YOU’RE AMONG FRIENDS – Album Review: “As We Watch the Years Go…”

Cleveland, Ohio band You’re Among Friends wants their fans – and everyone else for that matter – to feel welcome and comfortable when hearing their music or watching them perform. Comprised of Anthony Doran (lead vocals and guitars), Kevin Trask (bass, keyboards and backing vocals) and Chris Szuch (drums), You’re Among Friends play a laid-back style of funky, blues-infused folk rock that just makes you feel good while being entertained.

You're Among Friends

You’re Among Friends was born in 2007 when Anthony and Kevin, who’d both played in another band, rechristened it with the new name and began reworking songs from the previous band’s repertoire, all of which had been written by Anthony. When I asked him about how they came up with their band name, he explained:

Kevin was the one who first suggested ‘You’re Among Friends’ while we were kicking around some ideas for a band name.  Around the time we started playing together, Kevin had a roommate who played guitar in a band called ‘Wisconsin.’  At one point, [the state of] Wisconsin was using ‘You’re Among Friends’ as a tourism slogan on their bumper stickers and stuff.  So I guess Kevin’s initial idea for our band name was meant to be a subtle nod to his roommate’s band, but I think it was us wanting to be welcoming to listeners and fans that ultimately won me over.

The band’s had five drummers over the past ten years, and Anthony and Kevin have been through many life changes during that time period as well.  Anthony described the bonds that have kept them together as a band:

“Kevin and I have been through a lot together over the years.  We’ve watched each other get married, start careers, buy houses, have children, etc.  Sadly, we also both had younger brothers who passed away suddenly and unexpectedly.  Over the decade that this band has been around, Kevin and I have gone from being carefree kids in our early twenties to being in our thirties with all sorts of adult concerns, regrets and responsibilities.  Oddly enough, we seem more committed than ever to our friendship and making this band work.

Our outlook on playing in this band has changed drastically over the years.  We used to take a lot of things very seriously and get all bent out of shape when things didn’t work out exactly the way we planned it.  We’ve learned to take it easy and go with the flow, especially when the situation at hand is out of our control.  We appreciate all of the opportunities that come our way to be able to share our music with people.  We also just thoroughly enjoy playing together.  Some groups of guys go bowling or go to ball games together. We go out, drink a few beers and play our songs for people.  This isn’t a bad way to hang out with your friends if you can pull it off.  Sometimes we even get paid for it!”

Based on the kindness and gratitude Anthony has shown me in our conversations by email, I would definitely like to hang out with him and the band over a few beers.

You’re Among Friends released their debut self-titled album in 2007, a solid effort featuring 11 songs. They followed a year later with a six-track EP In Due Time, then dropped a double-sided single Enjoy Life & Half a Thought in 2010.  You can check out these earlier releases on Spotify or Bandcamp.  The band took a hiatus in the early 2010s and didn’t play for four years. As Doran explained to Scene Magazine: “There wasn’t a falling out; it just happened. We started to have kids and had a lot going on at that time.”

Kevin & Anthony

Once they reconnected in 2015, they began working on a new album As We Watch the Years Go…  Seven of the ten songs on the album had previously been written by Anthony and three – “A Way to Get Away,” “Calling Anyone” and “Dreaming of the Past” – were co-written by Anthony and Kevin. As evidenced by its title, the album explores life and the passage of time, and how it’s affected friendships, relationships, and the band itself. Anthony stated that “being able to record those songs for this album in 2016 seemed like we were finally wrapping up unfinished business.” The album’s cover – a photo of a baseball field – is a tribute to their brothers, who both liked the sport, and the album is dedicated to them.

As We Watch the Years Go… was released at the end of July 2016. The band’s previous drummer Adrian Higgins played drums on all the album tracks. Chris Szuch joined the band as the new drummer in July 2016, just in time to play his first show at the band’s CD release party.  The band’s music features nimble guitar riffs, anchored by sturdy bass lines and just the right amount of percussion to keep everything moving along smoothly. I hear touches of Steely Dan, Elvis Costello and The Grateful Dead in their sound, and Anthony’s vocals really channel Randy Newman at times.

The album kicks off with “Years Go,” which serves as the title track and really sets the tone for the album. Lively guitar riffs, accompanied by a bluesy bass line and gentle percussion, make for a mellow rock and roll song. The lyrics are upbeat yet nostalgic, addressing the inevitable passage of time that seems to move ever faster as we age:  “Remember when we were younger, and the summer seemed to last for years. Now the years are passing, summer moves so fast now. All those days disappear. June turns into July, July turns into August. Soon there is the fall, as pumpkins go to harvest. Then comes the snow, where did the year go? Now I’m an age I never thought I would be. It’s not so bad growing older, because you’re here with me.

Kevin’s funky bass has a starring role on “Any Day Now,” a song about staying optimistic in the face of life’s adversities, both big and small. Anthony lays down some tasty riffs on this track. Being an irresponsible, immature screw-up is the theme of “Building Bridges to Burn,” while “Dumb Complaints” is an honest admission of a chronic whiner (a song I can identify with, being a whiny-ass complainer myself). Anthony plaintively sings: “I can hear you loud and clear babe, you’re sick of all my complaints./ I complain no matter what’s going on. Reach for the moment, and it’s gone. ‘Cause I wasted it on dumb complaints.

One of my favorite tracks is the funky “A Way to Get Away,” an ode to the preference for personal freedom rather than romantic entanglements. “Sneak attack, you’re trying to back me against the wall. You got me under siege, but you’ll never get to watch me fall./ I need a way to get away. I’m looking for a way to get away.’ The terrific distorted guitar solo at the end of the song is pure ear candy.

The guys play the blues on “Sour Grapes,” with some nifty Southern blues-rock guitar riffs over Kevin’s buzzing bass line. And the intricate, layered guitar work on “Calling Anyone” is awesome.

Another of my favorite tracks is “Dreaming of the Past,” a melodic ballad that’s a bit of a departure in sound for the guys. The song begins with lovely synth chords that continue throughout the song, overlain by Anthony’s skillful handling of his guitar, proving without a doubt that he’s quite the axeman.

The album closer “Rope” speaks to ridding your life of toxic people who’ve used you and brought you down.  “Give them enough rope, maybe they’ll hang themselves. You won’t have to blame yourself anymore. Don’t make another excuse for the way you’ve been used, by all of your so-called friends.” I really like the jangly strummed guitars on this track. But then, I love the guitar and bass on all their songs!

As We Watch the Years Go… is a fun and mellow album that makes you think a little bit about life in all its craziness as you’re enjoying the music.

Follow You’re Among Friends: Website/Blog /  Facebook /  Twitter

Stream their music:  Spotify /  Napster /  Google Play /  YouTube

Purhase it:   Bandcamp /  iTunes /  Amazon

Music Challenge #6 – Alestorm – ‘No Grave But the Sea’

Sharing this hilariously fun post by fellow blogger 2LOUD2OLDMUSIC of Alestorm’s new album.

2loud2oldmusic's avatar2 Loud 2 Old Music

For those that don’t know what the Music Challenge is I will tell you. Go out and pick up an album or stream an album based solely off one of three categories…1) Album Cover, 2) Band Name or 3) Album Name. Once you have listened to one, come tell me about it. My 6th pick is Alestorm and I chose it off the cover and the band name…here are my thoughts on it…(Parental Guidance is suggested…if foul language offends you than go read another post)

All my life, I have felt that something was missing. I didn’t know what it was and have struggled with it my whole life. Well that struggle is no more. The thing that was missing from it was PIRATE HEAVY METAL!!! Heavy Metal music with a pirate theme!! How have I never thought of that before. Thank God I found Alestorm to fill…

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“All 213 Beatles Songs Ranked from Worst to Best”

Sharing this article from Vulture.com ranking all songs ever recorded by The Beatles. While I don’t agree with all the rankings, being a lover of lists, I found it to be a fun and interesting read. Check it out:

http://www.vulture.com/2017/06/all-213-beatles-songs-ranked-from-worst-to-best.html

SAM CLARK – Song Review: “Out of Reach”

Sam Clark is a talented and charismatic singer/songwriter/actor with a long list of professional accomplishments in TV, film and music. Born and raised in Australia, Sam is now based in Los Angeles, and has just released a terrific new single “Out of Reach,” along with a beautifully-filmed, heartwarming video.

According to his website bio, Sam rose to fame in Australia with his starring role in the long-running TV show Neighbours, for which he was nominated for several awards during the program’s 850+ episode run. He released a debut album Take Me Home in 2010, which generated two singles, “Broken” and “Devastated,” that garnered #1 spots on the ARIA Physical Singles Sales chart. A year later, he dropped the excellent five-track EP my own way…  Sam went on to star in his first feature film Mental, for which he also wrote and performed several original songs. After moving to Los Angeles he starred in the Emmy-winning FOX/Paramount production Grease: Live. He’s now in production on his next album with his Grammy award-winning songwriting partner Bill Grainer. “Out of Reach” is the first single from that album, which is planned for release later this year.

Sam Clark

“Out of Reach” is a lovely pop song about discovering you’re blessed with love you never thought you’d find. Sam explained his inspiration for the song: “I want my songs to be catchy without compromising their lyrical content. If I had to choose a single theme that runs through all my songs, it would be love.

Musically, the track has a catchy, upbeat melody, with crisp percussion and warm acoustic guitar throughout. Sam’s charming vocals are incredibly pleasing, and perfectly suited for the positive, heartfelt lyrics: “A hopeless dreamer but I’m wide awake. I never thought that it could feel this way. You are beyond my wildest disbelief. I always thought this kinda love was out of reach.

The delightful video was filmed by Carlos PenaVega and Giovanny Lago, and directed by David Del Rio. It shows Sam arriving home on the day of his birthday, only to be disappointed when he learns all of his friends and family are busy or unable to get together to celebrate with him. He then discovers a pair of hiking boots in a gift box, along with a note that starts him on a treasure hunt that ultimately leads him to a spot in the hills where his friends and girlfriend are waiting for him. Then he gets a big surprise when his parents show up, making him realize he has love in all its forms – romantic, friendship and family.

Both song and video left me feeling happy, and that all’s right with the world. And that’s something we can sure use a lot more of right now!

To learn more about Sam, check out his Website

Show him some love by following on:  Facebook /  Twitter /  Instagram

Stream his music:  Spotify /  Soundcloud

Purchase:  iTunes

Top 20 Songs for June 11-17, 2017

1. FEEL IT STILL – Portugal. The Man (3)
2. WOLVES – Wide Eyed Boy (1)
3. BELIEVER – Imagine Dragons (4)
4. HIGH – Sir Sly (6)
5. SIGN OF THE TIMES – Harry Styles (2)
6. DOING IT FOR THE MONEY – Foster the People (9)
7. LOVE IS MYSTICAL – Cold War Kids (5)
8. DON’T TAKE THE MONEY – Bleachers (10)
9. REVEREND – Kings of Leon (11)
10. THE SYSTEM ONLY DREAMS IN TOTAL DARKNESS – The National (19)
11. BLAME – Bastille (7)
12. FEELS LIKE SUMMER – Weezer (14)
13. IN COLD BLOOD – alt-J (15)
14. GIVE ME REASON TO DIE – Dyslexic Postcards (16)
15. SOMETHING JUST LIKE THIS – The Chainsmokers, Coldplay (8)
16. J-BOY – Phoenix (N)
17. CAN I SIT NEXT TO YOU – Spoon (N)
18. THE VIOLENCE – Rise Against (17)
19. DIG DOWN – Muse (20)
20. SILENT SUN – Morning Fuzz (N)

Ten Huge Hits I Hate

Whatever our own individual tastes in music, everyone dislikes or viscerally hates certain music for our own particular – or peculiar – reasons. When songs or artists we despise are immensely popular, it can sometimes be isolating; others may think or even say out loud “are you serious?!” when discovering we hate a song or artist they love. As an example, I love Coldplay and most of their music output, but know some people who just don’t care for them or even hate their music. While I can understand some not finding Coldplay their cup of tea, I cannot for the life of me understand how someone could hate their music. But at the end of the day, how each of us hears music and makes a determination as to whether we like it or not is really quite subjective.

That being said, there are a number of songs that I hate, and many of them were massive hits, which makes them all the more loathsome to me. In thinking about why I hate those songs, it mostly comes down to the fact that they sound very displeasing to my ears. Some of my most hated songs are downright painful to listen to. I usually try to keep an open mind about music, and realize I’m judging it through my own biases and idiosyncrasies, but I like what I like, and dislike what I dislike, just like all my kind readers. Though it was a major challenge, given the number of hit songs I find repulsive, I’ve chosen ten that were #1 on the Billboard Hot 100. Interestingly, many are from the 1970s, an otherwise incredible decade for music.

1.  YOU’RE HAVING MY BABY – Paul Anka (1974)
Quite possibly one of the creepiest songs ever recorded, this stinker from Paul Anka is so bad it’s – well, bad! The music is the worst kind of boring milquetoast that was popular in the early to mid 1970s, and the lyrics would be laughable if they weren’t so bizarre. Among other things, they touch on the fact his woman could have chosen to abort her unborn baby, but didn’t. The dumbest line is “You’re having my baby. What a lovely way of saying how much you love me.” Anka started out in the late 1950s with a string of really good pop hits, but he hit bottom with this one. Nevertheless, it was one of his biggest hits, spending 3 weeks at #1 and offering proof that, sometimes, majority should not rule.

2. CONVOY – C.W. McCall (1976)
Oh man, how I hate this song! Hated it the first time I heard it back in 1976, and I hate it to this day. It was recorded at the height of CB radio popularity. The insipid chorus is so unbelievably bad that it sounds like a parody. If you’ve never heard it, take a listen and you’ll see what I mean. Ugh!

3. ONE BAD APPLE – The Osmonds (1971)
One of the biggest regrets of my life was the time I said to my younger sister while watching the Osmond Brothers perform on the Andy Williams show as a dumb kid: “They’re good, and should record some songs.” What the fuck was I thinking?! They did record some songs – lots of them – and they all stank! “One Bad Apple” was the biggest and worst of them all. This performance of the song is especially painful to watch and listen to, especially Donny Osmond’s horrific screeching and their embarrassing dance moves. They were a pathetic white-bread version of the infinitely more talented Jackson 5.

4. RING MY BELL – Anita Ward (1979)
I was a big fan of disco in the late 70s, but I always loathed “Ring My Bell.” Though it has a catchy beat, Anita Ward’s awful baby-like falsetto vocals were like nails on a chalkboard for me. And that annoying “boo” sound that continues unabated throughout the song drove me nearly to madness.

5. THE NIGHT CHICAGO DIED – Paper Lace (1974)
How can a song be this awful? Everything about “The Night Chicago Died” is terrible: lyrics, melody, music, and vocals. The ending chorus “Na na na Na na na Na na na na na” is positively sickening. This piece of crap immediately preceded “You’re Having My Baby” at the top of the Billboard Hot 100 in August 1974. What a shitty month for music that was! Thankfully, Eric Clapton’s “I Shot the Sheriff” shot those two turds from the top spot!

6. LOW – Flo Rida featuring T. Pain (2008)
Just a really stupid song with stupid lyrics and a prominent stupid clap machine setting the boring, mind-numbing beat. What makes it particularly hateful for me is that it was the #1 song of 2008. What the hell?

7. JOY TO THE WORLD – Three Dog Night (1971)
Three Dog Night was one of my favorite bands of the late 60s and early 70s, and I loved many of their songs, especially “One,” the gorgeous “Easy to Be Hard,” “Eli’s Coming” and “Mama Told Me Not to Come.” But I despise “Joy to the World,” which was far and away their biggest hit. I realize it’s one of those songs that nearly everybody LOVES, probably because it’s just so darn catchy, but it annoys the living shit out of me. If I never hear it again for the rest of my life, it would be a very good thing.

8. DARK HORSE – Katy Perry featuring Juicy J (2014)
I like Katy Perry well enough, and really do like a few of her hits, including “Teenage Dream,” “Firework,” “Wide Awake” and “Roar.” But oh how I hate “Dark Horse.” The lyrics are ridiculous, and Juicy J’s parts of the track are terrible, serving only to inject some street cred like some other white pop artists have done by adding a rap element to their songs (see Maroon 5 and Taylor Swift). But what really sets me off about this song is Juicy J’s line: “She’ll eat your heart out like Jeffrey Dahmer.” That is so offensive and tacky, especially to relatives of Dahmer’s victims. Few seemed to mind, though, as it spent four weeks at #1. The YouTube video, which I’ll admit is visually stunning, has been streamed nearly 2 billion times!

9. Anything from Milli Vanilli (1989)
Beginning in the summer of 1989, two German guys named Fab Morvan and Rob Pilatus, who went by the artistic name Milli Vanilli, had a string of forgettable #1 hits: “Baby Don’t Forget My Number,” “Girl I’m Gonna Miss You” and “Blame it on the Rain.” I didn’t care for any of them, and was honestly perplexed as to why they were so popular. Needless to say, I felt vindicated when it was later revealed that Morvan and Pilatus had not sung any of the songs, and were stripped of their Grammy award.

10. AMERICAN PIE – Don McLean (1972)
“American Pie” was one of the most popular songs of the 1970s, so as with all big hits, it was played to death on the radio. To make matters worse, it was so damned long, clocking in at over 8 1/2 minutes, and seemed to go on forever. I liked it OK at first, but after a few months of non-stop airplay (back in the day when hearing songs on the radio was our main form of listening to music besides playing them on our stereos), I came to loathe it. As soon as I’d hear “Long, long time ago…” my finger pressed the station selection button on the car radio quicker than a pitcher’s fastball. If I were the DJ of my own radio station, “American Pie” – along with all the other songs on this list – would not be allowed in the building.

Dishonorable Mentions:

Imma Be – Black-Eyed Peas
Fergalicious – Fergie
Bills, Bills, Bills – Destiny’s Child
Bad Blood – Neil Sedaka & Elton John
Go Away Little Girl – Donnie Osmond
The Streak – Ray Stevens (yet another dreadful song from 1974)
I Am Woman – Helen Reddy
Crank That (Soulja Boy) – Soulja Boy Tell’em
I’m Real – Jennifer Lopez featuring Ja Rule
Bad & Boujee – Migos featuring Lil Uzi Vert

CALAIS – Song Review: “Seeing It All”

Australian indie rock band Calais strike gold with their fantastic new dance-rock single “Seeing It All.” The gorgeous synth-driven track has a melodic hook big enough to catch a whale, yet is so much more than just an EDM song, thanks to the band’s skillful musicianship.

Formed in 2013, the Brisbane five-piece includes Tim Lollback (Vocals, Synths), Joseph Fleming (Lead Guitar), Guy Stacey (Rhythm Guitar, Vocals), Liam Roberts (Bass), and William Mogg (Drums).  They released their debut single “Animalistic” that same year, then followed up in 2015 with an EP Silhouette, which featured the outstanding single “Time & Space.” Calais has been on an upward trajectory ever since, building a loyal fan base in Brisbane and around the world.

Calais

“Seeing It All” starts off with a gentle throbbing synth chord, then erupts into a powerful dance beat, driven forward by pulsating bass and strong percussion. Nimble guitars enter the picture, accompanied by Lollback’s captivating vocals and backed by soaring atmospheric synths, all meshing beautifully to create an exceptional track. The arrangement and instrumentation are superb, and the guitar work is so richly textured and nuanced that I hear new sounds with each listen.

The song’s lyrics speak to a relationship in which each partner has lost their own individual identity in their quest to be the perfect couple: “I’ve been looking for you in my reflection, and time is passing me by. I’m seeing it all. I’ve been looking for you in my direction, and I don’t know why. I’m seeing it all.

The dark but gorgeous video for “Seeing It All” shows the band performing the song, interspersed with scenes that tell the story line using scattered reflections in shards of broken mirror of a couple who can’t see one without the other when standing together, but become confused and disoriented when they’re by themselves.

Follow Calais:  Website /  Facebook /  Twitter /  Instagram

Stream their music:  Soundcloud /  Spotify /  YouTube

Purchase it:  iTunes /  Amazon

THE IVINS – Album Review: “The Code Duello”

Nashville rockers The Ivins have been making music for quite a while – both together and separately – and after years of challenges, roadblocks and frustration, they finally realized their dream of producing an album of songs that they could share with the world. In late April they released their debut album The Code Duello, and it’s quite an undertaking, with 13 tracks. The various tracks were recorded between September 2013 and January 2017 in New York, Virginia and Nashville, with the assistance of a number of important producers in the music industry, including Michael Rosen (AFI, Papa Roach), Mark Needham (Imagine Dragons, The Killers), Bill Leverty (Firehouse), Beau Hill (Alice Cooper, RATT) and Anthony “Rocky” Gallo  (John Legend, Carrie Underwood).

The Ivins 2017 Promo Photo 2

The Ivins are brothers Jim and Jack Ivins. They share songwriting duties, and Jim plays guitar and sings lead vocals (and also bass and keyboards on the album), and Jack plays drums (as well as guitar, mellotron and backing vocals on the album). More recently, they’ve been joined by Hatton Taylor on lead guitar and Regan Akers on bass and backing vocals to complete the band’s stellar line-up.

In describing The Code Duello, Jim stated “stylistically, I call this a ‘3:00 A.M. album,’ [with] the vibe of the music as the sound of walking through the Lower East Side of Manhattan at 3:00 A.M., inebriated and wearing sunglasses.” When I asked him about the meaning and inspiration behind the album title and theme, he explained:

“A Code Duello is a set of rules for a duel. A fight, if you will. The title couldn’t be more appropriate because this album is about a fight. A fight to get the album made. A fight between us and the music industry. A fight to make rock music viable to an audience increasingly disinterested in the medium. A fight with society’s expectations about what we “should” be doing with our lives. A fight to be heard. A fight for a connection. Much of the album’s lyrical content deals with those themes and our struggles with the music industry.”

The Ivins 2017 Promo Photo 1

Hallmarks of The Ivins’ music are complex melodies, brilliant, multi-textured guitar riffs, and aggressive percussion (courtesy of Jack’s athletic agility with his drum kit) that create a rich and dynamic soundscape. Their unflinching, intelligent lyrics about love, relationship and career struggles are delivered by Jim’s skillful vocals that go from tender and heartfelt to raw and impassioned.

The album kicks off with a siren announcing the arrival of “Freefall,” a powerful song about coming to terms with a partner who’s no longer emotionally invested in a relationship that’s failing. Jim bitterly sings “Your sloth a hurdle in my way. Your passion is clearly concealing apathy. My back’s broken from your weight.” The layered shredded and swirling guitars are outstanding, and Jack’s hammering drums (he’s jackhammer!) and crashing cymbals add heft to this blistering track.

Heartbreakers” erupts with explosive percussion and guitars, and Jim’s vocals are fervent one moment, then a screeching crescendo the next. This hard-driving track is about being interested only in casual sex, not wanting to get emotionally involved but feeling empty afterward: “Didn’t realize they were the same. Didn’t know that they were playing the same game. Didn’t realize nobody cared. Was surprised when they didn’t get hurt. Was surprised when it didn’t work. If this is what I wanted it to be? Then why’d I wake up feeling empty?” Along a similar theme, “Lay Me Down” speaks to looking for an emotional connection in casual encounters, but never finding it: “If you lay me down, thought I’d see God. But all I see’s a nameless face staring at me.

The guys’ awesome guitar work really shines on “Stockholm Syndrome,” where they throw down a cascade of razor-sharp riffs that snarl and chime. Jack pounds the hell out of his drum kit, while Jim’s electronically-altered vocals implore: “Building me up to tear me down. You say I’m not what you crave, and yet now here you are, but I’m screaming stop. You may be gone but you’re living a lie ’cause you could never fully give up and let this die. Standing on shoulders just to say that you’ve grown, but I won’t be your Stockholm syndrome.

A catchy, upbeat melody belies the bittersweet lyrics in “Masquerade.” The track features lovely, intricate guitar work and the guys’ wonderful harmonizing vocals that contrast with its story line about realizing your partner doesn’t really love you and has just been going through the motions. The lyric “If love is blind, then I’m wasting my time with eyes” is especially poignant.

A standout track is “Roam the World,” with instrumentals so terrific they honestly send shivers down my spine. Upon hearing the opening jangly, reverb-heavy guitar riff, it’s clear this song is going to be something special. There’s a lot going on musically, with amazing multi-layered guitars, heavy buzzing bass and power drums, along with some well-placed synths. Jim’s captivating vocals match the music’s power note for note as he sings: “And I can’t stop running away. But even if I die I know I’m home with you. If I die I’ll roam the world with you.”

The band just released a fantastic video for “Roam the World.” Directed by Kylie Rebecca and filmed in black and white, the video stars Ivy Rhodes & Jordan Fitzsimmons as a couple with a complicated relationship, juxtaposed with footage of the band performing the song in an airplane hanger.

One of my personal favorites is “The Seeker,” a stunning rock song with one of the most beautiful guitar hooks I’ve heard in a while. The track opens with dreamy synths, followed by haunting chiming and jangly guitars and heavy doses of strong percussion. Jim plaintively sings:  “Come follow me into the dark. Come and be the second heartbeat for this vagrant life, that which I chose.” I love this song.

The guys ramp things up with frantic riffs and rapid-fire drums on “Nothing Left to Say,” then segue into the melodically complex “Mountains.” I continue to be blown away by the Ivins brothers’ musicality, as the guitar work on this powerful track is impressive. The lyrics speak to persevering in the face of obstacles and self-doubt: “We’ve come too far. We fell so hard. We’ve come too far to pay for a loss of who we are.

Another standout track is “Tell Me,” perhaps the heaviest and darkest of them all. The story line has the singer on an airplane that may crash, thinking about his past transgressions and regretting things he never got the chance to do. Wanting to atone, he asks for God’s forgiveness. “And life flashes before our eyes. But all I could see was all I hadn’t done. I couldn’t tell the wife I never had goodbye. Love was always what I wanted most, but kept from me through lies.” The song features the guys’ signature intricate, guitar-driven melodies and strong percussion.

Closing out the album is the heartfelt “Bring Life,” about finding the strength to go on after the death of a loved one by holding onto memories of them. “Even though your grave lies in the shade, I know the grass still grows, and brings life to this place of the dead. You bring life to this place of the dead and ease my mind, ’cause even in death you bring me life.

The Code Duello is outstanding from start to finish, and even with 13 tracks, none seem like filler as is sometimes the case with other albums of this length.  The Ivins have a great album on their hands, and it should also be in yours.

Track list:

  1. Freefall
  2. Heartbreakers
  3. Lay Me Down
  4. Out Of Air
  5. Stockholm Syndrome
  6. Made Up Mind
  7. Masquerade
  8. Roam The World
  9. The Seeker
  10. Nothing Left To Say
  11. Mountains
  12. Tell Me
  13. Bring Life

Show The Ivins some love by following them:  Website /  Facebook /  Twitter /  Instagram

Stream their music:  YouTube /  Spotify /  Apple Music

Purchase it:  iTunes /  Amazon

Top 20 Songs for June 4-10, 2017

1. WOLVES – Wide Eyed Boy (1)
2. SIGN OF THE TIMES – Harry Styles (2)
3. FEEL IT STILL – Portugal. The Man (3)
4. BELIEVER – Imagine Dragons (4)
5. LOVE IS MYSTICAL – Cold War Kids (5)
6. HIGH – Sir Sly (7)
7. BLAME – Bastille (6)
8. SOMETHING JUST LIKE THIS – The Chainsmokers, Coldplay (8)
9. DOING IT FOR THE MONEY – Foster the People (11)
10. DON’T TAKE THE MONEY – Bleachers (12)
11. REVEREND – Kings of Leon (14)
12. HOT THOUGHTS – Spoon (9)
13. COLD COLD COLD – Cage the Elephant (10)
14. FEELS LIKE SUMMER – Weezer (15)
15. IN COLD BLOOD – alt-J (18)
16. GIVE ME REASON TO DIE – Dyslexic Postcards (19)
17. THE VIOLENCE – Rise Against (20)
18. MIDDLE FINGERS – MISSIO (13)
19. THE SYSTEM ONLY DREAMS IN TOTAL DARKNESS – The National (N)
20. DIG DOWN – Muse (N)