What an exciting chart we have this week, with a new #1 song and new debuts by two legendary acts. Since winning the Eurovision Song Contest two and a half years ago with “Zitti e Buoni”, Italian rock band Måneskin have amassed enormous commercial success and legions of passionate fans, if not always critical acclaim. Formed in 2016 while still in high school, the irrepressible and charismatic foursome consists of Damiano David (lead vocals), Victoria De Angelis (bass), Thomas Raggi (guitar) and Ethan Torchio (drums). I love their bombastic rock extravaganza “HONEY (ARE U COMING)?”, which takes over the #1 spot on my Weekly Top 30 chart after spending three weeks at #2.

Released on September 1st, the song is the sixth single from their most recent album RUSH (previous chart-topping singles from the album include “SUPERMODEL” and “THE LONELIEST”). Though generally favorable, reviews for RUSH were mixed, with Sam Law of Kerrang! writing that Måneskin are “still utterly unstoppable when they tap into the youthful exuberance and fiery eccentricity that got them here in the first place“, whereas Jeremy Larson of Pitchfork called it “absolutely terrible at every conceivable level: vocally grating, lyrically unimaginative, and musically one-dimensional. It is a rock album that sounds worse the louder you play it.” While I think the album is a bit too long (it features 18 tracks, but was reissued on November 10th as RUSH (ARE U COMING?) with a whopping 22 tracks), I love the band’s explosive energy and enjoy most of their songs.

The two very notable debuts, both of which were released on November 2nd, enter my chart quite high this week. The first, entering at #11, is “The American Dream Is Killing Me” by California pop-punk trio Green Day, released alongside “Look Ma, No Brains!” as the lead single from their forthcoming 14th studio album, Saviors, due out next year. Never afraid of making a socio-political statement, band front man Billie Joe Armstrong told Stereogum that the song is “a look at the way the traditional American Dream doesn’t work for a lot of people—in fact, it’s hurting a lot of people.”

Debuting right behind at #12 is “Now and Then” by The Beatles. At first I had mixed feelings about the song and how it came to be, but I’ve come to like it. Released as a double A-side single along with a new stereo remix of their first single, “Love Me Do”, they serve as a kind of “bookends” to the band’s history. “Now and Then” was written and recorded by John Lennon in 1977 as a solo piano demo on his home tape recorder, but was never finished. After his death in 1980, the song was considered for inclusion along with “Free as a Bird” and “Real Love” for The Beatles’ 1995–1996 retrospective project The Beatles Anthology, but shelved due to its poor audio quality. Paul McCartney later remarked that George Harrison disliked the song, calling Lennon’s demo recording “fucking rubbish“. (Wikipedia)

Fast forward to 2023, McCartney and Ringo Starr were able to use the machine-learning-assisted audio restoration technology – originally commissioned by Peter Jackson for his 2021 documentary The Beatles: Get Back– to successfully extract Lennon’s vocals from the original demo. They then added their new vocal overdubs, Harrison’s 1995 guitar tracks along with a new slide guitar solo by McCartney, Starr’s new drum parts, and a string section written by Giles Martin (son of legendary Beatles producer George Martin), McCartney, and Ben Foster, to complete the new version of “Now and Then.” The result is a song that’s, in the words of Benjamin H. Smith who wrote about it for the website Decider, “underwhelming at first, due to its minor key verse and stately tempo, [but] repeated listens pull you in with its its artistry and gravitas“, which was exactly my own personal reaction.

The song has generally been well received by many critics who felt it was a worthy finale for the Beatles, however, some have been less generous, with a few bloggers I follow bitterly denouncing the entire project. Be that as it may, “Now and Then” has already topped the music charts in the UK, Germany, and Austria, and last week debuted at #7 on the Billboard Hot 100, making it the highest-charting song by the Beatles since “Free as a Bird” reached #6 in 1995.

Also worth noting on this week’s chart is the 10-point jump of U2‘s anthemic “Atomic City” (another song I was initially ambivalent about, partly because the chorus sounds a lot like Blondie’s “Call Me”), which is currently #1 on the Billboard AAA chart. With songs out now by both the Beatles and Rolling Stones, as well as veteran acts U2, Green Day, Wilco, Foo Fighters and blink-182, one can be forgiven for wondering what year we’re in!

1. HONEY (ARE U COMING?) – Måneskin (2)
2. ONE MORE TIME – blink-182 (1)
3. MORE THAN A LOVE SONG – Black Pumas (3)
4. LOVING YOU – Cannons (4)
5. UNDER YOU – Foo Fighters (6)
6. DARLING – Western Jaguar (8)
7. MY KINDA GIRL – The 23s (9)
8. THE DEATH OF PEACE OF MIND – Bad Omens (10)
9. SUMMER OF LUV – Portugal. The Man feat. Unknown Mortal Orchestra (11)
10. EVICTED – Wilco (12)
11. THE AMERICAN DREAM IS KILLING ME – Green Day (N)
12. NOW AND THEN – The Beatles (N)
13. RUNNING OUT OF TIME – Paramore (5)
14. WHEN WE WERE CLOSE – Jason Isbell and the 400 Unit (7)
15. HOLD ME LIKE A GRUDGE – Fall Out Boy (15)
16. ATOMIC CITY – U2 (26)
17. THE SHAMEFUL – Amongst Liars (20)
18. ANGRY – The Rolling Stones (21)
19. YOUR SIDE OF TOWN – The Killers (22)
20. RUN AWAY WITH ME – Cold War Kids (23)
21. ATTRACTION – Wild Horse (24)
22. GOOD OLD DAYS – The Revivalists (25)
23. DIAL DRUNK – Noah Kahan (13)
24. MY LOVE MINE ALL MINE – Mitski (27)
25. WILD – Brian Lambert, Harmoni Kelley & Marc Schuster (28)
26. ALL I DIE FOR – SWiiMS (29)
27. COOL ABOUT IT – boygenius (30)
28. OVERCOME – Nothing But Thieves (14)
29. BAD IDEA RIGHT? – Olivia Rodrigo (16)
30. PULL ME THROUGH – Royal Blood (17)