SHIPS HAVE SAILED – Single Review: “Find My Way”

A long-time favorite music act of mine is Los Angeles-based duo Ships Have Sailed. Comprised of singer-songwriter and musician Will Carpenter and drummer Art Andranikyan, together they play an incredibly pleasing style of alternative pop-rock featuring beautiful melodies, intelligent, uplifting lyrics, outstanding arrangements and instrumentation, and sublime vocals. They’ve released a lot of music since 2013, including three albums, three EPs and many singles. I’ve loved all their music and have written about them numerous times on this blog over the past five years. (You can read some of those reviews by clicking on the ‘Related’ links at the end of this post.) Several of their songs have appeared on my Weekly Top 30 chart, with two of them – “Escape” in 2019 and “Breathe” in 2021, going all the way to #1.

Photo of Will and Art by Gentle Giant Digital

On January 21st, the guys dropped their latest single “Find My Way“, a beautiful, heartwarming song written at the request of an English woman they’d met some time ago while on tour in the U.K., and who wanted help telling her personal story of an epic trip she took across America with her now-deceased husband. Will elaborates on the song and its creation: “‘Find My Way’ is a story of profound love, profound loss, and the journey of finding yourself again. Despite that, this song isn’t a sad one – it’s a note of gratitude for the moments we do have and the memories that are created from our time here on earth, the people we get to know while we’re here and the relationships that grow more and more special with every moment. This song is dedicated to our dear friend who we met on tour a few years ago in the U.K., and to her late husband who we never had the chance to meet. Two soul mates whose love was palpable, they dreamed of taking a once-in-a-lifetime road trip across the U.S. and finally did after years of planning. But shortly after they returned, he passed away unexpectedly. This song is our tribute to them and to holding your loved ones close.”

The song was written by Will, who co-produced it with Dan Sadin, mixed by Fernando Reyes and mastered by John Greenham. It’s really lovely, with a buoyant, toe-tapping groove overlain with layers of slightly twangy strummed guitars and a gentle, galloping beat that lend the song more of a folk vibe than a lot of their music. The soothing background synths and clicking percussion sounds add interesting texture to the proceedings, making for a richer and more complex overall sound, and the wonderful soaring choruses call to mind some of the great songs by OneRepublic.

As always, Will’s arresting vocals are beautiful, conveying both strength of conviction and a heartfelt vulnerability as he sings the poignant lyrics: “Memories of trips we’ve taken, all the things we’ve seen. Thousands of the miles we traveled, chasing down our dreams. Thought the road was never ending, we’d have the rest of time. Reached the end without a warning, I guess we missed the sign.”

The sweet video features moments from Will and Art’s own stories, captured by photographer Andrei Duman, as well as personal photos provided by their friends to whom the song is dedicated. The visual treatments and typography were created by Jody Talmadge.

Follow Ships Have Sailed: Facebook / Twitter / Instagram
Find their music on Bandcamp / Spotify / Soundcloud / Apple MusicYouTube / PandoraAmazon

THE SYLVIA PLATTERS – Single Review: “Kool Aid Blue”

Artwork by Landen Sperling; Photo by Sue Ubels

The Sylvia Platters are a wonderful band from Vancouver, British Columbia, Canada, and I love their music. Comprised of Alex Kerc-Murchison, Stephen Carl O’Shea, and brothers Nick and Tim Ubels, they play melodic jangle pop, infused with elements of alternative rock, indie, shoegaze and dream pop, and served up with stellar arrangements, exquisite instrumentation and Nick’s sublime vocals. While not at all retro, their pleasing sound nevertheless reminds me at times of such 90s bands as the Gin Blossoms and Toad the Wet Sprocket, with hints of 60s The Byrds.

From what I can tell, they’ve been putting out really fine music for about nine years, beginning with their 2015 debut album Make Glad the Day. Since then, they’ve released a second album Shadow Steps, in 2018, as well as numerous singles and three EPs, including the outstanding Live at Malibu Sound last year. If you like great jangle and power pop, I strongly recommend checking out at least some of their back music catalog.

Photo of the guys drinking the blue Kool Aid by Anthony Biondi

Now the guys are back with a marvelous new single “Kool Aid Blue“, a tasty cup of jangle pop goodness. Released January 19th, the track was recorded and produced by Jordan Koop at The Noise Floor, Gabriola Island, BC, and mastered by Greg Mindorff at Suite Sound Labs in Vancouver. I know next to nothing about the mechanics of music, so can only do my best to describe what I hear.

First off, I really like the song’s fascinating melody that sounds more complex and unpredictable than a typical pop or rock song, which I find causes me to want to listen more carefully and closely. Second, I love the contrasting gnarly and jangly guitars, which makes for a richer, more dramatic soundscape. And what exceptional guitar work it is, those gorgeous jangly guitar notes sparkling like precious gems, accompanied by grungier notes soaked in glorious reverb. Of course, I have to call out the brilliant rhythm section of resounding bass and aggressive percussion that together drive the song forward so beautifully.

Nick’s vocals are warm and comforting as he sings the poetic, yet relatable, lyrics that seem to be about having uneasy feelings of self-doubt and uncertainty, and attempting to escape from them through alcohol, symbolized by Kool Aid blue.

Living in sequence
Gets a little uneven
Spin in a fixture
Alight as a stone

Alternative vision
A tragic hair decision
Read in the leaves
That all you need’s a missing page


Glimpse the ether
A mirror figure
It’s just a phase you can’t escape


A sinking feeling
Amber light; a dimmer view
But that sinking feeling
Will dissolve in Kool Aid blue


Slow motion sickness
Wasted in stasis
Another draft begins alone
With three sheets to the wind
You follow it home


A sequined ceiling
In the dark, a clearer view
And that sinking feeling
Will dissolve in Kool Aid blue


And that sinking feeling
Will dissolve in Kool Aid blue
Will dissolve in Kool Aid blue
Oo oo oo oo oo oo

The video was written and directed by Daniel Sparrow, filmed by Brendan Taylor, with additional photography by Daniel Sparrow and Alex Kerc-Murchison, and produced by Zone Pictures. It stars Junnicia Lagoutin, who’s shown in scenes with and without Nick Ubels, along with Jordan Hughes and the other band members.

And here’s the song on Bandcamp, along with a bonus “sugar free” instrumental version:

Follow The Sylvia Platters:  FacebookX (Twitter)Instagram

Find their music on BandcampSpotifyApple MusicSoundcloudYouTube

Top 30 Songs for January 21-27, 2024

Photo by Ryan Fleisher/imageSPACE

Brittany Howard remains at #1 for a second week with “What Now”, while Green Day‘s “The American Dream Is Killing Me” and Teddy Swims‘ “Lose Control” hold at #2 and #3 for a second week as well. boygenius move up two spots to #4 with “Cool About It”, and Mitski holds at #5 again with “My Love Mine All Mine”. Otherwise, there’s quite a bit of movement on the rest of the chart as several long-running hit songs move downward, making way for several that have been stuck in the lower reaches for weeks.

“Nothing Matters” by English all-female band The Last Dinner Party leaps 10 spots to enter the top 10 at #10. It took me a while to warm up to this song for some reason I can’t explain, but now I love it! “How Did You Get Here?” by English singer-songwriter Antony Szmierek moves up five spots to #12, “Blame Brett” by The Beaches, another all-female indie rock band, jumps six spots to #13, “Northern Attitude” by Vermont singer-songwriter Noah Kahan and Irish singer-songwriter Hozier leaps nine spots to #14, “Pretty Vicious” by English rock band The Struts moves up six spots to #15, and “Winter Cowboy” by English crooner Frank Joseph also moves up six notches to #16. Jumping eight spots each are Future Islands‘ “The Tower”, to #17, English singer-songwriter Bakar‘s “Alive!”, to #18, and American rapper Jack Harlow‘s “Lovin On Me”, to #21. “Mother Nature” by American psychedelic pop-rock duo MGMT, moves up seven spots to #20. The sole debut this week is “Normal People Things” by yet another English act, indie rock band Lovejoy, entering at #30. It’s their second song to appear on my chart, the first being “Call Me What You Like” last year.

  1. WHAT NOW – Brittany Howard (1)
  2. THE AMERICAN DREAM IS KILLING ME – Green Day (2)
  3. LOSE CONTROL – Teddy Swims (3)
  4. COOL ABOUT IT – boygenius (6)
  5. MY LOVE MINE ALL MINE – Mitski (5)
  6. ATTRACTION – Wild Horse (4)
  7. ALL I DIE FOR – SWiiMS (9)
  8. MODERN GIRL – Bleachers (10)
  9. RUN AWAY WITH ME – Cold War Kids (7)
  10. NOTHING MATTERS – The Last Dinner Party (20)
  11. DARLING – Western Jaguar (8)
  12. HOW DID YOU GET HERE? – Antony Szmierek (17)
  13. BLAME BRETT – The Beaches (19)
  14. NORTHERN ATTITUDE – Noah Kahan feat. Hozier (23)
  15. PRETTY VICIOUS – The Struts (21)
  16. WINTER COWBOY – Frank Joshua (22)
  17. THE TOWER – Future Islands (25)
  18. ALIVE! - Bakar (26)
  19. HOUDINI – Dua Lipa (18)
  20. MOTHER NATURE – MGMT (27)
  21. LOVIN ON ME – Jack Harlow (29)
  22. NOW AND THEN – The Beatles (11)
  23. MORE THAN A LOVE SONG – Black Pumas (12)
  24. ONE MORE TIME – blink-182 (14)
  25. HONEY (ARE U COMING?) – Måneskin (13)
  26. ATOMIC CITY – U2 (15)
  27. LOVING YOU – Cannons (16) 23rd week on chart
  28. NICE TO KNOW YOU – lovelytheband (28)
  29. YOUR WORLD NOW – Marc Schuster (30)
  30. NORMAL PEOPLE THINGS – Lovejoy (N)

SAM RAPPAPORT – Single Review: “Bicycle Away”

Sam Rappaport is a talented and affable singer-songwriter and musician who was born and raised in Los Angeles and now living in the Bushwick neighborhood of Brooklyn, New York. (He’s also a terrific writer, and you can read some of his work here.) He began his music career in earnest as keyboardist and backing vocalist of indie pop-rock band Gooseberry, but in early 2021, he released his first single “Till the Morning Comes” as a solo artist. He amicably left Gooseberry in May 2022 to focus on his solo career, and has since released a number of outstanding singles, as well as his debut EP Get Me Away From Myself, in November 2022. 

Sam’s mellow, understated music style draws from elements of adult contemporary pop, folk, rock, soul and jazz, and features thoughtful, relatable lyrics delivered by his smooth, pleasing vocals. I’m a big fan of his, and have previously featured him twice on this blog, first in November 2021 when I reviewed his wonderful single “Journeyman’s Ballet”, then in August 2022 when I reviewed “Easy to Love”. Thus far, two of his songs – “Journeyman’s Ballet” and “Dance for Me” – have appeared on my Weekly Top 30, with the latter ranking #68 on my 100 Best Songs of 2023 list. 

Now he returns with a beautiful new single “Bicycle Away“, his first new music in over a year. The song was produced and engineered by his frequent collaborator Lorenzo Wolff, mixed by Rocky Gallo and mastered by Mike Kalajian. For the track’s recording, Sam played Wurlitzer electronic piano and sang vocals, Alwyn Robinson played drums, Spencer Zahn played bass, Mike Haldeman played guitar, Jake Sherman played keyboards and synths, and Lorenzo handled additional drum programming.

About the song, Sam says “‘Bicycle Away’ traces the volatile seesawing of a relationship struggling to arrive at equilibrium. The song’s narrator acknowledges and laments his need for emotional growth, while yearning for an escape route.” It’s a wonderful song, with hauntingly beautiful instrumentation that gradually builds as the song progresses. I love the clarity and nuance of each instrument, and how beautifully they all come together to create a harmonious and captivating soundscape. The deep but subtle bass, crisp percussion and Sam’s sublime Wurlitzer notes are marvelous, and those wailing guitar notes at the end add just the right amount of drama to the proceedings. 

But for me, the song’s highlight is Sam’s warm, comforting vocals, which though low-key still manage to express a deep well of emotion. I love his voice, and could honestly listen to him sing the telephone book!

Let me go
Stop chasing, you're way too close
I'm breaking I know there's more
Cuz I'm empty and I need to grow
I know these words sound hollow as I've said them before


Cold water hits my eyelids
I remember 17
Wide streets for my escape from being seen

I'll bicycle away
I'll race against the sun as it cascades into the sea
I'll move beyond today
Stay close and promise when I push you away
Be honest when you hear that I say
I'm broken, tell me I need to grow
I know these words are just lines that we've read before


Cold water hits my eyelids
I remember 17
Wide streets for my escape from being seen

I'll bicycle away
I'll race against the sun as it cascades into the sea
I'll bicycle away
I'll move beyond today

The arresting video was created by and stars Kathleen Dalton and Sonja Petermann, co-founders of “Molar Movement Projects”, an artist collective rooted in intimate reflection of shared experiences and deep emotional cross-examination. In the past year, Kathleen and Sonja completed residencies with Moulin/Belle in Périgord Vert, France, as well as with Swale NYC on Governors Island, New York. In the video, the two perform an interpretive dance filmed alternately in a spare room and outdoors in woods resplendent with fall foliage, artfully expressing the conflict between emotional connection and estrangement described in the lyrics.

The sweet cover photo for the single is a photo of Sam riding his bike as a toddler.

Connect with Sam on Instagram and learn more about him on his Website

Sam’s music may be found on: Spotify / Apple Music / YouTube / Amazon

HOMELESS RADIO – Single Review: “Submarine”

The power of music as a means of persevering through the hardships and challenges that life can throw in our paths is undeniable, and to prove my point I present Ukrainian indie rock band Homeless Radio, and their new single “Submarine“. Despite the fact their country has been waging a valiant defense again their Russian invaders for nearly two years, the band have still managed to keep making music, including recording and releasing a few new songs.

Formed in the city of Kharkiv in 2016, Homeless Radio is comprised of Andrii Yampolskyi (vocals/guitar), Fedir Orlov (guitar), Stepan Tkachuk (bass), Ihor Pankieiev (guitar) and Ivan Orlov (drums), though Ihor is currently away, fighting in the war. (Their original bassist Ivan Trikoza left the band due to the war, and was replaced by Stepan Tkachuk.) Drawing from a mix of garage rock, alternative rock, and pop influences, their music ranges from pleasantly melodic to hard-driving and edgy.

Andrii, Stepan, Ivan & Fedir

From 2017-2019, the band played lots of shows in and around Kharkiv, and in 2018 released two demos “I Don’t Care” and “Cackler” on Soundcloud. Here’s a video of them performing the songs on the streets of Kharkiv in happier times:

In early 2021, Homeless Radio joined the Arizona-based indie label Sunset Alliance, through which they released their debut EP The Truth that May, featuring “I Don’t Care” and three new tracks. Russia invaded Ukraine in February 2022, whereupon the band members became separated across the country for many months. Lead vocalist Andrii found himself living in the occupied town of Izyum for three months without any electricity, gas, water or standard comfort. In a show of support, the band released their beautiful single “About You” on May 3, 2022.

Now, after a long hiatus, the band is back with an exhilarating new single “Submarine”, which they wrote in 2015 but decided to record now. The song was inspired by British comedian, actor, writer and director Richard Ayoade’s 2010 coming-of-age comedy-drama film Submarine, which was itself adapted from the 2008 novel of the same name by Welsh novelist, poet and journalist Joe Dunthorne. (The film’s soundtrack features six original songs written and performed by Arctic Monkeys frontman Alex Turner.) The band calls their single “a lively blend of humor, sarcasm, and unbridled optimism — a musical homage that captures the essence of teenage rebellion, the zest of youth, and the look at those “glory days” through the lens of adulthood.”

Released on January 9th, the single is dedicated to band member Ihor Pankieiev, who joined the Ukrainian army to fight for the resistance. Andrii told me “Ihor remains in the band, but due to participating in the battlefield, he didn’t take a part in the recording of [‘Submarine’]. However, he’s in constant contact with us, and some of his ideas were put on the record. He said he would record his guitar even from the army if he had a chance.”

The song opens with an aggressive jagged guitar lick, then explodes with a barrage of grinding bass, thunderous drums and furious guitars that don’t let up for a second throughout its 2:30-minute run time. Here and there, Andrii and Fedir inject blistering guitar solos that send the proceedings catapulting into the sonic stratosphere, Andrii’s spirited vocals rising and falling with the intensity of the music. The song is a certifiable rock banger, and I love it.

He was born in Swansea, south of Wales
Tried to be gentle and kind of these things
Oh, Ollie, you are so right
Please put yourself in the first side

She’s just an average woman
All things you gonna do, well
Will be kicked through the prism of her lips
And dropped by her hips

Yeah you not Cease, but you’re not worth
You’ve got to do a lot of things with high course
At the same time with strong confidence
In your 38’s it will have no sense

She’s just an average woman
All things you gonna do, well
Will be kicked through the prism of her lips
And dropped by her hips

So, all things you have you will lose
Faith in yourself and the tone of boose
Will lead you to the Victory
And you will meet her near, by the sea

She’s just an average woman
All things you gonna do, well
Will be kicked through the prism of her lips
And dropped by her hips

Follow Homeless Radio:  FacebookX (Twitter)InstagramTikTok

Find their music on SpotifyApple MusicSoundcloudYouTube

COPPA LONDRA – Single Review: “Loosie Luna”

Coppa Londra is five-piece indie rock band based in Leeds, England. Formed in 2014 while in secondary school, they originally called themselves THE Q’s, but after the departure of two of their members, as well as wanting to change their musical direction and sound, they redubbed themselves Coppa Londra. I first learned about them last March, when they reached out to me about their song “MOVIES”, which I wrote about in a Fresh New Tracks post. With a new sound and lineup that now consists of Leo Grace on lead vocals, Freddie Franchi on rhythm guitar, Dexter Burningham on lead guitar, Gyula Magyari on bass and Joe Stott on drums, they’re back with a brash new single “Loosie Luna“.

Original founding members Dexter Burningham, Leo Grace and Freddie Franchi

Released January 10th, the song was recorded last summer under the direction of The Strokes producer Gordon Raphael, and channels the spirit of some of their favorites bands like The Las, The Libertines, Black Country New Road and Bar Italia. The song has a more forceful, high-energy vibe than Coppa Londra’s previous recordings, and I’m here for it. Starting off with a strong, thumping drumbeat, which is soon joined by a sludgy bassline, the song is a delightful punk rock gem. I love the powerful driving rhythm, broken here and there with calm little interludes before those aggressive drums and chugging bass come roaring back. Throughout it all, our ears are treated to all sorts of glorious guitar noodling, accompanied by Leo Grace’s wonderful, heavily-accented vocal croons. It’s clear these guys had a lot of fun recording “Loosie Luna”. It’s a terrific song, and a great indicator of more to come from this band.

The cheeky, light-hearted lyrics describe a singer besotted with a colorful woman named Loosie Luna, who keeps him off kilter while bringing the sunshine and giving him what he needs:

Start of the evening to top of the morning
Moonrise to sunshine the hours she’s born in

Filter man I got no filter
Unbalanced feel a tad off kilter
Dizzy like helter-skelter
When I need a home she sings
“Gimme Shelte
r.”

Reason man I got no reason
Freezing feeling out of season
Out of it but I ain’t done
When I’m cold she sings
“Here comes the sun.”
Yeah

Songbird wrong word crooner
She’s always got perfect tune
This wolf how’s to the moon-ah
With his companion Loosie, Loosie Luna
Loosie Luna
Loosie Lu-
And I don’t wanna go inside

Yah

Patience man I got no patience
Minor inconvenience my brain starts racing
Know a better place I can take her
While we go she hums me Chet Baker

Money ain’t got no money
Ugly thank fuck I’m funny
They say good things come in threes
But it’s just Luna and me belting Marvin G
Yeah

Songbird wrong word crooner
She’s always got perfect tune
This wolf how’s to the moon-ah
With his companion Loosie, Loosie Luna
Loosie Luna
Loosie Lu-
And I don’t wanna go inside

You may not see her
But I believe
Something happens when
She’s next to me
She gives me what I need (what I need)
She gives me what I need (what I need)
She gives me what I need
That’s music and some TLC

That’s Loosie
Oh that my Loosie
My Loosie Luna
My Loosie Luna
My Loosie Lu
My Loosie Lu


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Top 30 Songs for January 14-20, 2024

Photo by Ryan Fleisher/imageSPACE

Alabama-born and now Nashville-based singer-songwriter Brittany Howard takes over the top spot this week with her soulful and funky kiss-off single “What Now”, displacing Green Day‘s “The American Dream Is Killing Me” after it’s three week run at #1. The astonishingly talented artist with a powerhouse voice was front woman of rock band Alabama Shakes, but went solo in 2018 when the band went on hiatus. She released her debut album Jaime in 2019 to widespread acclaim, and was nominated for numerous music awards, winning a Grammy in 2021 for Best Rock Song for her single “Stay High”. “What Now” is the lead and title single from her forthcoming second album of the same name, scheduled for release on February 2. About the single, Howard explains “It was written during the pandemic when the question “What now” was on all of our minds.  I think it is a feeling that has continued to the present moment in the world we live in. It is also the title of the new album and I think when you hear it you will understand why I landed on that title…but more on that later.” The dark video was directed by Danilo Parra, produced by Adam Braun and filmed by Benjamin Whatley. In addition to Howard, the video features Mohnsta Simmons, Anaelle Rabotoson, Laquane Barnes and Andre Lambert.

In other notable chart developments, Georgia singer-songwriter Teddy Swims is the biggest upward mover for the third consecutive week, as his bluesy and blistering “Lose Control” leaps nine spots to #3. Moving into fourth place is “Attraction”, the sweet song of budding love by talented young British trio Wild Horse, followed by “My Love Mine All Mine” by Mitski at #5. Entering the top 10 after a long slow climb are the ethereal “All I Die For” by Canadian indie rock band SWiiMS and “Modern Girl” by pop-rock band Bleachers.

Making their debut this week are two songs that couldn’t be more different from each other: Entering at #29 is “Lovin On Me” by the enormously popular rapper Jack Harlow, who’s racked up a stream of hits over the past five years, some of them collaborations with other artists. The song is already a massive hit, currently returning to the #1 spot on the Billboard Hot 100 after all the Christmas songs that dominated the chart in December dropped off. I’m not generally a fan of his type of music, but with its infectious groove, “Lovin On You” has finally grown on me. Entering at #30 is the lovely “Your World Now” by fellow blogger, musician and all-around Renaissance man Marc Schuster. About the song, he explains: “On the surface, it sounds like it could be a wistful breakup song in the style of Jens Lekman or Belle & Sebastian, but it isn’t really influenced by any personal experiences beyond the broad strokes of realizing that the world is changing and that I’m okay with handing the reins over to people who will do things differently than I would.” I think it’s one of Schuster’s best songs yet, and his vocals have never sounded better.

  1. WHAT NOW – Brittany Howard (2)
  2. THE AMERICAN DREAM IS KILLING ME – Green Day (1)
  3. LOSE CONTROL – Teddy Swims (12)
  4. ATTRACTION – Wild Horse (5)
  5. MY LOVE MINE ALL MINE – Mitski (6)
  6. COOL ABOUT IT – boygenius (8)
  7. RUN AWAY WITH ME – Cold War Kids (7)
  8. DARLING – Western Jaguar (3)
  9. ALL I DIE FOR – SWiiMS (13)
  10. MODERN GIRL – Bleachers (14)
  11. NOW AND THEN – The Beatles (4)
  12. MORE THAN A LOVE SONG – Black Pumas (9)
  13. HONEY (ARE U COMING?) – Måneskin (10)
  14. ONE MORE TIME – blink-182 (11)
  15. ATOMIC CITY – U2 (15)
  16. LOVING YOU – Cannons (17) 22nd week on chart
  17. HOW DID YOU GET HERE? – Antony Szmierek (19)
  18. HOUDINI – Dua Lipa (20)
  19. BLAME BRETT – The Beaches (21)
  20. NOTHING MATTERS – The Last Dinner Party (23)
  21. PRETTY VICIOUS – The Struts (22)
  22. WINTER COWBOY – Frank Joshua (24)
  23. NORTHERN ATTITUDE – Noah Kahan feat. Hozier (25)
  24. WILD – Brian Lambert, Harmoni Kelley & Marc Schuster (16)
  25. THE TOWER – Future Islands (27)
  26. ALIVE! – Bakar (28)
  27. MOTHER NATURE – MGMT (29)
  28. NICE TO KNOW YOU – lovelytheband (30)
  29. LOVIN ON ME – Jack Harlow (N)
  30. YOUR WORLD NOW – Marc Schuster (N)

My Favorite Song for Every Year, Part 3: 2000-2023

Here’s Part 3 of my favorite songs for each year from 2000 through 2023. In 2003, Coldplay became my favorite band, along with Green Day, Incubus and Weezer, and that lasted for about 10 years until they were replaced by Foster the People for a brief period. In 2015, twenty øne piløts became my favorite act, and in the years since, MISSIO, Foals, Lord Huron, Two Feet and, most recently, Beach Weather have been my favorites. I’ve written in varying detail about all of these songs in previous posts over my eight-plus years of blogging, so won’t write narratives about any of them here. Just the year, the song and the artist, and the best video I could find for each one.

2000 BENT – matchbox twenty

2001 FAMILY AFFAIR – Mary J. Blige

2002 LOSE YOURSELF – Eminem

2003 CLOCKS – Coldplay (my #1 song of the 2000s)

2004 THE REASON – Hoobastank

2005 BOULEVARD OF BROKEN DREAMS – Green Day

2006 SEXYBACK – Justin Timberlake featuring Timbaland

2007 THE PRETENDER – Foo Fighters

2008 VIVA LA VIDA – Coldplay

2009 LOVE HURTS – Incubus

2010 NEED YOU NOW – Lady Antebellum

2011 ROLLING IN THE DEEP – Adele (my #1 song of the 2010s)

2012 SOMEBODY THAT I USED TO KNOW –Gotye featuring Kimbra

2013 SWEATER WEATHER – The Neighbourhood

2014 LOVE ME AGAIN – John Newman

2015 TEAR IN MY HEART – twenty øne piløts

2016 STRESSED OUT – twenty øne piløts

2017 FEEL IT STILL – Portugal. The Man

2018 BROKEN – lovelytheband

2019 I SEE YOU – MISSIO

2020 BLINDING LIGHTS – The Weeknd

2021 FIRE – Two Feet

2022 AS IT WAS – Harry Styles

2023 TROUBLE WITH THIS BED – Beach Weather

My Favorite Song for Every Year, Part 2, 1980-1999

Here’s Part 2 of my favorite songs for each year from 1980 through 1999. I’ve written in some detail about several of these songs in previous posts over my eight-plus years of blogging, so won’t write lengthy narratives about any of them here. Just the year, the song and the artist, and the best video I could find for each one.

1980 CALL ME – Blondie

1981 BETTE DAVIS EYES – Kim Carnes

1982 MANEATER – Daryl Hall & John Oates

1983 EVERY BREATH YOU TAKE – The Police (my #1 song of the 1980s)

1984 WHAT’S LOVE GOT TO DO WITH IT – Tina Turner

1985 EVERYBODY WANTS TO RULE THE WORLD – Tears for Fears

1986 WEST END GIRLS – Pet Shop Boys

1987 WITH OR WITHOUT YOU – U2

1988 WHAT HAVE I DONE TO DESERVE THIS? – Pet Shop Boys with Dusty Springfield

1989 GOOD THING – Fine Young Cannibals

1990 NOTHING COMPARES 2 U – Sinéad O’Connor

1991 LOSING MY RELIGION – R.E.M. (my #1 song of the 1990s)

1992 CONSTANT CRAVING – k.d. lang

1993 THE CRYING GAME – Boy George

1994 STREETS OF PHILADELPHIA – Bruce Springsteen

1995 TAKE A BOW – Madonna

1996 ONE SWEET DAY – Mariah Carey & Boyz II Men

1997 ONE HEADLIGHT – The Wallflowers

1998 BITTER SWEET SYMPHONY – The Verve

1999 SMOOTH – Santana featuring Rob Thomas

My Favorite Song for Every Year, Part 1: 1955-1979

Just for fun, I thought I’d do a series of posts listing my favorite songs for each year starting with 1955, when many music historians claim the so-called “rock era” began, as well as the first full year of my life, to the present. There were so many tremendously great songs, especially from about 1964 through 1973, it was a real challenge to pick just one for each year. That said, this listing will provide a sort of snapshot of my life, at least in terms of the music I’ve loved over the years. I’ve written in some detail about many of these songs in previous posts over my eight-plus years of blogging, so won’t write lengthy narratives about any of them here. Just the year, the song and the artist, followed by one sentence and the best video I could find for each one. Enjoy!

1955 ROCK AROUND THE CLOCK – Bill Haley & His Comets

Often considered to be the first big rock’n’roll hit song that set the standard for many to come.

1956 MOONGLOW & THEME FROM “PICNIC” – Morris Stoloff

A sublime melding of an old standard and the score from one of the best films of the 1950s.

1957 LITTLE DARLIN’ – The Diamonds

A rather silly, over the top song I foolishly thought would be fun to sing karaoke to back in the 1990s. Boy was I wrong, as I humiliated myself!

1958AT THE HOP – Danny & the Juniors

Just a delightfully upbeat rock’n’roll song celebrating the joys of youth and going to a dance, that always makes me happy.

1959MACK THE KNIFE – Bobby Darin

A great, sophisticated classic by one of the finest singers of his time.

1960 THEME FROM “A SUMMER PLACE” – Percy Faith

A bit overly sentimental and cheesy, but my favorite instrumental track of all time.

1961 RUNNING SCARED – Roy Orbison

A short, but emotionally powerful song by one of the greatest male vocalists of all time.

1962 ONLY LOVE CAN BREAK A HEART – Gene Pitney

Few songs are as overwrought as this one, but I love Gene Pitney’s heartrending vocals and the lush orchestration.

1963 BE MY BABY – The Ronettes

The Mt. Rushmore of Phil Spector’s wall of sound production, and a stellar performance by the great Ronnie Spector and Co.

1964 SHE LOVES YOU – The Beatles

An exuberant love song by the greatest band ever, and one of my all-time favorites of their many incredible songs.

1965 (I CAN’T GET NO) SATISFACTION – The Rolling Stones

Though grossly overplayed over the many years since its release, I still love this song and its biting lyrics.

1966 CALIFORNIA DREAMIN’ – The Mamas & The Papas

Their vocal harmonies were exceptional, the lyrics simple yet profound, and oh my, that gorgeous flute! My third-favorite song of all time.

1967 LIGHT MY FIRE – The Doors

It’s the extended album version, showcasing Ray Manzarek’s spectacular organ riff, that makes this my second-favorite song of all time.

1968 HEY JUDE – The Beatles

It goes on a bit too long, but a great song nevertheless.

1969 AQUARIUS/LET THE SUNSHINE IN – The 5th Dimension

I remember how much my mother loved both “Hey Jude” and this song by the fabulous 5th Dimension.

1970 BRIDGE OVER TROUBLED WATER – Simon & Garfunkel

A stunning masterpiece that slowly builds to a stirring crescendo.

1971 IT’S TOO LATE – Carole King

An understated yet powerful song that perfectly encapsulates the painful reality of a break-up.

1972 STAIRWAY TO HEAVEN – Led Zeppelin

What can I say about this monumental tour-de-force by one of the greatest hard rock bands of all time? It’s remained my favorite song for the past 50 years.

1973 DANNY’S SONG – Anne Murray

This lovely cover by Anne Murray of a sweet Kenny Loggins song just resonated with me for some reason, and I adore it.

1974 LOVE’S THEME – Love Unlimited Orchestra

I’ve always been a sucker for lush, cinematic instrumentals, and this one by Barry White and his Love Unlimited Orchestra is one of my favorites.

1975 I LOVE MUSIC – The O’Jays

The greatest Disco song ever in my opinion, by one of the finest R&B bands to come out of Philadelphia in the 1970s. It could also serve as my own theme song!

1976 LOVE HANGOVER – Diana Ross

Once again, it’s the extended version of this song by one of the greatest female vocalists of all time that makes this a favorite of mine. I can’t remember how many times I danced to this.

1977 DREAMS – Fleetwood Mac

My favorite song by one of my all-time favorite bands, “Dreams” strongly resonated with me as I went through a painful breakup at the time.

1978 STAYIN’ ALIVE – Bee Gees

Though technically not a Disco song, “Stayin’ Alive” nevertheless came to represent the entire genre and all that was both great and bad about it. That said, it’s a perfect song.

1979 DO YA THINK I’M SEXY? – Rod Stewart

I know many fans of Rod Stewart absolutely hated this song, but I loved it the moment I heard it, and never grew tired of it.