New Song of the Week: MONZA EXPRESS – “In the City”

Monza Express In The City

Monza Express are a five-piece guitar band from Aberdeen, Scotland who formed in 2017 from the ashes of several other bands. As they humorously state in their bio, they’re “all the wrong side of 30 [and] no strangers to live music, having played in various bands in Aberdeen over the years.” Drawing on influences from a variety of sources depending on which member you speak to, the band includes Fraser Bateman (lead vocals & rhythm guitar), “Mr Glass” Shaun Reid (lead guitar), Greg “Mercury” Burgess (bass), Kris Fraser (keyboards, backing vocals) and David “Deco” Smith (drums). (I love that ‘Fraser’ is the first name of one member and last name of another.)

Following up on their 2018 double-single release “Sunshine/Big Dumb Rock” – both terrific songs that I urge my readers to check out using one of the links below – Monza Express just dropped a delightful new single “In the City“, which I’ve selected as my New Song of the Week. The song has a rather serendipitous little back story. The recording session was a runner-up prize in a Facebook competition put out by Aberdeenshire-based Floortom Studios, inviting acts to submit their rough song demos for possible selection by studio producer Steve Curtis. The band submitted a live GoPro rehearsal recording of “In the City”, and were delighted to learn they’d been awarded one of the coveted spots. The song was recorded, mixed and produced by Curtis, and mastered at Metropolis Studios in London.

The sweet song addresses themes of escapism from the standard 9 to 5. Fraser explains:  “I called it ‘In the City’ as both The Jam and The Who have songs [with that title] and I love those bands and what they stood for.” Bateman adds: “The composition came from a bass line Greg had been playing and we went from there. I like the almost early 60s style of the arrangement, especially when Shaun is just playing the main melody. It gives the song a little familiarity.”

The lighthearted song has a bouncy, guitar-driven melody that’s just too damn infectious! It’s the perfect feel-good song for summer, and it’s made me a big fan of Monza Express.

When you’re living in the city
And the bar looks so so pretty
Running shelter from the weather
Beer, pool and ripped up leather
I can take you miles away
Circle JFK for the day
Come and climb the Empire State
We’ll have ourselves some cake
We’ll have ourselves some cake

When you’re living in the city
And the barmaid oh so pretty
Running shelter from the thunder
Fill your glass with endless wonder
I can take you miles away
Eurostar to Paris today
Come and sail the Seine with me
We’ll have a cup of tea
We’ll have a cup of tea…and whiskey

The equally delightful and endearing animated video is a good indication that the guys don’t take themselves too seriously. Says Bateman: “I went on the website Fiverr and commissioned an animator in Pakistan to make us a video. I sent the song, the lyric sheet and photos of the band and left him to it. What resulted was an almost literal translation of the lyrics that we couldn’t not use. We think it’ll get laughs and multiple views.” I love it!

Connect with Monza Express:  Facebook / Twitter / Instagram
Stream their music on Spotify / Soundcloud
Purchase on Apple Music

ELLIE FORD – Album Review: “Light. Repeated.”

Ellie Ford album art

British singer/songwriter Ellie Ford is quite possibly the only harpist in the music world to head up a band. In addition to being an accomplished harpist, the multi-talented Brighton, England- based artist also plays guitar and sings like an angel, using her voice almost like another instrument. Assisting Ellie in the creation of her uniquely innovative Alternative Folk music are Fred Hills (drums & percussion), Andrew Stuart-Buttle (violin, mandolin, bass and backing vocals), Harry Haynes (guitar and backing vocals) and Freya Bowes (clarinet and backing vocals).

Ellie Ford band

Ellie first graced the airwaves in 2013 with her debut EP Show Night In, then followed up with a full album The Other Sun in 2016. Now she’s back with a lovely new album Light. Repeated., which dropped on 17 May. Featuring eight exquisite songs, the album sees Ellie further exploring themes of life, love and relationships through her poetic lyrics, unconventional melodies, richly layered instrumentals and the marvelous interplay between her glorious harp and enchanting vocals. Listening to the album is an immersive experience, and it’s easy to become enveloped by the enthralling soundscapes she and her band so skillfully weave.

The album opens with “Gold“, a captivating song in which Ellie’s shimmery harp strings take center stage, but with ample help by Freya’s clarinet, Harry’s strummed guitar, Fred’s gentle percussion, and Andrew’s violin, which gives the track a bit of a Celtic vibe. Ellie croons in her lilting vocals, “Kicking and calling and bracing for falling as I leave. But for a little gold, I could tide it over.”

Next up is “Light. Repeated.“, a bewitching tune that’s probably my favorite track on the album. The highlights for me are Fred’s hypnotic, seductive drumbeats and Freya’s jazzy clarinet, but Andrew’s bass, Harry’s guitar and that infectious rattle are all pretty terrific too. And it goes without saying that Ellie’s harp adds a magical component. Freya’s soulful clarinet takes a starring role on “Tired Eyes” with Ellie’s harp strings providing a strong counterpoint. The interplay between her fluttering vocals and Freya’s gorgeous clarinet notes is breathtaking, and the guitars, deep bass and drums are perfection.

My Bird Won’t Sing” is a re-imagining of a song that was originally included on The Other Sun. The previous acoustic version featured only Ellie’s vocals and her strummed guitar, but for this new version she lengthens the track by one and a half minutes, and gives it the full instrumental treatment by her band, yet keeping the vibe decidedly understated. The result is an intriguing song that holds our interest with unexpected melodic shifts that almost border on progressive jazz. Ellie’s ethereal vocals are sublime as she sings the lyrics that seem to speak of the thin line between reality and escape:  “My bird won’t sing. Have no idea what it means. And that’s OK, I don’t mind./ My diamond ring shines like the real thing. And that’s OK, I don’t mind. Comin’ off a little blind. What are we doing? Don’t you know that’s the ruin of our kind? I’m beginning to think that I might have lost my mind.

Ellie Ford by Chloe Imbach

The beautiful songs keep on coming. Another favorite is the bittersweet “All That is Left“, which features some of the most enthralling instrumentals of any song on the album. The mix of harp, piano, guitar, violin, clarinet, drums, and what sounds possibly like dulcimer, are absolutely stunning, and so are the vocal harmonies between Ellie and the guys. The lyrics speak to a relationship that’s over: “There will come a day when you’ll return. Dirt in your hair and your clothes all torn. And I’ll be gone. And all that is left, will be left to the dogs.” As its title suggests, “A Strange Brood” is a languid, brooding song lasting nearly six and a half minutes. Its  mysterious, spacey synths, tinkling piano keys, bluesy guitars, plucky harp, deep bassline and lots of crashing cymbals make for an enthralling listen.

Woods” starts off with an Eastern European Folk vibe, thanks to the Gypsy tones of Andrew’s violin and Freya’s clarinet, accompanied by Ellie’s plucked harp strings. But with the addition of heavy electric guitars and pounding drums in the bridge, the song transitions to a more intense rock feel. Album closer “The North Wind” really showcases the incredible synergy between Ellie’s harp playing and unique vocal style, and how she so beautifully complements one with the other. Other instrumentation on the track includes guitar and Fred’s kick drum and percussion, as well as the introduction of Andrew’s violin at the end.

I’ll admit that Light. Repeated. took a couple of plays to really grow on me. Though the songs sounded lovely and interesting when first hearing them, their complexity and unusual melodic structures required more than just a casual listen for me to fully appreciate. There’s an incredible amount of nuance and depth to the music and lyrics that are revealed with each successive listen, and even after hearing some of the songs five or six times, I discovered new sounds and textures. The production and song arrangements are flawless, and I’m impressed with the skilled instrumentation by the supporting musicians who help Ellie bring her magical songs to life.

Connect with Ellie: Facebook / Instagram
Stream her music on Spotify / Soundcloud
Purchase on Bandcamp / iTunes

IGNITE THE FIRE – Single Review: “Echoes”

Ignite the Fire2

Alternative metal band Ignite the Fire play some of the most electrifying rock I’ve had the pleasure of hearing recently. Based in the state of Maryland northwest of Baltimore, the band was formed in 2011 by guitarist Mark Quinn and drummer Caelan Gregory while they were still both in high school. Their phenomenal vocalist Jack Gurecki joined a short time later after responding to a flyer put out by the band looking for a singer, and was soon joined by a second guitarist Michael Nelson, who serves as the band’s resident “unclean” vocalist for their harder-edge songs. The fifth and newest band member is the amazing bassist Holly Smith, who came on board in 2017.

That same year, Ignite the Fire released their debut EP Trial and Triumph, an outstanding work featuring their hard-hitting single “Criticize”, which was named 2017 Song of the Year by Z98 and iHeartRadio. They followed up in late November 2018 with a second EP Between Shadows and Solace, featuring six mind-blowing tracks. “This whole EP is about what it means to be human,” says band drummer Caelan Gregory. “We don’t want to just connect with listeners on a musical level, but an emotional one as well, and in doing that we hope to connect with people in a real and significant way.” Guitarist Mark Quinn adds “The title ‘Between Shadow and Solace’ speaks for itself. We are writing about battling the darkness but also about the hope that is there. You see that in the world we live in. There’s this feeling of dread and darkness around us but also there’s hope.

In April, they released an outstanding video for “Echoes“, one of the most popular tracks from the EP that strongly resonated with their fans and followers. The video shows scenes of a man returning to an empty house he once occupied with his significant other, and remembering past moments they shared in better times, interspersed with scenes of the band performing the song. At the end of the video, he sees her standing on the beach, and runs toward her, only to disappear just before reaching her. We’re left to determine the scene’s meaning for ourselves, but my take is that it’s too late to salvage the relationship, and he can no longer reach her, literally and figuratively. The video was directed by Tom Flynn and stars Jimmy Donohue and Kris Doscher.

“Echoes” is a stunning rock anthem, starting off with a gentle melodic synth and strummed guitar line. The song then expands in the first verse with jangly guitars, strings, keyboards, and crisp percussion as Jack begins singing in his beautiful, clear vocals. When the first chorus arrives, Holly’s deep bassline melds seamlessly with Mike’s guitar riff into a thunderous mix, accompanied by Caelan’s power drums that send the song into the sonic stratosphere. Jack’s commanding vocals – which have been favorably compared to Shinedown frontman Brent Smith’s –  rise to the occasion, bringing chills as he passionately sings the deeply poignant lyrics:

Cause I fear that I’m right
But I pray that I’m wrong
I’ll echo this silence
And I won’t let go
You left me uncertain
Don’t leave me alone
I’ll search through the darkness
And I won’t let go

The band just released a ‘Behind the Song’ video where they discuss their process and inspiration for the writing of “Echoes”.

Since 2018, Ignite the Fire has performed on numerous stages, supporting the bands Otherwise, Shaman’s Harvest, BadWolves, From Ashes To New and Diamante via Live Nation.  This year they provided direct support to Stone Horses and Another Lost Year, and headlined shows in New Jersey, New York, and Pennsylvania. Those of you in the Middle Atlantic region can catch them at one of these upcoming shows. I would love to see them along with another one of my favorite bands The Mayan Factor, but alas, live 3,000 miles away.

SAT JUNE 8  –  ROCK FOR ROB! 2019 @ KC’s Music Alley, Fredericksburg, VA

FRI JUNE 14  –  With Stone Horses, The Mayan Factor, After the Broken @ Fish Head Cantina, Baltimore, MD

FRI-SAT JUNE 22-23  –  With Defending Cain, Seventh Seal @ Break Away II Sports Lounge, Hagerstown, MD

Connect with Ignite the Fire:  Website / Facebook / TwitterInstagram
Stream their music:  Spotify / Reverbnation
Purchase on iTunes / Amazon

Top 30 Songs for June 2-8, 2019

1. BURY A FRIEND – Billie Eilish (3)
2. DISAPPEAR – Western Jaguar (1)
3. CHLORINE – twenty one pilots (2)
4. FEAR THE FUTURE – IAMWARFACE (5)
5. DARK PLACES – The Frontier (6)
6. LONGSHOT – Catfish and the Bottlemen (4)
7. ESCAPE – Ships Have Sailed (8)
8. HURT – Oliver Tree (9)
9. TIME – Morosity (7)
10. LOVE CRAZY – Karolina Rose (10)
11. STILL FEEL. – half alive (12)
12. MISSED CONNECTION – The Head and the Heart (13)
13. BELOVED – Mumford & Sons (15)
14. TRAMPOLINE – SHAED (14)
15. PATIENCE – Tame Impala (18)
16. BAD GUY – Billie Eilish (29)
17. I’LL BE AROUND – Morning Fuzz (20)
18. NOT WORTH IT – The Only Route (21)
19. OLD MAN’S WAR – Roadkeeper (22)
20. CHOKE – I Don’t Know How But They Found Me (23)
21. SIGUE CON EL AMOR – John Defeo (11) 21st week on chart
22. READY TO LET GO – Cage the Elephant (16)
23. SAW LIGHTNING – Beck (27)
24. MAYBE, I’M AFRAID – lovelytheband (28)
25. ALLIGATOR – Of Monsters and Men (30)
26. APOLOGIZE – grandson (26)
27. SEVENTEEN – Sharon Van Etten (17)
28. LO/HI – The Black Keys (19)
29. I SEE YOU – MISSIO (N)
30. ROOM TO BREATHE – Made of Eyes (N)

BEN PRIORY & CHARLIE PEREIRA – Single Review: “Here We Go”

Herewego (2)

Aside from the thrill of seeing one of my posts go viral (which almost never happens), my biggest joy about having a music blog is writing about music I really love. And boy, am I in love with the stunning debut single “Here We Go” by two young artists from Portsmouth, England: Ben Priory and Charlie Pereira. What’s especially astonishing about the quality of the song and vocals is that they’re both only 17 years old!

Ben and Charlie started making music together at the age of 12, when they’d have drum battles in Ben’s bedroom. Ben wrote the music for “Here We Go” last September (2018), then recorded all the instruments, including synths, piano, bass and drums. Charlie wrote the lyrics, and recorded the vocals over two sessions, the first in December 2018, and the second in February 2019. Ben produced and mixed the song, then sent the track to Peter Maher (U2, The 1975, Snow Patrol, Katy Perry) for mastering.

The song is perfection from start to finish. It opens with night sounds of crickets and waves crashing on a distant beach, setting a rather pensive mood. Then a somber piano riff, accompanied by finger snaps and bass, enter the mix as Charlie softly sings with an air of sadness in his voice of the hurt and disappointment someone’s caused him:

So I’ve been sitting here for the longest time
And it’s just not fine with me
But what you’ve done
And how you thing it’s all fun
But it just can’t run
You made that sacrifice
And I had to pay the price
For you to do what you do but it makes me blue
And you don’t even have a clue

Suddenly, the tone shifts in the chorus to a joyful, upbeat vibe with the addition of lush, shimmery synths, guitar and a bouncy bass drum beat. Charlie’s vocals are now more ardent and hopeful as he sings of the pleasures of making music, providing an escape from the sadness he was feeling earlier, and perhaps giving the relationship another go:

So here we go now
Hearing our soft sound
Hear the bass drum pound
But we don’t know til we will hit the ground
But hear the bass line flow
It’s faster yeah, never slow
Let’s do the show
Here we go, here we go, here we go

Yeah let’s take it back
Listen to the sweet guitar
It’s not a competition you’re my superstar
Just go for a drive
Let’s get away
We can take my car

Ben and Charlie have created a beautiful song that’s the perfect summer tune. I’m quite impressed by the quality and maturity of their sound, especially given their youth, and hope to hear more music from these guys very soon!

Connect with Ben:  Facebook / Instagram
Purchase “Here We Go” on iTunes