XENNON is a synthwave artist/producer and music teacher who’s originally from the U.K., but now based in Tokyo, Japan, and he’s just released his debut album MIAMI COP. A busy man, he’s also curator of the Synthwave Sounds playlist on Spotify. Inspired by the 80s hit TV show Miami Vice, and the synth-driven pop-rock that was also popular in the 80s, MIAMI COP is a concept album that tells the story of an alternative Miami circa 1987. In this story, the city is a dystopian world in which technology has advanced far beyond our own world’s, and crime has spiraled out of control. Against this backdrop of illegal firearms and drug trafficking stands a troubled police officer named Jack Lancer, the MIAMI COP who aims to do battle with the bad guys.
The album was written, performed, produced and mixed by XENNON, and mastered by acclaimed music engineer Pete Maher, whose clients have included such noted acts as U2, The Killers, The White Stripes, The Pixies, The Rolling Stones, Nine Inch Nails, the 1975, Katy Perry, Depeche Mode, Liam Gallagher, Linkin Park and many more. Additional guest vocals and voice-over work on some tracks were provided by Allie, Bill Fore and Benny Rose. XENNON has dedicated his album to the memory of Jeanette Portues.
MIAMI COP opens with “Miami Beach Chase“, a fast-paced song that sets the stage for the battle to come, as Jack goes on a high-speed pursuit of a criminal on the streets of Miami. The exuberant track immediately reminds me of Patti Labelle’s 1985 dance-pop hit “New Attitude”, which was also featured on the Beverly Hills Cop Soundtrack. XENNON turns introspective on the poignant “Flashback to Holly“, where Jack reflects on better times with his now ex-wife Holly, who left him because of his drinking and aggressive behavior, and how he wishes he’d treated her better: “But I can’t say the words that are deep in my regret. Like, ‘did I let you down?’ I couldn’t see you smiling back at me at first, but I can now./Let go, moving slow, because time is the only thing that makes it better.” The vibrant, shimmery synths and pulsating percussive beats enhance the powerful emotions expressed by XENNON’s clear, plaintive vocals.
Ominous grinding synths beautifully capture the evil essence of notorious arms dealer Baron Cleeth on “A New Enemy“. Jack comes to terms with what he must do to redeem himself and save Miami: “Saved in me, is the least that I can do to erase what I regret. Now, take me from me./Hating what I’ve done. Know then what I’ll do. Hating what I’ve become. But I know then what I’ll do.” Bill Fore provides Cleeth’s menacing voice-over. “The Visit” sees Jack going to visit Holly in an attempt to win her back, but she’s having none of it. The track has a bouncy, upbeat tempo and sweeping glittery synths that belie the bittersweet lyrics. Guest vocalist Allie sings Holly’s parts as she gives Jack the brush-off: “Shifting blame is what you do best. But I’m tired, yeah I’m tired. And I’m tired of trying.”
“The Broken Man” is a near-epic, mostly instrumental track running seven and a half minutes. The music starts off with magical-sounding synth chords, accompanied by a deep, fluttering jazzy bass riff. The music then expands with psychedelic synths and an ominous throbbing percussive beat. Later in the song, guest vocalist Benny Rose performs the spoken voice-over for Jack’s boss Captain Carson, who admonishes him for being stupid and foolish to embark on a dangerous raid, and to use his pain and suffering as the fuel to re-ignite the fire inside him and become the valiant man he used to be.
Heeding his captain’s advice, Jack cleans up his act and pulls himself together on “The Montage“. XENNON employs more of those 80s dance-pop grooves with a bouncy deep percussive beat and lots of shimmery synths, giving the track a sunny, upbeat vibe that complements the hopeful lyrics: “Finally the fog is lifting and I can see everything once again. Achingly, I stand assisting the reason I’m here taking over me.”
With his attitude improved and confidence back, as he prepares to do battle with Cleeth, Jack decides to try again with Holly, sending her “The Letter“. Musically, the song has a strong 80s synth-pop sound, with a chorus that reminds me a bit of the chorus in Starship’s 1986 hit “Nothing’s Gonna Stop Us Now”. XENNON’s vocals are especially wonderful here, soaring to a near-falsetto in places as he croons “I’m alive, I’m seeing sights with my soulmate standing by my side. Can’t believe my eyes, where everything I ever wanted is mine. This part of my heart, is forever growing. I hope I show it every day. All the years that we spent, I want more of them. Cause I couldn’t be happier another way.”
Everything comes to a head on “The Raid” an exhilarating eight-minute-long tour de force. The track starts off with a cool special FX arrangement by Benny Rose, where we hear crystalline sounds of breaking glass, voices from a crowd of people and a circling police helicopter, all accompanied by deep, throbbing bass. Both Fore and Rose are back, providing voice-overs for Cleeth and Captain Carson, respectively. XENNON delivers a complex kaleidoscope of swirling, psychedelic, and industrial synths to create aural imagery of the epic battle between the Miami police and Cleeth’s gang of thugs. It’s a dramatic finish to a clever and imaginative concept work.
I’m not entirely sure we needed more 80s-inspired synthpop, but XENNON brings a fresh and creative approach to the genre with his ambitious and impressive debut effort. He’s done a very fine job composing exciting music and writing thoughtful lyrics, then using synthesizers to create the distinct moods and sounds that bring his classic tale of good vs. evil to life.
To learn more about the storyline for MIAMI COP, as well the character bios and images, go to XENNON’s Website. You’ll find everything you need to know about the MIAMI COP universe, allowing you to more fully enjoy the overall experience. All artwork for the album and website was done by Travis Wright.