- WELCOME TO THE PARTY – Jack Droppers & the Best Intentions (1)
- WE ARE BETWEEN – Modest Mouse (2)
- CAN WE GO BACK – The Frontier (5)
- BED HEAD – Manchester Orchestra (3)
- MARTYR – Oli Barton & the Movement (7)
- SINNER – Young Decades (8)
- MONTERO (Call Me By Your Name) – Lil Nas X (30)
- DEVIL – Two Feet (N)
- FOLLOW YOU – Imagine Dragons (6)
- ZITTI E BUONI – Måneskin (9)
- FLATLINE – Two Feet (4)
- CRAWLING KINGSNAKE – The Black Keys (13)
- STARGAZING – The Neighbourhood (14)
- LIKE I USED TO – Sharon Van Etten & Angel Olsen (15)
- YOUR POWER – Billie Eilish (11)
- BETTER – Michigander (12)
- ALL YOU EVER WANTED – Rag’n’Bone Man (17)
- NOTHING2 – Strange Souvenirs (20)
- METRONOME – Polarizer (10)
- SOLAR POWER – Lorde (24)
- STOP MAKING IT HURT – Bleachers (22)
- STICKY – The Maine (23)
- MISSING PIECE – Vance Joy (25)
- EVERY WINDOW IS A MIRROR – Joywave (26)
- ENNUI – Dawning (27)
- HIGHER POWER – Coldplay (21)
- TYPHOONS – Royal Blood (16)
- SHY AWAY – twenty øne piløts (19)
- NOT DEAD YET – Lord Huron (18) 20th week on list
- SATURDAY – twenty øne piløts (N)
Author: EclecticMusicLover
THE MARIGOLDS – Single Review: “Smash and Grab”

The Marigolds are an alt-rock group based in Liverpool, a city rich in music history and the birthplace of many a band. I’ve featured more artists and bands from Liverpool than I can recall, and The Marigolds are the latest. They formed in 2018 when bassist/vocalist Joe Green and guitarist Joe Morgan met at the University of Liverpool, and bonded over their love of such acts as Nirvana, Sonic Youth, Mudhoney, Weather Report, Stevie Wonder and Tame Impala. Drummer Lucas Pidgen was soon added to the mix, and they began writing songs together and playing gigs in and around Liverpool. Their rather bucolic sounding name stands in contrast with their music, which is an intense, high-energy blend of punk, funk and psychedelic elements, delivered with blistering riffs, crushing bass and fierce vocals.
The guys released their terrific debut single “Magnetic” in May, which was well-received by fans and music publications alike. Now they’ve returned with an explosive new single “Smash and Grab“, which dropped July 12th. The song’s title is a fitting description, as the song literally blasts through the speakers, laying waste to the airwaves and sending shivers up and down our spines. Wow, these guys really know how to rock! The song opens with Green’s deep, gnarly bassline, then erupts into a hard-driving, fast-paced onslaught of Morgan’s scorching, fuzz-coated riffs and Pidgen’s smashing drumbeats that never let up for a single moment.
Green’s vocals are downright fearsome as he wails and screams the lyrics touching on themes of insecurity, loneliness and poor self-esteem, viciously railing against those who are making him feel this way: “It’s a smash and grab at my feelings! Eat me, cause I feel numb. Just tear into my flesh cause I’m so done. Consume me, and swallow me whole. Keep me inside you in that deep, deep fucking hole!” Two and a half minutes into the song, the tempo abruptly shifts to a frantic punk groove that’s even more intense than before. Now Green screams with such ferocity, it’s a wonder he has any vocal chords left! I’ve written about some pretty hard-hitting music lately, but this song blows them all out of the water, and I love it!
Now that restrictions against live performances have lifted in the UK, the guys are excited about returning to the stage and sharing their new songs at their first scheduled gig on the 7th of August at Jimmy’s Liverpool.
Band photo by Joseph Conlon.
Connect with The Marigolds: Facebook / Twitter
Stream their songs: Spotify / Apple Music / Soundcloud / deezer
EML’s Favorite Songs – “Moonglow and Theme from Picnic” by Morris Stoloff

One of my favorite songs from the 1950s is “Moonglow and Theme from Picnic” by composer Morris Stoloff. Stoloff served as music director at Columbia Pictures from 1936 to 1962, and was subsequently tapped by Frank Sinatra to be music director of his label Reprise Records.
The beautiful instrumental piece is actually a medley arranged by Stoloff that combined the popular 1933 song “Moonglow”, written by Will Hudson, Irving Mills and Eddie DeLange, with the “Theme from Picnic”, written by George Duning for the 1955 film starring William Holden, Kim Novak, Rosalind Russell, Betty Field, Cliff Robertson, Arthur O’Connell and Susan Strasberg. Based on the Pulitzer Prize-winning play Picnic by William Inge, the film was adapted for the screen by Daniel Taradash, and directed by Joshua Logan, who also directed the Broadway production. Stoloff’s piece was used in the film, and later released as a single in early 1956. The song spent three weeks at #1 on the Billboard Most Played by Jockeys chart that spring (from 1955-57, Billboard had four distinct, and rather childishly-named, pop charts: Best Sellers in Stores, Most Played by Jockeys, Most Played in Jukeboxes, and Top 100).
From the 1940s to the early 1980s, instrumentals were quite popular and often released as singles. Beginning with the Big Band era and continuing all the way through to the Rock and Disco eras, numerous instrumentals became big hits. Some of the iconic instrumentals that went to #1 include the Benny Goodman classic “Sing Sing Sing”, Perez Prado’s “Cherry Pink and Apple Blossom White”, Percy Faith’s “Theme from A Summer Place”, Booker T & the MGs’ “Green Onions”, Paul Mauriat’s “Love is Blue”, Hugo Montenegro’s “The Good, The Bad & The Ugly”, Mason Williams’ “Classical Gas”, MFSB’s “T.S.O.P”, Barry White’s “Love’s Theme” and Vangelis’ “Theme from Chariots of Fire”. For me, “Moonglow and Theme from Picnic” ranks among the best of them. The cool percussion, jazzy piano keys and stirring orchestral strings are positively sublime.
The song is wonderful all by itself, but what makes it even more significant is the fact that it was used for one of the most important and memorable scenes in Picnic. A rather intoxicated Hal, played by William Holden, dances to the song with his college friend Alan’s girlfriend Madge, played by the devastatingly beautiful Kim Novak, while her younger sister Millie, played by Susan Strasberg, watches with teenage envy as she swigs liquor from a bottle hidden in Hal’s jacket. The also intoxicated middle-aged schoolteacher Rosemary, played by Rosalind Russell in one of her finest performances, and the hapless Howard (Arthur O’Connell) watch from the sidelines. Rosemary stews with bitter jealousy as she watches the younger, more beautiful Madge dance with Hal, who she finds both attractive and repellant. It’s an incredible scene taut with sexual tension and desire, and the sensuous song sets the perfect mood.
BUEL – Single Review: “Small Talk”

When I first featured the beautiful and talented Los Angeles-based singer-songwriter BUEL exactly four months ago, I fawned over her brilliant reimagining of Nirvana’s classic “Smells Like Teen Spirit” (read my review here). With her distinctive and beguiling vocals that range from smoky purrs to sultry vulnerability, combined with a sophisticated pop-rock style, she’s captured the attention of music critics and fans alike, garnering airplay on radio stations across the U.S. and in the UK. Her video for “Lemon Smile” won an award at the 2021 London Music Video Festival.

Now BUEL is back with a another marvelous single “Small Talk“, along with a stylish and entertaining video. The song addresses the superficiality of small talk people often make to fill the time and airspace when there’s no meaningful connection between them. She elaborates “Small Talk is about the ingenuine daily conversations between people. Even though it’s pretty common and seen as an innocent aspect of our daily lives, I observed that oftentimes it tends to make people feel uncomfortable because talking to someone without giving any depth and sharing words to pass the moment can only be kind but not real.”
I love how the song opens with BUEL’s breathy gasp, accompanied by airy, otherworldly synths, setting a sultry tone for what’s to come. Soon, she croons “Some are scared of silence, when I need it so bad. And I’m calculated nihilist for the questions you ask to evaluate my life. Innocently creeping in, just to say ‘Hi, I’m alive, are you too?’ The way you look has left me blind. Are you too? I like you. Small talk, can find you anywhere.” Musically, the song features a slow, seductive dance beat, with a wonderful pulsating bassline creating a sultry smoldering groove that aims straight for the hips. The instrumentals are punctuated with exquisite keyboards, percussive synths and guitar notes, resulting in a beautiful and compelling soundscape for her enchanting vocals.
“Small Talk” is another winning single by BUEL, and if she continues turning out music this good, her star can only continue to soar.
Follow BUEL: Facebook / Twitter / Instagram
Stream/purchase her music: Spotify / Apple Music / Amazon
New Song of the Week – BEALBY POINT: “Talk To Me”

After being unable to perform live or even see one another during most of 2020, Vancouver, Canada-based alt-rock band Bealby Point are having quite a productive 2021. Starting with the release in February of their debut single “I’m So Bummed Out Right Now” (which I featured in a Fresh New Tracks post), they followed up in April with their second single “Telescope”. On July 15th, they dropped their third single “Talk To Me“, which I’ve chosen as my New Song of the Week. All three songs will be included on their forthcoming EP, due out later this year.
Named after their favorite beachside vacation spot, Bealby Point consists of four childhood friends, Jack Armstrong (lead vocals), Jordan Studer (bass), Clayton Dewar (lead guitar) and Zack Yeager (drums). Drawing inspiration from fun times spent at Bealby Point, the guys aim to create music “that captures the most cherished memory of your favourite summer and turning it into the perfect sound.” Their buoyant, high-energy garage rock sound has earned them favorable comparisons to The Strokes.
As with their previous singles, “Talk To Me” was recorded with veteran producer Matt Di Pomponio. About the song, the band explains “It’s about balancing heavy emotions with stifled logic – doing something you have reason to believe is wrong, but it feels right because you want it. The track follows a pair who previously revealed their intimate feelings to each other. Now, they have closed off their real feelings and resist the urge to speak from an open heart, in order to save themselves from the perceived consequences of revealing their true thoughts. They long for things to go back to how they were.”
The song opens strong with a wonderful swirling guitar riff, accompanied by a superb rhythm section, courtesy of Zack’s assertive thumping drumbeats and Jordan’s prominent chugging bassline, which is fucking fantastic! The dual guitar work by Clayton and Jack is brilliant, highlighted by what I’m guessing is Clayton’s blistering guitar solo in the final chorus. Jack’s colorful, emphatic vocals are marvelous, with a hazy lo-fi quality that reminds me a bit of The Strokes lead singer Julian Casablancas, even when they soar to a falsetto. We can feel his exasperation when he implores his partner to just communicate with him in an open and honest fashion: “Talk to me and I’ll talk back. I never lied to you. I don’t want that. But if you have to lie to me then I’ll lie back. And that’s the back and forth I can’t stand.”
“Talk To Me” is a terrific song, and with three excellent singles to their credit, Bealby Point have firmly established themselves as one of Canada’s best indie bands. Hell, they now rank highly among my own favorite indie bands as well. I look forward to hearing their upcoming EP.
Band photo by Sam Fazio, and single artwork by Quinlin Gustin.
Follow Bealby Point: Facebook / Twitter / Instagram
Stream their music: Spotify / Apple Music / Soundcloud / YouTube
Top 30 Songs for July 18-24, 2021
- WELCOME TO THE PARTY – Jack Droppers & the Best Intentions (2)
- WE ARE BETWEEN – Modest Mouse (1)
- BED HEAD – Manchester Orchestra (4)
- FLATLINE – Two Feet (3)
- CAN WE GO BACK – The Frontier (7)
- FOLLOW YOU – Imagine Dragons (5)
- MARTYR – Oli Barton & the Movement (8)
- SINNER – Young Decades (9)
- ZITTI E BUONI – Måneskin (10)
- METRONOME – Polarizer (6)
- YOUR POWER – Billie Eilish (14)
- BETTER – Michigander (15)
- CRAWLING KINGSNAKE – The Black Keys (16)
- STARGAZING – The Neighbourhood (20)
- LIKE I USED TO – Sharon Van Etten & Angel Olsen (21)
- TYPHOONS – Royal Blood (11)
- ALL YOU EVER WANTED – Rag’n’Bone Man (19)
- NOT DEAD YET – Lord Huron (12)
- SHY AWAY – twenty øne piløts (13)
- NOTHING2 – Strange Souvenirs (23)
- HIGHER POWER – Coldplay (22)
- STOP MAKING THIS HURT – Bleachers (24)
- STICKY – The Maine (25)
- SOLAR POWER – Lorde (26)
- MISSING PIECE – Vance Joy (27)
- EVERY WINDOW IS A MIRROR – Joywave (28)
- ENNUI – Dawning (29)
- COME FIND ME BACK – Philip Morgan Lewis (17)
- SAVE YOUR TEARS – The Weeknd (18)
- MONTERO (Call Me By Your Name) – Lil Nas X (N)
BLIGHT TOWN – EP Review: “Blight Town”

Blight Town are a five piece alternative/math rock band based in Nottingham, England. Formed in 2019, the band consists of brothers Jake (vocals) and Sam Hough (guitar), Will Emmerson (guitar), Scott Taylor (bass) and Joseph Smith (drums). Together, they combine elements of progressive, math, pop and metal rock with bold instrumentation, complex time signatures and a dramatic mix of screamo and melodic vocals to create their wildly explosive sound. In short order, they dropped their debut single “Jejunum” in September 2019, but since then have taken their time releasing new music. Nearly a year later in August 2020, they followed up with their second single “Argument Bargument“ (which I reviewed), and now return with their self-titled debut EP Blight Town, which dropped July 16th. The EP features the two aforementioned singles, plus two new tracks.
The guys get right down to business with the opening track “Frostilicus“, instantly demanding our attention both musically and lyrically with an unrelenting thunderous barrage of grungy guitars and pummeling drums as Jake screams “She needs to listen to us right now!” I have no clue as to what the song’s title means, but the lyrics seem to be about confronting a duplicitous and self-destructive person: “Such whack shit is going down. The bullshit she’s churning out. If you don’t say the words to her then I will. Such a shame that you haven’t got the guts to still. Tell me where do I go? I wish that I didn’t know. A slave to the wages of sin. Where do I begin?” The scorching, intricately layered guitar work is fantastic, and a testament to the guys’ impressive musicianship.
“Jejunum” continues on a similar theme, delivering another onslaught of fearsome riffs and explosive percussion, accompanied by a marvelous, almost skittering bassline. Once again, the intense, richly-textured guitars are mind-blowing, turning hauntingly beautiful at the breakdown that occurs at the 1:06 minute mark. Jake’s vocals are downright fearsome throughout much of the song, but also soften to an enchanting ethereal calm in the interlude. As for the song title, a quick Google search revealed that ‘jejunum’ is a part of the small intestine in both humans and most higher vertebrates, including mammals, reptiles, and birds, so it’s anyone’s guess as to the title’s meaning. The lyrics seem to speak to a similar type of unpleasant person we were introduced to in “Frostilicus”, who Jake roundly denounces: “You already know you made my life a living hell.“
The cheekily-titled “Argument Bargument” is a prog-rock gem, opening with an atmospheric strummed electric guitar that gradually becomes enveloped in wobbly reverb. Suddenly, we’re hit with a burst of chaotic gnarly riffs, throbbing bass and aggressive drumbeats as the song evolves into a rousing, melodically complex and discordant banger. Amid some terrific guitar noodling punctuating the otherwise tumultuous proceedings, Jake’s vocal gymnastics are a thing of wonder as he transitions from pleasing croon to scary screams. The band states that the song is “A wistful retrospective on the transient nature of modern relationships and the lengths we will go to in order to rationalise our lived experience.” Jake emphatically snarls “You never wanted an argument, well now you’ve got it. And that’s why they call me the cynicist.”
The guys unleash their full arsenal of sonic weaponry on the final track “Don’t Touch Me I’m Covered in Poisons“. The instrumentals are heavier and more intense than ever, with Sam and Will’s dual intertwining guitars laying waste to the airwaves while Joseph nearly blows the speakers with his smashing drumbeats. Then there’s Jake’s feral vocals, which are positively spine-tingling as he screams like a wild beast. It’s a wonder he has any vocal cords left!
Blight Town is a great little EP, a literal bundle of explosive TNT packed into 12 minutes and 51 seconds, beautifully showcasing this band’s outstanding songwriting and composition talents, as well as their impressive technical skills. Though their music is both complex and intense, it’s still surprisingly accessible and melodic.
Blight Town also offers an array of merchandise, including tee shirts, hoodies and caps made from sustainable and vegan-friendly materials, which you can purchase at https://slugapparel.com/.
Follow Blight Town: Facebook / Twitter / Instagram
Stream their music: Spotify / Apple Music
Purchase: Bandcamp / iTunes
RUBBER CLOWN CAR – Album Review: “Go.Do.”

One of the more uniquely fascinating acts I’ve written about in my nearly six years of blogging is Rubber Clown Car (I love their name!) Based in the far western Chicagoland suburbs, the band is the brainchild of singer/songwriter and ace guitarist Dirk Prysby, a wildly imaginative, creative, and all-around nice guy. His songs often feature zany titles, but with deeper lyrics touching on the minefields of love, relationships and this crazy thing called life. As I’ve previously noted, his quirky, off-kilter vocal style wouldn’t get him very far on The Voice or American Idol, but it’s incredibly endearing and well-suited to his eccentric songs. Besides Dirk, Rubber Clown Car includes Fred Beasley (drums, backing vocals, guitar) and Tony Pantalones (bass, keyboards and everything else). Their eclectic alt-rock sound has been compared to such acts as XTC, Bob Mould, the Damned, the Who, GBV, the Replacements, and Matthew Sweet, with one reviewer describing them as “the Beatles on Quaaludes”.

Formed in the mid-2000s, Rubber Clown Car started out making fairly straightforward music drawing from rock, grunge and punk elements. Their first release was the excellent 2006 album Make the Noise, featuring one of my favorite of their songs “Home in the Suburbs”, a no-holds-barred commentary on the American Dream. They subsequently began incorporating more psychedelic and alternative elements into their music, which can be heard on their follow-up 2008 release Music “They” Don’t Want You To Hear, with songs like “The Boy With the Plexiglas Head” and “Gene Pool Party”. Since then, they’ve been quite prolific in their output, releasing ten more albums and EPs, featuring clever titles like Jesus is not a Weapon, Cake Solves Heartaches, Let’s Go Bowling and Slave to the Algorithm.
In May 2019, I reviewed their brilliant eighth album Horse Logic, an ambitious and trippy tour de force featuring 18 tracks ranging from rock to psychedelic to blues to ballads, and everything in between. Two years later they’ve returned with their latest album Go.Do., which dropped on May 28th, and I’m finally getting around to reviewing it. The delightful album features 11 tracks, including seven original songs and four covers – the Goo Goo Dolls’ “Long Way Down”, the Association’s “Never My Love”, the Gin Blossoms’ “Found Out About You” and the Beatles’ “Ticket to Ride”.
The album opens with “Everything to Everyone“, a terrific guitar-driven banger, fortified by a fast-paced punkish groove punctuated with gnarly psychedelic guitars. The lyrics speak to the futility of always trying to please everyone: “You bend over backwards with your head up your ass. Nothing in the world kills attraction so fast. You give and give and give and ask not in return. And wonder why you’re alone, won’t you ever learn?“
Among the album highlights for me are “The Math in Her Head“, with it’s slow, infectious guitar-driven melody and Tom Petty vibe. The lyrics address a woman who’s reassessing her feelings about the relationship, and not for the better: “She’s doing the math in her head. I’m starting to wonder, is it something I said? She won’t talk to me. She won’t talk to me. She won’t talk to me anymore.” Another song that seemingly channels Tom Petty, with a bit of the Beatles and Jayhawks thrown in for good measure, is the hopeful “What If“, with lyrics written by Natalie Rose, who also provides backing vocals. “What if I said ‘I loved you’? Would you say that you loved me too? What if I said I need you? Would you say that you need me too?“
Dirk’s skill for writing cheeky lyrics and hard-driving bangers is nicely showcased on the rousing “Out of State Plates“, my favorite track on the album. The song touches on the joys and perils of playing the field, and how it sometimes gets you into trouble: “Out of state plates keep me coming back for more. Out of state plates keep me coming back for years. Out of state plates got me running out the door. Out of state plates probably make me lose my mind. She’s coming round in a wedding dress. I probably should have been a little clearer I guess.” I love the song’s frantic punk-like beat, thunderous percussion and intricate, mind-blowing riffs that set the airwaves aflame! The way the guitars fade out in a wave of distortion and reverb is fantastic.
Rubber Clown Car does a fine job on the four covers, but my absolute favorite is “Found Out About You“. Their interpretation is slower and more introspective than the original by the Gin Blossoms, with Dirk’s lovely acoustic guitar and plaintive melancholy vocals providing the only sounds we hear. The result is a beautiful and deeply moving song that really captures the heartbreak and disappointment expressed in the lyrics in a way the Gin Blossoms’ version did not (though I do love their original too).
Another standout is “Great Guns“, a grungy, psychedelia-tinged tune about a woman’s fears and paranoias that led her to buy a gun for protection. Dirk serves up dark and heavy riffs dripping with gnarly distortion, brilliantly conveying the disconnect between the woman’s fears and her false sense of security that owning a gun brings: “She bought a gun. She liked the way it fit her fingers, and she’s #1. She’ll never feel this way again cause Great Guns are coming round./ She found a way out of her problem situation.”
Album closer “Mannequin Casino” starts off with tribal drum beats, then launches into a reverb-soaked barrage of grungy psychedelic guitars and trippy vibes. My take on the song’s meaning is that it’s about being abandoned by a lover at the Mannequin Casino, which seems to be a metaphor for a dead, lonely house without love or even the presence of an honest human being. Dirk laments “Something was wrong, you couldn’t find a way to say it. You couldn’t make me understand. All alone at night at a Mannequin Casino. What goes at night at a Mannequin Casino? Something just ain’t right at this Mannequin Casino.“
Go.Do. is a very fine album, and while I don’t think it’s quite as strong or innovative as Horse Logic, Rubber Clown Car nevertheless delivers more of the offbeat alternative rock we’ve come to love and expect from them. The outstanding guitar work, catchy melodies and relatable lyrics all make for a fun and thoroughly enjoyable listen.
The wonderful album artwork was created by Logospilgrim, a talented and lovely writer, artist, singer and fellow blogger from Canada who’s a friend of both mine and the band. Check out her blog at https://logospilgrim.com/
Connect with Rubber Clown Car on Twitter
Stream: Spotify / Soundcloud
Purchase: Bandcamp / iTunes
Six Emerging Hip-Hop Artists To Watch This Year
This is a second guest post by Nicole McCray, a freelance writer based in San Francisco. Nicole writes articles on a wide range of topics, including health & wellness, lifestyle & beauty, music, movies, TV & filmmaking, and animals & pets. You can check out some of her work at https://www.nicolemccray.com/. Her previous post was “Five Up and Coming Artists To Expect Big Things From”, which you can read here. The idea for her second post came to her after attending an event at her son’s college, where he was performing as a rapper. She was impressed by many of the underground artists who gave exceptionally good performances, inspiring her to write about some promising new hip-hop artists.
I’ll admit that hip-hop is not one of my favorite music genres, however, as EclecticMusicLover I feel it’s worthwhile to expose myself to music I wouldn’t normally gravitate toward, as well as feature some of it on this blog from time to time. With that in mind, I’m pleased that Nicole chose to write this post.
Six Emerging Hip-Hop Artists To Watch This Year
The hip-hop scene has definitely been further solidified in 2021, with chart dominance by standout artists like Rod Wave and Jack Harlow. Rookies have made their stamp on the hip-hop and R&B genres as well, with other artists proving that music still managed to make its way forward even in a problematic year. It’s difficult to predict which of these artists will emerge as big stars in the coming year, as we learned quickly from last year how things can change in a second.
The music industry certainly got hit hard during the pandemic, but that hasn’t stopped artists from finding creative ways to make sure their music and influence are heard by the masses. Public recognition doesn’t always make or break a thriving artist’s journey.
Suppose you are a musician or independent artist looking to develop new ways to monetize and keep incoming customers coming in. In that case, you should research some of the artists below and see what methods they are taking to broaden outreach. It can also help you organize and utilize a platform for managing your links to keep yourself on track.
Here are some of the greats we’ve discovered and expect big things from in the upcoming year and how they make their mark in the music world.
BLXST
Los Angeles-based hip-hop artist born Matthew Burdette, known professionally as Blxst (pronounced “Blast”), gained considerable success in 2020 with his debut EP No Love Lost. The EP tackles complex topics, including relationship woes that leave us wondering how close to home this plays out in his own love life. The journey unfolding within the album paints a clear picture of his life and covers the failure of a relationship. The song and video for “Overrated” shows him speaking to her, asking if she will “bleed the streets” with him to prove her loyalty. Later in the album, it depicts him trying to deal with the loss of his lover while they still are living together.
Blxst grew up listening to other hip-hop influencers like Pharrell Williams and Kanye West. His style is compared to other rappers such as Ty Dolla Sign and Nate Dogg. He received a lot of underground support and has become a fan favorite with soul, impacting his fans everywhere, and we are anticipating some full-length albums to emerge next.
LIL EAZZYY
Hailing from Chicago, Lil Eazzyy seemed to come from nowhere with an EP entitled Underrated, which, just like in the name, was entirely true for him getting some buzz on social media and then being picked up by underground fans. He ignites a bouncy, almost chattery rhyme style, which captivates his audience, and has us all excited for more.
His hit song “Onna Come Up” demonstrates his confidence and self-awareness. It went viral and has garnered over 69 million streams and counting on Spotify, while a remix of the song featuring G Herbo has been streamed nearly 30 million times. His next mixtape, Rookie Of The Year, injects even more style to his buzz, telling stories of overcoming the odds while growing up on the Southside of Chicago. It is clear that this artist has his sights set on being the next success story, stating, “I’m trying to be MVP.”
J.I.
Rapper J.I. (born Justin Irvin Rivera in Brooklyn) declared himself the “Prince of N.Y.”, but now wishes to be more than that, not loving that television rapper name he was pinned with from the start. His music has been well-received in the hip-hop world, getting nods from stars like A Boogie, Drake, and Lil Tjay. His sing-like rap style gives him star status, and his hit song “Need Me” is an excellent demonstration of his potential in the Latin hip-hop scene. It has over 100 million streams on Spotify.
He already has stated that he hopes to break all preconceived assumptions about him as an artist and his music. He doesn’t like to be labeled, so he will continue to be whatever he wants to be. He has earned much of his success as an internet sensation, with huge followings on YouTube and Instagram. Because of his large fanbase, he included some of his fans in the video for “Why U Mad”, which is a great tribute to his impressive lyrics that showcase how well he stands with seasoned artists. We can surely expect this young artist to bring us more spirited drills in his new releases to come.
WEBSTERX
Milwaukee-based WebsterX is a leader of the hip-hop renaissance, with his original music picked up and promoted by a licensing agency. He has tapped into the powerful practice of yelling together as a central part of his music, and he loves to work with other artists in collaboration to create something new. His performances often consist of multiple artists playing solo songs as a group. His lyrics have a way of plunging deep into the soul while also inviting you to sing along. He has no problems diving into deep-rooted emotions and putting them on display.
His hit single “doomsday” and its accompanying video are what provided this artist with his breakthrough. The rapper developed a keen interest in poetry while he was in high school and said that an integration program opened up his world, helping him promote racial and cultural unification. Although he also says that each project he tackles takes on an experience that he has endured. His 2017 album Daymares addresses his feeling anxious and depressed when he dropped out of school and told his parents he would pursue being a musician, while his latest single “HUFFY”, released in April, touches on his experiences growing up and “riding his huffy through the hood”.
ERICA BANKS
Erica Banks is a leader with her song “Buss It,” taking a sample from Nelly’s super-popular “Hot in Herre,” and blowing up on Tik Tok to become one of the first (and biggest) dance challenges in the new year. It also helped her song to land on the Billboard chart.
She’s been compared to Megan Thee Stallion because of their shared Texas roots, which she has laughed it off on her Twitter account and stated that they have a similar accent because of where they are from. Erica has recently signed with Warner Bros entertainment, so we are excited to see if there might be another dance challenge on Tik Tok in the works. Maybe a collaboration with another Texas hip-hop artist like Tara, perhaps?
TOOSII
Putting out not just one but two albums last year – Platinum Heart and Poetic Pain, as well as recording a large number of collaborations with artists like DaBaby, Summer Walker, and Lil Durk – Toosii has encumbered an enormous buzz around what’s to come next for the Syracuse, New York-born rapper. He made a name for himself by releasing projects independently, and earning a lot of his fans through social media followings.
The rapper dropped out of school at 17 years old to pursue his dreams, and his most recent album Thank You for Believing is his way of singing praises to his family, friends, and fans for supporting him and helping him to achieve success. He said he just wanted to demonstrate that the music isn’t always just about the artist – it’s about the people who help get you to that status. His song “shop”, a collaboration with multi-platinum rapper DaBaby, has him delivering multiple witty one-liners.
He is described as having the “sound of tomorrow,” which leads us to know that there will be more to come soon from him. The release of Poetic Pain in 2020 exceeded all expectations, so there is a lot of anticipation to see what he will do next to top it.
Many other ground-breaking artists will make their hip-hop sounds heard in the coming year. These are just some of the standout artists we’ve highlighted to look out for, since they’ve made such a massive impact on their fans and boomed into the hip-hop scene. 2020 was a rough year for artists, and with 2021 showing more promise, it will be great to get things back to the normal we’re used to, including live concerts with some of these fantastic and talented hip-hop artists.
Top 30 Songs for July 11-17, 2021
- WE ARE BETWEEN – Modest Mouse (1)
- WELCOME TO THE PARTY – Jack Droppers & the Best Intentions (5)
- FLATLINE – Two Feet (2)
- BED HEAD – Manchester Orchestra (6)
- FOLLOW YOU – Imagine Dragons (4)
- METRONOME – Polarizer (3)
- CAN WE GO BACK – The Frontier (10)
- MARTYR – Oli Barton & the Movement (12)
- SINNER – Young Decades (13)
- ZITTI E BUONI – Måneskin (19)
- TYPHOONS – Royal Blood (11)
- NOT DEAD YET – Lord Huron (7)
- SHY AWAY – twenty øne piløts (8)
- YOUR POWER – Billie Eilish (15)
- BETTER – Michigander (16)
- CRAWLING KINGSNAKE – The Black Keys (18)
- COME FIND ME BACK – Philip Morgan Lewis (14)
- SAVE YOUR TEARS – The Weeknd (9)
- ALL YOU EVER WANTED – Rag’n’Bone Man (20)
- STARGAZING – The Neighbourhood (22)
- LIKE I USED TO – Sharon Van Etten & Angel Olsen (23)
- HIGHER POWER – Coldplay (21)
- NOTHING2 – Strange Souvenirs (24)
- STOP MAKING THIS HURT – Bleachers (25)
- STICKY – The Maine (26)
- SOLAR POWER – Lorde (27)
- MISSING PIECE – Vance Joy (28)
- EVERY WINDOW IS A MIRROR – Joywave (29)
- ENNUI – Dawning (30)
- BREAK MY BABY – KALEO (17)