Fresh New Tracks, Vol. 38 – The Nanners, Onism E, Marc Schuster & His Amazing Friends, Traverse the Abyss

Lots of new music continues to issue forth from more of the highly creative artists and bands I follow, so time for another Fresh New Tracks installment. Today I’m featuring new songs released over the past week by four acts I’ve previously written about, in alphabetical order: L.A.-based pyschedelic pop-rock duo The Nanners, Texas indie rock trio Onism E, Philadephia-based singer-songwriter and multi-instrumentalist Marc Schuster, along with an array of indie artists he calls “His Amazing Friends”, and Scranton, Pennsylvania-based metalcore band Traverse the Abyss. While each of the four songs couldn’t be more different from one another from a musical standpoint, they all address varying approaches for trying to keep sane in what seems to be an increasingly insane world.

The Nanners – “Jokes”

Hailing from Los Angeles are The Nanners, the wonderfully zany music project of Nicholas Ewing and Thomas Ferraiuolo, who have this to say about themselves: “Welcome to Banana World, where love, curiosity, angst, and nebulous speculations are explored through the lens of two meek and socially awkward grown men in banana costumes.” While at first glance they might appear to be some kind of weird novelty act, they are in fact fine musicians and songwriters who also happen to be both hilarious and charming, with their music a delightful mix of indie rock, psychedelia and jangle pop.

I first wrote about them and their song “New Pony” in a previous Fresh New Tracks post a year ago, and am now pleased to feature their latest single “Jokes“. About the song, the guys say: “When you’re tripping sometimes you trip and fall pretty hard. But when you get your face out of the mud you realize everyone and everything is laughing with you.” To drive home their message, they layer a colorful blend of twangy, jangly and edgy psychedelic guitars over a bed of quirky twinkling synths, all fueling by a pleasing rhythm of subtle bass and percussion. As great as the music is, I really love their warm harmonies as they sing of not allowing life’s trials and tribulations to get the better of us.  

 

Onism E – “Call You Home”

Photo by Jim McKay

When I last wrote about indie rock band Onism E and their powerful song “It’s Not Over” in November 2022, they were a four-piece based in New York City. Now relocated to Austin, Texas, the band is a trio comprised of uber-talented front woman, singer-songwriter and guitarist Eline Chavez, bassist Gabe Chavez and drummer Andre Atalaya. Their latest single “Call You Home“, written by all three band members and produced by Tucker Allen, is another hauntingly beautiful and compelling song in the style for which Onism E have become known.

Like all their songs, “Call You Home” features intelligent lyrics touching on life’s struggles and the human condition. In this case, Onism E explores feeling lost and untethered in a troubled world gone mad, seeking solace in people and places that can bring a little comfort and peace of mind: “The world is lost, and I’m empty. Drifting in sadness of sins I don’t even own. And I’m just trying to hold my own. I’m just trying to hold on, and all I need to know is can I call you home? When the world gets hard, and I’ve got no place to go.” I love the gorgeous mix of chiming guitars and twangy guitars, rich percussion and Eline’s always marvelous, deeply-emotive and heartfelt vocals.

Marc Schuster & His Amazing Friends – “Hole in the Boat”

Marc Schuster is an insanely creative, multi-talented guy from the Philadelphia area who’s not only an educator, author, literary critic and visual artist, but also a prolific songwriter and multi-instrumentalist, recording both as a solo artist and as part of numerous music projects and collaborations with an ever-expanding roster of musicians. As if all that weren’t enough, he also hosts a weekly hour-long music podcast where he features songs by talented indie artists, plus has a terrific blog of his own called Abominationswhere he writes about music and interviews indie artists. I honestly don’t know how he finds the time and energy to accomplish all that he does!

 I’ve featured Marc many times on this blog, most recently last May when I wrote about his collaborative single “All the Same to You” with Portland-based artist Quizboy. Now he’s back with another collaboration, “Hole in the Boat”, which he recorded with the help of Quizboy and a host of other musicians he names below. The song has a somber and rather melancholy vibe, yet offers glimmers of optimism and hope that we can come together to at least achieve a bit of understanding and empathy toward each other, even if we’re unable to totally resolve or overcome our deep-seated differences. 

About the song, Marc elaborates: “It’s a plaintive call for solidarity in difficult times. And, I suppose, a request for honesty. I had my own hole in the boat in mind when I wrote the tune back in November, but now I’m thinking of all the holes we don’t talk about. In fact, the line that inspired the song came from a Don DeLillo novel called Mao II, and the line actually refers to “holes,” plural: ‘What about the holes in the boat? All repaired?’ one characters asks. ‘We don’t speak about the holes’ another responds. Times like this, as I say in the song, all we have is each other, so I’m grateful to all of you for listening to my music — and to my friends Nick Cervini, Jim Lorino, Sam Goodman, Jaimee Jacobczak, Brian Lambert, and Quizboy for helping me out with this one!

Traverse the Abyss – “Reasoning”

Photo by Juliana Soroka

I’ve been following heavy metal band Traverse the Abyss for over eight years, and while this genre of music isn’t one of my favorites, I do like to hear a good face-melting, speaker-rattling song now and then, and this band always delivers the goods. Their intense yet melodic sound draws from a myriad of metal sub-genres, including classic heavy metal, thrash metal, death metal, nu-metal and metalcore, as well as hard rock, rock’n’roll and even punk influences I first wrote about them in early 2017 when I reviewed their impressive debut album Gamble of Life, then again in August 2018 when I reviewed their eponymous EP Traverse the Abyss. In the years since, the Scranton-based act has undergone some changes in lineup, and from what I can tell now consist of original co-founders Eric “Abyss” Ross (Vocals) and “Iron” Mike White (Guitar), as well as Jamie Macheska (Guitar), Justin Coe (Guitar), Nick “Big Shits” Cotillo (Bass) and David “Goblin” Wilczewski (Drums). They’ve dropped a series of additional singles, along with a second EP Smiling in the Suffering, in 2022. 

Now they return with a new single “Reasoning“, the first of five tracks from their forthcoming third EP Momento Mori, due for release on April 25th. Musically, the song opens with a somber, darkly beautiful guitar riff interrupted by an occasional stab of a piercing gnarly guitar note. Soon, all hell breaks loose with an explosion of furious raging guitars, pummeling bass and aggressive drums as Eric screams the lyrics in his signature fearsome growl. The combined guitar prowess of Iron Mike, Jamie and Justin is on full display as they inject spine-tingling riffs and solos throughout the song, while Nick and David masterfully drive the rampaging rhythms forward. The lyrics speak to letting go of negative thoughts resulting from unpleasant or unhappy past events that are holding you back, keeping you from growing and achieving your full potential: “The way we feel about everything is based on our past experiences. I know negativity is haunting, lurking, stalking me. Learn from your past mistakes. How we think and respond has the power to rebuild our own lives.”

STILL TRAFFICO – Single Review: “Who’s a Fraud?”

January 10th was apparently a big day for new music releases, and I featured three singles that dropped that day on my recent installment of Fresh New Tracks. One I missed – because I was not yet familiar with the band who recorded it – is the wonderful song “Who’s a Fraud?” by English alternative pop-rock band Still Traffico.

Originally formed in London as a four-piece named Peach, the band renamed themselves with a rather unusual but certainly distinctive moniker Still Traffico in the summer of 2023, when they reduced down to three members consisting of Cam McColl (lead vocals/guitar, Dan Carabine (lead guitar) and Dan Arthur (bass). Influenced by everything from Chanson Française storytelling to African desert blues to post-rock and more, Still Traffico make a blend of indie pop and post-punk they call “Railway Pop” and cheekily describe as a “sound that clanks and shunts… but soothes.” After listening to their songs I’d say that sounds about right.

Still Traffico released their debut single “Seagull” in September 2023, and since then have dropped three more excellent singles, the latest of which is “Who’s a Fraud?” While not quite jangle pop, it most definitely features some marvelous jangly guitar work, as well as really lovely twangy guitar notes accompanied by a subtle but solid bassline and spirited percussion. It all works beautifully to create an enthralling and memorable backdrop for Cam McColl’s immensely pleasing vocals. I like “Who’s a Fraud?” more with each listen, and think it’s their best song yet.

The poetic lyrics seem to speak to those who think of themselves as pure of heart and mind with the best of intentions, yet are quick to judge others they feel are wrong or inferior to themselves:

I tore the lid off
Light hit the eggshell walls
What lurks underneath
Can't be concealed anymore.

It's coming for you
In all your comfort
Turn your face away
when it matters.


So who are you calling a fraud?

You've seen the world
You've got your measure on things
Now, hold yourself
Like we're the same?
It's night and day.


I tread alone
in familiar places.
Step into the road
as the lights turn red.
To find that people behind me follow.
To feel.. that cars can't kill.


You know the world
You've done your own reading
So, hold yourself
like we're the same?
It's night and day.

So, who are you calling a fraud?

Still Traffico’s Socials: FacebookXInstagramTikTokThreads / BlueSky

Find their music on BandcampSpotifyApple MusicSoundcloudYouTube

Fresh New Tracks, Vol. 37 – Taylor DeRousse, Fake Empire, The Formerly Misinformed, Naive Nature

It’s been six months since my last Fresh New Tracks post, and given the plethora of new music being released, as well as the fact I’ve returned to writing reviews again (at least for now), I thought it was time for another installment. Today I’m featuring the music of four acts, in alphabetical order – Michigan singer-songwriter Taylor DeRousse, English alt-rock band Fake Empire, Texas alt-rock band The Formerly Misinformed, and Pennsylvania alternative pop/punk band naive nature. The songs were released on January 10th, except for the one by Fake Empire, which came out January 2nd. I’ve previously written about The Formerly Misinformed, whereas the other three acts are new to this blog.

Taylor DeRousse – “Growing Up Is Scary”

Photo of Taylor from her Facebook account

Taylor DeRousse is a singer-songwriter and multi-instrumentalist from the Detroit area with an impressive resume. She not only writes, sings and records her own original songs, she also owns a music school and studio called Tailored Harmonies Music Co, plus has a B.A. degree in Music with an emphasis in Piano Performance, as well as an MBA. According to her website, she’s been teaching music in a variety of capacities since 2014, including as a private music instructor, studio music teacher, group class instructor, middle school art & music teacher, theatre vocal coach, and collegiate music tutor. While her primary instruments are piano, guitar, and voice, she also plays the ukulele, violin, mandolin, and bass guitar.

Inspired by such artists as Alanis Morissette, Phoebe Bridgers, Stevie Nicks and Carole King, she released her first single “Pins and Needles” in 2020, and last September (2024), she began dropping a series of singles, beginning with “Front Porch”, that will be included on her forthcoming debut album Running Back To Me. Her fourth in the series and latest single is “Growing Up Is Scary“, a sort of coming of age song about realizing what really matters in life. The song was recorded with the help of Bryan Pope on guitar and bass and backing vocals by Cassidy Chaisson and Tom Mihalis, who also produced the track. I like the bouyant melody and great instrumentation a lot, as well as Taylor’s lilting vocals, but it’s the honest and poignant lyrics, in which she sings about the thing that frightens her more than monsters, zombies or Friday the 13th that really touch me: “I don’t wanna die doing something I hate, make a whole lot of money just to drink it away. I want something more, I’ll do whatever it takes. It’s a burden I carry. Growing up is scary.”

Taylor’s Socials: FacebookInstagramThreadsTikTok

Fake Empire – “Imposter Syndrome”

Band photo by Rob Luckins

I wasn’t familiar with English band Fake Empire until the other day, when I learned about them in a post by Maria Savva for her blog Rock And Roll. She’d chosen their latest single “Imposter Syndrome” as her Track of the Day, and it was love at first listen for me. The song is darkly beautiful and mesmerizing, with a brooding atmospheric feel that reminds me of some of the songs by bands like The Cure, New Order, The Church and Interpol. The song compelled me to check out more of their back catalog, which I must say is outstanding, and I’m now a fan of this band.

Based in the south of England, Fake Empire consists of Simon Brookes, Les Black and Becky Bellinger, and from what I can tell, they’ve been putting out music since 2017, all in the form of singles which now number 20 in total. “Imposter Syndrome”, which runs 7:45 minutes in length, was released along with two shorter remixes. Though the primary song is long, it’s so beautiful and flawlessly executed that it could go on for even longer. I love the lush, haunting synths and Cure-esque jangly guitars set to an enthralling beat and accompanied by droning, yet comforting vocals. It’s the perfect song for sitting back with headphones and letting yourself be enveloped by its gorgeous soundscapes. To my mind, the lyrics seem to be about living lives that are inauthentic and controlled by other sociopolitical and cultural forces, leaving us acting like sheep, unable to be our true selves or even know who we really are: “Imposter syndrome. You’re sinking like a stone. How can you live when your life is not your own? Our lives are not our own.” The original artwork used in the single cover art was painted by Nathaniel Westwood.

Fake Empire’s Socials: FacebookXInstagramThreads 

The Formerly Misinformed – “Cut To Scene (Half Life)”

The Formerly Misinformed is a family band from Texas that’s comprised of siblings Brandon Green, Erica Jones and Emily Henney, and their father Terry Green. Together, they create a pleasing style of alternative indie rock, with strong elements of folk and singer-songwriter. Brandon also hosts and produces a music podcast Gimme These Two. Formed in 2019, they released their debut album All In A Dream in 2020, followed by a number of singles and an EP Let’s Pretend it’s Fine in 2022. In September 2023, I reviewed their song “Underneath the Same Stars”, a collaboration with Welsh singer-songwriter and multi-instrumentalist Craig Mapstone, who records music under the moniker Secret Postal Society. The two collaborated again last month (December 2024) when The Formerly Misinformed did a remix of Secret Postal Society’s song “Autumn Leaves”, which is currently enjoying a long run on my Weekly Top 30.

Now they’re back with a new single “Cut To Scene (Half Life)“, which was written and sung by Brandon, with backing vocals by Craig. Brandon also produced, mixed and mastered the track. According to the press release, the song draws inspiration from the scientific concept of half-life, a term used to describe the rate at which unstable atoms decay or how long stable atoms survive, and aims to capture the feeling of transition – of reflecting on where you’ve been while acknowledging the messiness of where you are now. I like the song’s free-form melody that almost borders on progressive rock, as well as its colorful mix of grungy guitars, spare piano keys, throbbing bass, swirling synths and spirited percussion. Brandon’s laid-back vocals have a casual air, and are nicely complemented by Craig’s backing harmonies that fully blossom in the terrific choruses.

The Formerly Misinformed’s Socials: Instagram

naive nature – “alright”

Photo by Justin Henry

Hailing from Philadelphia is alternative indie rock trio naive nature. Formed in 2023, the band is comprised of singer-songwriter and guitarist Jackson Vincent, drummer and backing vocalist Jim Lorino (who’s also front man of Philadelphia-based power pop band Scoopski) and bassist and backing vocalist Mickey Collins, who joined the lineup last September. Together, they blend grunge, pop-punk, alternative, emo and indie rock influences to create some really terrific songs. They released their debut single “the weight of the world” in January 2024, and since then they’ve dropped another four singles plus a three-track EP outsiderism (their band name and all their songs are stylized in lower case letters). Their wonderful single “childhood friends” ended up on my 100 Best Indie Songs of 2024 list.

On January 10th, the guys released “alright“, the first single from their forthcoming second EP separation anxiety, due for release in March. The band said the song “serves as a modern breakup anthem with a clear determined focus on pushing through the worst of times to find something better.” To drive home their message, Jackson serves up a marvelous fuzz-soaked guitar riff, while Jim and Mickey drive the rhythm forward with insistent drumbeats and a thumping bassline. Jackson has the perfect singing voice for this type of grunge/pop-punk song, and he’s in fine form here as he conveys a sense of sad resignation to a romantic partner at the end of their relationship: “It’s alright now. Waste your time now, you know it’s all the same. You’ll be fine now. Don’t forget how you gave me all the blame.” “alright” is a great song, and I’m looking forward to hearing their new EP.

Naive Nature’s Socials: FacebookXInstagramThreadsTikTok

MIKEY J – Singles Review: “She’s So Fine/Fell So Hard”

Hailing from the fair city of Melbourne, Australia is singer-songwriter and multi-instrumentalist Mikey J (aka Michael Johnson), who humbly refers to himself as “just a dude who loves music“. Inspired by some of the great songwriters of the past, life experiences and his family, his songs are a mix of rock, blues, folk, funk and indie influences, all of which he performs and records in his simple setup at home. He’s been writing and recording music since his teens, releasing his first self-titled EP in 1999 at the age of 17 with his then band Blue Tracer. In 2011, he released a solo album Happy “​六​” Anniversary, inspired by and dedicated to his wife Ella. Nearly 10 years would pass until his next release ISO​-​Inspiration, an album inspired by the Covid lockdown, in October 2020. Since then, Mikey J’s been on a creative tear, dropping five more albums, most recently Muffet Way, a 14-track behemoth he released last May, as well as numerous singles.

Now he’s recorded his latest album Made in China, another ambitious work to be released in March that will feature 14 tracks inspired by the twelve years Mikey J spent living in Shanghai. The songs delve into love, growth and personal struggles, reflecting the people, places, and experiences – including a pet and a typhoon – that shaped his life during that period. In a recent interview with Marc Schuster for his Abominations blog, Mikey J explained “It’s where I became a man. I moved to China pretty much on a whim after leaving a pretty toxic relationship, for what was supposed to be maybe two years at most of fun! I then met the girl of my dreams, we got married, had a kid and all of a sudden it was twelve years later! It was such an exciting period of Shanghai’s development as well – 2005 was when it really started to develop in a big way and it was just so fun! I wanted to write an album that was a little more thematic than I have previously written and China seemed a pretty significant part of who I am. I had some ideas about people, places and events that were pretty memorable and it just kind of came together! Of course, there is a good smattering of my patented sappy love songs about my wife to boot!

Last month, on December 5th, he released the first song from the album, “Where Do I Belong?”, and now returns with two more songs released as a pair, “She’s So Fine” and “Fell So Hard“, which dropped January 9th. Both songs are totally different in sound and structure, with straightforward and honest lyrics about meeting and falling in love with Ella, the woman who would become his wife. “She’s So Fine” opens strong with a gnarly, almost bluesy guitar riff accompanied by snappy drums and a thumping bass groove. Mikey J’s impressive guitar prowess is on full display as he layers multiple textures and riffs throughout the song, highlighted by a great solo in the bridge. Mikey J said that the song was somewhat inspired by The Easybeats, an Australian band from the 1960s, while “Fell So Hard was inspired by the Beatles.

“Fell So Hard” has a slower tempo, with a melody and instrumentation reminiscent of songs by the Beatles in their mid-career period of 1966-68. I really love the mellotron sounds as well as the jangly guitar work that nicely channels that of George Harrison. Mikey J doesn’t have a particularly strong singing voice, but his vocals are endearing and heartfelt as he sings of how he fell for Ella: “I met a girl who stole my heart, she snatched it clean away. I was alone, just drifting through life, but I fell for her that day. She looked at me, and the world seemed to stop. I fell for her so hard that fateful day.”

I like that “She’s So Fine” and “Fell So Hard” offer up a completely different vibe and sound from each other, and also that both sound different from “Where Do I Belong”, with its hard-driving beat. It’s a clear indication of Mikey J’s ability to cross music genres and styles in his songwriting and musicianship, which he puts to good use on Made in China, making for an interesting listen indeed.

Here are the songs on YouTube:

And on Spotify:

Mikey J’s Socials: FacebookXInstagramThreadsBlueSky

Find his music on BandcampSpotifyApple MusicYouTubeSoundcloudAmazon Music

BRIAN LAMBERT – Single Review: “Take This Heart”

Brian Lambert, an affable, talented and thoughtful singer-songwriter from Denton, Texas who describes himself as a “Friendly Neighborhood Rock and Roller”, is one of the most prolific musicians I know of. When Covid put a halt to playing live, he challenged himself to writing, recording and producing a new song every week for a year, an ambitious feat he went on to accomplish in 2021. Since then, he’s continued his prodigious output, writing and recording numerous songs both as a solo artist and in collaboration with a host of other musicians, including his frequent musical partner Marc Schuster (with whom he also has a side band called The Star Crumbles), Quizboy, Jr Moz Collective, Scoopski, Harmoni Kelly and As Particles Collide, to name some that come to mind.

Photo by Olivia Rodriguez

His lively, eclectic sound runs the gamut from rock’n’roll, indie folk and garage rock to grunge, punk and synthpop. In addition to a dizzying array of singles, he’s also released a terrific album Wild in September 2023 and EP Everything’s a Business in June 2024. I’ve featured him many times on this blog (you can read some of my reviews by clicking on the ‘Related’ links at the end of this post), and today I’m pleased to present his latest single “Take This Heart“, which he released on January 3rd. Inspired by the 90’s music of some of his favorite bands like Soul Asylum, the Goo Goo Dolls and Better Than Ezra, the song is a smoldering, foot-stomping banger. Brian wrote the music and lyrics, produced the track and played all instruments.

The song starts off with a snappy drum riff that’s quickly joined by rumbling bass, then a gnarly guitar enters and we’re off to the races. To my ears, the song almost has a bit of a 60s garage rock feel, but with a contemporary treatment. I love the chugging guitar riff and the insistent drumbeat that continues throughout the song, nicely complementing that grimy bass line in keeping the sultry groove moving forward. Brian dazzles us with all sorts of guitar gymnastics, highlighted by a blistering guitar solo in the bridge.

He’s also a fine singer, with a highly emotive vocal style that works perfectly on this song as he passionately sings of his fervor for a woman he loves: “Hey alright, the moonlight. I just wanna hold you in the middle of the night. Baby, do you want me? Baby, I want you./ Got this feeling inside I can no longer hide anymore./ Baby take this heart of mine.” I think it’s one of his best songs yet!

Connect with Brian:  Facebook / Twitter/X / InstagramThreads

Find his music on Bandcamp / Spotify / Apple Music / Amazon Music / YouTube

SET THE TONE – Single Review: “Here We Go Again”

Set the Tone is a pop/rock band from Pontypridd, Wales (the home of legendary singer Tom Jones) that I recently learned about when their bassist Kage Jones reached out to me about possibly featuring them on my blog. From what I can tell, they appear to be a fairly new band, as they began posting to their Facebook and Instagram accounts this past April, to coincide with the release of their first songs “Happy” and “Take This Chance”. In addition to Kage, Set the Tone is comprised of Liam Richards on acoustic guitar and vocals, Nate Jones on electric guitar and Dan Hayman on electric guitar and backing vocals.

With their winning combination of an infectious and pleasing sound that melds elements of classic and contemporary rock, folk and pop, intelligent songwriting, and high-energy performances and charismatic stage presence, the guys have quickly built a loyal following in South Wales. The moment I listened to their latest single “Here We Go Again“, I liked it immediately and knew I wanted to write about them.

The song starts off almost folk-like with a lovely little acoustic riff that’s soon joined by soothing strings, shimmery electric guitar and assertive drumbeats as Liam sings with a heartfelt earnestness. The instrumentation is outstanding throughout, and I love the the warm vocal harmonies. Everything builds to a stirring anthemic crescendo in the final chorus, making for a song that’s incredibly satisfying – that feeling you get when a song just hits you in all the right spots.

The poignant lyrics describe a contentious relationship in which a couple continue going round and round, fighting then making up without ever resolving their deeper-seated problems: “Here we go again, falling out the wrong side of the bed. An argument that just won’t seem to end. Then we’ll all pretend everything’s alright. Forget about it, all go out tonight. We knew it would just end up in a fight.

I’m impressed at the fine songwriting and musicianship of Set the Tone, and if they continue delivering the level of quality shown in the four songs they’ve released thus far, they’ll have a bright future indeed.

Set the Tone’s Socials:  FacebookInstagramTikTok

Find their music on  SpotifyApple MusicYouTubeAmazon Music 

Julian Shah-Tayler – Single Review: “Malicious Intent (The Untalented Mister Ripley)”

Julian Shah-Tayler is a singer-songwriter, producer and remixer born and raised in Leeds, England, and now based in South Pasadena, a bucolic city situated between Pasadena and Los Angeles. Influenced by 80s and 90s New Wave, Britpop and Electronic Rock, he creates music that some of his fans have described as “if David Bowie and Depeche Mode had a baby”. In fact, he’s in a Depeche Mode tribute band called Strangelove, and also a Bowie tribute act The Band That Fell To Earth. He’s had an illustrious and successful music career spanning over 20 years, both as a solo artist under the music moniker The Singularity, and as a collaborator with numerous musicians and producers. He won a “Golden Trailer” award for his work with Lana Del Ray on the trailer for the Disney film Maleficent, and had one of his songs performed by “Tellavision” during the “Unite for Humanity” charity event at the Oscars. Three of his songs were used for the music movie Plush directed by Catherine Hardwicke (who also directed Twilight). Shah-Tayler also cofounded a charity called “Art Angeles”, which provides music instruction for underprivileged kids in Watts.

Photo of Julian by Alex Tovar

In May of 2023, I reviewed his album Forget That I’m 50, an ambitious collaboration with friend and mentor David Chatfield, in which they – along with a host of other musicians and vocalists – reimagined the ten songs of David Bowie’s classic 1973 album Aladdin Sane. (You can read that review here.) Since then, the prolific artist has kept himself busy by releasing Diamond Dogs (Golden Anniversary Edition), a cover tribute to the 50th anniversary of another classic Bowie album, as well as numerous singles, including covers of such songs as Prince’s “Sign O The Times” and Bryan Ferry’s “Slave to Love”. His latest single, released today, December 20th, is “Malicious Intent (The Untalented Mister Ripley)“, a powerful and scathing rebuke to someone he thought was a long-time friend, but who ended up betraying him. The track will be included on his forthcoming album Honne/Tatemae, scheduled for release on March 7th.

About the song, Julian elaborates: “There is never a good time to realize that one’s good intentions are being taken advantage of, one’s trust is being betrayed, one’s loyalty is rejected, and one’s help is ridiculed. I had a friend – an Untalented Mister Ripley – who followed my every move and rode my coat tails in careers, work, music for over 20 years. He slept with too many of my Exes. He used my contacts and friends in the industries AND in real life. He shadowed me, contacting me only when he needed my help. This pattern, I realized too late (through conversations with his “friends” and exes), persisted throughout his relationships and he treats ALL as a means to HIS ends. It was only when he chose to move in close to my daughter that I realized what a disgusting piece of filth this man was and that his intent towards me had always been malicious. This song is about dealing with the emotions surrounding his mediocrity and releasing the anger I feel without taking it into a physical space.

The song features harsh, discordant synths, menacing strings and tumultuous drums, fortified by a torrent of violently crashing cymbals, all of which beautifully create an unsettling, almost diabolical soundscape for Julian’s angry, emotionally wrought vocals. He practically spits the bitter lyrics denouncing his former friend who’s hurt and betrayed him:

I can’t believe you are so weak, 
You fairground clown
Bewilder me in mediocrity
You started war, I’ll burn it all down

Malicious Intent
You got, I got.


You coward, user, my enemy,
Untalented Mister Ripley
My shadow’s always been your guide
So I’ll come round and knock out all your lights

Turn it off, make it stop.
Make it stop.
Make it stop


The "Truth that Hurts" is you’re wasted space
You "Crash" and burn, "Three Second" RATE
You use what’s mine to plant your seed
This “winning spin” is the FAIL you need


Malicious Intent
You got, now I got it too, you got, now I’ve got it for you.

Turn it off, make it stop.
Make it stop.
Make it stop
Make it stop

The video shows repeated imagery of a photo of Julian and his former friend, with the friend’s side of the photo being set aflame:

In addition to the song, Julian’s also released two terrific remixes by Danny Saber and FLIPX. Here are all three tracks on Bandcamp:

Julian’s socials:  Facebook / Twitter/X / InstagramTikTok

Find his music on SpotifyApple MusicAmazon Music / Bandcamp / YouTube

Wons Phreely+The Horses Release Charming New Video for “The Faithful Heart”

If there was ever to be a song that could pull me out of my post-election funk, “The Faithful Heart” by Wons Phreely (the musical moniker of singer-songwriter Justin Wonsley) – along with its accompanying video – is it. Though originally released this past January, I’d not heard the song until seeing a post on his Instagram account last week about a new video he was releasing for it, and I loved it at once. The song is delightfully melodic and heartwarming, and the video’s utterly charming. I’ve now watched it numerous times, and it never fails to bring a smile to my face, something I can really use right now.

Born and raised in Perth, Australia where he began his music career, Wons Phreely relocated to Los Angeles in 2015 in search of a more dynamic and varied artistic environment where he could grow as a musician and artist. I first learned about him in September 2016, when his PR rep reached out to me about his autobiographical single “Stars”, which he recorded with his backing band The Horses. I happily reviewed the song, as well as two of his subsequent singles, “The Night Has An Alibi” in early 2018 and “Restless to Run” in 2020. (You can check out those reviews under the “Related” links at the end of this post.) Both “Stars” and “The Night Has An Alibi” ended up placing on my Top 100 Songs lists for 2016 and 2018, respectively.

Wons wrote the lyrics for “The Faithful Heart”, with the beautiful music written by singer-songwriter and musician David Skeet (who’s one half of the music duo Winter Swim and also produced and mixed the track). I love that opening piano and those chiming and jangly guitars, as well as Wons’ earnest vocals and lovely harmonic choruses. He said he was inspired to write the song after thinking of a childhood friend he’d grown up with in Australia who, like himself, had moved on to a bigger city in search of greater opportunities and figuring out how to make their way through life, which is expressed in the poignant lyrics:

Restless nights of teenage lust
Racing beat up cars in parking lots
Longing to find that place
When you’re young you must run
When we’re old could you hold me love cos

On and on and on this faithful heart will beat stronger
Now we’ve got so something good, it wont be long before we’ve begun
And we’ll live how we want to, the life we were born to

Here’s the track on Bandcamp:

Wons has earned a bit of a reputation for his highly inventive and often unconventional music videos. A good example is the brilliant video he made for “The Night Has An Alibi”, in which he’s portrayed throughout the video as only a head. For “The Faithful Heart”, he drew inspiration from some of the quirky and wildly-popular one-shot videos by American alternative pop-rock band OK Go, and challenged himself to dance on film. He explains “At first, dancing in a one-shot video felt like it might be a little too great a challenge, especially since I can’t really dance. Then I remembered a 1965 quote from Bob Dylan where he said, ‘I think of myself as a song and dance man.’ Something about that resonated with me, so we thought, ‘Challenge accepted.’

With the help of choreographer friends, Wons and his band spent months coming up with inventive dance steps for a non-dancer like himself, with two of the guys guiding him through an endearing and entertaining routine as if he were a human-sized puppet. Once they mastered the choreography, they turned their attention to finding the right location to shoot the video, which in Los Angeles is always a challenge, especially when you’re on a tight budget. Wons elaborates: “Around Hollywood, there’s really no place where you can shoot for free. Some of the old motels make more money from commercial and movie shoots than they do from their actual motel business. So we spent days scouting public locations that we thought would look great for a video. We had to plan carefully for when the managers weren’t around, because we couldn’t afford the location fees, and shooting permits in LA are crazy expensive.”

After much searching, they found the ideal spot: a Laundromat that would provide the perfect backdrop for their dance sequence, even if it didn’t quite come with official permission to shoot. Of course, dancing in a public place presented its own set of challenges—some expected, others not so much. “I was ready for people to walk into the shot and start doing their laundry. We thought that would be kind of cool if it happened,” Wons recalls. “But I didn’t anticipate how hard it would be to concentrate on the choreography with people just stopping and staring at me. It was a pretty wild experience, trying to pull this off without technically having permission. We got away with a lot without making anyone upset, but honestly, it was all a blur.” They had to act quickly, knowing that security could show up at any moment. With only one shot to get it right, the pressure was on. But despite the potential for chaos, they managed to capture the perfect take. Enjoy!

Social Media Links:  Facebook / Twitter/X / InstagramTikTok
Find his music on Spotify / YouTube / Apple Music / Soundcloud / Bandcamp

RONNIE THE BEAR – Album Review: “BASEMENTS”

Ronnie the Bear is the solo music project of Joshua Rukas, a strikingly handsome, silky-voiced singer/songwriter originally from Grand Rapids, Michigan and now based in Orlando, Florida. A talented and versatile musician, he was previously drummer for punk/emo rock band MUSCLEMAN, as well as a former member of alt-rock band Dancing On Pluto, whose music I reviewed a couple times prior to their splitting up in August 2018. I also reviewed a couple of his songs back in 2020 and 2021, both of which I really liked, but he later took them down because he felt they didn’t fit his vision for who he wanted to be as an artist.

He’s just released his debut album BASEMENTS, featuring seven tracks he wrote and recorded in his basement apartment in Eugene, Oregon, where he lived for two years between Grand Rapids and Orlando. Joshua played or programmed all the instruments and recorded, mixed and mastered the album by himself. I’ve always liked both his sound and warm vocals, so listening to this little album is a real treat for me. The album opens with “i thought you’d change your mind“, a short but sweet song of apology to a former loved one. I like the lively skittering beats, sparkling synths and his smooth vocals.

Keeping with a similar theme, “2 months” speaks to missing a former romantic partner who’s moved on. The song’s infectiously catchy and exhilarating, with a frantic driving beat and a vibrant mix of jangly and gnarly guitars. Ronnie the Bear’s plaintive echoed vocals are sung at an almost shouting level, perfectly conveying feelings of exasperation and sadness over his unhappy situation.

Maybe, Eventually” is an exciting track with more great jangly guitar work, accompanied by some interesting percussive textures. I like the urgent guitar-driven groove and how it slows down halfway through the song, allowing the guitar notes to really shine. His vocals are calmer and more introspective here as he wishes the best to a former romantic partner, while still feeling a bit melancholy about the loss of the relationship: “From what I can see, you look like you’re happy and that helps me cope a little bit, cause I don’t want to see you lonely. I wish we could be close.”

Squarely in the middle of the album is the delightful little instrumental piece “Tangerine (interlude)“, an energetic and pretty track featuring spacey synths and skittering beats. This is followed by the title track
Basements“, a terrific electronic song with dreamy otherworldly synths, spirited beats and some lovely piano.

Spring 24” is an enchanting track, with drawn-out gauzy synths, sparkling piano keys and lots of crashing cymbals. As always, his soothing vocals are very pleasing to the ear. The final track “Changes” is really pretty too, and I especially like the chiming guitars and dreamy flute-like synths. Ronnie the Bear’s smooth vocals are very low key as he ponders about how our perspectives on life evolve over time: “I’ve spent so much time waiting for things to change. But every time I look back, nothing is the same as before.”

BASEMENTS is a wonderful little album, serving up nineteen and a half minutes of sonic bliss. It’s bedroom pop at its finest.

Ronnie the Bear’s Socials: Instagram 

Find his music on SpotifyApple MusicBandcampYouTube

RAKER – Single Review: “Hologram”

On my previous post, I commented about the rapid passage of time, which I was yet again reminded of when Mike Sarasti, one half of Miami-based indie pop-rock duo Raker, reached out to me about their new single “Hologram“. I was shocked to discover that seven and a half years have passed since I last wrote about them on this blog, when I reviewed their debut single “Gospel” (which I liked so much that it ended up on my 100 Best Songs of 2017 list). Now, after a very long hiatus, Raker, which consists of Sarasti on guitar and lead vocals and Andy Rodriguez on bass and backing harmonies, are back making music and I couldn’t be happier. 

I asked Mike for a bit of background about the song, and he graciously provided this detailed and thoughtful response: “A few years ago I was exploring a new city at night (I was visiting Detroit). It was one of those pensive, reflective, wandering walks. Down a seemingly solitary street, I noticed colored light coming from the door of an unmarked, blacked-out storefront. I opened the door and found a hidden tiki-style bar. The moment felt a bit magical, like a “ghost bar” seeming to appear from out of nowhere, existing slightly outside of time and space. This is the backdrop for the track and much of the upcoming album… A wandering spirit, reflecting in familiar spaces, but you cant quite pinpoint why… existing somewhat out of time, popping in and out of memory and the urgency of the present… realism, but magical realism.

Hologram’ toggles between the uncertain exploration of that city street, and remembering/returning to the sense of home – ‘safe in your arms’, the sense that even the persistent wanderer has a safe space to return to. Themes that you’ll hear through the collection of songs… time, memory, a sense of agency, hope, anchoring ourselves to the people we love, reflecting on your story, and not letting other people tell it for you. ‘Hologram’ feels like the cinematic introduction to this world which is why we’re releasing it first.

“Hologram” is a beautiful song, and I really like its breezy melody and colorful arrangement. Highlights for me are the magical synths and fluttering keyboards, accompanied by fuzzy guitars that provide a wonderful textural contrast. Andy’s chugging bassline provides a sturdy rhythmic foundation for the track without overpowering the proceedings. All sorts of charming little musical touches and sounds are sprinkled throughout, adding to the song’s overall enchanting vibe. Mike has a lovely singing voice, and his warm vocals are both pleasing and comforting as he sings of feeling safe in a loved one’s arms.

It’s good to have Raker back, and “Hologram” marks a fine return for this talented duo. I look forward to hearing more music from them soon.

Stare out into nothing.
A hundred and something feelings in tandem collide.
Split into sections.
Speaking in fractions.
I need direction… so I look to the light in your eyes.


Here I am safe in your arms.
And here with you’s the best that I am.
Hold me cause I need to feel
More than a Hologram


Out here, the city breaks
Another ghost bar in the night
Maybe here I'll find forgiveness, maybe here I’ll find what’s right
Street lights, they pierce right through me
‘cause I’m strange projected light.
Faded stories with no answers
Sad songs to feel alright


Now Here I am safe in your arms.
Here with you is the best that I am.
Hold me cause I need to feel
More than a Hologram

Raker’s Socials:  XInstagramTikTok

Find their music on SpotifyApple MusicSoundcloudYouTube