The 23s – Single Review: “Youth”

On By EclecticMusicLoverIn Reviews4 Comments

The 23s are a collaborative music project based in Sheffield, England and comprised of singer-songwriter and electronica musician Rob Cohen, singer-songwriter Rob Gurruchaga, and producer Tom Taylor. With a shared love for acts like David Bowie, Peter Gabriel, Blaqk Audio, Gary Numan, Depeche Mode, The Cure, Echo and the Bunnymen and Thomas Dolby, the enigmatic trio began working together remotely during the Covid lockdowns, writing song demos using analog synthesizers and synth guitars, which they shared across the internet.

Naming their project after Taylor’s Channel 23 Studio, they eventually gathered in person at the studio to choose their favorites out of the more than 100 demos they’d recorded, finally culling them down to 23 songs. They put their finishing touches and overdubs on the 23 tracks, and decided to release them one at a time, at the rate of one per month over a 23-month period, on the 23rd of each month. All 23 songs will ultimately be released in a full album at the end of the singles run, scheduled for December 23, 2024.

The only photo of The 23s in existence

They launched their monthly parade of single releases a bit behind schedule on February 10, 2023 with “Never Be The Same” (which I reviewed), but from their second single on they’ve remained faithfully on schedule, diligently releasing each successive single on the 23rd of each month. I’ve really liked all their singles, and also the fact that no two sound alike. Their music style varies widely with each new release, with some songs having a strong electronic sound, while others are more rock or pop-oriented. Last August, I also reviewed their eighth single “My Kinda Girl”, a beautiful song I loved so much it ended up ranking #62 on my 100 Best Songs of 2023 list. 

The23s have created a cumulative Spotify playlist of all their songs, to which each successive new single is added each month as they’re released. To hear all their songs that will be included on the forthcoming 23-track album, click on this link:

Their latest and 18th single is “Youth“, a song about the passage of time inspired by the famous George Bernard Shaw quote “youth is wasted on the young” (although some have claimed that what he really said was “Youth is a wonderful thing. It is a shame it has to be wasted on children.”) But whatever the quote, the point of The 23s’ song is that youth is an unrealized gift that’s often taken for granted, and only fully appreciated much later in life. As someone who’s now old, I look back wistfully at my youth, and cringe at all the needless angst I experienced and energy I wasted fretting over trivial things, wishing I could go back and do some things over armed with the wisdom I have now.

The lyrics explore the bittersweet realization that comes with age, the fleeting nature of time, and the importance of cherishing each moment. “When I was younger, I thought all I knew was all there was to know. Now that I’m older, I realize that no one ever knows. She said ‘youth is wasted on the young’. Now that I’m older, I wish I was young like before.”

Musically, the song features a strong pulsating synth bass beat, upon which the guys have layered swirling orchestral synths, chugging percussion and a spine-tingling barrage of gnarly and wailing guitars, all of which create an exhilarating cinematic backdrop for Rob’s vibrant vocals. It’s another superb single from this talented musical trio.

Those who subscribe to their Bandcamp account, at a cost of only £5 a year, can buy the “Youth” single now before its released on streaming services, as well as a lot of free subscription tracks

The 23s Socials: Facebook / Twitter / Instagram / TikTok

Find their music on Bandcamp / Spotify / Apple Music / Soundcloud / deezer / YouTube

Top 30 Songs for July 21-27, 2024

On By EclecticMusicLoverIn Weekly Top 30's8 Comments

Some of you who read my blog or this post may wonder what my weekly Top 30 lists represent or how they’re compiled. They’re essentially lists of my favorite songs for a given week, my own personal Top 30 that I would focus on were I the program manager of my own radio station.

There’s so much great music out now that I could have included 40 songs on this week’s Top 30. And all the songs in this week’s top six could easily be #1 (two of them already have). The sultry “High in Low Places” by Beach Weather remains on top for a second week, while Pearl Jam‘s gorgeous song “Wreckage” moves up a notch to #2. I love Glass Animals‘ “Creatures in Heaven”, AWOLNATION‘s “Panoramic View” and Fontaines D.C.’s “Starburster” so much, as well as “The Craving”, which reinforces yet again why twenty one pilots continue to be one of my favorite music acts of all time.

Entering the top 10 this week are “On the Game” by The Black Keys and “A Foretold Ecstasy” by Norwegian psych-noir band Mayflower Madame. The one debut is “Waking Life” by Nicholas a. Milillo featuring Dee Wolf, Bobby Jasso, Gabrielle Marella and the voice of Tony Milillo. I reviewed the dramatic song when it came out four weeks ago. 

  1. HIGH IN LOW PLACES – Beach Weather (1)
  2. WRECKAGE – Pearl Jam (3)
  3. CREATURES IN HEAVEN – Glass Animals (2)
  4. PANORAMIC VIEW – AWOLNATION (5)
  5. STARBURSTER – Fontaines D.C. (6)
  6. THE CRAVING – twenty one pilots (10)
  7. END OF BEGINNING – Djo (7)
  8. TOO SWEET – Hozier (4)
  9. ON THE GAME – The Black Keys (12)
  10. A FORETOLD ECSTASY – Mayflower Madame (14)
  11. BURIAL GROUND – The Decemberists & James Mercer (8)
  12. MURDER ON THE DANCEFLOOR – Royel Otis (9)
  13. LUNCH – Billie Eilish (17)
  14. THE BREAK – Blame My Youth (15)
  15. TOO MUCH – girl in red (16)
  16. FOR US ALL – Asgard Raven (11)
  17. I HAD SOME HELP – Post Malone feat. Morgan Wallen (19)
  18. LIKE YOU DO – The Frontier (20)
  19. GOLD – Caitlin Lavagna (13)
  20. VICES – 5ilas & Shimmer Johnson (22)
  21. LOST IN SPACE – Foster the People (23)
  22. RUN YOUR MOUTH – The Marías (24)
  23. WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH (25)
  24. PAYBACK – Aaron Frazer (26)
  25. ESPRESSO – Sabrina Carpenter (27)
  26. SCARED TO START – Michael Marcagi (18)
  27. RAINBOW – Cage the Elephant (29)
  28. JUST WANNA SLEEP – Halfloves (30)
  29. I’VE GOT LOVING FOR YOU – Bottlecap Mountain (21)
  30. WAKING LIFE – Nicholas a. Milillo feat. Dee Wolf, Bobby Jasso, Gabrielle Marella and the voice of Tony Milillo (N)

OLIVIA MICELI – Single Review: “Guys Like You!”

On By EclecticMusicLoverIn Reviews16 Comments

Today I’m pleased to introduce Olivia Miceli, a talented young singer-songwriter and producer based in Staffordshire, England. In addition to her day job as a sound engineer for radio stations BBC 5 live, Radio 4 and The World Service, the hard-working artist has released an impressive amount of music over the past four years. Beginning with the release of her debut single “Fake” in March 2021, Olivia’s since dropped numerous singles and two albums – Road Signs in 2022, and Nostalgic Heartbreak in 2023 – which she quickly followed with her EP Times that were never ours. Last month she released her poignant Olivia Rodrigo-esque single “The Chaos of Growing Up”, and now returns with a cheeky and fun new single “Guys Like You!“.

Like all her music, Olivia wrote, recorded and produced “Guys Like You!” totally by herself in her little home studio set-up. Describing it as “bedroom-pop inspired by 00s rock and artists like Gwen Stefani and Chappell Roan“, she says it’s the coolest song she’s ever written. After listening to it, as well as a lot of her back music catalog, I wholeheartedly agree! The song has a lively toe-tapping groove, overlain with wonderfully melodic jangly guitars accompanied by a throbbing bassline, spirited drums and swirling synths. I like how Olivia’s sweet lilting vocals soar to a defiant croon in the exuberant choruses as she denounces a guy who’s an unlikeable louse: “Guys like you are why I’ve got trust issues / Guys like you should really get a clue.”

“Guys Like You!” is the perfect kiss-off tune, and I think it’s one of Olivia’s best songs yet.

And here’s the song on Soundcloud:

Olivia’s Socials: Facebook / X / Instagram / TikTok

Find her music on Spotify / Apple Music / Amazon Music / Soundcloud / deezer

Top 30 Songs for July 14-20, 2024

On By EclecticMusicLoverIn Weekly Top 30's5 Comments

On the strength of their infectious melodies, ace musicianship, strong charisma, and lead singer Nick Santino’s beautiful vocals, pop-rock trio Beach Weather have become one of my top favorite bands. In fact, a photo I took of them at a concert last year graces the header of my X (formerly Twitter) page. In addition to Santino, the band includes Reeve Powers on bass and Sean Silverman on guitar. I’ve loved every one of their songs, and their latest single “High In Low Places” becomes their fourth to top my weekly Top 30 chart (the previous three are “Sex, Drugs, Etc.”, “Trouble With This Bed” and “Pineapple Sunrise”.

The song has a brooding cinematic vibe in the vein of Ennio Morricone that would make it a great addition to the soundtrack of a Spaghetti Western film, and I love the twangy guitars and Santino’s sensuous vocals. He had this to say about the song: “We like to call ‘High in Low Places’ our apocalyptic love song. There was beauty in the idea of finding peace in one another while the world was slowly melting. We wanted to create something that felt cinematic, the closing credits of a modern end-of-times western. There are hints of those influences in the guitars and strings running through the chorus where we want to pull everyone into a world but stay hopeful that we can all rise above that insanity transpiring around us.” The lyrics speak to remaining positive and optimistic in the face of life’s problems and obstacles: “You and I got some troubles we’re facing, I know we can make it staying high in low places. Never mind all the tears that we wasted, I know we can make it staying high in low places.”

The video, which was shot in the Arizona desert outside Phoenix, involved the guys getting stuck by cholla cactus and other hazards that come from being in a beautiful but hostile environment – one I’m intimately familiar with living in the Coachella Valley.

In other chart happenings of note, “The Craving” by twenty one pilots moves up five to enter the top 10 at #10, and “Foretold Ecstasy” by the wonderfully-named Norwegian psych-noir band Mayflower Madame advances four spots to #14. Two songs make their debut this week. Entering at #29 is “Rainbow”, by another favorite band of mine, Nashville-based Cage the Elephant, whose previous single “Neon Pill” was a huge #1 hit on all the Alternative charts, as well as my personal Top 30. And coming in at #30 is the rousing garage rock gem “Just Wanna Sleep” by Iowa indie rock band Halfloves, which I reviewed last month.

  1. HIGH IN LOW PLACES – Beach Weather (2)
  2. CREATURES IN HEAVEN – Glass Animals (1)
  3. WRECKAGE – Pearl Jam (3)
  4. TOO SWEET – Hozier (4)
  5. PANORAMIC VIEW – AWOLNATION (6)
  6. STARBURSTER – Fontaines D.C. (9)
  7. END OF BEGINNING – Djo (10)
  8. BURIAL GROUND – The Decemberists & James Mercer (5)
  9. MURDER ON THE DANCEFLOOR – Royel Otis (7)
  10. THE CRAVING – twenty one pilots (15)
  11. FOR US ALL – Asgard Raven (8)
  12. ON THE GAME – The Black Keys (13)
  13. GOLD – Caitlin Lavagna (12)
  14. A FORETOLD ECSTASY – Mayflower Madame (18)
  15. THE BREAK – Blame My Youth (16)
  16. TOO MUCH – girl in red (17)
  17. LUNCH – Billie Eilish (19)
  18. SCARED TO START – Michael Marcagi (11)
  19. I HAD SOME HELP – Post Malone feat. Morgan Wallen (21)
  20. LIKE YOU DO – The Frontier (22)
  21. I’VE GOT LOVING FOR YOU – Bottlecap Mountain (14)
  22. VICES – 5ilas & Shimmer Johnson (25)
  23. LOST IN SPACE – Foster the People (26)
  24. RUN YOUR MOUTH – The Marías (27)
  25. WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH (28)
  26. PAYBACK – Aaron Frazer (29)
  27. ESPRESSO – Sabrina Carpenter (30)
  28. FORTNIGHT – Taylor Swift feat. Post Malone (20)
  29. RAINBOW – Cage the Elephant (N)
  30. JUST WANNA SLEEP – Halfloves (N)

Fresh New Tracks, Vol. 36 – ALBA, A. WAKE, CAITLIN LAVAGNA, LYIA META

On By EclecticMusicLoverIn Reviews9 Comments

For my latest edition of Fresh New Tracks, I’m thrilled to feature new songs by four confident, talented and lovely ladies with exquisite singing voices – Spanish and now England-based singer-songwriter and guitarist Alba, English singer-songwriter and musician A. Wake, Welsh singer-songwriter, musician and actress Caitlin Lavagna, and Malaysian singer-songwriter and visual artist Lyia Meta. I’ve previously written about A. Wake, Caitlin Lavagna and Lyia Meta, whereas Alba is new to me.

ALBA – “Are you really free?”

Alba is a singer-songwriter and guitarist who was born and raised in Spain, and began her musical career in her teens as front woman for Spanish band Sons of Rock. After relocating to London in 2016, she began recording and performing as a solo artist. She released her debut single “Lucky” in 2018, and has since followed with a number of singles. She also cares deeply about the environment and uses her music to make a difference and shed light on social and climate issues important to her.

On June 14, Alba released her debut EP Questions Unanswered, a concept work featuring four tracks, each of which poses a question on themes such as identity, purpose, relationships and social issues. In an interview with Marc Schuster for his blog Abominations, she explained “The idea was not necessarily to provide answers, but to invite the listener to reflect and engage with these questions on a deeper level to find their own answers. At the same time, this EP contains a little bit of everything in my musical palette. I’ve included undertones of R&B, pop, soul, rock, funk, latin, reggae and jazz, which I think should appeal to a wide audience.” Here’s my favorite track, the soulful “Are you really free?“, which features lyrics in both English and Spanish. Alba will be performing the EP at a release party in London on July 13 at the Old Blue Last, and a subsequent release party at Ateneo Cafe Universal in Burgos, Spain, on August 13.

Alba’s Socials:  Facebook / X / Instagram / TikTok

A WAKE – “Like The Sun”

A.Wake (short for Anita Wake) is a fascinating and innovative singer-songwriter and musician based in Sheffield, England who’s been actively making music for several years, both as a member of several bands (in which she played bass and sang backing vocals) and, more recently, as a solo artist. With a passionate interest in sound therapy, mysticism and the healing properties of music, she seeks to incorporate healing frequencies and modern music elements into her beautiful songs. Beginning with the release of her enchanting debut single “Lemuria” in July 2022, she’s since followed with several more singles, as well as her The Seed – Root Chakra Remix EP in April 2023, which I reviewed.

Today she returns with a mesmerizing new single “Like The Sun“, in which she’s embedded Crown chakra and Binaural frequencies to enhance creativity, serotonin boost and focus. A. Wake wrote the lyrics and co-wrote the music with fellow Sheffield musician Rob Cohen, and the track was mixed by Dave Sanderson. I love the mysterious and cinematic Eastern feel of the music and A. Wake’s beguiling atmospheric vocals. The beautiful video was created by Cohen using stock imagery and footage.

A.Wake Socials: Facebook / X / Instagram / TikTok

CAITLIN LAVAGNA – “Pretty Alright”

My favorite Welsh songstress is Caitlin Lavagna, who since the release of her marvelous debut single “How Not To Start A Fight” in 2021, has consistently put out an unbroken stream of outstanding singles. I adore Caitlin’s vibrant and sophisticated vocal style and honest, relatable lyrics drawn from personal experiences and heartache, and have liked every one of her songs. I’ve written about nearly all of them, most recently this past April when I reviewed her previous single “Gold”, which has spent the past nine weeks and counting on my personal Top 30 chart. “How Not To Start A Fight” and her next single “Night Bus” also appeared on my Top 30, the latter spending 20 weeks and peaking at #2, finishing at #28 on my 100 Best Songs of 2023 list. 

Now she’s back with a terrific new single “Pretty Alright“, an uplifting song Caitlin says is “about breaking the cycle of negative thoughts that many of us feel about ourselves. It’s about overcoming self-doubt and body image issues, and understanding your bad habits and emotional trauma.” The song was co-written by Caitlin and Mark Liam Owens, produced by Alex McArthur, mixed by Joe Rodwell and mastered by Nick Lewis at Old Cottage Audio. The song has a bit of a retro 60s vibe, but with a fresh and exciting arrangement. I especially love the powerful driving rhythms, lush instrumentation, as well as Caitlin’s always commanding vocals and exuberant choruses.

Caitlin’s Socials:  Facebook / X (Twitter) / Instagram / TikTok

LYIA META – “Easier and Easier”

One of my favorite female vocalists and all-around artists is Malaysian singer-songwriter Lyia Meta, an immensely talented and gracious recording artist with a marvelous singing voice. Based in Kuala Lumpur and of Creole Portuguese ancestry, Lyia’s a multi-faceted artist in every sense of the word. With her smoky contralto vocal style, she can literally sing just about anything and in fact, has recorded songs in a wide range of genres including blues, jazz, pop, country, rock and even metal, bringing her international recognition and acclaim. A prolific artist, she’s released an impressive amount of music over the past eight years, beginning with her debut EP This is Lyia in 2016. Since then, she’s put out two more EPs an album Always You in 2023, and scores of singles, many of which I’ve featured on this blog, most recently last March when I reviewed her wonderful cover of the Beatles classic “All My Loving”.

On July 5th, Lyia released her latest single “Easier and Easier“, a lovely but bittersweet adult contemporary song addressing the end of a relationship. The song was written by her frequent collaborator, Los Angeles-based songwriter Denise Dimin, and co-produced by Lyia and her frequent collaborators, Nashville-based musician and recording engineer Bob McGilpin, who played guitar, bass and drums and Gene Rabbai, who played the soothing orchestral arrangement of piano and strings. As with most of Lyia’s songs, “Easier and Easier” was recorded remotely, with music recorded at both McMusicSound in Nashville and Studio A in Rio de Janiero, Brazil, and her vocals recorded at Big A Productions in Kuala Lumpur. I love the song’s warm piano, lilting strings and jazzy horns, along with Lyia’s signature rich vocals that express a sense of sad resignation as she sings “Each time you leave, it gets easier and easier to let you go.” The song will be included on her upcoming second album NEXT, to be released July 26th.

Lyia’s Socials: Website / Facebook / X / Instagram / TikTok

EML’s Favorite Songs – “Why Can’t I Be You?” by The Cure

On By EclecticMusicLoverIn Favorite Songs9 Comments

The first song I ever remember hearing by English goth rock band The Cure was “Why Can’t I Be You?”, back in 1987. Though they began releasing singles in 1978 (and albums in 1979), none of their songs made the Billboard Hot 100 in the U.S. until 1985, when “In Between Days” reached #99 (though a few of their earlier singles appeared on the dance charts). 

Released in April 1987 as the first single from their seventh studio album Kiss Me, Kiss Me, Kiss Me, “Why Can’t I Be You?” was played on the radio in Los Angeles, where I lived at the time, and I immediately loved it’s bombastic energy, blaring horns and band frontman Robert Smith’s unusual and quirky high-pitched vocals. Not only did that album help The Cure break into the American music mainstream, becoming their first to enter the top 40 of the Billboard 200 Album chart, the song became their most successful in the U.S. up to that time as well, peaking at #54 on the Hot 100, with a remix of the track reaching #27 on the Hot Dance Music/Club Play Singles chart. (“Just Like Heaven”, their follow-up single from Kiss Me, Kiss Me, Kiss Me, – which is my all-time favorite song by The Cure – shockingly peaked at only #40. I wrote about that song in 2019, which you can read here.)

As it’s title suggests, Kiss Me, Kiss Me, Kiss Me is filled with songs about love and romance, and “Why Can’t I Be You?” is a shining example. The lyrics are sung by Smith to a woman he’s deeply smitten with, telling her she’s so perfect and gorgeous that he’d do anything for her, his obsession so overwhelming he even wants to be her.

You’re so gorgeous I’ll do anything!
I’ll kiss you from your feet
To where your head begins!
You’re so perfect!
You’re so right as rain!
You make me
Make me hungry again

Everything you do is irresistible
Everything you do is simply kissable
Why can’t I be you?

I’ll run around in circles
‘Til I run out of breath
I’ll eat you all up
Or I’ll just hug you to death
You’re so wonderful!
Too good to be true!
You make me
Make me hungry for you

Everything you do is simply delicate
Everything you do is quite angelicate
Why can’t I be you?

You turn my head when you turn around
You turn the whole world upside down
I’m smitten I’m bitten I’m hooked I’m cooked
I’m stuck like glue!
You make me
Make me hungry for you

Everything you do is simply dreamy
Everything you do is quite delicious
Why can’t I be you?
Why can’t I be you?
Why can’t I be you?

You’re simply elegant!

The odd video for the song was directed by Tim Pope, who’d worked with The Cure on some of their previous videos. Referred to by Pope as “the video I’ve always wanted to make“, it featured the band members performing what The Cure biographer Jeff Apter later described as “some of the most poorly choreographed dancing ever seen on MTV“. All five band members wore various costumes: Robert Smith was dressed as a bear and a school-girl in a pinafore dress, Simon Gallup as both a crow and a Morris dancer, Porl Thompson as a Scotsman as well as cross-dressed, Boris Williams as a schoolgirl and a vampire, and Lol Tolhurst in blackface and a bumblebee. In a 2019 interview with The Quietus, Pope said he regretted featuring Tolhurst in blackface, calling it “A very inappropriate choice, and not a thing I feel great about retrospectively.” (Wikipedia)

Here’s a video of The Cure performing the song for Dutch television program TopPop in April 1987:

Top 30 Songs for July 7-13, 2024

On By EclecticMusicLoverIn Weekly Top 30's14 Comments

It’s another great week for music, and Glass Animals remain on top for a second week with their beautiful song “Creatures in Heaven”. Beach Weather slide into the second spot with their smoldering summer hit “High In Low Places”, while Pearl Jam‘s “Wreckage” moves up a spot to #3. I really love this song, which has become my favorite Pearl Jam song ever. Hozier‘s “Too Sweet”, which has become the biggest hit of his career, is currently #1 on the Billboard Rock/Alternative Airplay, Alternative Airplay and AAA (Adult Alternative Airplay) charts, having spent nine consecutive weeks and counting on the latter. The song spent two weeks at #1 and four weeks at #2 on my chart, and now sits at #4. “End of Beginning” by Djo enters the top 10, and “The Craving” by twenty one pilots jumps 10 spots to #15, making it the biggest upward mover this week.

Debuting this week are two marvelous songs by artists who make their first appearance on my chart. The first is “Payback” by L.A.-based singer-songwriter and multi-instrumentalist Aaron Frazer. It’s funny, not funny how often we come across artists or bands in passing, but sadly not pay close enough attention at the time for things to fully register. Though he’s been making music for more than a decade, first as a member of contemporary R&B and soul revival group Durand Jones & The Indications, and also more recently as a solo artist, I didn’t become fully cognizant of the immensely talented falsetto-voiced Mr. Frazer until seeing “Payback” moving up the Billboard AAA chart, as well as reading about him in a post by fellow blogger Christian’s Music Musings. In doing a bit of searching about Durand Jones & The Indications, I saw they were the ones who sang the wonderful song “Witchoo”, which reached #22 on the AAA chart in 2021. I’ve always loved male singers with tenor and falsetto voices, so Frazer’s vocal style is right up my alley. “Payback”, from his terrific second album Into The Blue, has an irresistible retro 60s soul vibe that calls to mind some of the great soul acts like Marvin Gaye, the Temptations and The Capitols (who had a hit with “Cool Jerk”), but with a modern edge.

The second debut, entering at #30, is the Latin-tinged “Espresso” by American singer and actress Sabrina Carpenter. After appearing in various TV and films, she gained recognition for her role in the Disney Channel series Girl Meets World that aired from 2014–2017. She’s released five albums since 2014, the last of which, her 2022 release Emails I Can’t Send, was successful, reaching #23 on the Billboard Hot 200 Album chart. “Espresso” was the lead single from her forthcoming sixth album Short n’ Sweet, due for release August 23rd. Her follow up single “Please Please Please” reached #1 on the Hot 100 last week, but I like “Espresso” more.

  1. CREATURES IN HEAVEN – Glass Animals (1)
  2. HIGH IN LOW PLACES – Beach Weather (5)
  3. WRECKAGE – Pearl Jam (4)
  4. TOO SWEET – Hozier (3)
  5. BURIAL GROUND – The Decemberists & James Mercer (2)
  6. PANORAMIC VIEW – AWOLNATION (8)
  7. MURDER ON THE DANCEFLOOR – Royel Otis (6)
  8. FOR US ALL – Asgard Raven (7)
  9. STARBURSTER – Fontaines D.C. (10)
  10. END OF BEGINNING – Djo (12)
  11. SCARED TO START – Michael Marcagi (13)
  12. GOLD – Caitlin Lavagna (14)
  13. ON THE GAME – The Black Keys (15)
  14. I’VE GOT LOVING FOR YOU – Bottlecap Mountain (9)
  15. THE CRAVING – twenty one pilots (25)
  16. THE BREAK – Blame My Youth (18)
  17. TOO MUCH – girl in red (19)
  18. A FORETOLD ECSTASY – Mayflower Madame (20)
  19. LUNCH – Billie Eilish (22)
  20. FORTNIGHT – Taylor Swift feat. Post Malone (11)
  21. I HAD SOME HELP – Post Malone feat. Morgan Wallen (23)
  22. LIKE YOU DO – The Frontier (24)
  23. ADRIFT – Voodoo Planet feat. Mikey J (17)
  24. LONELINESS – Pet Shop Boys (16)
  25. VICES – 5ilas & Shimmer Johnson (27)
  26. LOST IN SPACE – Foster the People (28)
  27. RUN YOUR MOUTH – The Marías (29)
  28. WHAT IF I FEEL LIKE THIS MY WHOLE LIFE? – HULLAH (30)
  29. PAYBACK – Aaron Frazer (N)
  30. ESPRESSO – Sabrina Carpenter (N)

PYLON POETS – Single Review: “Temptation”

On By EclecticMusicLoverIn Reviews8 Comments

Hailing from the picturesque southwest England coastal town of Torquay, Devon are Pylon Poets, an alternative indie rock band comprised of Dan Hughes (lead vocals, guitars & synths), Nathan Hughes (bass, backing vocals), and Sam McIver (drums). (Dan and Nathan are not brothers, just both happen to have the same surname.) The guys have been putting out high-energy melodic rock since 2016, with songs featuring relatable lyrics touching on such issues as pop culture, love and politics. They’ve toured extensively and have played several music festivals throughout the UK, sharing the stage with such artists as Reef, Fun Lovin’ Criminals, Scouting For Girls, Republica and ASH.

Photo by John McGowan

I first featured them on this blog in May 2023, when I reviewed their single “In the End”. Today they return with “Temptation“, which follows their previous single “Echoes of Desire”, released in early May. Recorded and produced by Tom Jobling at Mill Farm Music studio in Dorset, “Temptation” explores the notion of wanting and needing to be led astray by giving in to our deepest desires.

One of the things I like about Pylon Poets is that no two songs of theirs sound alike, which is a testament to the versatility of their songwriting and musicianship. And though their music generally sounds nothing like Duran Duran, I nevertheless get strong Duran Duran vibes from “Temptation”.

Perhaps it’s the sensuous pulsating groove, or Dan’s electrifying jangly, bluesy and wailing distorted guitars, Nathan’s powerful thumping bassline and Sam’s muscular smashing drumbeats, all of which sound fantastic. And while Dan’s vocals don’t exactly sound like Simon LeBon’s on this song, he nevertheless captures a similar smoldering soulful quality perfectly befitting the torrid lyrics describing unbridled sexual desire. It’s all absolutely marvelous, and I think “Temptation” is my favorite Pylon Poets song yet!

Do you know what you need,
Taking things as you please,
Do you want to believe or do you want to succeed,

It has all been conceived,
The making of your dreams,
Is this the time, is this your mind,
Are you the loving kind,

What would you take me for,
Your graces are your flaws,
Whatever you need you're going to receive,

I know you'll take me there,
Desires all laid bare,
Is this the time, is this your mind,
Are you the loving kind,

Tempting me, Tempting you,
Leading me, Leading you,
Dreaming me, Dreaming you,
Hand in hand, Heart in heart,
Tempting me, I'm tempted,
Leading me, I'll be lead,
Dreaming me, I'm dreaming,
Hand in hand, Heart in heart,

So close we're touching,
It's just a matter of time,
It's just a matter of time,

Come here and tear me apart,
Lend me your heart,
Give me the spark,
Make me the loving kind,

Tempting me, Tempting you,
Leading me, Leading you,
Dreaming me, Dreaming you,
Hand in hand, Heart in heart,
Tempting me, I'm tempted,
Leading me, I'll be lead,
Dreaming me, I'm dreaming,
Hand in hand, Heart in heart,

Temptation
Temptation
Temptation


Pylon Poets Socials:  Facebook / X / Instagram / TikTok

Find their music on Bandcamp / Spotify / Apple Music / Soundcloud / YouTube

HOMELESS RADIO – Single Review: “SleepNot”

On By EclecticMusicLoverIn Reviews11 Comments
Cover art by Kostiantyn Borshch

This past January, I introduced my readers to Ukrainian indie rock band Homeless Radio when I reviewed their terrific hard-hitting single “Submarine“. To summarize, the band formed in the city of Kharkiv in 2016, and includes Andrii Yampolskyi (vocals/guitar), Fedir Orlov (guitar), Stepan Tkachuk (bass) and Ivan Orlov (drums). Guitarist Ihor Pankieiev is also technically still a member, though he’s currently away, fighting in the terrible war against their Russian invaders. Drawing from a dynamic mix of garage rock, alternative rock, skate punk, grunge and pop influences, their music ranges from pleasantly melodic to relentlessly intense.

Andrii, Stepan, Ivan & Fedir

Now the guys are back with a blistering new single “SleepNot“, delivering more of the raw, unbridled energy we loved with “Submarine”. Released on July 2nd via Arizona-based indie label Sunset Alliance, the track was mixed & mastered by Nikolas Quemtri at NRQ’s Studio. The appropriately-titled “SleepNot” features hard-driving instrumentals and emphatic lyrics that beautifully express the singer’s aim of keeping up with the frantic pace of modern life and enjoying all it has to offer. And yet, while on the one hand he laments “Sometimes I wish that I could never fall asleep, yeah. I’m not enough for a day!“, he then concedes that he just wants to sleep when his alarm clock abruptly wakes him. It’s a conundrum I’m sure most young people have experienced. I remember staying out late partying many nights in my college days, then having to wake early to finish a paper.  

Starting off with a deliciously dirty bass riff nicely executed by Stepan, the song blasts open with a volley of Ivan’s smashing drumbeats and Andrii and Fedir’s dual grungy and fuzz-soaked guitars. As Stepan’s dexterous bassline and Ivan’s pummeling drums continue driving the rhythm forward, Andrii and Fedir lay waste to the airwaves with scorching guitar riffs. I really like Andrii’s passionate heavily-accented vocals, which soar to spine-tingling fiery wails in the bombastic choruses. “SleepNot” is an electrifying rock banger, and another marvelous single by this talented foursome.

It’s admirable that Homeless Radio have still managed to keep making music, despite the fact their country has been waging a valiant defense again their Russian invaders for more than two years. I hope they will remain safe and able to continue doing what they love.

(Alarm clock rings, I just wanna sleep)
(Alarm clock rings, I just wanna sleep)

Every day when I open my eyes
I see a plan for a while:
I need to join a party,
get drunk in the nearby town
I want this, you can be sure
And today I've got one aim
I'm trying to finish my business
I worry about my brain

Sometimes I wish that I could never fall asleep, yeah
I'm not enough for a day! Yeah!

Every time when I see you
My country blows up
I wanna be somewhere near you
But my business is still undone
To be smart you must catch up with the rhythm
It's speed can make you insane
See, honey, I'm still in the middle
In this competitive game

Sometimes I wish that I could never fall asleep, yeah
I'm not enough for a day! Yeah!

Alarm clock rings, I just wanna sleep
Alarm clock rings, I just wanna sleep

Homeless Radio Socials:  Facebook / X (Twitter) / Instagram / TikTok

Find their music on Spotify / Apple Music / Soundcloud / YouTube

BRAIN APE – Single Review: “mcmx. downing street”

On By EclecticMusicLoverIn Reviews17 Comments

Since their inception in early 2012, London-based alt-rock band Brain Ape has consistently pushed the envelope, both musically and thematically, to create music that’s innovative, unorthodox and thoroughly original. Now a duo consisting of Minky Très-vain (a descendent of both Sir Francis Drake and Sir Christopher Wren) on guitar & vocals and Sol Alex Albret (descended from the Vikings) on bass, they’ve released music rather intermittently over the years, but their discography includes three albums, Dara O’ in 2014, Auslander and Ausländer, an all-acoustic album featuring five tracks from the original plus three new tracks, both in 2017, along with several singles. I reviewed Auslander, which you can read here, as well as several singles, most recently their unusually-titled “mcmx. drawing room”, which you can read here. 

Whereas their earlier sound was strongly influenced by grunge acts like Nirvana, their newer music is now influenced by contemporary pop and hip-hop acts like Billie Eilish, Childish Gambino, and Denzel Curry. They’ve also never shied away from tackling cultural and sociopolitical issues, and as such, over the past two years have released a series of singles exploring the rise of nationalism in the West and the glorification of false icons. Beginning with “mcmi. fenchurch king”, followed by “mcmx. drawing room”, Brain Ape has now released the third installment or chapter of songs within this narrative, “mcmx. downing street“, which will be included on their forthcoming third album SHREWD, BRITANNIA, due for release in November. They purposely released the single on the 3rd of July, on the eve of the July 4th General Election in the UK.

The band states the song is “an attack on corrupt modern politics, whilst keeping a keen eye on history, legacy, and accountability.” With a title named for the famed London street where the official residence of the British Prime Minister is located, as well as references to George Orwell and his dystopian writings, the song’s lyrics dive deeper into the story of Eric Tunglsson: son of the Auslander first introduced in “mcmi. fenchurch king”.

Curious about these characters, I asked Minky for clarification. He responded “the characters are a selection from a cast of people we’ve been writing about since the very beginning. Way back in 2012, the first mention of these people was included in the ‘Dead at 20’ EP that we were a part of all those years ago. Since then we’ve dropped a plethora of ambiguous material about these people, most notably on our second album ‘Auslander’. All the clues are there, and there’s plenty for people to sink their teeth into, but over the coming years we’ve decided to release more details with lesser ambiguity. When we release our third album, ‘SHREWD, BRITANNIA’, a lot more will become obvious, but even then we have plans to release more information after that. Like with everything Sol and I do, it’s a slow game but it’ll all pay off once the stars align.”

Like all their music, “mcmx. downing street” is a fascinating and trippy song, and more melodic than its two predecessors. The song kicks off with Minky singing the opening verse, with his seductive voice ending with an almost menacing breathy “ha” as he sings the words “Brittania” over a thumping bassline, accompanied by spritely synths. Then a sensuous throbbing dance beat takes over, overlain with extremely gnarly psychedelic guitars and sharp percussion that erupt in the delightfully edgy choruses. Everything turns darker at song’s end, when Minky’s echoed vocals turn downright savage over a fearsome backdrop of shredded guitars, grinding bass and crashing cymbals. It’s an incredibly impactful and most satisfying sonic feast for the senses!

Run, rum, run

He is Britannia
Run, run
We shall Lionise him

Oh well, whatever, we never did mind when he lusts
(Shame)
Oh well, whatever, we never did mind
Oh well, whatever, we never did mind, can we trust?
(Shame)
Oh well, whatever, we never did mind
Oh well, whatever, we never did mind all the greed
(Shame)
Oh well, whatever, we never did mind
Oh well, whatever, we never did mind, can he bleed?
(Shame)
Oh well, Orwell, we never did read

Tension rising, air is blinding, he's igniting, costs are climbing
Sun is setting, still they're betting on the Lion
Is he lying? Ha

Oh well, whatever, we never did mind when he lusts
(Shame)
Oh well, whatever, we never did mind
Oh well, whatever, we never did mind, can we trust?
(Shame)
Oh well, whatever, we never did mind
Oh well, whatever, we never did mind all the greed
(Shame)
Oh well, whatever, we never did mind
Oh well, whatever, we never did mind, can he bleed?
(Shame)
Oh well, Orwell, we never did read

Son of the Auslander
He is our king
We rule Britannia
God save the king

Brain Ape have also included a seven-minute piece “mcmi. fenchurch king, drawing room, downing street”, a seamless combination of their last three singles, as a B-side to “mcmx. downing street”.

Also curious about the unusual video, which stars Minky as Eric Tunglsson, Sol as Wyn Pfaird and former bandmate and The Kid and I band frontman Jacob Powell as Trin O’ Gealach, I asked Minky about what they are trying to convey. He responded: “Sol and I put a lot of planning into the video for this single. Originally, we had floated the idea of shooting various location shots, some footage of the band performing in studio, some live footage, as well as the footage that has been included in the final video. But when we sat down with some trial edits we felt as though a busy video countered the blunt nature of the single, so we made the decision to strip back the music video to let the lyrics breathe more. It also helps balance the b-side which we released in tandem with this single, where the singles ‘fenchurch king’ and ‘downing street’ book end the busier, more conceptual ‘drawing room’. In many ways, the structure of that b-side mirrors those of classical symphonies’ first movements, which is not a coincidence.”

Here are “mcmx. downing street” and “mcmi. fenchurch king, drawing room, downing street” on Spotify:

Brain Ape Socials:  Facebook / Twitter / Instagram / TikTok
Find their music on Spotify / Apple Music / Bandcamp / YouTube