Month: June 2025

RUSTY SHIPP – Album Review: “Capsized Empire”

On By EclecticMusicLoverIn Reviews12 Comments
Cover artwork by Hein Zaayman

Few acts I know of have mined a novel theme as successfully and consistently throughout their career as has Nashville rock band Rusty Shipp. I’ve previously featured them numerous times on this blog, but to summarize, the band is the brain child of singer-songwriter and guitarist Russ T. Shipp (his actual birth name is Russell Thomas Shipp), who call themselves a “Nautical Rock’n’Roll” band with a sound influenced by “the melodic chord progressions of The Beatles, the surf guitar of Dick Dale, the grunge rock of Nirvana, and the heavy metal of Led Zeppelin“. As their name suggests, their music is characterized by a dark, immersive sound, unforgettable melodies, electrifying guitar work, and Shipp’s vibrant tenor vocals. Like many bands, they’ve undergone numerous personnel changes since forming in 2014, and now consist of the aforementioned Russ Shipp on guitar and vocals, AJ Newton on drums, Dave Gajda on lead guitar, and Doug Webster on bass.

Band photo from their Facebook account.

In keeping with their name, all Rusty Shipp albums have been concept albums built around nautical themes, starting with Mortal Ghost in 2017, followed by Liquid Exorcist in 2019, Dark Side of the Ocean in 2022, and now their fourth and latest album Capsized Empire (its official title is Cosmic Innuendo, Vol. II: Capsized Empire), released on June 27th. (I reviewed both Liquid Exorcist and Dark Side of the Ocean, which you can read here and here.)  Whereas Vol. I: Dark Side of the Ocean explored the balance between dark and light, descent and ascent, and men and angels, Vol II: Capsized Empire tells the fictional story of an evil band of pirates who set sail on a sinister mission, dismissing the prophetic warnings of an old sailor on the pier who warns of a worse fate for them than the gallows if they stay on their course. The band further states that the fictional story “is ultimately a masked philosophical message warning of people living their lives in a self-inflicted apocalypse.” 

To accompany their ambitious album, which features 17 tracks – ten full length songs and seven interludes that drive the story forward and provide a connection between the primary songs – the band has also written a detailed narrative for the story, some of which I’ll include here:

“The story of ‘Capsized Empire’ is actually two stories. One is clearly told through this album’s narration and imagery-laced lyrics, and picks up where ‘Cosmic Innuendo Vol. I’ left off: when the warrior sea angels with the royal title ‘Nautical Sea Lords’ ascended from The Dark Side of the Ocean up to its surface to find out why the souls of men are sinking down to their kingdom with increasing frequency. And what do the Nautical Sea Lords find when they reach the land of men? Probably the worst example of man there is, which leads to the second story…

The other story is the more covert one that’s told through the philosophical lyrics of each song, creating a parallel undercurrent to the surface-level fiction story. This story addresses the problem of evil in the world. Each song responds to this problem from a different angle – as we hear from the voices of those grappling with the painful consequences of evil, as well as from those inflicting the pain. As the album progresses, philosophical layer is built upon layer to expand the intellectual understanding and emotional empathy to all affected by this problem (which is ALL OF US) to hopefully stir up outrage that leads to activism, but also to filter that justice through the ultimate solution (which is love and grace).“

Back cover of the album

The album opens with the slowly-building and ominous 40-second-long instrumental track “What The Tide Washed In“, quickly followed by “All Aboard!“, which I featured on a Fresh New Tracks post in February. As I wrote then, the song is a wonderful hard-driving rocker, with a roiling torrent of grungy guitars joined by blistering surf guitar solos in the second half, and nicely accompanied by AJ’s aggressive drums, a terrific organ and Russ’s dynamic spine-tingling vocals. The band calls this their first theme song, as expressed by the lyrics “All aboard this hallowed, rusty ship. Won’t you join us on our voyage away from suffering, into our destiny? With love and spirit pointing us true north, we’ll make it through the storm and build a kingdom we can call our home.“

Next up is “Espionage“, another hard-hitting track fueled by gnarly guitars and thunderous drums, detailing the sea angels’ efforts to observe the ways of mankind: “Call it Espionage in ocean camouflage, spinning up and down between two kingdoms, searching for a sign of intelligent life. Find out what these men are made of.” Their search leads them to a pub where they find a group of salty sailors singing the old traditional sea shanty “Spanish Ladies“: “Farewell and adieu to you, Spanish Ladies. Farewell and adieu you ladies of Spain. For we’ve received orders for to sail for old England, and we may ne’er see thee fair ladies again. We’ll rant and we’ll roar like true British sailors. We’ll rant and we’ll roar all on the salt seas until we strike soundings in the channel of old England. From Ushant to Scilly is thirty-five leagues.“

“On The Docks” explores the dichotomy between men who inherently strive to be good people and make a living through honorable means with those who choose a darker path of thievery and exploitation of others: “The difference in a sailor and a pirate is their consciences. And if his conviction is growling louder than the howling of his stomach could it be that a pirate’s greed is the same old thing as a shark’s instinct? Who didn’t have the pedigree or luck to evolve into a sailor’s breed. ‘Cause on the docks we swim with sharks, trying to get a bite. ‘Cause who has time to tread the lines between the dark and light, But if you would pay my daily wage, then I’ll put away my net. Show me something I need more than food and I’ll fish for that instead.” I love the song’s breezy melody and the wonderful mix of twangy and surf guitars.

“Black Market Jam” is a spoken word track describing some of the sailors engaging in nefarious activities like black market trade and human trafficking beneath the pier, followed by “Neck Breaker“, a bluesy and grungy rock song of warning to those sailors by an old prophet who predicts the harrowing fate that awaits them: “You’re wanted dead or alive, up to you which one they decide. So ride, but you gotta land sometime, and when you do, oh, you fool, the gallows will be waiting for you. You’re gonna hang from the head until you’re dead, dead, dead. Make your bed with the fishes.” The prophet then issues a curse on their captain on the spoken word interlude “The Curse of Robert Williams“, in which he warns him to turn the ship around and not proceed with their evil mission.

Bound and determined to go forward with their piracy, the sailors are self-proclaimed “Tough Guys“, blinded by their bad-ass bravado as they snarl “Yeah, we’re bad dudes, rockin’ tattoos, with our black shoes. Yeah, we’re tough guys, giving black eyes, as we’re cruisin’ by. Blame it on our daddy issues, blame it on whatever you want. Glad you got us figured out ’cause now we’re gonna come burn down your town!” Over a powerful chugging rhythm, the band layers some blistering guitar work, accompanied by gruff vocals that nicely convey their menacing message. Next up is “Aquamoto“, a terrific little instrumental tour de force of killer surf guitars that would make Dick Dale proud, making it one of my favorite tracks on the album. This is then followed by the spiritual track “Don’t You Grieve Us“, ostensibly sung by the kidnapped trafficking victims huddled in the hull of the ship.

Every Rusty Shipp album includes a cover of a classic rock song by a famous band – Mortal Ghost featured the Beatles song “Helter Skelter”, Liquid Exorcist featured Audioslave’s “Show Me How to Live”, and Dark Side of the Ocean includes a shortened cover of Pink Floyd’s “Us and Them“, from their masterpiece Dark Side of the Moon. For Capsized Empire, the band chose Paul & Linda McCartney’s “1882“. I wasn’t familiar with this rather unusual McCartney song, which tells the story of an impoverished boy of the servant class who faces stern consequences for stealing a loaf of bread from the big house upstairs. Rusty Shipp has reimagined and elevated the song into a darkly beautiful and gut wrenching number that here applies to slaves freed by President Lincoln’s Emancipation Proclamation, but who were unlawfully kidnapped and taken to Cuba where slavery was still legal at the time – sadly echoed by the cruel and unlawful deportations now being perpetrated by the Trump regime (my opinion). The guitar work and Russ’s impassioned vocals are stunning.

Russ unleashes the fury of his wrath for those who would prey on the innocent on “Nefarious“: “You, you are so despicable. Herding little girls like some kind of cattle, but you’re the animal. You have all devolved into a primal impulse. No trace of a soul, you’re nefarious.” The song is sonically magnificent, though, with haunting piano keys and a grandiose arrangement that reminds me of a few songs by English rock band Muse. And in fact, Russ’s fervent falsetto seems to channel Matt Bellamy when he really lets loose. I love this track!

“Scallywags” is another gorgeous and powerful rock song, with intense reverb-soaked guitars, throbbing bass and thunderous percussion creating an explosive, yet highly melodic soundscape. The lyrics speak to the ideas that evil is inherent in all of us to some degree, who are we to judge others, and that only through grace can we overcome our sins: “Scallywag buccaneers, black market blackbirders. So easy pointing fingers at the Neros and Blackbeards. But Rome wasn’t built in a day, and neither was its tyrant. It took centuries to make a culture to enthrone them. Love these enemies, and turn your cheek till they nail your hands and feet. Grace alone can save the world by breaking the chain of revenge. But I’m seething, can’t hardly see a thing except this blinding rage. Don’t wanna give the Lord all the revenge. ‘Cause I hate you, but I create you when I treat them the same way you were treated.” This immediately segues into “Counsel of Sea Lords“, a brief interlude featuring spoken word vocals of multiple Shippmates detailing the findings and judgements against the pirates by the Nautical Sea Lords.

The interlude track “Upside Down Kingdom” continues with the theme laid out on “Scallywags”, that so long as humans continue their endless cycle of retribution and revenge for wrongs committed against them (sound familiar to a certain evil President?), the world and mankind will never fully recover: “Ooh, Hell and Heaven are two kingdoms waging war within us. And every choice you make builds one, either death or life to come. When you repay good for evil you pull a brick out from the wall of Hell to build up the kingdom of Heaven. A step closer to Shalom.”

The album closes with “Sinners In The Hands“, a raucus rock song that brings everything full circle, that we are all sinners in the hands of a loving God who through his son set an example for us to follow of giving love and forgiveness to the sinful people in our lives, lest the world topple over as a capsized empire: “So never judge an evil man, for the greatest of all saints were once the vilest sinners who got a taste of saving grace. The same grace is calling out, reaching out for you right now. And has been for all your life to make you fully alive!“

To sum up, Capsized Empire is another epic, brilliantly-executed concept album by Rusty Shipp. As with their previous albums, everyone involved in its recording and production did a masterful job creating a work that’s flawlessly arranged and beautifully crafted on every level. But most of all, a great deal of credit must go to Russ Shipp’s incredible vision, imagination and talents as a songwriter, musician and vocalist.

Here’s Capsized Empire on Bandcamp:

And on YouTube:

Rusty Shipp Socials: Website / Facebook / Twitter / Instagram
Find their music on Bandcamp / Spotify / Apple Music / Soundcloud / deezer / YouTube

Top 30 Songs for June 29-July 5, 2025

On By EclecticMusicLoverIn Weekly Top 30's4 Comments
Photo of sombr from his Facebook account

‘With its sweeping cinematic ‘wall of sound’ arrangement and lush orchestration, the beautiful anthem “back to friends” by alternative pop-rock artist sombr is exactly the kind of song I love, so it was only a matter of time before it reached the pinnacle of my top 30 chart. The music project of talented and charismatic young singer-songwriter Shane Michael Boose – who will turn 20 on July 5th – sombr was born and raised in New York City but now based in Los Angeles. The gorgeous song was released in late December but as so often happens these days, it went viral on TikTok this past Spring along with his other single “Undressed”, and began appearing on multiple charts around the world, including the Billboard Hot 100 and other American charts. Currently enjoying a long stay at #1 on the Alternative Airplay chart, “back to friends” surpassed 100 million streams on Spotify in April and has now garnered more than 381 million streams.’

The straightforward, relatable lyrics describe feelings of heartbreak resulting from learning someone you thought you had a strong romantic and emotional connection with turns out to not share the same feelings, something I’m confident nearly all of us experienced at one time or another during our late adolescence or early adulthood. “How can we go back to being friends when we just shared a bed? How can you look at me and pretend I’m someone you’ve never met? The devil in your eyes won’t deny the lies you’ve sold, I’m holding on too tight. While you let go, this is casual.”

In other chart news of note, “Moody” by Australian duo Royel Otis is the biggest upward mover again this week, jumping nine spots to enter the top 10 at #6. Also entering the top 10 are “Basic Being Basic” by Djo, the music project of American actor and musician Joseph David Keery, who starred in the Netflix hit series Stranger Things, the comedy film Free Guy and season five of Fargo, and “Catch These Fists” by English indie rock band Wet Leg.

Two songs make their debut this week, the first of which is “No Rain, No Flowers” by Nashville-based blues rock duo The Black Keys, who are certainly no strangers to my chart. The marvelous ear worm is the title track and third single (after “The Night Before”, which recently peaked at #2, and “Babygirl”) from their forthcoming 13th studio album No Rain, No Flowers, scheduled for release on August 8th. Entering at #30 is “London Town” by English alternative indie rock band HEALER, a great song I recently reviewed. It’s their third song to appear on my chart, after “Bones” in 2023 and “War” in 2024.

  1. BACK TO FRIENDS – sombr (2)
  2. NOTHING I NEED – Lord Huron (1)
  3. ARCHBISHOP HAROLD HOLMES – Jack White (4)
  4. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (5)
  5. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (3)
  6. MOODY – Royel Otis (15)
  7. BARBARIAN – AWOLNATION (7)
  8. LET THINGS GO – Caamp (10)
  9. BASIC BEING BASIC – Djo (11)
  10. CATCH THESE FISTS – Wet Leg (13)
  11. THE TURNAROUND – DelCobras (6)
  12. THREE SIX FIVE – Shinedown (12)
  13. WALLS – Frank Joshua (8)
  14. LAREDO – Leon Bridges (9)
  15. RITALIN – Dexter and The Moonrocks (17)
  16. BONNET OF PINS – Matt Berninger (19)
  17. SPACEMAN IN TULSA – Counting Crows (18)
  18. SCARS – Secret Postal Society (21)
  19. FEELS RIGHT – Talk in Waves (22)
  20. WHAT WAS THAT – Lorde (23)
  21. SNAKESKIN – NAVE (14)
  22. POOR SAD INDIE EVERYTHING – Icarus Phoenix (16)
  23. RIPPLE – Good Neighbours (26)
  24. BETTER OFF EVENTUALLY – Bealby Point (27)
  25. RELATIONSHIPS – HAIM (28)
  26. EMERGENCE – Sleep Token (29)
  27. EVERYTHING IS PEACEFUL LOVE – Bon Iver (20)
  28. LOVE IS A FIRE – Art Block (30)
  29. NO RAIN, NO FLOWERS – The Black Keys (N)
  30. LONDON TOWN – HEALER (N)

BRYAN HOWELL – Single Review: “An Untamed Heart”

On By EclecticMusicLoverIn Reviews4 Comments

Time sure does fly by with increasing speed the older I get, and I can’t believe I’m nearing the 10 year mark of writing about music for this blog (though I didn’t begin writing reviews in earnest until Spring 2016). One of the artists I wrote about in those early days was Nashville-based singer-songwriter and guitarist Bryan Howell, when I reviewed his excellent debut album Take the Risk, which he recorded with his backup band The Standalones. Released in August 2016, the album featured ten stellar tunes drawing from a variety of influences, including rock and roll, rockabilly, garage rock, power pop, country, surf and indie rock, as well as the timeless soul music of Motown, Sun and Stax records.

In the years since, Bryan has released a handful of singles on a sporadic basis – “Against the Storm” in 2020, followed by “Still Hungry” and “Like Summer Thunder” in 2023 – yet we’ve remained connected on social media, where it’s been gratifying to know he and I are of similar minds with regard to the music industry and our nation’s insane political situation.

Photo by Andrew Hutto

Though rather quiet with regard to releasing new music, Bryan’s remained active in the Nashville music scene, frequently playing gigs and shows with his backup band The Standalones, where he’s garnered a growing fan base through his high-energy performances. Now, Bryan is back and sounding better than ever with his first single in two years, “An Untamed Heart“, and I thought it high time I featured him again. Written by Bryan, who sang vocals and played guitars, the song was co-produced by him and Drew Boals, who engineered and mixed the track. Other musicians who also played on the track include Wes Burkhardt on bass, Tyler Peck on drums & percussion, Eric Robert on piano, organ and synths, and Austin Rothrock on saxophone. Melo Nelson provided additional vocal arrangments, and Bobbi Giel did the mastering. The song will be included on Bryan’s forthcoming second album Shouting Back At The Brink.

“An Untamed Heart” is a rip roaring banger, blasting open with an electrifying barrage of wailing gnarly guitars, hard-driving bass and explosive drums. Throughout the song, we’re treated to marvelous piano keys and exuberant sax, echoing some of the great songs by the likes of Bruce Springsteen and John Cafferty & the Beaver Brown Band. Bryan’s intricate, fiery guitar work is truly spine-tingling and I love it!

In his spirited gravelly vocals, Bryan fervently sings of a “fiery vixen” who just might have what it takes to tame his wild heart and get him to finally settle down: “I’m an outlaw on the road of love. Robbin’ every heart I come across. No use for any knife or a gun, cause there’s no defense when that feeling comes. Cause an untamed heart makes its own rules. It might be time to leave this town. Gotta headstong woman chasing me down. A fiery vixen with eyes that smolder. But when I see her my breath gets shorter. And if that woman catches up to me, I’m afraid of what I may see. I may not be as man as I want to be. Cause an untamed heart makes its own rules. I’ve been mixed-up for a while now, ever since she and I crossed paths. I never thought I’d be tied down. But maybe those days are in the past.”

And here’s the track on Bandcamp:

Bryan’s Socials:  Facebook / Instagram / Threads

Find his music on Bandcamp / Spotify / Apple Music / YouTube

Top 30 Songs for June 22-28, 2025

On By EclecticMusicLoverIn Weekly Top 30's2 Comments

Lord Huron‘s achingly beautiful “Nothing I Need” remains at #1 for a second week, while sombr‘s cinematic “back to friends” closes in at #2. Jack White advances four spots to #4 with his boisterous satirical takedown of televangelist hucksters “Archbishop Harold Holmes”, and Irish indie rock band Somebody’s Child jump five spots to #5 with “Porcelain (Losing All My Patience)”. Ohio indie folk band Caamp enter the top 10 with their gentle song of positivity “Let Things Go”. The biggest upward mover this week is “Moody” by Australian duo Royel Otis, leaping 10 spots to #15.

We have three wonderful new debuts this week, starting with “Relationships” by Los Angeles-based pop-rock trio HAIM, comprised of sisters Este (bass guitar and vocals), Danielle (lead vocals, guitar, and drums), and Alana Haim (guitars, keyboards, and vocals). The lead single from their fourth album I Quit, which dropped this past Friday, June 20th, the song has a languid yet edgy hip hop vibe with the ladies’ marvelous signature harmonies, and I love it. It’s the sisters’ first song to appear on my chart.

Entering at #29 is the darkly beautiful and musically complex “Emergence” by English rock band Sleep Token, whose music is an electrifying blend of alternative, metal, progressive, R&B, hip hop and djent. Though they formed in 2016 and have released four albums, they’re new to me. In addition to their dynamic music, they’re also know for remaining physically anonymous by wearing masks. “Emergence” is the lead single from their fourth album Even in Arcadia, which was released in May, and their first to appear on the Billboard Hot 100, where it peaked at #57. The song is currently #2 on the Mainstream Rock chart and #17 on the Alternative Airplay chart.

Last but certainly not least is the haunting “Love Is A Fire” by the remarkably talented and prolific London-based artist Art Block, which I reviewed upon its release four weeks ago. A favorite artist of mine who I’ve featured many times on this blog, it’s his second song to appear on my chart, the previous being “White Horses”, which went all the way to #1 in December 2022.

  1. NOTHING I NEED – Lord Huron (1)
  2. BACK TO FRIENDS – sombr (3)
  3. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (2)
  4. ARCHBISHOP HAROLD HOLMES – Jack White (8)
  5. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (10)
  6. THE TURNAROUND – DelCobras (4)
  7. BARBARIAN – AWOLNATION (9)
  8. WALLS – Frank Joshua (5)
  9. LAREDO – Leon Bridges (6)
  10. LET THINGS GO – Caamp (11)
  11. BASIC BEING BASIC – Djo (13)
  12. THREE SIX FIVE – Shinedown (14)
  13. CATCH THESE FISTS – Wet Leg (15)
  14. SNAKESKIN – NAVE (7)
  15. MOODY – Royel Otis (25)
  16. POOR SAD INDIE EVERYTHING – Icarus Phoenix (12)
  17. RITALIN – Dexter and The Moonrocks (19)
  18. SPACEMAN IN TULSA – Counting Crows (20)
  19. BONNET OF PINS – Matt Berninger (21)
  20. EVERYTHING IS PEACEFUL LOVE – Bon Iver (18)
  21. SCARS – Secret Postal Society (22)
  22. FEELS RIGHT – Talk in Waves (23)
  23. WHAT WAS THAT – Lorde (24)
  24. MORTAL WOUND – The Veils (16)
  25. BAD LARRY – Cloakroom (17)
  26. RIPPLE – Good Neighbours (29)
  27. BETTER OFF EVENTUALLY – Bealby Point (30)
  28. RELATIONSHIPS – HAIM (N)
  29. EMERGENCE – Sleep Token (N)
  30. LOVE IS A FIRE – Art Block (N)

Fresh New Tracks, Vol. 48 – eLxAr, Joe Peacock, Kevin Robertson, Sorry Ghost

On By EclecticMusicLoverIn Reviews7 Comments

Time for another installment of my Fresh New Tracks series. Today I’m featuring new songs by, in alphabetical order, Italian electronic/synthwave duo eLxAr, English singer-songwriter Joe Peacock, Scottish singer-songwriter Kevin Robertson, and Los Angeles-based indie pop/rock band Sorry Ghost. I’ve previously featured the first three on this blog, while this is the first time I’m writing about Sorry Ghost.

eLxAr – “Lights at the Edge of the Road”

eLxAr is a fascinating electronic/synthwave act from Italy consisting of Luca, a pianist, composer, producer and game designer, and Alex (short for Alexandra), a singer-songwriter, digital designer, illustrator and multi-faceted artist. Not only are both of them multi-talented and creative, they’re also passionate about social justice and environmental issues. I first wrote about them in March 2024 when I reviewed their powerful anti-cyberbulling single “Nessuno Vede”. They’ve since released a lot more music, and I thought it was time I featured them again on this blog. Their latest single is the enchanting instrumental track “Lights at the Edge of the Road”. About the song, the band states: “I think there’s something mystical about traveling at night. Look out the window and it’s only darkness. Darkness and the streetlights, passing by the car as if they were divine fires, falling directly from the sky.” The darkly sensuous groove and crystalline synths beautifully capture the aura and mystery of a night drive.

Joe Peacock – “Not Love”

Joe Peacock is a British singer-songwriter and musician born and raised in rural Herefordshire and now based in Birmingham. Describing himself as “a genre-hopping storyteller, whose music has been compared to Bowie, Blur and Costello”, he’s a hard-working, thoughtful and talented musician who continually experiments and pushes himself beyond his comfort zone. And like eLxAr, Joe also cares deeply about the environment, social justice and inequality. The prolific artist has released a tremendous amount of music over the past four years, including three albums – I’m Only Here in 2021, Before the robots told us where to go in 2021, and Mirror Neuron Generator in 2022 – as well as numerous singles and five EPs, two of which, The curse of the mind and Beast Mode, I reviewed. He’s also one half of art-folk duo The Missed Trees, his side project with singer/fiddle player Louisa Davies-Foley.

His latest single is “Not Love“, an alternative rock song exploring the futility of trying to make someone love you when they’re just not interested. Joe elaborates: “The single’s about reversing the traditional lines in songs about unrequited love, as I find that a bit creepy and people should realise that going after someone who doesn’t reciprocate never works and just makes both sides unhappy. All the incels and toxic masculinity stuff comes in there a bit, too.” I love his shimmery and grungy psychedelic guitars as well as clever lyrics like “I tried to woo her with charm and wits, but she was just not having it./ I danced close to her in a club to get the opportunity to rub myself against her body.” 

Kevin Robertson – “Kings Of Most Of Yesterday”

Hailing from Aberdeen, Scotland is Kevin Robertson, a singer-songwriter and guitarist who makes a very agreeable style of jangle and psych pop. Strongly influenced by a range of influences including 60’s pop, classic and psychedelic rock, 80’s jangle music and 90’s Brit pop, he’s been actively recording and releasing music both as a solo artist and as a member of Aberdonian (I love that word) jangle pop five-piece The Vapour Trails since 2019. In a relatively short period of time, Kevin has released an impressive amount of music under his own name, including four albums – Sundown’s End in 2021, Teaspoon of Time in 2022, Magic Spells Abound, an aptly-titled collection of nine exquisite songs I reviewed in 2023, and The Call of the Sea in 2024.

Now’s he’s back with his latest single, “Kings of Most of Yesterday“, which dropped yesterday, June 20th. The song is the second single from his forthcoming fifth album Yellow Painted Moon, to be released July 11th. Written and sung by Kevin, who also played acoustic and electric guitars, the song includes additional eclectric guitar and bass played by his son Scott Robertson, with drums and mellotron by Nick Bertling, who also produced the track. The song features Kevin and Scott’s beguiling twangy guitars that remind me in spots of Dire Straits’ “Sultans of Swing”. It’s a beautiful song with an understated, yet powerful message about the ephemeral nature of each generation’s dominance within a given culture, with each gradually passing the torch to a younger generation who will then lead: “Change it has to come. The generations live and die. The kings of most of yesterday shall fall. Tomorrow goodbye.”

Sorry Ghost – “polyester (yes sir)”

Without question, one of the most irrepressibly charming – and might I add best-looking – bands around today is indie pop/rock four-piece Sorry Ghost. Originally formed as a pop punk band in Baton Rouge, Louisiana by guitarist and vocalist Matt Polito and bassist and vocalist Dan Anton, along with Ryan DeJean and Nick Broyles, they released their debut EP Win By Default in late 2016. Ryan and Nick later left the band and Tyler Hernandez briefly joined the lineup as drummer, at which point they released their debut album The Morning After in April 2020. Tyler departed in 2021, after which Matt and Dan relocated to Los Angeles, where they were eventually joined by Tate Silver on drums and Sean Duong on guitar and vocals to complete their current lineup. The new location and lineup steered their musical direction toward a breezier indie pop/rock sound, and their popularity has continued to grow.

The guys have a wickedly cheeky sense of humor, calling themselves ‘iconic indie idiots’ whose music is “a potent blend of optimism and frustration, loud and soft edges, encouragement and rejection“, and frequently delight their fans and followers with hilarious and endearing video reels of themselves on Instagram and TikTok. I follow then on Instagram, and their posts never fail to put a big smile on my face. Their videos are also highly entertaining and creative, evidenced by the one for their new single “polyester (yes sir)“, which dropped yesterday. Directed by Jeremy Stewart, produced by Katherine Myers and shot by Luis Adrian Lara, the video shows the guys performing the song in a bucolic setting in the Santa Monica Mountains, with Dan playing a decidedly frustrated office executive. My take on the lyrics is that they speak to feeling stuck in a job or lifestyle you hate, acting out a part that doesn’t feel genuine or fulfilling, with ‘polyester’ representing the wardrobe you’re forced to wear: “When I step right into line. Just a little to the left. Step right don’t you lie, There’s so little to me. Left my life ‘low the frame. Now I’ve found me to blame. Polyester that’s a yes sir, I can’t take another gesture.” I love the song’s mellow vibe that sits in a sweet spot between sunny and melancholy, as well as the colorful blend of jangly and chiming guitars accompanied by pleasing harmonies.

THE BRIGADIER – Album Review: “Sailing the Seven Neuroses”

On By EclecticMusicLoverIn Reviews17 Comments
Boat photography by Ben Yates.

I recently learned about The Brigadier, the music project of singer-songwriter, musician and producer Matt Williams, when he reached out to me about his new album Sailing the Seven Neuroses. Originally from Wales but now based in Devon, England, he’s had music in his blood since his teens. He grew up listening to his parents and older siblings’ records that ran the gamut from rock and roll, country and bluegrass to 80s pop, new wave and rock, plus his dad plays guitar and banjo and was always in bands. Matt started learning to play guitar at the age of 13, and began playing in a series of bands. By the early 2000s he was living in Brighton, where he fronted a band called Brigadier, where he was the main songwriter and singer. Though they rehearsed for quite a while, the band never really took off, and when they eventually fell apart he kept the name as a solo artist.

In 2007, he released his debut album View from the Bath, and over the next 10 years he released another five excellent albums, as well as four seasonally themed EPs. Influenced by some of his favorite acts like Queen, The Beach Boys, The Beatles, Nick Lowe, The Divine Comedy, early Genesis and Pink Floyd, Steely Dan, Black Sabbath and Led Zeppelin, as well as country rock, 60s, 70s & 80s pop, and synthpop, his highly melodic music is a pleasing blend of power pop, rock, folk and synthpop elements, featuring relatable lyrics reflecting his life and relationship experiences expressed through his comforting low-key vocals.

In addition to his prolific music output from 2007-17, Matt also produced and recorded soundtrack work for documentaries and short films, and his music garnered both local, national and international radio coverage, including BBC Radio 1, BBC Radio Wales, BBC Southern Counties and Radio Devon, as well as performing live sessions and interviews for BBC Southern Counties and BBC Devon, and in USA and Europe, as well as magazine coverage. He’d intended to continue with his music, but life, family and jobs took precedence, leaving his time and energy for making music rather depleted. Now, after an eight-year hiatus, he’s back with his seventh album Sailing the Seven Neuroses, which dropped yesterday, June 18th.

Photo by Digital Horse Brasses

All songs on the album were written, performed and produced by The Brigadier, with the exception of drums on “The Purge” and “Hot Solace”, which were played by Emily Dolan Davies, “What about tomorrow?” by James Carmichael Dooley, and “It’s you I think about” and “Don’t go to bed with a bad mind” by 444. Mastering was done by Wayne Bassett (who’s also a member of Welsh electro/art punk band Head Noise, who I’ve featured several times on this blog) at Robot Recordings. And rather interestingly, like all previous albums by The Brigadier, Sailing the Seven Neuroses features 13 tracks.

I’m always a bit apprehensive when an artist I’m unfamiliar with approaches me about possibly reviewing their album, but my reservations were quickly put to rest as I listened to Sailing the Seven Neuroses, as there’s much to like here. The album opens with “Bleak Companion“, a marvelous power pop song that hooked me right from the start. The lyrics speak to dealing with the day to day routines of work and obligations that seem to get in the way of living: “I’m so tired of having to get out of bed to do the things I have to do, but there’s no other way.” In addition to the infectious driving melody and stellar guitar work, I love the airy synths and Matt’s exquisite layered vocal harmonies.

The song gently segues into the lovely second track “The Purge“, and as the song unfolds it’s clear Matt hasn’t lost a step during his long time away from music. In fact, his musicianship and vocals sound better than ever. This song reminds me of some of Todd Rundgren’s early work, though the harmonies seem to channel the Beach Boys in spots.

Those wonderful harmonies are on full display on the incredibly pleasing “Blessings“, which features some gorgeous jangly guitars and spirited piano keys over a lively, upbeat melody. The Brigadier admonishes us to appreciate what we’ve got and not compare ourselves to others: “Count your blessings before you mess things up reflecting on the stuff you haven’t got. Don’t compare and contrast, ’cause you’ll only take a fast track to feeling pretty down about your life.“

The great songs just keep on coming. “Peace within the Poison” has a delightful retro 60s vibe that calls to mind some of the great pop songs by the Lovin’ Spoonful and Beach Boys, but with a contemorary treatment. And once again, I must call out The Brigadier’s lush vocal harmonies, which are also nicely featured on the enchanting “Perfect Surprise“.

The Brigadier takes us into the 80s with the exuberant, synth-dominant beauty “Hot Solace“, a song about not letting petty problems and slights get the best of us: “I won’t let the melancholy come over me. I let the pouring rain wash away the pain.” Midway through the album is the title track “Sailing the Seven Neuroses“, a somewhat quirky but beautiful instrumental track with a bit of a tropical flair that ventures toward ethereal psychedelia at the end. Next up is “Man about the House“, a terrific power pop gem serving up grungy guitar work and insistent piano keys layered over a strong toe-tapping beat.

On “Heaven’s in my Heart“, he creates an enthralling otherworldly soundscape with a colorful mix of spacey and carnival-like psychedelic synths and resonant guitar work that seem to channel Pink Floyd in spots. His little symphonic flourishes and soothing breathy vocals are delicious. Those 80s influences are back on the irresistible love song “It’s you I think about“, featuring sparkling synths and warm guitar lines. And on the effervescent “Everyday an Ordeal“, vibrant piano and organ take center stage, fortified with arresting rock guitar chords and Matt’s joyful comforting vocals as he sings of wanting to find a bit of escape from life’s daily struggles: “Everyday an ordeal. Everyday the frustration is real. Everyday the struggle within. You just want to find a place to hide away.”

With it’s stomping beat, soaring choruses and exuberant blend of chiming, twangy and gnarly guitars, “What about tomorrow?” reminds me somewhat of “Hot Love” by T.Rex with a bit of Pet Sounds-era Beach Boys thrown in for good measure. And saving the best for last, The Brigadier closes the album with “Don’t go to bed with a bad mind“, a glorious five and a half minute-long tour de force that really showcases his impressive songwriting and musicianship. He seems to effortlessly pull together beautiful melodies, numerous time changes and fascinating musical textures from a dizzying array of styles and elements, yet it all works beautifully. And I know I’m beginning to sound like a broken record, but once again I must make note of those gorgeous harmonies that so strongly echo the Beach Boys. And in fact, in a recent interview with Aldora Britain Records, Matt responded to a question as to his favorite artist with “Queen or The Beach Boys depending on the day.”

Sailing the Seven Neuroses is a beautiful album that keeps sounding better with each listen. Every track is superb, with no weak ones that make me want to skip past, which isn’t something I can say about very many albums. The Brigadier is most definitely back!

The Brigadier’s socials:  Facebook / Instagram 

Find his music on Bandcamp / Spotify / Apple Music / YouTube

Top 30 Songs for June 15-21, 2025

On By EclecticMusicLoverIn Weekly Top 30's15 Comments
Photo of Lord Huron by Christian Waite

Another favorite music act of mine is American folk rock band Lord Huron. Originally formed as a solo act by singer-songwriter and guitarist Ben Schneider in 2010 after he relocated from Michigan to Los Angeles (his name was inspired by the Great Lake he grew up near), Lord Huron eventually became a four-piece that now includes Miguel Briseño on bass, keyboards & theremin, Tom Renaud on guitar, and Mark Barry on drums & percussion. Their uniquely beautiful music is a glorious mash-up of folk, western, rock and roll, pop, surf rock and new age, and has been described by music writers as evoking the ‘high-lonesome’ sound of such legendary acts as The Band and Neil Young, as well as newer acts like Fleet Foxes and My Morning Jacket (whose song “Time Waited” has spent the past three months on my chart, peaking at #1). The most striking features of their sound are the lush twangy and shimmery guitars, backed by stirring orchestral strings, and lead singer Ben Schneider’s beautiful warm vocals, which often convey an arresting and heartfelt vulnerability.

They’ve released four outstanding albums – Lonesome Dreams in 2012, Strange Trails in 2015, Vide Noir in 2018 and the gorgeous Long Lost in 2021, which is one of my favorite albums of the last 10 years. Their beautiful ballad “The Night We Met”, from Strange Trails, was their breakout hit and, shockingly, their only song to ever chart on the Billboard Hot 100, where it peaked at only #84. Nevertheless, it’s been streamed more than three billion times on Spotify. In January they released “Who Laughs Last?”, a hard-charging rock song featuring spoken word verses from actress Kristen Stewart, which they followed in late March with “Nothing I Need”. Those tracks, along with their latest single “Looking Back”, will be included on their forthcoming fifth album The Cosmic Selector Vol. 1, scheduled for release on July 18th.

“Nothing I Need” is gorgeous, featuring the band’s signature rich and colorful guitar work and Schneider’s marvelous vocals. It takes over the #1 spot on my latest Top 30 chart, marking Lord Huron’s third song to reach #1, after “Not Dead Yet” and “Mine Forever”, both from Long Lost, and both of which ended up placing in the top 10 of my 100 Best Songs of 2021 list, with “Mine Forever” ranking #2.

The bittersweet lyrics tell of a man lamenting his lost youth and the love he squandered away through his endless traveling, possibly for his career that now brings him no pleasure: “I fell asleep and when I woke up, I was old. I said goodbye to my youth and my blood ran cold. I got a feeling I just had to get away. I left it all behind on an endless road, but I see her face everywhere I go. I got everything I want and I got nothing that I need.” Schneider, who wrote and sang the lyrics, stated “Nothing I Need” “wonders if it’s possible — within the short time you’ve got — to ever truly know what you want, if it’s worthwhile wanting anything at all, and if there’s any point in pondering what’s down the roads you didn’t take.“

In other chart highlights, sombr‘s “back to friends” continues its strong upward movement, climbing three spots to #3. Three songs enter the top 10 after hovering in the low teens the past few weeks – “Archbishop Harold Holmes” by Jack White, “Barbarian” by L.A.-based alt-rock band AWOLNATION and “Porcelain (Losing All My Patience)” by Irish indie pop-rock band Somebody’s Child – all advancing three spots to #s 8, 9 and 10, respectively.

There are two new debuts again this week, the first of which is the exuberant “Ripple” by English indie rock duo Good Neighbours. Based in London and comprised of Oli Fox and Scott Verrill, they released their debut single “Home” in January 2024, The song was successful, reaching #26 in the UK and #2 on the Billboard AAA chart. I was never wild about that song, but I do like “Ripple”, which I find more infectious and appealing. The second debut is the wonderful “Better Off Eventually” by British Columbia, Canada-based alt-rock band Bealby Point, which I featured in the same Fresh New Tracks post as last week’s debut entry “Moody” by Royel Otis. 

  1. NOTHING I NEED – Lord Huron (3)
  2. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (1)
  3. BACK TO FRIENDS – sombr (6)
  4. THE TURNAROUND – DelCobras (4)
  5. WALLS – Frank Joshua (2)
  6. LAREDO – Leon Bridges (5)
  7. SNAKESKIN – NAVE (9)
  8. ARCHBISHOP HAROLD HOLMES – Jack White (11)
  9. BARBARIAN – AWOLNATION (12)
  10. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (13)
  11. LET THINGS GO – Caamp (14)
  12. POOR SAD INDIE EVERYTHING – Icarus Phoenix (10)
  13. BASIC BEING BASIC – Djo (17)
  14. THREE SIX FIVE – Shinedown (18)
  15. CATCH THESE FISTS – Wet Leg (20)
  16. MORTAL WOUND – The Veils (7)
  17. BAD LARRY – Cloakroom (8)
  18. EVERYTHING IS PEACEFUL LOVE – Bon Iver (19)
  19. RITALIN – Dexter and The Moonrocks (22)
  20. SPACEMAN IN TULSA – Counting Crows (23)
  21. BONNET OF PINS – Matt Berninger (27)
  22. SCARS – Secret Postal Society (25)
  23. FEELS RIGHT – Talk in Waves (26)
  24. WHAT WAS THAT – Lorde (29)
  25. MOODY – Royel Otis (30)
  26. THE NIGHT BEFORE – The Black Keys (15)
  27. TIME WAITED – My Morning Jacket (16)
  28. SO LONG – Wavves (21)
  29. RIPPLE – Good Neighbours (N)
  30. BETTER OFF EVENTUALLY – Bealby Point (N)

THE ZANGWILLS – Single Review: “Beers With The Beekeeper”

On By EclecticMusicLoverIn Reviews10 Comments

The UK is overflowing with scores of talented musicians and bands, and among those who’ve impressed me the most in recent years are British four-piece The Zangwills. Based in Cheshire, they consist of Jake Vickers (vocals, guitar, keyboards), Ed Dowling (bass, backing vocals), Sam Davies (lead guitar) and Adam Spence (drums, backing vocals). Influenced by some of their favorite acts like David Bowie, Arctic Monkeys, The Cure, The Rapture, The Smiths and The Strokes, their exciting, highly melodic music is outstanding, with a maturity and excellence in their songwriting and musicianship as fine as many top big-name bands around today. 

The Zangwills (from left to right): Sam Davies, Adam Spence, Ed Dowling & Jake Vickers. Photo by Edie Lees.

They began actively making music in 2017 while still in their teens, and have since released 16 singles and two EPs. Two of their singles, “New Heights” and “Patio Paradise”, have each garnered over 1.1 million streams on Spotify alone. I’ve previously featured them twice on this blog, when I reviewed their magnificent singles “Never Looked Back” (2021) and “Backpatters and Shooters” (2022) (you can read those reviews by clicking on the “Related” links at the end of this post). Both songs reached #1 on my Weekly Top 30 chart, with “Never Looked Back” ranking #24 on my Top 100 Songs of 2021 list and “Backpatters and Shooters” ranking #16 among my Top 100 Songs of 2023.

Now they’re back with their 16th and latest single “Beers With The Beekeeper“, which dropped June 6th. Like their previous singles, the song was produced and engineered by longtime colloborator Mark Winterburn (5 Seconds of Summer, The Script, Plan B, James Arthur, Don Broco) and mastered by Ben Booker (David Guetta, Bob Dylan, Elton John, PJ Harvey, Scissor Sisters, 5 Seconds of Summer). The song reflects on the often-therapeutic nature of having deep conversations with near strangers, as well as a nod to unlikely friendships forged with regulars at local pubs.

Band frontman and lead vocalist Jake elaborates: “You often feel that you can say anything to those people, especially when you’ve got no link to them such as mutual friends or family, there’s no judgement. It’s funny because it really does remind me of conversations that I’ve had, when you’re both in a bit of a state and you think you’re both talking about the same thing, but you’re not. Of course, the beekeeper in the song isn’t a real guy, and neither is the country pub where the scene is set, but there are references there to real people, and real conversation.” I know from experience that it can sometimes be easier to confide in or share deep secrets with total strangers than with loved ones or close friends.

They state that the alias of the beekeeper came about early on in the writing of the song. The lyric about being “stung by love” is intended to have a double meaning in both a physical and emotional sense, with a beekeeper acting as a metaphor for someone getting physically stung.

“Beers With The Beekeeper” opens strong with a torrent of jangly melodic guitars and assertive drumbeats creating a glorious cinematic soundcape. The music calms a bit in the verses as Jake sings in his distinctively beautiful plaintive vocals, still accompanied by the dynamic guitars, only to burst back open with the aforementioned cinematic flourishes in the choruses that gradually fade out as the band sings a refrain of “Ooh la la la la la la la la la“. It’s another superb song by The Zangwills, but then, I’d expect nothing less from these talented guys.

Perched up
In the corner of a former farmhouse
Country pub
Talking ‘bout the times that we've been stung 
By love 
And the things that we hold dearly
Beers with the beekeeper
Walk home thinking clearly 

Won't you come and listen again tonight?
I’m out the door ready to speak my mind
After last time things felt so much easier
Won't you come and listen again tonight?
I’m out the door ready to speak my mind
After last time things felt much more clear
Be my ear

First up
In falling behind
Tough rut
Tight the rope that binds
My words
To the post that keeps them near to me
Loosen up the knot
I need to see them running freely

Won't you come and listen again tonight?
I’m out the door ready to speak my mind
After last time things felt so much easier
Won't you come and listen again tonight?
I’m out the door ready to speak my mind
After last time things felt much more clear
Be my ear

Ooh la la la la la la la la la (x16)

The Zangwills Socials: Facebook / Instagram / Threads / X / TikTok

Find their music on Spotify / Apple Music / YouTube

Top 30 Songs for June 8-14, 2025

On By EclecticMusicLoverIn Weekly Top 30's11 Comments
Photo of Fontaines D.C. by Masashi Yukimoto

I just love Fontaines D.C., who’ve become one of my favorite bands over the past couple of years. Formed in 2016 in Dublin, Ireland (the D.C. in their name stands for Dublin City, to differentiate them from another band named the Fontaines) but now based in London, England, they consist of the dangerously charismatic Grian Chatten (vocals), Conor Curley (guitar), Conor Deegan III (bass), Tom Coll (drums) and Carlos O’Connell (guitar). Their latest single “It’s Amazing To Be Young” rises to #1 this week, making it their third song in a year to top my chart. Their song “Starburster” is my #1 song of 2024, with “Favourite” not far behind at #8.

Written and performed by all members of the band, and arranged, produced and mixed by James Ford, “It’s Amazing To Be Young” was inspired by the birth of band guitarist Carlos O’Connell’s first child. Bassist Conor Deegan III elaborated about the song for Genius: “It sounded more like a lullaby or a music box, but with the same lyric ‘it’s amazing to be young’. The feeling of hope a child can give is profound and moving, especially for young men like us. That sense of wanting to create a world for them to grow up in happily. It’s a feeling that fights against the cynicism that can often overtake us in the modern world. So we wanted to declare which side we were on – it really is amazing to be young. We are still free, and want to make that feeling spread. We want to protect it for the others around us, and maybe in doing that, can also help protect it for ourselves.

The video for this song was directed by one of our favourite collaborators Luna Carmoon. Luna has a very visual ear and found a way to bring out the world of our songs, somehow making the feelings more clear and more dreamlike at the same time. This video in particular has many special moments, but I think the way it unifies the different characters together is brilliant, because it embodies the message of not just the song but the album- youth is magical, and stories can become interwoven unexpectedly and feel like worlds colliding. That is youth, that is young love, and I think oftentimes that is romance.”

The video’s fairly long with a few breaks in the song, so here’s an audio video if you’d like to just hear the song itself:

Two songs blast their way into the top 10 this week: the bittersweet folk rock beauty “Nothing I Need” by Lord Huron (which is currently #1 on the Billboard AAA chart, with “It’s Amazing To Be Young at #2) jumps eight spots to #3, while sombr’s cinematic “back to friends” (which sits at #2 on the Alternative Airplay chart) leaps 10 spots to #6.

There are two new debuts again this week, the first of which is “What Was That” by New Zealand singer-songwriter Lorde, who became famous in 2013 at the age of 16 for her monster worldwide hit “Royals”. It’s her first new music since her 2021 album Solar Power (though she did release a single of her cover of “Take Me to the River” that she contributed to the 2024 album Everyone’s Getting Involved: A Tribute to Talking Heads’ Stop Making Sense). The song is the lead single from her fourth album Virgin, set to be released on June 27, and it’s nice to have her back! The second debut, entering at #30, is the endearing “Moody” by Australian guitar-pop duo Royel Otis, which I featured in a recent Fresh New Tracks post. Their marvelous cover of Sophie Ellis-Bextor’s “Murder on the Dance Floor” is my #4 song of 2024.

  1. IT’S AMAZING TO BE YOUNG – Fontaines D.C. (2)
  2. WALLS – Frank Joshua (1)
  3. NOTHING I NEED – Lord Huron (11)
  4. THE TURNAROUND – DelCobras (5)
  5. LAREDO – Leon Bridges (6)
  6. BACK TO FRIENDS – sombr (16)
  7. MORTAL WOUND – The Veils (4)
  8. BAD LARRY – Cloakroom (3)
  9. SNAKESKIN – NAVE (9)
  10. POOR SAD INDIE EVERYTHING – Icarus Phoenix (10)
  11. ARCHBISHOP HAROLD HOLMES – Jack White (12)
  12. BARBARIAN – AWOLNATION (13)
  13. PORCELAIN (LOSING ALL MY PATIENCE) – Somebody’s Child (14)
  14. LET THINGS GO – Caamp (15)
  15. THE NIGHT BEFORE – The Black Keys (7)
  16. TIME WAITED – My Morning Jacket (8)
  17. BASIC BEING BASIC – Djo (18)
  18. THREE SIX FIVE – Shinedown (19)
  19. EVERYTHING IS PEACEFUL LOVE – Bon Iver (20)
  20. CATCH THESE FISTS – Wet Leg (22)
  21. SO LONG – Wavves (21)
  22. RITALIN – Dexter and The Moonrocks (24)
  23. SPACEMAN IN TULSA – Counting Crows (25)
  24. ANKLES – Lucy Dacus (17)
  25. SCARS – Secret Postal Society (28)
  26. FEELS RIGHT – Talk in Waves (29)
  27. BONNET OF PINS – Matt Berninger (30)
  28. METAVERSE – Cage the Elephant (23)
  29. WHAT WAS THAT – Lorde (N)
  30. MOODY – Royel Otis (N)

The Rat Utopia Experiment – Single Review: “Creature Comfort”

On By EclecticMusicLoverIn Reviews11 Comments

Hailing from Tacoma, Washington is The Rat Utopia Experiment (aka T.R.U.E.), who describe themselves as “a band that can only exist because kids who grew up listening to their parents’ Nirvana and MCR CDs and watching Fight Club, suddenly experienced the world around them falling apart in their most formative years. Informed by grunge, emo, and nu-metal and fueled by late-stage capitalist cynicism, this is music for disaffected youth searching for a greater purpose.” After listening to their hard-charging music that also incorporates generous servings of punk sensibility, I would say that sounds about right.

Formed in 2022, the raucous five-piece consists of 16-year-old frontwoman Phia Lane ( lead vocals, guitar), Evan Fry (drums, vocals), Maddox Mullins (lead guitar), Francis Green (bass), and Casey Waldbauer (rhythm guitar, vocals). All but Evan, who recently turned 21, are still in their late teens. I’m really impressed by their strong musicianship as well as Phia’s intelligent, brutally honest songwriting that reveals a wisdom and maturity beyong her young age. Their musical influences include such artists and bands as Nirvana, Adolescents, The Gits, David Bowie, The Runaways, Korn and Stone Temple Pilots.

After dropping a string of nine hard-hitting singles throughout 2023 and 2024, they bundled eight of them into their debut album No Hit Wonders., released this past March. Now, after a couple of changes in lineup, they’re back with their first single of 2025 “Creature Comfort“, which dropped May 29th. The song is a blistering takedown of corrupt politicians who screw over their constituents and game the system with the help of unscrupulous lawyers and fellow politicians.

The song opens with a quote from President Nixon’s farewell speech to his Cabinet and staff members, in which he quoted a paragraph he’d read in a book about former President Theodore Roosevelt:

And this quote is about a young man
He was a young lawyer in New York
He’d married a beautiful girl
And they had a lovely daughter
And then suddenly she died
And this is what he wrote
This was in his diary

As Nixon’s words progress, the band layers a building reverb that soon explodes into a maelstrom of furious pounding drumbeats and screeching guitar riffs as they repeatedly yell “Hey, hey!“. Then it’s off to the races with an unrelenting adrenaline-raising onslaught of riotous gnarly riffs, deep, chugging bass and thunderous stomping drums, fueled by healthy doses of punk-infused reverb and feedback. Phia’s commanding vocals, which remind me at times of Willow Smith, match the ferocity of the music note for note, resulting in an electrifying spine-tingling performance as she practically spits the scathing lyrics:

It was a hot young day in September
When the baby boy was born
Lost his mommy in a car crash
And his daddy’s gone to war
He knew that he was destined to do something that was more
But he was pushing drugs
He was rotten to the core

Creature Comfort
No condolences
Gotta show up to whoever’s poll it is

Hey, hey

It was a cold old day in June
When the rich man came to town
He said, “Listen, boy, I ain’t here to fuck around”
The boy said, “Gosh, I ain’t got my law degree”
And the rich man just replied,
“That shit don’t matter to me”

Creature Comfort
No Condolences
Gotta show up to whoever’s poll it is
Creature Comfort
They don’t care
About your health or your wealth
So grow a fucking pair

Hey, hey

But it all came crashing down
When the rich man got cocky
The boy ain’t gone to law school
And he gets real talky
Their secret is out,
And the rich man is screwed
He tried to cheat the system,
But got spat on and chewed

Creature Comfort
No condolences
Gotta show up to whoever’s poll it is

Hey, hey

But what of the boy?
Well, the rich man don’t care
He leaves him to fend for himself
Don’t even spare a prayer
He’s pushing,
And drinking,
Man, what a swine
He takes his bloodline down with him
While the rich man stays blind

Creature Comfort
No Condolences
Gotta show up to whoever’s poll it is
Creature Comfort
They don’t care
About your health or your wealth
So grow a fucking pair

Hey, hey

The rich man’s in trouble
And he stands before the court
The senator, however,
Likes the man’s earnings report
He fucks his districts and his mistress
The justice system, too
He makes one call, and the rich man’s free
Almost like brand-new

Creature Comfort
No Condolences
Gotta show up to whoever’s poll it is
Creature Comfort
They don’t care
About your health or wealth
So grow a fucking pair

The song ends with the famous excerpt from Nixon’s “I am not a crook” speech made during a press conference in November 1973, when he was facing allegations of corruption related to the Watergate scandal:

I have never obstructed justice
I think, too, that I can say
That in my years of public life
That I welcome this kind of examination
Because people have got to know
Whether or not their president is a crook
Well, I am not a crook
I’ve earned everything I’ve got

“Creature Comfort” is a brilliant, hard-hitting song by this astonishingly talented young group, and I can’t wait to hear what T.R.U.E. comes up with next.

The Rat Utopia Experiment’s Socials: Facebook / Instagram / TikTok

Find their music on Bandcamp / Spotify / Apple Music / YouTube