical homage that captures the essence of teenage rebellion, the zest of youth, and the look at those “glory days” through the lens of adulthood.”

Released on January 9th, the single is dedicated to band member Ihor Pankieiev, who joined the Ukrainian army to fight for the resistance. Andrii told me “Ihor remains in the band, but due to participating in the battlefield, he didn’t take a part in the recording of [‘Submarine’]. However, he’s in constant contact with us, and some of his ideas were put on the record. He said he would record his guitar even from the army if he had a chance.”

The song opens with an aggressive jagged guitar lick, then explodes with a barrage of grinding bass, thunderous drums and furious guitars that don’t let up for a second throughout its 2:30-minute run time. Here and there, Andrii and Fedir inject blistering guitar solos that send the proceedings catapulting into the sonic stratosphere, Andrii’s spirited vocals rising and falling with the intensity of the music. The song is a certifiable rock banger, and I love it.

He was born in Swansea, south of Wales
Tried to be gentle and kind of these things
Oh, Ollie, you are so right
Please put yourself in the first side

She’s just an average woman
All things you gonna do, well
Will be kicked through the prism of her lips
And dropped by her hips

Yeah you not Cease, but you’re not worth
You’ve got to do a lot of things with high course
At the same time with strong confidence
In your 38’s it will have no sense

She’s just an average woman
All things you gonna do, well
Will be kicked through the prism of her lips
And dropped by her hips

So, all things you have you will lose
Faith in yourself and the tone of boose
Will lead you to the Victory
And you will meet her near, by the sea

She’s just an average woman
All things you gonna do, well
Will be kicked through the prism of her lips
And dropped by her hips

Follow Homeless Radio:  FacebookX (Twitter)InstagramTikTok

Find their music on SpotifyApple MusicSoundcloudYouTube

COPPA LONDRA – Single Review: “Loosie Luna”

Coppa Londra is five-piece indie rock band based in Leeds, England. Formed in 2014 while in secondary school, they originally called themselves THE Q’s, but after the departure of two of their members, as well as wanting to change their musical direction and sound, they redubbed themselves Coppa Londra. I first learned about them last March, when they reached out to me about their song “MOVIES”, which I wrote about in a Fresh New Tracks post. With a new sound and lineup that now consists of Leo Grace on lead vocals, Freddie Franchi on rhythm guitar, Dexter Burningham on lead guitar, Gyula Magyari on bass and Joe Stott on drums, they’re back with a brash new single “Loosie Luna“.

Original founding members Dexter Burningham, Leo Grace and Freddie Franchi

Released January 10th, the song was recorded last summer under the direction of The Strokes producer Gordon Raphael, and channels the spirit of some of their favorites bands like The Las, The Libertines, Black Country New Road and Bar Italia. The song has a more forceful, high-energy vibe than Coppa Londra’s previous recordings, and I’m here for it. Starting off with a strong, thumping drumbeat, which is soon joined by a sludgy bassline, the song is a delightful punk rock gem. I love the powerful driving rhythm, broken here and there with calm little interludes before those aggressive drums and chugging bass come roaring back. Throughout it all, our ears are treated to all sorts of glorious guitar noodling, accompanied by Leo Grace’s wonderful, heavily-accented vocal croons. It’s clear these guys had a lot of fun recording “Loosie Luna”. It’s a terrific song, and a great indicator of more to come from this band.

The cheeky, light-hearted lyrics describe a singer besotted with a colorful woman named Loosie Luna, who keeps him off kilter while bringing the sunshine and giving him what he needs:

Start of the evening to top of the morning
Moonrise to sunshine the hours she’s born in

Filter man I got no filter
Unbalanced feel a tad off kilter
Dizzy like helter-skelter
When I need a home she sings
“Gimme Shelte
r.”

Reason man I got no reason
Freezing feeling out of season
Out of it but I ain’t done
When I’m cold she sings
“Here comes the sun.”
Yeah

Songbird wrong word crooner
She’s always got perfect tune
This wolf how’s to the moon-ah
With his companion Loosie, Loosie Luna
Loosie Luna
Loosie Lu-
And I don’t wanna go inside

Yah

Patience man I got no patience
Minor inconvenience my brain starts racing
Know a better place I can take her
While we go she hums me Chet Baker

Money ain’t got no money
Ugly thank fuck I’m funny
They say good things come in threes
But it’s just Luna and me belting Marvin G
Yeah

Songbird wrong word crooner
She’s always got perfect tune
This wolf how’s to the moon-ah
With his companion Loosie, Loosie Luna
Loosie Luna
Loosie Lu-
And I don’t wanna go inside

You may not see her
But I believe
Something happens when
She’s next to me
She gives me what I need (what I need)
She gives me what I need (what I need)
She gives me what I need
That’s music and some TLC

That’s Loosie
Oh that my Loosie
My Loosie Luna
My Loosie Luna
My Loosie Lu
My Loosie Lu


Follow Coppa Londra on X (Twitter)Instagram TikTok

Find their music on SpotifyApple MusicAmazon Music

Top 30 Songs for January 14-20, 2024

Photo by Ryan Fleisher/imageSPACE

Alabama-born and now Nashville-based singer-songwriter Brittany Howard takes over the top spot this week with her soulful and funky kiss-off single “What Now”, displacing Green Day‘s “The American Dream Is Killing Me” after it’s three week run at #1. The astonishingly talented artist with a powerhouse voice was front woman of rock band Alabama Shakes, but went solo in 2018 when the band went on hiatus. She released her debut album Jaime in 2019 to widespread acclaim, and was nominated for numerous music awards, winning a Grammy in 2021 for Best Rock Song for her single “Stay High”. “What Now” is the lead and title single from her forthcoming second album of the same name, scheduled for release on February 2. About the single, Howard explains “It was written during the pandemic when the question “What now” was on all of our minds.  I think it is a feeling that has continued to the present moment in the world we live in. It is also the title of the new album and I think when you hear it you will understand why I landed on that title…but more on that later.” The dark video was directed by Danilo Parra, produced by Adam Braun and filmed by Benjamin Whatley. In addition to Howard, the video features Mohnsta Simmons, Anaelle Rabotoson, Laquane Barnes and Andre Lambert.

In other notable chart developments, Georgia singer-songwriter Teddy Swims is the biggest upward mover for the third consecutive week, as his bluesy and blistering “Lose Control” leaps nine spots to #3. Moving into fourth place is “Attraction”, the sweet song of budding love by talented young British trio Wild Horse, followed by “My Love Mine All Mine” by Mitski at #5. Entering the top 10 after a long slow climb are the ethereal “All I Die For” by Canadian indie rock band SWiiMS and “Modern Girl” by pop-rock band Bleachers.

Making their debut this week are two songs that couldn’t be more different from each other: Entering at #29 is “Lovin On Me” by the enormously popular rapper Jack Harlow, who’s racked up a stream of hits over the past five years, some of them collaborations with other artists. The song is already a massive hit, currently returning to the #1 spot on the Billboard Hot 100 after all the Christmas songs that dominated the chart in December dropped off. I’m not generally a fan of his type of music, but with its infectious groove, “Lovin On You” has finally grown on me. Entering at #30 is the lovely “Your World Now” by fellow blogger, musician and all-around Renaissance man Marc Schuster. About the song, he explains: “On the surface, it sounds like it could be a wistful breakup song in the style of Jens Lekman or Belle & Sebastian, but it isn’t really influenced by any personal experiences beyond the broad strokes of realizing that the world is changing and that I’m okay with handing the reins over to people who will do things differently than I would.” I think it’s one of Schuster’s best songs yet, and his vocals have never sounded better.

  1. WHAT NOW – Brittany Howard (2)
  2. THE AMERICAN DREAM IS KILLING ME – Green Day (1)
  3. LOSE CONTROL – Teddy Swims (12)
  4. ATTRACTION – Wild Horse (5)
  5. MY LOVE MINE ALL MINE – Mitski (6)
  6. COOL ABOUT IT – boygenius (8)
  7. RUN AWAY WITH ME – Cold War Kids (7)
  8. DARLING – Western Jaguar (3)
  9. ALL I DIE FOR – SWiiMS (13)
  10. MODERN GIRL – Bleachers (14)
  11. NOW AND THEN – The Beatles (4)
  12. MORE THAN A LOVE SONG – Black Pumas (9)
  13. HONEY (ARE U COMING?) – Måneskin (10)
  14. ONE MORE TIME – blink-182 (11)
  15. ATOMIC CITY – U2 (15)
  16. LOVING YOU – Cannons (17) 22nd week on chart
  17. HOW DID YOU GET HERE? – Antony Szmierek (19)
  18. HOUDINI – Dua Lipa (20)
  19. BLAME BRETT – The Beaches (21)
  20. NOTHING MATTERS – The Last Dinner Party (23)
  21. PRETTY VICIOUS – The Struts (22)
  22. WINTER COWBOY – Frank Joshua (24)
  23. NORTHERN ATTITUDE – Noah Kahan feat. Hozier (25)
  24. WILD – Brian Lambert, Harmoni Kelley & Marc Schuster (16)
  25. THE TOWER – Future Islands (27)
  26. ALIVE! – Bakar (28)
  27. MOTHER NATURE – MGMT (29)
  28. NICE TO KNOW YOU – lovelytheband (30)
  29. LOVIN ON ME – Jack Harlow (N)
  30. YOUR WORLD NOW – Marc Schuster (N)

My Favorite Song for Every Year, Part 3: 2000-2023

Here’s Part 3 of my favorite songs for each year from 2000 through 2023. In 2003, Coldplay became my favorite band, along with Green Day, Incubus and Weezer, and that lasted for about 10 years until they were replaced by Foster the People for a brief period. In 2015, twenty øne piløts became my favorite act, and in the years since, MISSIO, Foals, Lord Huron, Two Feet and, most recently, Beach Weather have been my favorites. I’ve written in varying detail about all of these songs in previous posts over my eight-plus years of blogging, so won’t write narratives about any of them here. Just the year, the song and the artist, and the best video I could find for each one.

2000 BENT – matchbox twenty

2001 FAMILY AFFAIR – Mary J. Blige

2002 LOSE YOURSELF – Eminem

2003 CLOCKS – Coldplay (my #1 song of the 2000s)

2004 THE REASON – Hoobastank

2005 BOULEVARD OF BROKEN DREAMS – Green Day

2006 SEXYBACK – Justin Timberlake featuring Timbaland

2007 THE PRETENDER – Foo Fighters

2008 VIVA LA VIDA – Coldplay

2009 LOVE HURTS – Incubus

2010 NEED YOU NOW – Lady Antebellum

2011 ROLLING IN THE DEEP – Adele (my #1 song of the 2010s)

2012 SOMEBODY THAT I USED TO KNOW –Gotye featuring Kimbra

2013 SWEATER WEATHER – The Neighbourhood

2014 LOVE ME AGAIN – John Newman

2015 TEAR IN MY HEART – twenty øne piløts

2016 STRESSED OUT – twenty øne piløts

2017 FEEL IT STILL – Portugal. The Man

2018 BROKEN – lovelytheband

2019 I SEE YOU – MISSIO

2020 BLINDING LIGHTS – The Weeknd

2021 FIRE – Two Feet

2022 AS IT WAS – Harry Styles

2023 TROUBLE WITH THIS BED – Beach Weather

My Favorite Song for Every Year, Part 2, 1980-1999

Here’s Part 2 of my favorite songs for each year from 1980 through 1999. I’ve written in some detail about several of these songs in previous posts over my eight-plus years of blogging, so won’t write lengthy narratives about any of them here. Just the year, the song and the artist, and the best video I could find for each one.

1980 CALL ME – Blondie

1981 BETTE DAVIS EYES – Kim Carnes

1982 MANEATER – Daryl Hall & John Oates

1983 EVERY BREATH YOU TAKE – The Police (my #1 song of the 1980s)

1984 WHAT’S LOVE GOT TO DO WITH IT – Tina Turner

1985 EVERYBODY WANTS TO RULE THE WORLD – Tears for Fears

1986 WEST END GIRLS – Pet Shop Boys

1987 WITH OR WITHOUT YOU – U2

1988 WHAT HAVE I DONE TO DESERVE THIS? – Pet Shop Boys with Dusty Springfield

1989 GOOD THING – Fine Young Cannibals

1990 NOTHING COMPARES 2 U – Sinéad O’Connor

1991 LOSING MY RELIGION – R.E.M. (my #1 song of the 1990s)

1992 CONSTANT CRAVING – k.d. lang

1993 THE CRYING GAME – Boy George

1994 STREETS OF PHILADELPHIA – Bruce Springsteen

1995 TAKE A BOW – Madonna

1996 ONE SWEET DAY – Mariah Carey & Boyz II Men

1997 ONE HEADLIGHT – The Wallflowers

1998 BITTER SWEET SYMPHONY – The Verve

1999 SMOOTH – Santana featuring Rob Thomas

My Favorite Song for Every Year, Part 1: 1955-1979

Just for fun, I thought I’d do a series of posts listing my favorite songs for each year starting with 1955, when many music historians claim the so-called “rock era” began, as well as the first full year of my life, to the present. There were so many tremendously great songs, especially from about 1964 through 1973, it was a real challenge to pick just one for each year. That said, this listing will provide a sort of snapshot of my life, at least in terms of the music I’ve loved over the years. I’ve written in some detail about many of these songs in previous posts over my eight-plus years of blogging, so won’t write lengthy narratives about any of them here. Just the year, the song and the artist, followed by one sentence and the best video I could find for each one. Enjoy!

1955 ROCK AROUND THE CLOCK – Bill Haley & His Comets

Often considered to be the first big rock’n’roll hit song that set the standard for many to come.

1956 MOONGLOW & THEME FROM “PICNIC” – Morris Stoloff

A sublime melding of an old standard and the score from one of the best films of the 1950s.

1957 LITTLE DARLIN’ – The Diamonds

A rather silly, over the top song I foolishly thought would be fun to sing karaoke to back in the 1990s. Boy was I wrong, as I humiliated myself!

1958AT THE HOP – Danny & the Juniors

Just a delightfully upbeat rock’n’roll song celebrating the joys of youth and going to a dance, that always makes me happy.

1959MACK THE KNIFE – Bobby Darin

A great, sophisticated classic by one of the finest singers of his time.

1960 THEME FROM “A SUMMER PLACE” – Percy Faith

A bit overly sentimental and cheesy, but my favorite instrumental track of all time.

1961 RUNNING SCARED – Roy Orbison

A short, but emotionally powerful song by one of the greatest male vocalists of all time.

1962 ONLY LOVE CAN BREAK A HEART – Gene Pitney

Few songs are as overwrought as this one, but I love Gene Pitney’s heartrending vocals and the lush orchestration.

1963 BE MY BABY – The Ronettes

The Mt. Rushmore of Phil Spector’s wall of sound production, and a stellar performance by the great Ronnie Spector and Co.

1964 SHE LOVES YOU – The Beatles

An exuberant love song by the greatest band ever, and one of my all-time favorites of their many incredible songs.

1965 (I CAN’T GET NO) SATISFACTION – The Rolling Stones

Though grossly overplayed over the many years since its release, I still love this song and its biting lyrics.

1966 CALIFORNIA DREAMIN’ – The Mamas & The Papas

Their vocal harmonies were exceptional, the lyrics simple yet profound, and oh my, that gorgeous flute! My third-favorite song of all time.

1967 LIGHT MY FIRE – The Doors

It’s the extended album version, showcasing Ray Manzarek’s spectacular organ riff, that makes this my second-favorite song of all time.

1968 HEY JUDE – The Beatles

It goes on a bit too long, but a great song nevertheless.

1969 AQUARIUS/LET THE SUNSHINE IN – The 5th Dimension

I remember how much my mother loved both “Hey Jude” and this song by the fabulous 5th Dimension.

1970 BRIDGE OVER TROUBLED WATER – Simon & Garfunkel

A stunning masterpiece that slowly builds to a stirring crescendo.

1971 IT’S TOO LATE – Carole King

An understated yet powerful song that perfectly encapsulates the painful reality of a break-up.

1972 STAIRWAY TO HEAVEN – Led Zeppelin

What can I say about this monumental tour-de-force by one of the greatest hard rock bands of all time? It’s remained my favorite song for the past 50 years.

1973 DANNY’S SONG – Anne Murray

This lovely cover by Anne Murray of a sweet Kenny Loggins song just resonated with me for some reason, and I adore it.

1974 LOVE’S THEME – Love Unlimited Orchestra

I’ve always been a sucker for lush, cinematic instrumentals, and this one by Barry White and his Love Unlimited Orchestra is one of my favorites.

1975 I LOVE MUSIC – The O’Jays

The greatest Disco song ever in my opinion, by one of the finest R&B bands to come out of Philadelphia in the 1970s. It could also serve as my own theme song!

1976 LOVE HANGOVER – Diana Ross

Once again, it’s the extended version of this song by one of the greatest female vocalists of all time that makes this a favorite of mine. I can’t remember how many times I danced to this.

1977 DREAMS – Fleetwood Mac

My favorite song by one of my all-time favorite bands, “Dreams” strongly resonated with me as I went through a painful breakup at the time.

1978 STAYIN’ ALIVE – Bee Gees

Though technically not a Disco song, “Stayin’ Alive” nevertheless came to represent the entire genre and all that was both great and bad about it. That said, it’s a perfect song.

1979 DO YA THINK I’M SEXY? – Rod Stewart

I know many fans of Rod Stewart absolutely hated this song, but I loved it the moment I heard it, and never grew tired of it.

Top 30 Songs for January 7-13, 2024

Not a lot of changes to this week’s Top 30, with the songs in the top six spots remaining in place for a second week. Green Day‘s “The American Dream Is Killing Me” is #1 for a third week, while Brittany Howard‘s “What Now” holds on the #2 spot for a second week. The lovely “Cool About It” by boygenius climbs three spots to enter the top 10 at #8. The biggest upward mover again this week is “Lose Control” by Georgia singer-songwriter Teddy Swims, jumping seven spots to #12. The sole debut this week is “nice to know you” by L.A. pop-rock trio lovelytheband, who I had the pleasure of seeing in concert last June. In fact, in addition to lovelytheband, I’ve also seen two other acts on this list – Cold War Kids and Cannons.

  1. THE AMERICAN DREAM IS KILLING ME – Green Day (1)
  2. WHAT NOW – Brittany Howard (2)
  3. DARLING – Western Jaguar (3)
  4. NOW AND THEN – The Beatles (4)
  5. ATTRACTION – Wild Horse (5)
  6. MY LOVE MINE ALL MINE – Mitski (6)
  7. RUN AWAY WITH ME – Cold War Kids (10)
  8. COOL ABOUT IT – boygenius (11)
  9. MORE THAN A LOVE SONG – Black Pumas (7)
  10. HONEY (ARE U COMING?) – Måneskin (8)
  11. ONE MORE TIME – blink-182 (9)
  12. LOSE CONTROL – Teddy Swims (19)
  13. ALL I DIE FOR – SWiiMS (14)
  14. MODERN GIRL – Bleachers (15)
  15. ATOMIC CITY – U2 (12)
  16. WILD – Brian Lambert, Harmoni Kelley & Marc Schuster (13)
  17. LOVING YOU – Cannons (16) 21st week on chart
  18. GOOD OLD DAYS – The Revivalists (18)
  19. HOW DID YOU GET HERE? – Antony Szmierek (20)
  20. HOUDINI – Dua Lipa (21)
  21. BLAME BRETT – The Beaches (22)
  22. PRETTY VICIOUS – The Struts (23)
  23. NOTHING MATTERS – The Last Dinner Party (24)
  24. WINTER COWBOY – Frank Joshua (26)
  25. NORTHERN ATTITUDE – Noah Kahan feat. Hozier (27)
  26. THE DEATH OF PEACE OF MIND – Bad Omens (17)
  27. THE TOWER – Future Islands (28)
  28. ALIVE! – Bakar (29)
  29. MOTHER NATURE – MGMT (30)
  30. NICE TO KNOW YOU – lovelytheband (N)

UNQUIET NIGHTS – Single Review: “Diamond and the Missing Son”

Unquiet Nights is an outstanding rock band I’ve been following for nearly six years, ever since frontman Luke Mathers reached out to me about their superb single “Promise of You”, which I loved at first listen.  Originally started in 2006 as a solo project by Mathers, a talented singer-songwriter and guitarist from Belfast, Northern Ireland, with help by Rodger Firmin on drums, he began recording songs for what would become the first Unquiet Nights album 21st Century Redemption Songs. In 2010, Luke relocated to Italy, where he eventually finished and released the album.

He was later joined by Italian musicians Francesco Piciucchi on bass and keyboards, and drummer Matteo Bussotti for live shows, though Rodger still played drums on their recordings. In 2015 they released their beautiful and compelling second album Postcards in Real Time. One of the tracks from that album, “George Best City”, which was never released as a single but was used in the Federico Buffa Racconta documentary series, landed them several live national appearances on Italian TV stations. Their best known and most successful song, it’s now garnered more than 486,000 streams on Spotify alone. Mathers eventually moved back to Belfast in 2016, where he continues to record and release music with Firmin and Piciucchi as Unquiet Nights.

I’ve written about them three times over the past six years, most recently two years ago this month when I reviewed their excellent single “In Spite of It All”. The song was released in conjunction with, and included on, their compilation album First Ten (2012-2022), a sort of ‘greatest hits so far’ work commemorating the 10-year anniversary of their debut album 21st Century Redemption Songs. Now they’re back with a great new single “Diamond and the Missing Son“, their first new music in two years. The lead single of their forthcoming album Seasons in Exile, to be released on January 19th, the song (and album) was produced by Mathers, and mixed and mastered by Neal Calderwood, who’s also mixed and mastered all previous Unquiet Nights releases.

The song’s a bona fide rock gem, with a strong Tom Petty and the Heartbreakers vibe, courtesy of Mathers’ vibrant soaring guitars. His masterful guitar work never ceases to amaze me, and he doesn’t disappoint here as he delivers spine-tingling riffs that smolder and wail throughout. Meanwhile, Firmin deftly sets the driving rhythm with his muscular drumbeats that propel, but never overpower, the song. And as always, Mather’s vocals are equal parts commanding and pleasing, with just a hint of a rasp to convey the right amount of passion. It’s a marvelous introduction to what promises to be another stellar album by Unquiet Nights.

The song lyrics tell a tale of two characters who find themselves entwined with each other, serving as a kind of first chapter to a much bigger story involving a character named ‘Diamond’, who I’m guessing is a woman, and a man referred to as ‘The Missing Son’. Mathers provides some background to the premise: “Sometimes I force myself to try and write songs that aren’t directly about myself, and to just approach the song like it would be a movie. The back story of these two characters isn’t fully expanded on in ‘Diamond And The Missing Son’ itself, because of the limitations of a three minute single, so I thought if we were going to release it that I would challenge myself to write the whole third album from the point of view of these two characters. This is what our new album ‘Seasons In Exile’ turned into, which was a useful experiment because I’ve ended up getting a lot of songs that definitely wouldn’t have existed without the continuity. The funny thing is that when someone thinks they’re writing fiction, they usually discover it’s the most honest they’ve ever written about themselves. This seems to have happened here.”

Tonight we roll the dice
If just to stop and pray for paradise to come through
Straight in to the dark
Straight into something looking for the spark that we knew

No thinking of tomorrow
We only got today

You are the only thing that keeps me hanging on
And on and on
There’s nothing else could ever come between us ’cause we are
The diamond and the missing son

Diamond, you should know
Nothing and no one makes me feel anything like you do
For all the things you show
There’s always something that leaves we wondering and blind and confused

No thinking of tomorrow
We only got today

You are the only thing that keeps me hanging on
And on and on
There’s nothing else could ever come between us ’cause we are
The diamond and the missing son

I generally prefer music videos that show the musicians or bands performing their song, so the video for ‘Diamond and the Missing Son” is right up my alley. Filmed in black and white, it shows Mathers and Firmin working their musical magic, while the in-house cat makes its rounds, seeming to express approval of the proceedings.


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SOLAR EYES – Single Review: “Let’s Run Away”

I became a huge fan of British psychedelic pop/rock act Solar Eyes in the summer of 2021 when they first released their brilliant single “Naked Monkey on a Spaceship”. They subsequently dropped an even better single “I See the Sun”, which I loved so much, it went all the way to #1 on my Weekly Top 30, and ended up ranking #18 on my 100 Best Songs of 2022 list.

Their music is an arresting style of pop/rock awash in dramatic psychedelic grooves, twangy Western-style guitars and dreamy cinematic synths, giving them a distinctly unique sound. Based in Birmingham, they now consist primarily of singer-songwriter, musician and producer Glenn Smyth and drummer Sebastian Maynard-Francis, along with new bassist Emily Doyle (former member, guitarist Tom Ford, moved out of the area and no longer performs live with them, but still helps with the production of some of their music).

Glenn and Sebastian in Austin, Texas

Their music has been featured in numerous televised sporting events, including Sky Sports, BT Sport, BBC Match Of The Day and Birmingham City Football Club, as well as traditional alt-rock radio channels such as BBC Introducing Hereford, BBC 6 Music and The Guardian. Last spring, they had the privilege of performing at the legendary SXSW (South by Southwest) festival in Austin, Texas. In February 2022, Solar Eyes signed with the label Fierce Panda Records, through which they’ve released three EPs – Dreaming of the Moon, Alcatraz, and Naked Monkey on a Spaceship. (I’ve reviewed quite a bit of their music, and you can read some of those reviews by clicking on the ‘Related’ links at the end of this post.)   

Now they’re back with a terrific new single “Let’s Run Away“, the second single from their forthcoming debut self-titled album Solar Eyes, set for release on February 16th, which they’ll be launching with a hometown show at Birmingham’s Hare & Hounds. The song was written by Smyth, who co-produced it with Francis, and mixed and mastered by Jeff Knowler. Smyth played guitar and sang vocals, Francis played drums and percussion, Liam McKeown played additional guitar and keyboards, and Tom Boddison played slide guitar.

Smyth wrote, and the band recorded, the song following Solar Eyes’ appearance a SXSW last year, where he was inspired by the historical lore and Tex-Mex flavor of the Austin region. Specifically, he drew inspiration from “small-town tales of daylight robberies in times of old and rumours of the last crimes of the infamous duo Bonnie & Clyde“. He elaborates: “‘Let’s Run Away’ was one of the last songs to be written on the album; it was written in Texas last March when we were out there playing South by Southwest. You can sort of hear it as well, there’s that Americana haze type sound. Spaghetti western vibe. I sort of had in my head – now this might sound a bit mad – Tracey Chapman ‘Fast Car’ – in essence, but with a brummie slant.

Accordingly, the song features their signature exciting Spaghetti Western-style guitar lines layered over lush cinematic synths and a haunting psychedelic groove, fortified by Francis’ energetic galloping drumbeats. It all beautifully conveys a sense of intrigue and remorse expressed in the lyrics delivered by Smyth’s wonderful droning layered vocals: “I hope that given time, you’ll forgive my crimes, I don’t wanna die alone, I love you, I let you go, I’m to blame / I see it all, I heed the call, let’s run away…

“Let’s Run Away” is another fine song from Solar Eyes, and in fact, their entire forthcoming album is outstanding. The colorful animated video was created by the band’s new bassist Emily Doyle.

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Find their music on Spotify / Apple Music / Soundcloud / YouTube